Academic literature on the topic 'Blues (Music)'

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Journal articles on the topic "Blues (Music)"

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Tridiyawati, Feva, and Fitri Wulandari. "Efektifitas Terapi Musik Terhadap Penurunan Kecemasan Pada Postpartum Blues : Literature Review." Malahayati Nursing Journal 4, no. 7 (2022): 1736–48. http://dx.doi.org/10.33024/mnj.v4i7.6528.

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ABSTRACT The postpartum period is a transitional period for mothers because many changes occur, both physically, psychologically, emotionally and socially. Postpartum blues are feelings that occur in postpartum mothers which are characterized by anxiety, panic attacks, fatigue, feelings of self-blame and feeling unable to take care of their baby. The purpose of this review article is to determine the effectiveness of music therapy on reducing anxiety in Postpartum Blues based on previous studies. In this article review, the author uses three databases, namely using PuBmed, Cochrane and Google
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Oktaria, Dyanis, Fijri Rachmawati, Achmad Farich, and Neneng Siti Lathifah. "The Effect Of Mozart Classic Music Therapy On Postpartum Blues Symptoms." JKM (Jurnal Kebidanan Malahayati) 10, no. 1 (2024): 111–15. http://dx.doi.org/10.33024/jkm.v10i1.11952.

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Latar Belakang Postpartum Blues adalah periode depresi sementara yang terjadi selama beberapa hari pertama masa nifas. Kondisi ini dapat menyebabkan depresi pada ibu dan mengganggu tumbuh kembang bayi yang telah dilahirkan. Angka kejadian postpartum blues di Puskesmas Totomulyo Tulang Bawang Barat sebanyak 45 kasus. Terapi musik klasik Mozart dipercaya dapat membantu mengurangi gejala postpartum blues.Tujuan untuk mengetahui Pengaruh Terapi Musik Klasik Mozart terhadap Postpartum Blues di Wilayah Kerja Puskesmas Toto Mulyo Kabupaten Tulang Bawang BaratMetode kuantitatif, menggunakan pendekatan
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Migliaccio, John N. "THE BLUES AND OLDER MINORITY MUSICIANS: MORE THAN JUST MUSIC XXVI." Innovation in Aging 3, Supplement_1 (2019): S786. http://dx.doi.org/10.1093/geroni/igz038.2891.

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Abstract This 26th annual symposium again showcases a world-wide musical genre in a regional setting with local performers. Texas Blues has emanated from a pantheon of talented artists beginning in the earliest days of Roots and Blues music to the present day, and Austin has become the epicenter of this talent and music. With legendary classic blues musicians from the early 2oth century to emerging younger musicians who re-energize and re-invent this uniquely American musical genre, to legendary music labels and venues like Antone’s which continue to engage blues music artists of all ages, Aus
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Munshower, Alan, and Greg Johnson. "Fannish boy: Examining blues fandom through British music periodicals." Journal of Fandom Studies 9, no. 1 (2021): 75–88. http://dx.doi.org/10.1386/jfs_00033_1.

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Before online forums and social media groups allowed spaces for blues fans to share their love of the music, newsletters and periodicals created by blues societies and fans provided outlets for blues aficionados to connect with other fans, discographers, musicians and scholars through performance and album reviews, pilgrimage storytelling, descriptions of recent discoveries of rare sound recordings and much more. The University of Mississippi Blues Archive holds a large collection of blues periodicals, covering over 1000 unique titles, from over 25 countries, with a bulk date of 1963 to the pr
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Panjaitan, Edita, Lina Herida Pinem, Lastriyanti Lastriyanti, and Joelita Tri Hardani. "EFEKTIVITAS MUSIK MOZART DAN EDUKASI AUDIOVISUAL PADA IBU POSTPARTUM BLUES." Jurnal Mitra Kesehatan 6, no. 2 (2024): 176–83. http://dx.doi.org/10.47522/jmk.v6i2.335.

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Introduction: Postpartum blues is a situation of mood swings that occur in women after childbirth. Postpartum blues can have a long-term mental health impact on the mother. The short-term impact on the mother is the inability to carry out her role as a mother and maternal self-care. The results of EPDS screening in postpartum patients at RSUD. Bekasi patients were detected to have postpartum depression. This condition occurs because of the focus on postpartum physiological conditions. One of the treatments that can be given to postpartum mothers is to provide Mozart music relaxation therapy an
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Mueller, Charles. "Baudrillard's Blues." Popular Music 35, no. 1 (2015): 84–99. http://dx.doi.org/10.1017/s0261143015000823.

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AbstractIn his book, America, Jean Baudrillard characterised the United States as a nation created for the sole purpose of escaping history, a place that has purged itself of all negativity, and whose citizens live life in a perpetual present. Baudrillard's study of America provides an ideal framework with which to examine the ways that blues is both congenial and antithetical to postmodern America, and how the significations and meanings of blues have changed as the music has passed from modernity to postmodernity. Of particular interest is the question of whether African-American interpretat
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Witari, N. N. Deni, and Martha Winingsih G. A. "The effectiveness of music therapy treatment to decrease the post-partum blues symptom at private practice midwife (BPM) in the working region of public health center (Puskesmas) IV South Denpasar." International Journal of Research in Medical Sciences 6, no. 7 (2018): 2370. http://dx.doi.org/10.18203/2320-6012.ijrms20182849.

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Background: The failure of post-partum mother in adapting to physical and emotional change oftentimes causes psychological disorder such as sadness, exasperation, tiredness, anger, and despair. At Denpasar City, the prevalence of post-partum blues depression based on EPDS score is 20.5%. Music therapy is an alternative to decrease emotional disturbance because music that enters pituitary gland could give response towards emotion through negative feedback on adrenal gland to suppress the release of stress hormones.Methods: The method which used in this research was quasi-experiment design with
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Cardany, Audrey Berger. "Muddy Waters: His Life and Music." General Music Today 31, no. 3 (2018): 73–79. http://dx.doi.org/10.1177/1048371318756626.

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The author reviews Mahin and Turk’s children’s book Muddy: The Story of Blues Legend Muddy Waters. This biography of McKinley Morganfield describes his challenges and successes in music and life. Illustrations reflect African American culture using color palettes to highlight the places Waters lived and the music connected to those places including the Mississippi Delta blues and the electric Chicago blues style. The musical writing of Mahin expresses Muddy’s story in a lyrical fashion, borrowing elements from the jazz idiom. The author includes a selected discography and suggestions for addit
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Smith, Steven G. "Blues and our mind-body problem." Popular Music 11, no. 1 (1992): 41–52. http://dx.doi.org/10.1017/s0261143000004839.

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Blues music is relatively well recognised as a cultural phenomenon. In tracing its history, both as a reflection of one people's particular circumstances of oppression and as an ingredient taken into mainstream popular art, we accumulate reasons for thinking of it as important. But these are external reasons. It is possible to know that one's everyday milieu is heavily indebted to blues (in manners as well as in music), even to feel blues quality strongly, and yet not be able to articulate an understanding of the import of blues. In that case one is kept from thinking well about how the meanin
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Migliaccio, John. "THE BLUES AND OLDER MINORITY MUSICIANS: MORE THAN JUST MUSIC XXIX." Innovation in Aging 6, Supplement_1 (2022): 404. http://dx.doi.org/10.1093/geroni/igac059.1591.

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Abstract The Blues and Older Minority Musicians: More Than Just Music XXIXThe “ ’Bo Diddley’ Track”; GSA, 2022 Indianapolis, INLecture/Interview/ Performance: TBAIndianapolis has been described as “The Crossroads of America,” with a long history of fostering the music and entrepreneurial spirit of Black Americans. Starting in 1915 with Mrs. C.J. Walker, America’s first female millionaire and her cosmetic enterprise, and the Starr Piano Company and its Gennett Records studio – identified as “The Cradle of Recorded Jazz” in the 1920s and 30s – both were instrumental in national distribution of t
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Dissertations / Theses on the topic "Blues (Music)"

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Adelt, Ulrich. "Black, white and blue racial politics of blues music in the 1960s /." Diss., University of Iowa, 2007. http://ir.uiowa.edu/etd/128.

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Taylor, John Wesley. "Hillbillies and sharecroppers : an introduction to East coast and Mississippi blues styles /." Huntington, WV : [Marshall University Libraries], 2002. http://www.marshall.edu/etd/descript.asp?ref=99.

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Thesis (M.A.)--Marshall University, 2002.<br>Title from document title page. Document formatted into pages; contains v, 23 p. Includes a live performance (duration 1.01.03). Includes bibliographical references (p. 21-23).
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Goody, Matthew Christopher. """Thames Valley cotton pickers"": race and youth in London blues culture /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2344.

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Holman, Jones Stacy Linn. "Music for torching." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037501.

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Edmundson, Kate. "Experiential blues identity analyzing racial categories of difference in a Philadelphia blues club /." Diss., Connect to the thesis, 2003. http://hdl.handle.net/10066/607.

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Olson, Ted. "W. C. Handy: The Father of the Blues, The Blues of the Father." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1107.

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Baquet, N. Eugene. "Blues Story: Narratives of Cultural Identity." Fogler Library, University of Maine, 2006. http://www.library.umaine.edu/theses/pdf/BaquetNE2006.pdf.

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Lower, Jonathan. "Lead Belly: Race and Social Activism in Blues Music." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1405422192.

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Dougan, John M. "Two steps from the blues: Creating discourse and constructing canons in blues criticism." W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539623381.

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This dissertation examines the development of blues criticism in its myriad forms from the 1920s to 1990s, its role in the emergence of a blues discourse and history, and the codification of a blues canon. I analyze blues discourse principally as the creation of critics, historians, and musicologists, but also as the result of series of complex, imbricated relationships among writers, musicians, fans, record collectors, and independent entrepreneurs.;Beginning in the 1920s, I outline a pre-history of blues discourse by examining the metamorphosis of the blues as a cultural text shaped by the f
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Kunovic, Anthony. "Pat Metheny Plays the Blues." Youngstown State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1495800526496443.

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Books on the topic "Blues (Music)"

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Givʻatayim, Teʼaṭron. Summer blues. Teʼaṭron Givʻatayim, 2004.

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James, Elmore. Blues masters: Slide guitar classics : the essential blues collection. Rhino, 1993.

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Waters, Muddy. Deep Blues. Hal Leonard Corporation, 1995.

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1951-, Robertson Brian, ed. Little blues book. Algonquin Books of Chapel Hill, 1996.

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Band, Tedeschi Trucks. Everybody's talkin'. Masterworks, 2012.

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Herzhaft, Gérard. Le blues. 3rd ed. Presses universitaires de France, 1994.

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Paul, Oliver. Blues off the record: Thirty yearsof blues commentary. Da Capo Press, 1988.

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Project, Experience Music, ed. The blues. EMP, 1995.

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Vignes, Michelle. Oakland blues. Marval, 1989.

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Nancarrow, Conlon. Prelude and blues. Smith Publications, 1992.

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Book chapters on the topic "Blues (Music)"

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Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "The Blues." In Anthology to Accompany Gateways to Understanding Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-38.

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Larroque, Patrice. "The music of English." In English Rhythm and Blues. Routledge, 2021. http://dx.doi.org/10.4324/9781003188674-5.

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Pedro, Josep, and Begoña Gutiérrez-Martínez. "The Spanish Blues Scene." In Music, Subcultures and Migration. Routledge, 2024. http://dx.doi.org/10.4324/9781003436225-11.

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Larroque, Patrice. "The language in relation to blues music." In English Rhythm and Blues. Routledge, 2021. http://dx.doi.org/10.4324/9781003188674-10.

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Brøvig, Ragnhild. "“It ain't but One Kind of blues”." In Analyzing Recorded Music. Focal Press, 2022. http://dx.doi.org/10.4324/9781003089926-20.

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Ockelford, Adam, Sophie Gray, Jon Cohen, and Max Mai. "Water Blues." In Count Me In!: Resources for Making Music Inclusively with Children and Young People with Learning Difficulties. Routledge, 2023. http://dx.doi.org/10.4324/9781003268918-6.

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Atar, Ozlem. "Kingston Blues." In IMISCOE Research Series. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-41348-3_4.

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AbstractI often explore my relationship to Kingston, Canada when I am on the go. My daily walks take me to other times and places, and the songs I listen to on these wanderings reverberate through my body and soul. My submission to the StOries Project is a personal reflection. I am sharing thoughts and feelings evoked while listening to some of my favourite songs according to Spotify. In my first year in Kingston, I didn’t know many people and was experiencing emotional disconnect with family. Music was where I escaped when I was not working or sleeping. For this specific piece, I mostly focus on my first year in Canada, with some parts travelling back and forth in time. My first Canadian winter was quite lonely, hence the title “Kingston Blues”!
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Rusak, Helen. "Women in blues, jazz, gospel and Motown." In Women, Music and Leadership. Routledge, 2023. http://dx.doi.org/10.4324/9781003183631-6.

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"Thinking Blues." In Reading Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315089140-10.

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"“Friendship Through Music”:." In Homesick Blues. University of Hawaii Press, 2023. http://dx.doi.org/10.2307/jj.890639.5.

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Conference papers on the topic "Blues (Music)"

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Peterson, Robert K. D. "Bugs and the blues: Insects as tricksters in early blues music." In 2016 International Congress of Entomology. Entomological Society of America, 2016. http://dx.doi.org/10.1603/ice.2016.104029.

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Socican, Igor. "The New Orleans and Chicago styles aspects from the perspective of the jazz double bass." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.05.

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The author aims to outline some aspects of the New Orleans and Chicago Jazz styles, to show the importance of the ethnic, geographical, and legal factors in the emergence of New Orleans Jazz in the early 1900s and its later derivation into the Chicago Style in the 1920s. There are examined the beneficial predecessor factors of these styles — the evolution of street brass band orchestras (marching bands), the spirituals, the blues and ragtime and their stylistic features, collective improvisation, the call-and-response principle, that have been the base for the development of jazz music in gene
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Weinberger, Maor, and Dan Bouhnik. "The Emergence of Music Streaming Applications and Its Effect on Changes in Personal Information Management and Privacy Related Issues [Abstract]." In InSITE 2020: Informing Science + IT Education Conferences: Online. Informing Science Institute, 2020. http://dx.doi.org/10.28945/4523.

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Aim/Purpose: In this exploratory study we examine personal information management within music streaming applications. Also, we investigate the sense of ownership over songs being played on music streaming applications and whether the use of these services may be considered a social activity. In addition, we explore the extent of user privacy concern in using music streaming applications. Background: This paper represents the second phase of the article titled Usage Habits in Music Streaming Applications and their Influence on Privacy Related Issues [Research in Progress] (Weinberger &amp; Bou
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Abrosimov, Kirill Igorevich, Tatiana Vladimirovna Lvutina, and Anna Sergeyevna Surkova. "Quality metrics of generative models." In 31th International Conference on Computer Graphics and Vision. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/graphicon-2021-1-124-130.

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Within the framework of this article, modern metrics for evaluating generative models are considered. Particular attention is paid to metrics that are used in the field of natural language processing - BLUE (evaluates quality based on a comparison of the result obtained by a model and a person), NIST (based on the BLUE metric), METEOR (based on the harmonic mean of unigrams of accuracy and completeness), ROUGE (. The article presents a new metric, which is based on subjective assessments. The subjective estimates used in the considered metric are collected using pairwise comparison in the form
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Fletcher, Rob. "Music and audio - oh how they can stress your network." In Lighting the Blue Touchpaper for UK e-Science - Closing Conference of ESLEA Project. Sissa Medialab, 2007. http://dx.doi.org/10.22323/1.041.0028.

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Zhu, Yusen, Ao Jiang, Junbo Dong, et al. "The influence of music on colour preference in vehicle environment." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001686.

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Many experiments have proved that vision and hearing effect each other in many ways, and this phenomenon is of great significance to design (Zhang,2019)(Anderson,2014). Among the design of car cockpit, color is one of the most important elements of cockpit visual design, and different color directly affect people's experience in the cockpit (Satake,2011). We selected eight colors in study which are red, yellow, orange, blue, green, cyan, white and gray, and each color was set to two brightness levels and three music modes: non music, light music and bass-heavy music. Meanwhile, we used a head-
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Jenko, Matija, and Barbara Kopačin. "Povezivanje životnog okruženja dece i njihovog uključivanja u horove." In Nauka, nastava, učenje u izmenjenom društvenom kontekstu. University of Kragujevac, Faculty of Education in Uzice, 2021. http://dx.doi.org/10.46793/nnu21.577j.

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Many studies have been conducted in the field of research on the stimulating domestic music environment, which show that the decision to engage children in music, in addition to internal factors in the family, can be influenced by external factors, such as the environment in which families live, too. Active inclusion of Slovenes in choirs is one of the most widespread free activities in the Republic of Slovenia, because according to the Public Fund of the Republic of Slovenia for Culture, more than 64.000 people sing in choirs. However, given that Slovenia is a very diverse country, especially
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Nishita, Yoshiki, and Masashi Yamada. "Impression Changes of a Live Stage by Lighting in Terms of a Virtual Pop Idol Show." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002994.

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In recent years, LEDs have replaced halogen bulbs or incandescent bulbs for lights on stages. The response time of the LEDs is shorter than those of halogen bulbs and incandescent bulbs, therefore it has become easier to control lights temporally and complex lighting patterns are being used for live music shows especially in pop music. Due to the COVID-19 pandemic, internet distribution of concerts has become popular. Especially, virtual idol’s live shows (-e.g., Hatsne Miku’s live shows-) have become very popular in the two years in Japan. In the present study, audio-visual stimuli with diffe
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Spence, Heather Ruth, and Mark Ballora. "Layers of Meaning: The Ocean’s Natural Acoustics and the Music of Its Datasets." In ICAD 2021: The 26th International Conference on Auditory Display. International Community for Auditory Display, 2021. http://dx.doi.org/10.21785/icad2021.017.

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The transdisciplinary National Academies Keck Futures Initiative (NAKFI) conference on the Deep Blue Sea sparked a collaboration between sonification expert Mark Ballora and marine biologist and sound artist Heather Spence. Research involving long-term Marine Passive Acoustic Monitoring (MPAM) of the MesoAmerican Reef system forms the basis for a gradient of audio products: 1) layering a tour guide acoustic instrument over raw and manipulated soundscape recordings; 2) layering of multiple acoustic instruments over duty cycle interpretation sampling; and 3) layering of data sonification over th
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Reports on the topic "Blues (Music)"

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma
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Poloboc, Alina. Josh Tampico. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2988.

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Josh Tampico is a painting from the Fancy Collection 2022, portraying a charismatic and creatively charged character with a keen sense of music. This vibrant portrayal depicts the brilliant music composer from Madrid, known for his distinctive blue hair. Having collaborated with numerous internationally renowned singers, Josh Tampico is a noteworthy figure in the music industry. The creation of this artwork is the result of a collaborative artistic project. The strategic use of the color blue by the painter Alina Poloboc in this piece symbolizes strength, trust, and creativity. Notably, the pa
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Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481274.

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Blue Mountain is a 35-minute work for two actors and orchestra. It was commissioned by the Ultima Festival, and premiered in 2014 by the Danish National Chamber Orchestra. The Ultima festival challenged me – being both a composer and writer – to make something where I wrote both text and music. Interestingly, I hadn’t really thought of that before, writing text to my own music – or music to my own text. This is a very common thing in popular music, the songwriter. But in the lied, the orchestral piece or indeed in opera, there is a strict division of labour between composer and writer. There a
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