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Relevant bibliographies by topics / Blue Bells

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Academic literature on the topic 'Blue Bells'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Blue Bells"

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Bosma, Theresa L., Janet C. Cole, Kenneth E. Conway, and John M. Dole. "Solid Matrix Priming Hastens Canterbury Bells Seed Germination." HortTechnology 12, no. 2 (January 2002): 268–70. http://dx.doi.org/10.21273/horttech.12.2.268.

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Canterbury bells (Campanula medium `Champion Blue') seeds were primed using calcined clay at 68 °F (20 °C) for 1, 3, or 5 days at water potentials (Ψ) of -25, -20, -18, or -16 bars (-2.5, -2.0, -1.8, or -1.6 MPa). Germination was fastest (3.0 to 3.1 days) after priming with a Ψ of -18 or -16 bars for 5 days. Seeds primed for 3 or 5 days with moisture present germinated faster than nonprimed seeds, but time to 50% germination (T50) was longer when seeds were primed for 1 day regardless of Ψ compared to nonprimed seed. Germination uniformity decreased (time from 10% to 90% germination, T10-90, increased) as Ψ increased. Although a curvilinear relationship existed between T10-90 and priming duration, T10-90 did not differ between nonprimed seeds and seeds in any priming treatment except those primed for 3 days with 20% moisture (-16 bars). Priming did not affect total germination percentage (97%).

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Owen, W. Garrett, Alyssa Hilligoss, and Roberto G. Lopez. "Late-season High Tunnel Planting of Specialty Cut Flowers in the Midwestern United States Influences Yield and Stem Quality." HortTechnology 26, no. 3 (June 2016): 338–43. http://dx.doi.org/10.21273/horttech.26.3.338.

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Production and market value of U.S. grown specialty cut flowers has increased over the past several years due to stem quality issues related to long-distance transport, regional proximity to market centers, and consumer’s willingness to purchase locally. Cut flowers are traditionally grown in field or greenhouse environments; however, high tunnels provide an alternative production environment and a number of cultural and economic advantages. Specialty cut flower species ‘Campana Deep Blue’ bellflower (Campanula carpatica), bells of ireland (Moluccella laevis), ‘Bombay Firosa’ celosia (Celosia cristata), ‘Amazon Neon Purple’ dianthus (Dianthus barbatus), ‘Fireworks’ gomphrena (Gomphrena pulchella), ‘Vegmo Snowball Extra’ matricaria (Tanacetum parthenium), and ‘Potomac Lavender’ snapdragon (Antirrhinum majus) were planted in both field and high tunnel environments during the late season (early summer) in the midwestern United States. Compared with field production, high tunnel production yielded 9.1 stems/m2 (75%) for bells of ireland and 9.5 cm (15%), 16.8 cm (16%), 6.7 cm (44%), and 6.3 cm (19%) longer stems for bells of ireland, celosia, gomphrena, and matricaria, respectively. Additionally, stem length and caliper was greatest for high tunnel–grown bells of ireland, celosia, and dianthus. Our results indicate that late-season planting and production in a high tunnel is suitable for most of the species we investigated.

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Derr, Jeffrey F. "Tolerance of Woody Nursery Stock to Classic (chlorimuron) and Harmony (thiameturon)." Journal of Environmental Horticulture 9, no. 1 (March 1, 1991): 9–13. http://dx.doi.org/10.24266/0738-2898-9.1.9.

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Abstract Classic and Harmony applied at rates ranging from 0.009 kg ai/ha (0.008 lb ai/A) to 0.067 kg/ha (0.06 lb/A) provided excellent preemergence and postemergence control of common groundsel (Senecio vulgaris L.) 5 weeks after application to container-grown nursery plants. Classic at 0.034 kg/ha (0.03 lb/A) and 0.067 kg/ha (0.06 lb/A) reduced yellow nutsedge (Cyperus esculentus L.) growth by 50 to 77% 5 weeks after preemergence or postemergence treatments. Harmony did not affect yellow nutsedge from either type of application. ‘Seagreen’ juniper (Juniperus chinensis L.), ‘Blue Pacific’ juniper (Juniperus conferta Parl.) and ‘Bennetts Compacta’ holly (Ilex crenata Thunb.) tolerated all rates of Classic and Harmony. ‘Girard's Rose’ (Rhododendron kaempferi Planch.) and ‘Coral Bells’ azale(Rhododendron obtusum (Lindl.) Planch.), and redtip photinia (Photinia × Fraseri Dress) were initially injured by these herbicides, but outgrew the foliar damage.

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Wang, Shi-Ying, William H. Carlson, and Royal D. Heins. "Effect of Photoperiod on Stem Elongation and Flowering of 10 Hanging-basket Crops." HortScience 32, no. 3 (June 1997): 465G—466. http://dx.doi.org/10.21273/hortsci.32.3.465g.

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Argeranthemum frutescens `Butterfly' and `Sugar Baby', Brachycome hybrid `Ultra', Helichrysum bracteatum `Golden Beauty', Scaevola aemula `New Wonder',Supertunia axillaris hybrids `Kilkenny Bells' and `Pink Victory', Sutera cordata `Mauve Mist' and `Snowflake', and Verbena hybrid `Blue' were grown in a glass greenhouse maintained at 20°C under seven different photoperiods (10-, 12-, 13-, 14-, 16-, 24-hr, and 4-hr night interruption). Black cloth was pulled at 1700 and opened at 0800 HR; incandescent lamps provided 2 μmol·m–2·s–1 to extend light hours to the designed photoperiods. Seedlings were pinched 3 days after transplant. Responses to photoperiod were clearly species-dependent. The tested species can be classified into three groups: 1) stem elongation and flowering were promoted in the long-day treatment (A. frutescens and S. axillaris hybrids), 2) only stem elongation was promoted in the long-day treatment (S. aemula, H. bracteatum, and B. hybrid), and 3) neither flowering nor stem elongation were affected by photoperiod (S. cordata and V. hybrid).

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Marques-Chaves, R., I. Pérez-Fournon, Y. Shu, L. Colina, A. Bolton, J. Álvarez-Márquez, J. Brownstein, et al. "Rest-frame UV properties of luminous strong gravitationally lensed Lyα emitters from the BELLS GALLERY Survey." Monthly Notices of the Royal Astronomical Society 492, no. 1 (December 13, 2019): 1257–78. http://dx.doi.org/10.1093/mnras/stz3500.

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ABSTRACT We present deep rest-frame UV spectroscopic observations using the Gran Telescopio Canarias of six gravitationally lensed Lyα emitters (LAEs) at 2.36 < z < 2.82 selected from the BELLS GALLERY survey. By taking the magnifications into account, we show that LAEs can be as luminous as LLyα ≃ 30 × 1042 erg s−1 and MUV ≃ −23 (AB) without invoking an AGN component, in contrast with previous findings. We measure Lyα rest-frame equivalent widths, $EW_{0}\,\rm (Ly\alpha)$, ranging from 16 to 50 Å and Lyα escape fractions, $f_{\rm esc}\, \rm (Ly\alpha)$, from 10 per cent to 40 per cent. Large $EW_{0}\, \rm (Ly\alpha)$ and $f_{\rm esc}\, \rm (Ly\alpha)$ are found predominantly in LAEs showing weak low-ionization ISM absorption (EW0 ≲ 1 Å) and narrow Lyα profiles (≲300 km s−1 FWHM) with their peak close (≲80 km s−1) to their systemic redshifts, suggestive of less scatter from low H i column densities that favours the escape of Lyα photons. We infer stellar metallicities of Z/Z⊙ ≃ 0.2 in almost all LAEs by comparing the P-Cygni profiles of the wind lines N v1240 Å and C iv1549 Å with those from stellar synthesis models. We also find a trend between MUV and the velocity offset of ISM absorption lines, such as the most luminous LAEs experience stronger outflows. The most luminous LAEs show star formation rates up to ≃180 M⊙ yr−1, yet they appear relatively blue (βUV ≃ −1.8 to −2.0) showing evidence of little dust attenuation [E(B − V) = 0.10–0.14]. These luminous LAEs may be particular cases of young starburst galaxies that have had no time to form large amounts of dust. If so, they are ideal laboratories to study the early phase of massive star formation, stellar and dust mass growth, and chemical enrichment histories of starburst galaxies at high-z.

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Starman, Terri W., Melissa C. Robinson, and Kristen L. Eixmann. "Efficacy of Ethephon on Vegetative Annuals." HortTechnology 14, no. 1 (January 2004): 83–87. http://dx.doi.org/10.21273/horttech.14.1.0083.

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Plant response to ethephon treatment was tested on 27 cultivars of vegetative annuals that have spreading and trailing growth habits. A control treatment was compared to 500 and 1000 mg·L-1 (ppm) foliar spray treatments of ethephon. Plant height and/or width index were significantly reduced for 81% of the cultivars tested. Responsive cultivars were alternanthera (Alternanthera dentata), brachyscome (Brachyscome iberidifolia) `Toucan Tango'; calibrachoa (Calibrachoa hybrids) `Colorburst Red', `Million Bells Cherry Pink', and `Trailing Pink'; diascia (Diascia × hybrida) `Sunchimes Rose' and `Red Ace'; double impatiens (Impatiens wallerana) `Tioga Red' and `Tioga White'; sweetpotato vine (Ipomoea batatas) `Sweet Caroline Bronze'; lantana (Lantana camara) `Patriot Cherry' and `Samantha'; nemesia (Nemesia × hybrida) `Aromatica Dark Lavender', `Blue Bird', and `Blueberry Sachet'; nolana (Nolana paradoxa) `Blue Eyes'; ivy geranium (Pelargonium hybrida) `King of Balcon'; petunia (Petunia × hybrida) `Cascadia Pink', `Mini Bright Pink', and `Supertunia Mini Purple'; bacopa (Sutera cordata) `Bridal Showers'; and vinca vine (Vinca minor) `Illumination'. Ethephon was not effective on monopsis (Monopsis unidentata) `Royal Flush', persicaria (Persicaria microcephala) `Red Dragon', or calibrachoa `Liricashower Rose'. Different cultivars of petunia showed varied responses to ethephon treatments as did trailing snapdragon (Antirrhinum majus) `Chandelier Yellow' and `Luminaire Yellow'. Flower number was reduced in 55% of the cultivars due to a delay in flowering. The experiment finds efficacy of ethephon for most cultivars treated at rates greater than or equal to that used commercially, however more research is needed to determine optimum concentrations for the specific cultivars. Chemical name used: ethephon [(2-chloroethyl) phosphonic acid].

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Clark, Erin M. R., John M. Dole, Alicain S. Carlson, Erin P. Moody, Ingram F. McCall, Frankie L. Fanelli, and William C. Fonteno. "Vase Life of New Cut Flower Cultivars." HortTechnology 20, no. 6 (December 2010): 1016–25. http://dx.doi.org/10.21273/hortsci.20.6.1016.

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Each year a wide variety of new cultivars and species are evaluated in the National Cut Flower Trial Programs administered by North Carolina State University and the Association of Specialty Cut Flower Growers. Stems of promising and productive cultivars from the National Trial Program were pretreated with either a commercial hydrating solution or deionized (DI) water and placed in either a commercial holding solution or DI water. Over 8 years, the vase life of 121 cultivars representing 47 cut flower genera was determined. Although there was cultivar variation within each genus, patterns of postharvest responses have emerged. The largest category, with 53 cultivars, was one in which a holding preservative increased vase life of the following genera and species: acidanthera (Gladiolus murielae), basil (Ocimum basilicum), bee balm (Monarda hybrid), black-eyed susan (Rudbeckia hybrids), campanula (Campanula species), celosia (Celosia argentea), common ninebark (Physocarpus opulifolius), coneflower (Echinacea purpurea), coral bells (Heuchera hybrids), feverfew (Tanacetum parthenium), foxglove (Digitalis purpurea), ladybells (Adenophora hybrid), lisianthus (Eustoma grandiflorum), lobelia (Lobelia hybrids), obedient plant (Physostegia virginiana), ornamental pepper (Capsicum annuum), pincushion flower (Scabiosa atropurpurea), pinkflower (Indigofera amblyantha), seven-sons flower (Heptacodium miconioides), shasta daisy (Leucanthemum superbum), sunflower (Helianthus annuus), snapdragon (Antirrhinum majus), sweet william (Dianthus hybrids), trachelium (Trachelium caeruleum), and zinnia (Zinnia elegans). Hydrating preservatives increased the vase life of four basils, coral bells, and sunflower cultivars. The combined use of hydrator and holding preservatives increased the vase life of three black-eyed susan, seven-sons flower, and sunflower cultivars. Holding preservatives reduced the vase life of 14 cultivars of the following genera and species: ageratum (Ageratum houstonianum), false queen anne's lace (Ammi species), knotweed (Persicaria hybrid), lisianthus, pineapple lily (Eucomis comosa), sneezeweed (Helenium autumnale), yarrow (Achillea millifolium), and zinnia. Hydrating preservatives reduced the vase life of 18 cultivars of the following genera and species: feverfew, lisianthus, ornamental pepper, pineapple lily, seven-sons flower, shasta daisy, sneezeweed, sweet william, sunflower, trachelium, yarrow, and zinnia. The combined use of hydrating and holding preservatives reduced the vase life of 12 cultivars in the following genera and species: false queen anne's lace, feverfew, pincushion flower, sneezeweed, sunflower, trachelium, yarrow, and zinnia. Data for the remaining 50 cultivars were not significant among the treatments; these genera and species included beautyberry (Callicarpa americana), black-eyed susan, blue mist (Caryopteris clandonensis), calendula (Calendula officinalis), campanula, cleome (Cleome hasserliana), common ninebark, dahlia (Dahlia hybrids), delphinium (Delphinium hybrids), flowering peach (Prunus persica forma versicolor), heliopsis (Heliopsis helianthoides), hemp agrimony (Eupatorium cannabinum), himalayan honeysuckle (Leycesteria formosa), hydrangea (Hydrangea paniculata), larkspur (Consolida hybrids), lily of the nile (Agapanthus hybrid), lisianthus, lobelia, ornamental pepper, pineapple lily, scented geranium (Pelargonium hybrid), sunflower, sweet william, and zinnia.

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Harris, Cheryl I., and Derrick Bell. "Bell's Blues." University of Chicago Law Review 60, no. 2 (1993): 783. http://dx.doi.org/10.2307/1600086.

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Clarke, Rachel. "Belly button blues." Nursing Standard 8, no. 38 (June 15, 1994): 47. http://dx.doi.org/10.7748/ns.8.38.47.s55.

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Reeves, Nick. "Briefing: Combating flooding with blue belts." Proceedings of the Institution of Civil Engineers - Civil Engineering 158, no. 1 (February 2005): 6. http://dx.doi.org/10.1680/cien.2005.158.1.6.

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Dissertations / Theses on the topic "Blue Bells"

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Justeson, Jeremy Bradford. "Performance aspects in compositions for saxophone and tape David Heuser's Deep blue spiral, Paul Rudy's Geographic bells, and James Mobberley's Spontaneous combustion /." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3023553.

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Lower, Jonathan. "Lead Belly: Race and Social Activism in Blues Music." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1405422192.

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Barnett, Katrina. "Nine Lives: A History of Cat Women, Subversive Femininity, and Transgressive Archetypes in Film." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707290/.

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The intention of this thesis is to identify and analyze the cat woman archetype as a contemporary extension of the transgressive witch archetype, which rampantly appears over the course of cinema history, working as a signifier of a patriarchal society's fear of autonomous and subversive women. The character of Catwoman is the ultimate representation for this archetype on grounds of her visibility, longevity, and ability to return again and again. More importantly, Catwoman and her sisterhood of cat women work against male creators as a means of female empowerment through trickery. Within this thesis, key films of varying genres are drawn from throughout cinema history and analyzed in order to demonstrate the intertextual network of characters that make up the cat woman archetype, and the importance of the Catwoman character in her many forms.

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Books on the topic "Blue Bells"

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Cochran, Jean Carter. The bells of the blue pagoda. Brushton, N.Y: TEACH Services, 2000.

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Cochran, Jean Carter. The bells of the blue pagoda: The strange enchantment of a Chinese doctor. Ringgold, GA: TEACH Services, Inc. Publishing, 2013.

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Vachss, Andrew H. Blue Belle. New York: Alfred A. Knopf, 1988.

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Vachss, Andrew H. Blue Belle. New York: A.A. Knopf, 1988.

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Vachss, Andrew H. Blue belle. London: Bodley head, 1988.

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Blue Belle. London: Pan Books, 1990.

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Bella blew blue bubbles. Edina, MN: Abdo Pub., 2002.

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Blue belle: A novel. New York: New American Library, 1990.

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9

Oppong, Peggy. The little blue bell. Accra, Ghana: Peggy Oppong Books, 2011.

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10

McLinn, Patricia. Baby blues and wedding bells. New York: Silhouette Books, 2005.

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Book chapters on the topic "Blue Bells"

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Newborn, Monty. "Belle and High-Speed Chess Circuitry." In Kasparov versus Deep Blue, 91–128. New York, NY: Springer New York, 1997. http://dx.doi.org/10.1007/978-1-4612-2260-6_6.

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"Opening Bell." In People of the Blue Water, 24–28. University of Arizona Press, 1985. http://dx.doi.org/10.2307/j.ctv1qwwjhf.7.

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Goldstein, Richard. "Bell-Bottom Blue Jeans." In Reporting the Counterculture, 59–65. Routledge, 2020. http://dx.doi.org/10.4324/9781003074748-10.

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Herman, Bernard L. "Busted Sooks, Rank Peelers, and White-Belly Jimmies." In A South You Never Ate, 59–83. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469653471.003.0004.

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The trade in blue crabs remains an important part of the Eastern Shore economy, and it traces its origins back to the arrival of the railroad and advances in food processing and preservation in the late 1800s. This chapter begins with the regional vernacular nomenclature for blue crabs related to the fishery, marketing, and shedding for soft shell crabs. It includes details on crabbing and recipes. The chapter speaks to the creation of terroir and cuisine through language.

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Weiss, Louis M. "Cystoisosporiasis." In Oxford Textbook of Medicine, edited by Christopher P. Conlon, 1436–38. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780198746690.003.0165.

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Cystoisospora belli is a coccidian protozoan that colonizes epithelial cells of the small intestine. Infection occurs by ingestion of parasite oocysts in water or food. Clinical features of infection include watery diarrhoea, dehydration, fever, and weight loss in both immune competent and immune deficient patients. Cystoisospora belli forms tissue cysts that allow for relapses of this infection. Cystoisosporiasis presenting as chronic diarrhoea is an opportunistic infection associated with HIV infection. Diagnosis is by microscopic examination of faecal specimens for C. belli oocysts, which show blue autofluorescence under ultraviolet light. Cystoisospora belli infection, even in patients with AIDS, responds rapidly to treatment with co-trimoxazole.

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Dickens, Charles. "Wherein Mr. Ralph Nickleby is visited by Persons with whom the Reader has been already made acquainted." In Nicholas Nickleby. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199538225.003.0035.

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‘What a demnition long time you have kept me ringing at this confounded old cracked tea-kettle of a bell, every tinkle of which is enough to throw a strong man into blue convulsions, upon my life and soul, oh demmit,’ said Mr. Mantalini...

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Leaper, Hana. "“Against you I will fling myself, unvanquished and unyielding, O Death!”: Vanessa Bell’s Death of the Moth Dust Jacket as Monument to Virginia Woolf." In Virginia Woolf and Heritage. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781942954422.003.0011.

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During my work cataloguing, conserving and researching the Angelica Garnett Gift at Charleston, I was privileged to study Bell’s sketchbooks closely. They include a number of studies for cover designs for Woolf’s books. Multiple jacket sketches for The Death of the Moth reside within a blue flipbook marked ‘VB’. Published in 1942, this collection of essays was the second of Woolf’s work to be released posthumously. By closely tracing Bell’s design process and making comparisons with the finished cover, it became evident that rather than being swiftly and intuitively delivered – as has usually been accepted by scholars discussing Bell’s dust jackets – this cover was carefully thought-out and painfully laboured over. The many variations of the design contain deeply symbolic imagery pertaining to Monk’s House that reveal this work as a deeply private, yet highly visible monument to her sister’s talent and their creative relationship. The moths that flutter through Woolf’s oeuvre originated in the sisters’ shared childhood pursuit of lepidoptery, and this paper will trace the process through which this symbolic motif become encoded within this dust jacket as a tribute to both writer and her writing, together with the enduring legacy of Monk’s House on both Woolf and Bell’s imaginative processes. Based on the topography of Monk’s House garden, Bell’s cover anticipates its importance as a heritage site and a monument to Woolf.

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Marshall, Owen. "Short Story." In Katherine Mansfield and Russia, 153–60. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474426138.003.0009.

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On Thursday morning he walked again from his apartment in Palais Lutetia to the Villa Isola Bella. The quickest way was the low road through the tunnel and past the marina, but he preferred the climb up to the old cemetery where William Webb Ellis was buried, and then the stroll along the Garavan boulevard, past the Pian olive grove park with hunched, ancient trees set against the blue sea, on to the ornate villas of Garavan, some lacking love, but all with wonderful faded colours of green, yellow and rose. He walked slowly because of the heat, and carried the small backpack from his hand, rather than having it in contact with his shirt. On his way home he would buy the few supermarket items that are all a guy living on his own needs....

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Morgan, Danielle Fuentes. "“How Long Has This Been Goin’ On, This Thang ?”." In Laughing to Keep from Dying, 123–50. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043390.003.0005.

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This chapter examines Jordan Peele’s Get Out, Derrick Bell’s Faces at the Bottom of the Well, and traditional depictions of horror to highlight the limits of comedic satire to articulate Black experiences in the twenty-first century. These works blur the line between satire and horror to express the trauma—the horror—of Black life in the white gaze. Similarly, Issa Rae’s HBO series, Insecure, offers a way to think about Black centrality outside of the white gaze. These texts and performances reveal the necessity of Black friendships and communities in establishing the space to autonomously express Black identity.

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Curtis, Cathy. "Jane Street." In Alive Still, 31–40. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190908812.003.0003.

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In 1944, Nell joined the Jane Street Gallery. Together with painters Leland Bell and Al Kresch, she transformed the pioneering artist-run cooperative into a home for a small group of abstract painters who took their cues from Mondrian. In 1945, her painting Blue Pieces was included in The Women, an exhibition of abstract and surrealist work by thirty women at the Art of This Century gallery. Her first solo Jane Street show elicited a rave review in ARTnews. In 1947, Clement Greenberg lauded Nell’s work in a review in The Nation. The following year, an exhibition of paintings by Bonnard at the Museum of Modern Art began to sway her toward a more personal approach. During this period, she was intimate with many men and women, but the special woman in her life was a dancer, Midi Garth, who would prove a loyal friend throughout her life.

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Conference papers on the topic "Blue Bells"

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Akiba, Hiroshi, Manish Gupta, John A. Gunnels, Vernon Austel, Yogish Sabharwal, Rahul Garg, Shoji Kato, et al. "Gordon Bell finalists I---Large scale drop impact analysis of mobile phone using ADVC on Blue Gene/L." In the 2006 ACM/IEEE conference. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1188455.1188503.

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M'selmi, Sana. "Lecture croisée du désir dans Hable con ella de Pedro Almodóvar et La Macération de Rachid Boudjedra à travers le motif de l’eau." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2969.

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Les personnages de l’écrivain algérien Rachid Boudjedra ne prennent pas la mer. Dans ses romans, la mer est citée en tant que frontière ; les fleuves sont des tombeaux à ciel ouvert où s’entassent les cadavres des résistants au colonisateur. Mais, La Macération, roman publié en 1984, met en scène un univers aquatique où écrire est faire acte de désir, où l’écriture est à la fois sexuelle et mystique car l’eau est encre et l’encre féconde la page blanche comme l’eau féconde la terre et l’homme féconde la femme. Parle avec elle : Marco est dans une chambre d’hôpital, il y veille Lydia qui semble dormir pour ne plus se réveiller. Plan rapproché, zoom sur les yeux grand ouverts de Marco. Ce dernier fait un rêve, où l’amante est vivante. Mais surtout, dans ce rêve, il y a un homme : beau et sculptural qui traverse une piscine à la nage. Pourquoi ce rêve ? Comment s’est fait le passage entre les gouttes du médicament se déversant dans le corps de « la belle endormie » à cette eau belle, bleue et translucide ? Comment Lydia a-t-elle laissé la place à cet homme ? Et qui est-il d’ailleurs ? Que fait-il dans ce film ? Scène seconde : Marco laisse couler ses larmes en regardant Pina Bausch se débattre sur scène contre des chaises et des murs. Marco pleure l’absente et Benigno regarde, comme fasciné, ces larmes viriles. Le choix de ces deux récits découle, entre autres, d’une ressemblance thématique – le désir d’un homme pour une femme qui passe ou non par la parole. La Macération et Parle avec elle, me semblent les plus aptes à porter en avant la porosité entre littérature et cinéma au niveau poétique (esthétique) en vue d’exprimer la notion du désir dans son lien viscéral avec l’image/la parole aquatique.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.2969

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Iwase, Taku, Hideshi Obara, Hiroyasu Yoneyama, Yoshinobu Yamade, and Chisachi Kato. "Calculation of Aerodynamic Noise for Centrifugal Fan of Air-Conditioner." In ASME 2013 Fluids Engineering Division Summer Meeting. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/fedsm2013-16071.

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Flow fields in a centrifugal fan for an indoor unit of an air-conditioner were calculated with finite element method-based large eddy simulation (LES) with the aim of predicting fan performance and aerodynamic noise in this study. The numerical simulation code employed throughout the LES was called FrontFlow/blue (FFB). We compared 10M grid [coarse grid] and 60M grid [fine grid] calculation results for investigation of influence of grid resolution. In the fine grid, the number of grid elements in blade-to-blade direction, and of region between the shroud and the bell mouth increased in particular. By calculating with the fine grid, calculated distributions of absolute velocities at blade exit reasonably agreed with experimental results. Because of this, maximum absolute velocity by fine grid near hub decreased as compared to those by coarse grid. Calculated sound pressure level by fine grid was therefore smaller than that by coarse grid, and the overestimation of sound pressure was suppressed by calculating with fine grid. This decrease of the absolute velocity was a first factor for the improvement of calculation accuracy. Moreover, number of captured streaks on the blade, hub, and shroud surfaces by fine grid increased as compared to those by coarse grid. As a result, size of streak by fine grid became smaller than that by coarse grid. Static pressure fluctuations by fine grid on the blade, hub, and shroud surfaces therefore reduced as compared to those by coarse grid. Aerodynamic noise was related to static pressure fluctuations according to Curle’s equation. This reduction of static pressure fluctuations was therefore a second factor for improvement of calculation accuracy.

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