Relevant bibliographies by topics / Bloom, leopold (fictional character)

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Academic literature on the topic 'Bloom, leopold (fictional character)'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Bloom, leopold (fictional character)"

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Gast, Volker, Christian Wehmeier, and Dirk Vanderbeke. "A Register-Based Study of Interior Monologue in James Joyce’s Ulysses." Literature 3, no. 1 (2023): 42–65. http://dx.doi.org/10.3390/literature3010004.

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While fictional orality (spoken language in fictional texts) has received some attention in the context of quantitative register studies at the interface of linguistics and literature, only a few attempts have been made so far to apply the quantitative methods of register studies to interior monologues (and other forms of inner speech or thought representation). This article presents a case study of the three main characters of James Joyce’s Ulysses whose thoughts are presented extensively in the novel, i.e., Leopold and Molly Bloom and Stephen Dedalus. Making use of quantitative, corpus-based
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O’Brien, Dan. "‘Why will you Jews not accept our culture, our religion and our language?’: James Joyce’s Jew through the Eyes of Jewish America." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2014 (January 1, 2014): 119–22. http://dx.doi.org/10.33178/boolean.2014.23.

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Just as James Joyce is the most important writer since Shakespeare, his Jewish-Irish character, Ulysses’ Leopold Bloom, is the most fascinating fictional Jew since Shylock. All authors must struggle with Joyce’s overwhelming legacy, but what of writers who are themselves Jewish? How do they envisage Bloom and relate to his complex sense of identity—as a Jew, as an Irishman, but most fundamentally as a human being? The three greatest Jewish American writers of the twentieth century, Philip Roth, Bernard Malamud, and Saul Bellow, were all deeply influenced by Joyce. Each of them responded to Joy
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Argyrides, Patty. "‘Choreopiscopally’: James Joyce's ‘Nausicaa’ and Vaslav Nijinsky's The Afternoon of a Faun." Modernist Cultures 17, no. 1 (2022): 27–53. http://dx.doi.org/10.3366/mod.2022.0358.

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One striking commonality between Vaslav Nijinsky's The Afternoon of a Faun (1912) and the ‘Nausicaa’ chapter in James Joyce's Ulysses (1922) is that both culminate with masturbation scenes and were met with similar reactions – outrage and censorship. Upon closer consideration, the similarities between Faun and Ulysses reach far beyond the climactic solos of Leopold Bloom and Nijinsky as the Faun. In Ulysses, Joyce choreographs the words on the page, the fictional bodies of his characters’ movements through Dublin, and elicits embodied responses from his readers. Using ‘Nausicaa’ and Faun as my
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McCalman, Iain. "Making Culture Bloom." Cultural Studies Review 11, no. 1 (2013): 175–82. http://dx.doi.org/10.5130/csr.v11i1.3458.

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On 16 June 1904, exactly one hundred years before the establishment of CHASS, an Irish Jew of Hungarian extraction called Leopold Bloom set off on a twenty-four hour perambulation around the streets and bars of Dublin. This fictional incident is the basis of James Joyce’s Ulysses, the greatest novel of modern times. It has also given rise to Bloomsday, a kind of Irish literary holy day celebrated in cities all around the world. It was a specially appropriate moment for us to celebrate the birth of our new peak body, because Bloomsday provides a perfect parable for why the Australian public and
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ჯალიაშვილი, მაია. "ცხოვრების გზაჯვარედინები (თემურ ბაბლუანის რომანი „მზე, მთვარე და პურის ყანა (მანუშაკა მელოდება)“". Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (20 грудня 2024): 676–82. https://doi.org/10.62119/cils.17.2024.8858.

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One of world literature's key themes is the journey, evolving from the biblical prodigal son and Homer’s Odysseus to Cervantes’ Don Quixote and Joyce’s Leopold Bloom. Temur Babluani's novel features adventurous twists and picaresque tales, exploring human psychology and the depths of the soul. As readers accompany the novel’s characters through bright ideals and dark instincts, they are prompted to reflect on existential questions. The story traverses life’s labyrinths, showcasing the strength of human will and the power of love. Despite life's trials and societal insults, the main character f
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Sekh, Md Sujan. "Evaluate that Consciousness is the Controller of the Lives of the Characters in James Joyce’s Novels." SMART MOVES JOURNAL IJELLH 7, no. 11 (2019): 15. http://dx.doi.org/10.24113/ijellh.v7i11.10095.

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Consciousness refers to the continuous flow of thoughts, memories and awareness in the human mind. It covers a larger area of unrestricted mental activities. There are layers within layers in the human consciousness. This paper tends to show that there is no other controller of an individual but his or her own consciousness. The paper has been undertaken in hopes that the study would lead to a new knowledge and provide foundations or approaches to James Joyce, which would make his novels more understandable. It also examines how consciousness affects the characters’ participation in various ac
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Kolasińska-Pasterczyk, Iwona. "Interwencja bogini/Szatana? "Wenus w futrze" (2013) – lektura palimpsestowa filmu Romana Polańskiego." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 281–314. http://dx.doi.org/10.21697/zk.2023.10.14.

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Goddess’s or Satan’s Intervention? A Palimpsest Reading of Roman Polanski’s Venus in Fur (2013) The text concerns Roman Polanski’s film Venus in Fur (2013), a multi-layer psychodrama written for two characters, taking place on several levels of human relations: actress vs. director, literary character vs. performing artist, man vs. woman. Venus in Fur has been defined as a kind of palimpsest, i.e. a film story based on the fictional skeleton of other works. Referring to the concept developed by Gérard Genette, who categorized the ways in which different texts interact with each other, the arti
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Barbara, Lara Rebeca da Mata Santa, and Noélia Borges de Araújo. "Who’s Afraid of Reading Joyce’s Ulysses: Unravelling the Joycean Labyrinth in “Eumaeus”." ABEI Journal 25, no. 1 (2023): 57–67. http://dx.doi.org/10.11606/issn.2595-8127.v25i1p57-67.

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Reading Ulysses, James Joyce’s novel which was first published in 1922, may not be an easy task. In the text, Joyce does not apply his narrative to traditional, chronological, structures. Instead, the reader is challenged to dive into the stream of consciousness of its main character, Leopold Bloom. This means reading through disconnections, fragmented thoughts, Bloom’s distractions, the synesthetic elements within the narrative, and encountering a language that is full of neologisms, allusions, agglutinations, polyphonies, among other characteristics. However, such a challenge often represent
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Dr., V. Vasantha Kumar, and Muthmainnah Dr. "A Psychological Analysis of Exploring Stream of Consciousness and Identity Formation in James Joyce's "Ulysses"." Literary Druid 5, no. 3 (2023): 19–24. https://doi.org/10.5281/zenodo.8243126.

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<em>This research paper employs a psychological approach to analyze James Joyce&#39;s groundbreaking novel, &quot;Ulysses.&quot; By focusing on the concepts of stream of consciousness and identity formation, this paper aims to explore the intricate psychological landscapes and character development depicted in the novel. Drawing on relevant theories and concepts from psychology, including Freudian psychoanalysis and Erikson&#39;s psychosocial theory, this analysis delves into the complex inner workings of the characters&#39; minds, their struggles with identity, and the psychological motifs pr
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Anisimova, E. E. "“Tolstoys are Totally Different Matter...” A. K. Tolstoy in Bunin’s Experience of Historical Reflection: B. Genre Aspect of the Theme of Memory." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 371–84. http://dx.doi.org/10.25205/2410-7883-2020-2-371-384.

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The article deals with I. A. Bunin’s perception of the personality and works by A. K. Tolstoy. The key components of this reception are the system of philosophy of history views formulated by A. K. Tolstoy and his concept of historical memory. The belonging of the 19 th century poet to the large Tolstoy family was mythologized by Bunin and became a reason for understanding and determining the young writer’s own position in relation to each of the three writers: L. N. Tolstoy, A. K. Tolstoy and Bunin’s contemporary A. N. Tolstoy. The paper draws upon fictional and nonfictional documents by I. A
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Books on the topic "Bloom, leopold (fictional character)"

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Sherry, Vincent B. James Joyce's Ulysses. 2nd ed. Cambridge University Press, 2004.

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James, Joyce. Ulysses. Secker & Warburg, 1994.

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James, Joyce. Ulysses. Modern Library, 1992.

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James, Joyce. Ulises. 3rd ed. Lumen, 1991.

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James, Joyce. Ulysses. Penguin, 2000.

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James, Joyce. Ulysses. Music Ireland Publications, c2012., 2012.

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James, Joyce. Uiliséas. Foillseacháin Inis Gleoire, 1991.

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James, Joyce. Ulysses. Random House Publishing Group, 2000.

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James, Joyce. Ulysses. Garland Pub., 1986.

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James, Joyce. Ulises. Tusquets, 1994.

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Book chapters on the topic "Bloom, leopold (fictional character)"

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Cheadle, Norman. "Metempsychotic Bloom." In Joyce without Borders. University Press of Florida, 2022. http://dx.doi.org/10.5744/florida/9780813069395.003.0003.

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This chapter proposes that the character Don Ecuménico in Leopoldo Marechal’s Adán Buenosayres (1948)—the first Ulyssean novel to be written in Spanish—is a composite construction inspired by both Leopold Bloom and the real-life Argentine José Salas Subirat, the first Spanish-language translator of Ulysses. Marechal takes from Joyce’s novel, and reworks in his Don Ecuménico, Bloom’s intertextual antecedents, in particular the English morality play Everyman and Dante’s version of the classical Ulysses in Canto 26 of the Inferno. This intertextual amalgam is superimposed on the autodidactic insu
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Fargnoli, Nicholas, and Michael Patrick Gillespie. "C." In James Joyce A To Z. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195110296.003.0003.

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Abstract “Cahra” The title of a poem Joyce wrote in 1903, sometime after the death of his mother on 13 August. The poem was revised in 1919 and retitled “RUMINANTS.” Joyce later rewrote the poem, yet again, renaming it “TILLY,” and placed it first in his collection Pomes Penyeach (1927). Caffrey, Cissy In Ulysses, a minor character and friend of Gerty MACDOWELL and Edy BOARDMAN. In the NAUSIKAA episode (chapter 13) she appears with them on Sandymount Strand, where Leopold BLOOM is lingering after visiting Paddy DIGNAM’s widow.
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Horsnell, Linda. "Character Traits and Individual Expressions of Grief: Stephen Dedalus, Leopold Bloom, and Molly Bloom." In Attachment and Loss in the Works of James Joyce. Lexington Books, 2021. http://dx.doi.org/10.5771/9781793635624-91.

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Shiner, Larry. "Writing Smell." In Art Scents. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190089818.003.0015.

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Chapter 7, “Writing Smell,” suggests that if we look at poetry and the novel in the West, it turns out that many Western writers have in fact been able to articulate smell experiences forcefully and convincingly. The discussion of poetry (Baudelaire and Heaney) focuses on synesthetic metaphors. A careful discussion of Baudelaire’s Correspondences shows his ability to give subtle and complex expression to the qualities of odors. The discussion of novelists considers not only their use of linguistic devices to bring smells to life, but their use of a variety of devices for expressing character a
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Mecsnóber, Tekla. "The Politics of Names in Ulysses." In Rewriting Joyce's Europe. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9780813066981.003.0002.

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Focusing on one of the most salient aspects of linguistic politics, the politics of naming, Mecsnóber establishes a parallel between the fictional migrations and name changes connected to the family of Leopold Bloom, the Dublin-born protagonist of James Joyce’s 1922 novel Ulysses, and real historical processes in the Europe that the writer knew. Starting with readings of accounts of the names and migrations of Bloom’s ancestors in “Circe” and “Ithaca,” the Mecsnóber explores the context of Jewish assimilation and European nationalisms, and finally zooms in on the period surrounding World War I
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Hernandez, Rafael. "“Dark Men in Mien and Movement”." In Joyce Writing Disability. University Press of Florida, 2022. http://dx.doi.org/10.5744/florida/9780813069135.003.0006.

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The blind stripling in James Joyce’s Ulysses (1922) has long been a figure of great interest to Joycean scholarship. His visual impairment has been allied autobiographically to Joyce’s own eye troubles, and his character has been said to represent the critical symbolic link between Leopold Bloom and Stephen Dedalus. This essay follows recent scholarship on embodiment and disability to investigate the further import of the stripling in Joyce’s “epic of the body.” In particular, this essay argues that when read in a disability studies context the stripling adds to an understanding of the novel’s
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