Relevant bibliographies by topics / Bluest eye (Morrison, Toni)

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'Bluest eye (Morrison, Toni)'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Bluest eye (Morrison, Toni)"

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Aghakhani Shahrezaee, Mina, and Zahra Jannessari Ladani. "Toni Morrison's Beloved and the Bluest Eye: A Cultural Materialistic Approach." International Letters of Social and Humanistic Sciences 30 (June 2014): 17–23. http://dx.doi.org/10.18052/www.scipress.com/ilshs.30.17.

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This article aims to investigate two novels of Toni Morrison, Beloved and The Bluest Eye, by a cultural materialistic approach. Cultural materialists emphasize on the cultural aspects and elements of literary texts. They study issues such as race, gender, sexuality, social class, and slavery. In other words, they put under investigation the marginalized people of society, like black people, females, and slaves. In this regard, Toni Morrison is a great writer whose writings are replete with cultural issues. As most of the main characters of Toni Morrison's novels are black people, so it can be concluded that for her, marginalized people of society and minorities especially females, are at center. Therefore, in this paper, it is aimed to emphasize on cultural elements of Morrison's novels, Beloved and The Bluest Eye, and determine what stance she takes toward such minorities.
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Aggarwal, Ruchee. "Feminist perspective of Toni Morrison in “The Bluest Eye." Indian Journal of Applied Research 2, no. 1 (October 1, 2011): 110. http://dx.doi.org/10.15373/2249555x/oct2012/38.

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Dahiya, Anisha. "Ethnic Discrimination in The Bluest Eye." SMART MOVES JOURNAL IJELLH 9, no. 3 (March 27, 2021): 199–206. http://dx.doi.org/10.24113/ijellh.v9i3.11014.

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Ethnicity is one of the most debatable topics in contemporary times. Human culture is divided along ethnic and national lines. Ethnicity and Race function as most powerful language of human difference and human community. An ethnic group that is dominant often tends to make its own culture specific traits normative in that society. The Bluest Eye is one of the landmark novels of Toni Morrison in which the markings of ethnicity play a great role. The aim of this paper is to explore the traces of ethnic discrimination of the African Americans at the hands of dominant White Americans in the novel The Bluest Eye. It illustrates how ethnic stereotypes propagated by White Americans for their selfish purposes victimised the black people at that time. Particular emphasis is given on the psychological effects of the oppressive environment on the protagonist Pecola. Morrison portrays Pecola as a marginalized and oppressed character who yearns to have blue eyes to have a respectable position in the community.
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Karim, Sajjadul, and Mohd Muzhafar Bin Idrus. "Black empowerment and Afro-American values in Toni Morrison’s The Bluest Eye." IIUC Studies 16 (November 7, 2020): 111–21. http://dx.doi.org/10.3329/iiucs.v16i0.50181.

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The Bluest Eye of Toni Morrison is extraordinarily significant, as it addresses the different sides of American literature, and the lives of the Afro-American people. Although the conventional theological aspects of white culture can negatively influence other characters of Morrison, it is Pecola whose life appears to be increasingly defenseless against the impulses of the individuals who have accepted the Western custom. In a democratic country, people generally have the same value, but there are still prejudices in the concepts of beauty and worthiness. The search for freedom, black identity, the nature of evil and the robust voices of African-Americans have become themes for African-American literature. Folklore covers the history of black and white interaction in the United States and also summarizes the feelings expressed in protest literature1. Morrison argues that the survival of the dark ladies in a white dominated society depends on loving their own way of life and dark race and rejecting the models of white culture or white excellence. This article attempts to examine The Bluest Eye from the perspective of empowerment of blacks and African American and their value system. IIUC Studies Vol.16, December 2019: 111-121
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Dr. N. Seraman, Dr N. Seraman, and T. Selvakkumar T. Selvakkumar. "Race, Class and Gender Bias as Reflected in Toni Morrison Novel’s “ The Bluest Eye." Indian Journal of Applied Research 3, no. 2 (October 1, 2011): 4–6. http://dx.doi.org/10.15373/2249555x/feb2013/2.

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Hosseiny, Sediqeh, and Ensieh Shabanirad. "A Du Boisian Reading of The Bluest Eye by Toni Morrison." International Letters of Social and Humanistic Sciences 60 (September 2015): 121–27. http://dx.doi.org/10.18052/www.scipress.com/ilshs.60.121.

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Due to the color of their skins, Blacks were always subject to different types of disrespect and insecurity in their society. Among different groups of people, writers and critics knew it as their responsibility to act as Black people’s voice and talk on behalf of them, as these people were labeled as ‘The Other’ by the Whites. Du Bios created a kind of new trend of dealing with African-American culture by innovating the concept known as “double consciousness”, and arguing that these black people were trapped between dual personalities. As an American writer, Toni Morrison carried this specific burden upon her shoulders to reveal all those oppressions Blacks had to bear in their life, like what she depicted in the novel The Bluest Eyewith portrayal of the main black character Pecolla who is being blamed for the color of her skin. This article intends to elaborate some inherent postcolonial traces in Toni Morrison’s outstanding novel The Bluest Eye and examine how European power and white people were dominating the whole system of the society and what kind of regretful complications Blacks had to endure, and at the same time working on how Du Bois’s concept of double consciousness can be analyzed in black characters.
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Moses, Cat. "The Blues Aesthetic in Toni Morrison's the Bluest Eye." African American Review 33, no. 4 (1999): 623. http://dx.doi.org/10.2307/2901343.

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Swasti Ratu, Ken Kirana, and Mateus Rudi Supsiadji. "SEXUAL HAZING AND ABUSE PHENOMENA IN TONI MORRISON THE BLUEST EYE." ANAPHORA: Journal of Language, Literary and Cultural Studies 2, no. 1 (August 27, 2019): 18–27. http://dx.doi.org/10.30996/anaphora.v2i1.2723.

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This essay focuses the discussion on sexual hazing and sexual abuse phenomena which had happened to several roles in Toni Morrison’s The Bluest Eye. The method used was a descriptive confirmatory method meaning the method approached and analyzed the study based on the confirmation of the theory and data from its own novel. In addition, this essay applied some points about socialist feminism as the additional reference of discussion. Socialist feminism itself is a branch of feminism that focuses upon both the public and private spheres of women’s life and argues that liberation can only be achieved by working to end both the economic and cultural resources of women’s oppression. The result showed Cholly had an sexual experience with humiliation, Frieda who was experienced abuse from Mr. Henry as well as Pecola, the lead role of this novel who had sexual hazing through rape.
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Widyaningrum, Indiwara Pandu. "The World Literature and Women’s Voice in Toni Morrison’s The Bluest Eye (1970) and Han Kang’s The Vegetarian (2007)." Journal of Language and Literature 21, no. 1 (March 16, 2021): 105–15. http://dx.doi.org/10.24071/joll.v21i1.2937.

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This study seeks to investigate the women’s voice in the world literature depicted by ethnic female authors from African-American and Korean descent. Gaining international recognition in the world literature, Toni Morrison’s The Bluest Eyes (1970) and Han Kang’s The Vegetarian (2007) reveal different social-cultural conditions about how women are presented in their respective nation. Morrison presents the life of colored women struggling with racial discrimination in the predominant white society. Meanwhile, Kang employs the symbolic food of meat and vegetarianism to reveal the women’s voice against social conformity. Applying écriture feminine or women’s writing in the analysis, both Toni Morrison and Han Kang scrutinize the stereotypical representation of women as passive, obedient, and lacking. In examining the two works, some steps were done: 1) having close reading towards the text to analyze the representation of women; 2) doing the socio-cultural analysis in connection to the women’s voice; 3) drawing the conclusion about the significance of world literature to the women’s voice. This study finds that the world literature has its significant contribution as the windows for global readers to understand women’s issues portrayed in two different nations. Not only to present women’s voice, ethnic female authors such as Toni Morrison and Han Kang indeed share the local culture through their novels. With this condition, the world literature enables to break the barriers of male Western authors as the center by offering room for female writers from non-Western countries.
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Tripathy, Dr Nirjharini. "Racism and Representation of Racialized Beauty in Toni Morrison’s The Bluest Eye." SMART MOVES JOURNAL IJELLH 8, no. 10 (October 28, 2020): 164–74. http://dx.doi.org/10.24113/ijellh.v8i10.10812.

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The American novelist Toni Morrison’s novel The Bluest Eye portrays black society and deals with the themes of black victimization and racial oppression. It presents a prolonged representation of the means in which the standards of internalized white beauty contort the life and existence of black women. This paper explores and elucidates the impact of race, racial oppression and representation in The Bluest Eye. And how racism also edifices the hatredness between Blackand White communities. This paper will discuss various issues and concepts such as Race, Race in the Colonial Period, Racializing the Other and Stereotyping. The paper also deals with understanding Representation through the ideas of Saussure, Barthes, Levi-Strauss, Foucault, Geertz, and Said. Racism is primarily a belief in the supremacy and dominance of one race upon another that consequences in the differences, discrimination and prejudice of people towards one another rooted and established on their race or ethnicity. Racism has deeply affected the African-American coloured people making them feel inferior. The Bluest Eye reflects the appalling effect on blacks individualising the values of a white culture that rejects them both immediately and incidentally. Even after abolition of slavery legally still the African-Americans faces the cruelty of racial discrimination and never considered equal to the whites. The Black people struggles to ascertain themselves with the white and their ethnic ways. Toni Morrison propounds on black cultural heritage and seeks the African-Americans to be gratified and proud of their black colour as well black identity. This paper conveys the essence of the coloured people’s fight for their race, and also its continuance and forbearance in a principally multicultural White dominated America.
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Dissertations / Theses on the topic "Bluest eye (Morrison, Toni)"

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Dimitrov, Luciana Duenha. "Uma leitura de The bluest eye, de Toni Morrison." Universidade Presbiteriana Mackenzie, 2007. http://tede.mackenzie.br/jspui/handle/tede/2143.

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Made available in DSpace on 2016-03-15T19:45:33Z (GMT). No. of bitstreams: 1 Luciana Duenha Dimitrov.pdf: 2042178 bytes, checksum: fc578e0ab9aa394548d39d8a17c560d8 (MD5) Previous issue date: 2007-01-30
In this study, racial prejudice is the basis of Toni Morrison s The bluest eye, despite not being the only aspect evidenced in the novel. What should be spotlighted as well is how the time is deconstructed; the evident presence of several discourses that can rise racism up, or bring it down; and the strong influence of colors in the conception of scenes that, in some of the narrative moments, can be associated with pictorial images. When the facets mentioned among many others are put together, there is the achievement of a great result in the novel s aesthetics. The main goal of this study is to exploit those aspects, looking forward to establishing those inseparable relations between the novel s main theme and its form, in order to consolidate their relevance both to the romance s construction and constitution.
Neste trabalho, o preconceito racial que fundamenta The bluest eye, de Toni Morrison, não é o único aspecto em destaque no romance; merece ser ressaltada igualmente a forma como se desconstrói o tempo, a coexistência de discursos que ora enaltecem, ora abominam o racismo, a forte influência de cores na concepção de cenas que, em muitos momentos, podem ser associadas a imagens pictóricas. A confluência desses e de outros tantos aspectos sem dúvida contribui para o excelente resultado estilístico alcançado na narrativa. O objetivo, aqui, é explorar tais aspectos, buscando essas relações indissociáveis entre o tema central e a forma, no intuíto de comprovar sua relevância para construção e constituição do romance.
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Light, Susan A. "The political practice of home : the Bluest eye, Beloved, and feminist standpoint theory." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60584.

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The larger issue of the relationship between theory, fiction and experience provides the backdrop for a study of constructions of home in Toni Morrison's The Bluest Eye and Beloved. Feminist standpoint theory contends that knowledge is socially and historically constructed. Using the home as a category of analysis, I show how Morrison's constructions of home are located within specific socio-economic, racial, and political contexts which mold the novels' characters. Both feminist standpoint theory and the novels develop a notion of "positionality"--one's location within a larger social and historical network. Differences in focus do exist, however, which stem from their respective developmental and experiential contexts--one being primarily theoretical and scholarly, and the other being the complex literary and fictional mediation of a political experience. Unlike the theoretical articulation of concepts of the standpoint, fiction offers a complex perspective that may, in turn, be used to inform discussions of political and epistemological concepts.
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Leung, Chuen-lik Rachel. "Identity, part and whole : Toni Morrison's Beloved and the Bluest Eye /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161392.

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Evensson, Ulla. "Self-hatred and Its Consequenses in Toni Morrison's The Bluest Eye." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-34043.

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Toni Morrison's novel The Bluest Eye from 1970, shows how the upbringing and society's norms can affect a young girl in an African-American society, where racism and a feeling of inferiority is the standards. Pecola's wishes for blue eyes since that may make her part of a world where she has never belonged. Her wish is not only a futile attempt to be looking differently but also a wish for a better life.
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Lopes, Mirna Leisi Coelho. "À MARGEM EM THE BLUEST EYE, DE TONI MORRISON: NEGRITUDE, IDENTIDADE E CRÍTICA SOCIAL." Universidade Federal de Santa Maria, 2009. http://repositorio.ufsm.br/handle/1/9807.

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The contemporary North American fiction (African American) presents concerns regarding the identity of African-Americans. There is a need, through the literary text, to establish a dialogue with the myths and historical models for the legacy tradition of slaves from Africa. The aim of this study is to analyze how, through the composition of the characters and through the eyes of the witness-narrator, the questions about the construction of an African-American identity are presented and discussed, and how it is possible to perceive in the novel The Eye Bluest, (1970), the resumption about the discussion about the concept of blackness. One of the interests in this analysis is to investigate the way oppression is imposed on a black community, established in the north of the US. Both blackness and Afro-American identity are represented in Morrison´s fiction through the voice of the witness-narrator that builds a critical point of view on the white north american society and on the black community, which in many ways, reduplicates the prejudiced look launched on itself and on its members. The criticism is also established through the representation of the main character, Pecola. The research is based on analysis of the novel of the American writer Toni Morrison. The Bluest Eye is the first novel published by the author and constitutes itself as a report of the witness-narrator ´s experiences, and as the social and cultural representation of a certain community in a very precise socio-historical moment. To perform the analysis, it was necessary to establish the concepts of cultural identity, blackness, subjectivity and (Afro) American history, taking into account the fictional discourse.
A ficção contemporânea norte-americana (Afro-americana) apresenta preocupações referentes à identidade dos Afro-americanos. Há uma necessidade de, através do texto literário, estabelecer um diálogo com os mitos históricos e modelos legados pela tradição dos escravos vindos de África. O objetivo desse trabalho é analisar de que maneira, através da composição das personagens e através do olhar da narradora-testemunha, são apresentados e discutidos questionamentos acerca da construção de uma identidade Afro-americana, e como se percebe, no romance The Bluest Eye, (1970), a retomada da discussão acerca da noção de negritude . Um dos interesses nesta análise foi o de perceber como a opressão é exercida sobre uma comunidade negra estabelecida no norte dos E.U.A. As questões de negritude e identidade Afro-americanas são estabelecidas na ficção morrisoniana através da voz da narradora-testemunha que constrói um ponto de vista crítico sobre a sociedade branca norte-americana e sobre a própria comunidade negra, que em muitos sentidos, passa a reduplicar o olhar preconceituoso lançado sobre si mesma e sobre seus membros. E também, através da caracterização da personagem principal, Pecola. The Bluest Eye é o primeiro romance publicado por Toni Morrison e constitui-se como um relato de vivências de Claudia, a narradora-testemunha, e como a representação social e cultural de uma dada comunidade, em um dado momento sócio-histórico. Para efetuar a análise, fez-se necessário estabelecer conceitos de identidade cultural, negritude, subjetividade e história (Afro) americana, levando em consideração a ficcionalidade e o discurso.
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Lindberg, Linnea. "How Narrative Devices Convey the Theme of Love in Toni Morrison’s The Bluest Eye." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-37508.

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This essay focuses on the way in which three narrative devices expand upon three types of love depicted in Toni Morrison’s novel The Bluest Eye. The three narrative devices examined in this essay are narrator, paratext and the irony of the Breedlove family name. These devices all serve the purpose of conveying different types of love in Morrison’s novel and how these types of love affect the characters of the novel, especially the protagonist Pecola Breedlove. Narrator plays an important role because the narrative voice changes throughout the novel, shifting between Claudia MacTeer and a third-person omniscient narrator. This shifting perspective shows the reader how the types of love affect Pecola both through a child’s perspective and as well as through third-person narration. The Dick and Jane paratext contrasts the Breedlove family to white American ideals of familial love and happiness. Finally, the lack of familial love within the Breedlove family truly shows the irony of the Breedlove family name. The lack of love forces Pecola to internalize her self-hatred while the destructive, distant and judgmental relationship between Mrs. Breedlove and Pecola causes both characters to become delusional and dissatisfied with their sense of self. Friendship is the only place where Pecola finds love, shown to her by Claudia and Frieda; however, Pecola has already descended too far into madness for their love to help her. Although Pecola should find solace in the three types of love that are presented through the novel’s narrative devices, they all contribute to her disillusionment and, ultimately, her descent into madness.
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Sultan, Hazar. "Att bära historien i sin kropp : Post Traumatic Slave Syndrome i Toni Morrisons roman The Bluest Eye." Thesis, Södertörns högskola, Litteraturvetenskap, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-34591.

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To Carry History in One’s Body – Post Traumatic Slave Syndrome in Toni Morrison’s Novel The Bluest Eye. The world in which we live in is dominated by ideology. This essay will explore the ideology of racism and investigates how it operated during and after the slave trade in the USA. The main focus is how the racist ideology has affected the black community in the USA during the first decades of the twentieth century. When the traumatic events of the slave trade ended the black community never got the chance to heal from the several hundred years long trauma. Toni Morrison’s novel The Bluest Eye depicts a community in pain due to the racist society that surrounds them. It is set in a time after the First World War when black families aimed to establish a stable life but were hindered due to various reasons. Therefore, this essay uses Joy DeGruy’s thoughts on the matter of trauma in the black community in the USA. By using her book Post Traumatic Slave Syndrome: America’s Legacy Of Enduring Injury and Healing along with Frantz Fanon’s iconic text Black Skin, White Masks this essay investigates how the legacy of slavery has affected the black community after the slave trade. This essay looks into the following behavioral patterns, formulated by DeGruy: Vacant Esteem, Ever Present Anger and Racist Socialization.
Världen domineras av ideologier. Denna uppsats utforskar rasismens ideologi både under och efter slavhandeln i USA. Uppsatsens huvudfokus är hur den rasistiska ideologin har påverkat den svarta befolkningen i USA under nittonhundratalets första årtionden. När slaveriets trauma tog slut fick det svarta samhället aldrig chansen att bearbeta och läka det flera hundra år långa traumat. Toni Morrisons roman The Bluest Eye skildrar ett samhälle som präglas av smärta till följd av en rasistisk omgivning. Romanen utspelar sig efter första världskriget, en tid då svarta familjer ämnade etablera ett stabilt liv men som av olika anledningar hindrades. Denna uppsats använder Joy DeGruys tankar om trauma hos det svarta samhället i USA. Hennes bok Post Traumatic Slave Syndrome: America’s Legacy Of Enduring Injury and Healing tillsammans med Frantz Fanons nyckeltext Black Skin, White Masks används i denna uppsats för att undersöka hur slaveriet påverkat det svarta samhället efter dess avskaffande. Uppsatsen tittar närmare på följande beteendemönster, som formulerats av DeGruy: Vacant Esteem, Ever Present Anger och Racist Socialization.
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Leung, Chuen-lik Rachel, and 梁川力. "Identity, part and whole: Toni Morrison's Beloved and The Bluest Eye." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31952094.

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De, Freitas Sandra. "A Psychoanalytical Study on the Importance of Skin Tone in Toni Morrison’s The Bluest Eye." Thesis, Högskolan Dalarna, Engelska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30521.

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Ranström, Ingrid. "Black Community in Toni Morrison's The Bluest Eye, Sula and Song of Solomon." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-5206.

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Using the novels, The Bluest Eye, Sula and Song of Solomon, the purpose of this essay is to examine Toni Morrison’s characters in the setting of the black community with emphasis on gender, participation in society and the class differences which exist within the black collective. All of the characters in the narratives exist in communities which are defined by the racial barriers formed by the surrounding white societies. Due to her concern with the inter-relatedness of race, gender and class as they are lived by the individuals, Morrison gives her characters physical and psychological qualities which enhance their chances for survival and fulfillment, thus leading to the survival of the black community. Through her characters in The Bluest Eye, Sula and Song of Solomon, Toni Morrison portrays the black community with reference to blackness and the inner struggles of the individual as well as the class differences and social structures within the collective. It can be concluded that the black community is an important part of today’s society as the contemporary individual must embrace his/her culture and heritage, which is found in the unity of the collective.
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Books on the topic "Bluest eye (Morrison, Toni)"

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S, Nye Louisa, ed. The Bluest eye & Sula: Notes. Lincoln, Neb: Cliffs Notes, 1997.

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Toni Morrison's The bluest eye: A novel. Piscataway, N.J: Research & Education Association, 1996.

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James, Rosetta. CliffsNotes on Morrison's The Bluest Eye & Sula. New York: John Wiley & Sons, Ltd., 2002.

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Michael, Ryan. Literary theory: A practical introduction : readings of William Shakespeare, King Lear, Henry James, "The Aspern papers," Elizabeth Bishop, The complete poems 1927-1979, Toni Morrison, The bluest eye. Malden, Mass: Blackwell Publishers, 1999.

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Prophets of recognition: Ideology and the individual in novels by Ralph Ellison, Toni Morrison, Saul Bellow, and Eudora Welty. Baton Rouge: Louisiana State University Press, 1999.

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Morrison, Toni. Spark Notes The Bluest Eye. SparkNotes, 2002.

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SuperSummary. Study Guide: The Bluest Eye by Toni Morrison. Independently published, 2018.

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SuperSummary. Study Guide: The Bluest Eye by Toni Morrison. Independently published, 2018.

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Harold, Bloom, ed. Toni Morrison's The bluest eye. Philadelphia: Chelsea House, 1999.

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Harold, Bloom, ed. Toni Morrison's The bluest eye. New York: Bloom's Literary Criticism, 2009.

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Book chapters on the topic "Bluest eye (Morrison, Toni)"

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Peach, Linden. "The Bluest Eye (1970)." In Toni Morrison, 24–38. London: Macmillan Education UK, 1995. http://dx.doi.org/10.1007/978-1-349-24176-7_2.

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Scott, Lynn Orilla. "Revising the Incest Story: Toni Morrison’s The Bluest Eye and James Baldwin’s Just Above My Head." In James Baldwin and Toni Morrison, 83–102. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601383_5.

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Duvall, John N. "Invisible Name and Complex Authority in The Bluest Eye: Morrison’s Covert Letter to Ralph Ellison." In The Identifying Fictions of Toni Morrison, 25–45. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1057/9780312299439_2.

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Laflen, Angela. "(Re)Visualizing History in Toni Morrison’s The Bluest Eye." In Confronting Visuality in Multi-Ethnic Women’s Writing, 21–41. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137413048_2.

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Mar Gallego. "Black Masculinities and Aging in Toni Morrison’s The Bluest Eye and Love." In Aging Masculinities in Contemporary U.S. Fiction, 125–38. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71596-0_9.

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Ledbetter, Mark. "Through the Eyes of a Child: Looking for Victims in Toni Morrison’s The Bluest Eye." In Victims and the Postmodern Narrative or Doing Violence to the Body, 22–36. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24590-1_2.

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Walters, Tracey L. "The Destruction and Reconstruction of Classical and Cultural Myth in Toni Morrison’s Song of Solomon, Beloved, and The Bluest Eye." In African American Literature and the Classicist Tradition, 99–132. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230608870_5.

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"The Bluest Eye and Sula." In Toni Morrison, 19–40. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118326732.ch1.

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Włodarczyk, Justyna. "Niewypowiadalne wypowiedziane: debiutancka powieść Morrison The Bluest Eye ." In Toni Morrison. Warsaw University Press, 2013. http://dx.doi.org/10.31338/uw.9788323514428.pp.17-32.

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Surányi, Ágnes. "The Bluest Eye and Sula: black female experience from childhood to womanhood." In The Cambridge Companion to Toni Morrison, 11–25. Cambridge University Press, 2007. http://dx.doi.org/10.1017/ccol052186111x.002.

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Conference papers on the topic "Bluest eye (Morrison, Toni)"

1

Wang, Mei, Qinqin Zhu, and Yan Ma. "Identity Confirmation in Tony Morrison s The Bluest Eye." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.165.

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Bratanović, Edita. "Development Of Female Identity In A Complex Racial And Social Framework In Toni Morrison’s Novels:The Bluest Eye And Sula." In Global Conference on Women’s Studies. Acavent, 2020. http://dx.doi.org/10.33422/womensconf.2020.12.125.

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