Relevant bibliographies by topics / Bo yin

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Bo yin'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "Bo yin"

1

Zhang, Mengzhe. "POLYPHONIC GENRES IN PIANO CREATIVITY OF CHINESE COMPOSERS." Aspects of Historical Musicology 24, no. 24 (October 13, 2021): 148–65. http://dx.doi.org/10.34064/khnum2-24.08.

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Statement of the problem. The twentieth century marked an increased interest in polyphonic music. The geography of polyphonic works for piano expanded significantly and a creative development of many Chinese composers, writing polyphonic piano pieces, took place. Today, polyphonic pieces make up a significant part of the piano repertoire in China, but they are little studied by musicologists and performers. The objective of this study – to reveal the contribution of Chinese composers to the creation of polyphonic piano repertoire of the XX – early XXI century. Analysis of the research and publications on the theme. А large number of modern authors study polyphony from the point of physical and mathematical research methods (Igarashi, Yu. & Ito, Masashi & Ito, Akinori, 2013; Weiwei, Zhang & Zhe, Chen, & Fuliang, Yin, 2016; Li, Xiaoquan et al. others, 2018). This approach does not reveal the factual musical component of polyphonic genres. In the 20th century, musicologists explored polyphony in musical folklore (Wiant, 1936; Fan Zuyin, 2004; Li Hong, 2015) and in professional Chinese composing (Sun Wei-bo, 2006, Winzenburg, 2018). The scientific novelty. This article studies the role of Chinese composers in the development of the world polyphonic piano repertoire of the XX – early XXI century. The methodological basis for the analysis of polyphonic works was the theoretical concepts of P. Hindemith, Peng Cheng, Fang Zuin, Li Hong, Sun Wei-bo. The results of the study. The research outcomes demonstrate the evolutionary development of the genre diversity of Chinese piano polyphony as well as those composers who created magnificent musical pieces. Conclusions. Chinese composers have fully mastered the art of modern counterpoint, represented by the genres of polyphonic program pieces (He Lu Ting), invention (Xiao Shu Xian, Du Qian, Sun Yun Yin, Chen Chen Quang), polyphonic suite (Ma Gui), large polyphonic cycle ( He Shao, Chen Hua Do, Xiao Shu Xian), fugue (Li Jun Yong, Yu Su Yan, Chen Gang, Tian Lei Lei, Duan Ping Tai, Zheng Zhong, Xiao Shu Xian) and small cycle “Prelude and Fugue” (Ding Shan Te, Chen Zhi Ming, Wang Li Shan). Creatively assimilating and rethinking the experience of Western polyphonists, Chinese composers have filled their polyphonic works with national features, firmly linking them with the origins of Chinese traditional and folk music. The polyphonic way of transmitting musical material becomes the most expressive at the moments of profound creativity and musical dramatization.
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Jinhuai, An. "2. The Shang City at Zhengzhou and Related Problems." Early China 9, S1 (1986): 3–4. http://dx.doi.org/10.1017/s0362502800002893.

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ABSTRACTThe Zhengzhou Shang dynasty site is the location of an early Shang city, vast in area and abundant in archaeological remains, which was discovered by Chinese archaeologists in the middle and lower Yellow River basin during the early fifties. Within the site there is a Shang dynasty rammed-earth wall extending north-south in a rectangular shape and having a circumference of 6960 meters. These are the earliest Shang wall remains discovered to date.Based on the stratigraphy and vessel types discovered in the course of excavating the four sides of the wall, it is certain that this wall is slightly later than the late Erlitou period, and that construction on it began before the lower strata of the Shang Erligang period, the “Yin Ruins” at Anyang. The discovery of the Zhengzhou Shang site was definitely not accidental. It represents an important stage in the development of ancient Chinese rammed-earth wall architecture. The method of construction places it in a continuous line of development from the rammed-earth wall of the Henan area middle and late Longshan culture and the late Erlitou rammed-earth platform foundation to the rammed-earth foundations of the palaces of the Yin Ruins at Anyang.The grand scale of the Zhengzhou Shang wall, and the fact that inside and outside the wall were found palace foundations and workshops for the production of bronze, bone, and ceramic articles as well as numerous widespread storage pits, wells, ditches, house foundations, and tombs, and that many bronze, jade, primitive porcelain, pottery, stone, bone, and clamshell artifacts have been excavated here, including also some carved ivory pieces, pottery sculpture, and inscribed bones and pottery, lead us to conclude that the Zhengzhou Shang site was one of the early Shang capitals. Whether it is to be identified as Ao or Bo we cannot now say. In any case, the discovery and excavation of this site has supplied direct evidence of the greatest importance for the history of early Shang politics, economics, cultural, and military affairs.
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Park, Bok-Hee, and Ky-Hyoung Kim. "A Study of Motor Expertise about Kinematic and Kinetic Characteristics of Lower Extremity in the Seokmun Ilwol Martial Art Yin-yang Bo Gait Pattern." Korean Journal of Sport Biomechanics 24, no. 3 (September 30, 2014): 239–48. http://dx.doi.org/10.5103/kjsb.2014.24.3.239.

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Diyaljee, Vishnu. "Discussion of “New Model for Predicting Permanent Strain of Granular Materials in Embankment Subjected to Low Cyclic Loadings” by Wen-Bo Chen, Wei-Qiang Feng, Jian-Hua Yin, Jin-Miao Chen, Lalit Borana, and Ren-Peng Chen." Journal of Geotechnical and Geoenvironmental Engineering 147, no. 11 (November 2021): 07021026. http://dx.doi.org/10.1061/(asce)gt.1943-5606.0002656.

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Chen, Wen-Bo, Wei-Qiang Feng, Jian-Hua Yin, Jin-Miao Chen, Lalit Borana, and Ren-Peng Chen. "Closure to “New Model for Predicting Permanent Strain of Granular Materials in Embankment Subjected to Low Cyclic Loadings” by Wen-Bo Chen, Wei-Qiang Feng, Jian-Hua Yin, Jin-Miao Chen, Lalit Borana, and Ren-Peng Chen." Journal of Geotechnical and Geoenvironmental Engineering 147, no. 11 (November 2021): 07021027. http://dx.doi.org/10.1061/(asce)gt.1943-5606.0002657.

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WU, Peichen. "Traveling Japan, Writing Japan：The Translation and Publishing of the Travelogue Wareteki Nihon." Border Crossings: The Journal of Japanese-Language Literature Studies 13, no. 1 (December 30, 2021): 53–60. http://dx.doi.org/10.22628/bcjjl.2021.13.1.53.

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The travelogue Wareteki Nihon was published in December 2018 by Hakushui Sha, and included the work of eighteen Taiwanese writers from various generations. All their works in the text relate to their travels in Japan. These Taiwanese writers are Kan Yao-Ming, Ko Yu-fen, Huang Li-Chun, Wang Sheng-Hong, Jiang E, Chen Bo-Chin, Hu Mu-Ching, Sheng Hao-We, Chu He-Chih, Wu Ming-Yi, Lu Hui-Hsin, Yi Ge-Yan, Yen Shu-Hsia, and Liu Shu-Hui, whose works in this anthology depict Japanese scenery, culture and literature, and so on. This paper will focus on how this publishing project started, the process of producing this travelogue, and the evaluations and responses of Japan’s literary circle and the mass media to it after its publication in Japan.
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Zhao, Zhong-Zhen, Ya-Ni Hu, Yuk-Wo Wong, Wan-Chi Gigi Wong, Kim Wu, Zhi-Hong Jiang, and Tingguo Kang. "Application of microscopy in authentication of Chinese patent medicine—Bo Ying compound." Microscopy Research and Technique 67, no. 6 (2005): 305–11. http://dx.doi.org/10.1002/jemt.20213.

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Akin, Cihan Erdost. "Making the revolution intelligible, rendering political imaginations unthinkable: A postcolonial reading of British and American media representations of Rojava." Kurdish Studies 8, no. 2 (October 13, 2020): 313–38. http://dx.doi.org/10.33182/ks.v8i2.521.

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Although the gendered media portrayal of female Kurdish fighters has drawn academic attention, the representation of the socio-political model of Rojava by the British and American media is often neglected. This paper surveys the British and American media to understand the kinds of opinions found in the media, the discursive means that make the Rojava model intelligible, and what is rendered either commonsensical or unimaginable. The Rojava project is framed as “a separatist rebellion”, “an experiment”, and “a genuine social revolution”. By excluding the anti-capitalist and ecological principles of Rojava, and either dismissing or romanticising its achievements, these discourses render an alternative to capitalism and the nation-state unthinkable, and reproduce Orientalist images of the region, thus serving capitalist and imperialist interests. This study suggests that we should pay more attention to socio-political imaginations and representations of non-state paradigms in order to understand the hegemony of the state. Abstract in Kurmanji Fehmbarkirina şoreşê, pêşkêşkirina nemumkiniya tesewira polîtîk: Xwendineke postkolonyal a temsîlên Rojava di medyaya Brîtanya û Amerîkayê de Li hember teswîra zayendî ya şervanên kurd ên jin ku gelek bala akademiyê kişandiye, temsîla modela sosyo-polîtîk a Rojava ji teref medyaya brîtanyayî û emerîkî ve pirî caran hate paşguhkirin. Ev nivîs li medyaya brîtanyayî û emerîkî dinêre da ku cureyên fikrên di medyayê de, amûrên vegotinê yên ku modela Rojavayê fehmbar dikin vebikole û fehm bike ka çi û çiqas beraqil an jî nexeyalbar tê pêşkêşkirin. Projeya Rojava, weke “serhildaneke cudaxwaz”, “ceribandek” û “şoreşeke civakî ya resen” tê resmkirin. Bi derkirina prensîbên dij-kapîtalîst û ekolojîk yên Rojava û bi paşguhkirin an jî romantîzekirina destkeftên wê, ev dîskûr nemumkiniya alternatîfa kapîtalîzmê û netewe-dewletê îfade dikin û wêneyekî Oryantalîst ya herêmê diafirînin ku xizmeta berjewendiyên kapîtalîst û emperyalîst dike. Ev xebat pêşniyar dike ku divê em bêtir bala xwe bidin tesewirên sosyo-polîtîk û temsîlên paradîgmaya ne-dewlet ji bo fehmkirina hegemonyaya dewletê. Abstract in Sorani Be têgeyandin kirdnî şorrş, bê mana kirdnî endêşe syasîyekan: Xwêndneweyekî postkolonyalaney wênakirdnî mîdyay berîtanî û emrîkî bo rojawa Egerçî wêne mîdyayye cênderekanî jne şervanekanî kurd sernicî ekadîmîyekanî rakêşawe, zorcar wênakirdnî modêlî syasî-cvakî rojava lelayen mîdyay berîtanî û emrîkayewe feramoşkrawe. Bo têgeyîştin lew bîruboçunaney le mîdyakanda bedî dekrêt, em babete rumallêkî mîdyay berîtanî û emrîkî dekat, amraze gutarîyekan ke modêlî rojava bê mana deken û yan wek ştêkî asayî yan xeyallî dexrête rû . Projey rojava xrawete çwarçîwey “yaxîbunêkî cudaxwazî”, “ezmunêk” we “şorşêkî rasteqîney komellayetî”. Be wedernanî bnema dje-sermayedarî û îkolojîyekanî rojava, we yan be nadîdekirdin û romantîkirdnî deskewtekan, em gutarane bedîlêk bo sermayedarî û dewllet-netewe dexate derewey bîrkirdnewe. Em twêjîneweye pêşnyar dekat ke bo ewey le hejmûnî dewllet têbgeyn, pêwîste bayexî zyatir be endêşey syasî-cvakî û nwênerayetîkrinî paradaymî nadewlletî bdeyn. Abstract in Zazaki Şoreşî dayîşfehmkerdiş, fikranê sîyasîyan nêdayîşfikirîyayîş: Medyaya Brîtanya û Amerîka de temsîlê Rojawanî ser o wendişêko postkolonîyalîst Herçiqas ke nawitişê medyaya cinsîyetperwere de rolê şêrvananê cinîkanê kurdan bala akademîkan ante, modelê komel û sîyasetê Rojawanî zafê reyan hetê medyaya Brîtanya û Amerîka ra peygoş bî. Na meqale qayîtê medyaya Brîtanya û Amerîka kena ke wina tede qeneatê ci yê cîya-cîyayî, usûlê munaqeşeyî yê îzahkerdişê modelê Rojawanî û çîyê bimantiqkerde yan zî nefikrbarî fehm bibê. Projeyê Rojawanî sey “serewedaritişo cîyaker”, “ceribnayîş” û “şoreşê komelî yo raştikên” name beno. Bi îhmalkerdişê prensîpanê Rojawanî yê antîkapîtalîst û ekolojîkan û bi redkerdiş yan zî romantîzekerdişê serkewtişanê ci, nê munaqeşeyî alternatîfê kapîtalîzm û dewleta netewe nêdanê fikirîyayene. Wina herêm ra resimo oryantalîst yeno xêzkerdene ke menfeatanê kapîtalîst û emperyalîstan rê fayde dano. No cigêrayîş pêşnîyaz keno ke ma hîna zaf bala xo bidîme fikranê komelkî û sîyasîyan û estbîyayîşê paradîgmayanê nedewlete ser ke bandura dewlete fehm bikerîme.
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Ọlátúnjí, Ọlátúndé. "Ògún: Bí a ṣe Fi Hàn Nínú Lítíréṣọ ̀." Yoruba Studies Review 6, no. 1 (December 21, 2021): 1–9. http://dx.doi.org/10.32473/ysr.v6i1.130106.

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Ìtàn àbàláyé àwa Yorùbá sọ fún wa pé ògún ló ṣaájú gbogbo àwọn òrìsà yòókù nígbà tí wó n ń ti ìko ̣ ̀ lé o ̣ ̀ run bo ̣ ̀ wáyé. Òun ló ní àdá ti ó fi gán o ̣ ̀ nà ti ̣ gbogbo wó n gbà. Nítorí ìdí èyí, gbogbo àwọn irúnmale ̣ ̀ náà pẹnu po ̣ ̀ láti yan ̣ Ògún ni ọṣìnmalè , èyí ni olórí àwọn ìmọle ̣ ̀ , nígbà tí wo ̣ ́ n dé Ilé-Ife ̣ ̀ . Ṣùgbo ̣ ́ n ̣ ògún kò rójú jókòó sojú kan láti jẹ ọlá ti a dá a nítorí ìgbé ayé líle ti ó ti mó ọ ̣ lára àti iṣé ọdẹ tí ó ń ṣe. A gbo ̣ ́ pé èyí ló gbé Ògún de Ìrè. Nígbà ti yóò so ̣ ̀ kale ̣ ̀ ̣ láti orí òkè wọ ìlú Ìrè, kòṣẹ ni: Ọjó ògún ń ti orí òkèe bo ̣ ̀ ̣ Aṣọ iná ló mú bora Èwù e ̣ ̀ jẹ ̀ ló wo ̣ ̀ .
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Şengül, Ceren. "Constructing Kurdishness in Turkey: Passive exposure as a boundary marker." Kurdish Studies 10, no. 1 (May 30, 2022): 3–18. http://dx.doi.org/10.33182/ks.v10i1.579.

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This article discusses the under-researched sonic aspect of belonging to Kurdishness in Turkey: listening to or hearing the language, so-called passive exposure, without necessarily speaking it. Drawing on ethnographic, in-depth interviews and participant observation across five different field sites in Turkey, this article illustrates that in Turkey, where the public space for Kurdish soundscape is limited, passive exposure to the Kurdish language within family environments acts as major means of transmission of belonging. This discussion contributes to the literature on boundary-making by illustrating that the absence of passive exposure hinders some of the means of boundary-making such as self-ascription. Abstract in Kurmanji Avakirina Kurdîniyê li Tirkiyeyê: Merûziya pasîf wekî nîşaneke sînorê Ev gotar hêla dengî ya aîdiyeta Kurdîniyê li Tirkiyeyê, ya kêm-lêkolînkirî nîqaş dike: guhdarîkirin an bihîstina zimên, ango merûziya pasîf, bêyî şertê axaftina bi wî zimanî. Li gor hevdîtinên kûr ên etnografîk û çavdêrîkirina beşdarî ya li 5 qadên cuda yên li Tirkiyeyê, ev gotar nîşan dide ku dema qadên giştî ji bo derdora dengî ya kurdî bisînor bin, merûziya pasîf a zimanê kurdî di nav derdorên malbatî de dibe rêya sereke ya raguhastina aîdiyetê. Ev nîqaş tevkariya edebiyata li ser çêkirina-sînoran dike bi nîşandana wê yekê ku nebûna merûziya pasîf dibe asteng ji bo hin rêyên çêkirina-sînoran; bo nimûne, ji bo xwe-lêbarkirinê. Abstract in Zazaki Tirkîya de Awankerdişê Kurdbîyayîşî: Marûzîya Pasîfe Sey Nîşanê Sînoran No nuşte cîhetê vengî yê Tirkîya de kurdbîyayîşî yo ke bes cigêrayîş nêdîyo, ey ser o vindeno: marûzîya pasîfe, yanî bê ke merdim yew ziwan qisey bikero, la ê ziwanî biheşno yan goşdarî bikero. Bi roportajanê xorînanê etnografîkan û panc waranê Tirkîya yê cîya-cîyayan de nîyadarîya beşdaran ra, na meqale musnena ke rayapêroyîya Tirkîya de ke tede manzaraya vengî ya kurdkî sînorkerdî ya, uca dorûverê keyeyan de ziwanê kurdkî rê bi hewayêko pasîf marûzbîyayîş beno wasitaya weşanê endamîya komelî ya bingeyêne. Na munaqeşeya ke kemerêk nana ro lîteraturê sînorronayîşî ser, nawnena ke eke marûzîya pasîfe çin bo, tayê îmkanê sînorronayîşî, sey xotedehesibnayîşî, asteng benê. Abstract in Sorani Available in print and PDF versions.
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Dissertations / Theses on the topic "Bo yin"

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Li, Jiaju. "Shanghai shang wu yin shu guan yu jin dai zhi shi wen hua de chuan bo he su zao (1897 zhi 1949) cong shu ji chu ban shi jiao du kao cha /." online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3066579.

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Jin, Mengyao, and 金夢瑤. "A study of ancestor worship in oracle bone inscriptions from the perspective of anthropology = Ren lei xue jiao du : Yin Xu bo ci zhong zu xian chong bai yan jiu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/208596.

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Culture is commonly viewed as the most significant factor that distinguishes one ethic group from another. Writing is primarily defined as the carrier of culture. Religion is generally conceded to be the important way to convey culture, while culture is primly manifested by religion. Shang Dynasty that started up as a very first dynasty boasts of literary inscription, in the same time, it is discovered to be the earliest era of writing system in existence. All that is attributed to the Oracle Bone Inscriptions unearthed. Hence, Oracle Bone Inscriptions is associated with the culture study of Shang Dynasty. Central to the culture of Shang Dynasty is the religion culture in the sense that Oracle Bone Inscriptions articulates a great deal of records related to religion. Oracle Bone Inscriptions, accordingly, manages to provide abundant and genuine documents and evidences for the purpose of studying the culture of Shang Dynasty. The research aims to focus on the Oracle Bone Inscriptions as a main object of analysis, with the combination of the study of Oracle Bone, history of Shang Dynasty together with anthropology, which intends to explore the characteristics of China’s religion and develop a new definition. The Shang Dynasty is regarded as a period of strengthening religious belief and rituals. The degree of China’s religion ceremony represents itself in a statement of full popularity and development in Shang Dynasty which is implicated by the Oracle Bone Inscriptions, and the worship ceremony is embodied in China’s religion. Through the research, it is concluded that the core belief of China’s religion mainly revolves around ancestor worship and its consciousness; particular religious sites, such as ancestor temples; worship ancestor of genetic connection as well as ancestor of social groups; and belief of ethics and morality. Religion is closely concerned in society construction and nation building; moreover, it exerts a significant influence on Chinese cultures in many aspects.
published_or_final_version
Chinese
Master
Master of Philosophy
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Zhang, Zhuan. "Xin wen zhuan ye zhu yi zai Zhongguo : "xin wen tiao cha" ge an yan an = Professionalism at work : the case of "New Probe" /." click here to view the abstract and table of contents, 2003. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17563379a.pdf.

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Amin, Md Ashraful. "Gabor wavelets for human biometrics = Gaibo xiao bo zai ren ti shi bie zhong de ying yong /." access full-text access abstract and table of contents, 2009. http://libweb.cityu.edu.hk/cgi-bin/ezdb/thesis.pl?phd-ee-b23749489f.pdf.

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Thesis (Ph.D.)--City University of Hong Kong, 2009.
"Submitted to the Department of Electronic Engineering in partial fulfillment of the requirements for the degree of Doctor of Philosophy." Includes bibliographical references.
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Tse, Heung-wing. "A study of the divinatory statements in the bamboo slip edition of the Book of change in the Shanghai Museum Shang bo jian "Zhou yi" duan zhan ci yan jiu /." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B43757807.

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Poon, Ngar-see. "A comprehensive study on the special symbols in the version of Zhouyi as inscribed on the bamboo slips held at the Shanghai museum Shang bo chu zhu shu "Zhou yi" te shu fu hao yan jiu zong lun /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43209579.

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HO, LI-CHUN, and 何莉君. "The study on impromptu and reply poems of Wen Yan-Bo." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/zahbs4.

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碩士
東吳大學
中國文學系
106
This study is aimed to do further analysis on the impromptu and reply poems from Wen Yan-Bo of the Northern Song dynasty. Those who were mentioned frequently and had significant influence on Wen’s life are my primary research targets. Furthermore, the characteristics of Wen’s poems, his deep thoughts and wisdom of facing the dramatic changes throughout his life can also be revealed in this study. The definition of so called “impromptu and reply poems” is mainly from the categories in Zao-Ming’s selections. Combining with the keywords meaning giving, thanking, comforting, blessing etc. shown up in the context, I extract those poems from Wen Yan-Bo’s works. Regarding the corresponding research targets, they are filtered out through three layers: first is the quantity. Those who are mentioned frequently in Wen’s poems can be treated as Wen’s top 10 close friends or colleagues. They all had great influences at that time. From those poems, we could understand how Wen had faced the challenges in his career. Secondly, in order to profile Wen’s life other than career, I also selected several targets who are Wen’s either relatives or students. Finally, some of Wen’s friends are monks and friars. In the later phase of Wen’s life, he spent a lot of time on being with these friends. From this perspective, we could see how Wen transformed his mind after leaving the central government. This study covers those targets’ family, education background, career and art work. Through Wen’s impromptu and reply poems with these targets, we can understand Wen’s deep mind and thoughts. In terms of characteristics, I classified into three perspectives: content, intuitive feeling and legendries, and collect many useful materials to prove it. We could understand not only the features on Wen’s poems but also how he transformed his mind while serving the government throughout four emperors. The conclusion of this study has summarized the interactions between Wen and these targets. We could have an overview picture of their standing points and social activities. From Wen’s poems, the write styles are also changed significantly in Northern Song dynasty. These changes also somehow have affected the following dynasties.
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Bo, Yi-Ying, and 栢衣瑩. "Taiwan Historic Buildings Juxta Position in the Time and Space—The Oil Painting of Creation Description of YI-YING BO." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/5g3rh3.

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碩士
國立屏東大學
視覺藝術學系碩士班
104
The creation of discussion " Taiwan Historic Buildings Juxta Position in the Time and Space—the Oil Painting of Creation Description of YI-YING BO " focuses on the individual and collective memories of historical buildings for Taiwan through creation. Taiwan history nearly four hundred years , after the Netherlands, Spain , Japan, the history of foreign rule , In addition to Chinese culture Ming and Qing, the Republic of China government to introduce a large-scale , thus making Taiwan into a multicultural cultural traits , historical building represents a time the product of collective memory , when the transfer of the regional environment , the old memories gradually as time goes by, under the fusion of old and new memories , historical architectural space while Taiwan's unique historical record time . Researchers creative content is divided into " temporal juxtaposition - in the past to the present " and " temporal juxtaposition - in the past to the present " two series , through different periods of the history of Taiwan overlay image building , reflect the history of Taiwan 's " space " and " time " Reflection and imagination.
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Lin, Che-Wen Cindy. "Bai Juyi's Poetry as a Common Culture in Pre-modern East Asia." Thesis, 2012. http://hdl.handle.net/1807/33668.

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This paper applies a hermeneutic approach to analyze, and a comparative approach to examine, Bai Juyi’s poems referenced in Tale of Genji by Murasaki Shikibu, Pillow Book by Sei Shōnagon, Tongguk Yi Sang-guk Chip by Yi Kyu-bo and Kyewŏn Pilgyŏngjip by Ch’oe Ch’i-wŏn. Through exploring Bai’s poetry in these texts, the author discovers how Murasaki, Sei, Ch’oe, and Yi contributed to transculturuation in Korea and Japan. Furthermore, the transculturation demonstrated by these literati shows a diversity of patterns: cultural mobilization from west to east; the emergence of overlapping histories in different eras and locations; a disappeared culture, recovered through being transmitted to other regions; cultural transplantation or transformation resulting from cultural contacts; and cultural products helped to stimulate economic growth. Subsequently, Bai Juyi’s works stand as a testament to the power of great poetry to improve and enhance cultures across a broad span of time and space.
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Books on the topic "Bo yin"

1

Shu bo te. Beijing: Dong fang chu ban she, 1998.

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2

Shi yong bo yin jiao cheng: Pu tong hua yu yin he bo yin fa sheng. Beijing: Bei jing guang bo xue yuan chu ban she, 2002.

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3

Kejia yin yue chuan bo. Beijing: Zhongguo wen lian chu ban she, 2000.

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Song, Yirui. Yin pin ji feng bo. Xianggang: Xin ya wen hua shi yeh yu xian gong si, 1991.

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5

Zhuan bo xue yin lun. 2nd ed. Beijing: Xin hua chu ban she, 2003.

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Sheng yin bo dong Zhongguo. Beijing Shi: Zhongguo she hui chu ban she, 2011.

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7

Chuan bo xue yin lun. [Beijing]: Xin hua chu ban she, 1993.

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Bo yin zhu chi lun. Chengdu Shi: Sichuan da xue chu ban she, 2003.

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Chuan bo xue yin lun. 3rd ed. Bei jing: Gao deng jiao yu chu ban she, 2013.

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Bu yin bo he jiu. Taibei Shi: Xiao shuo chuang zuo za zhi she, 1990.

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Book chapters on the topic "Bo yin"

1

"BO YUN." In Stars 79–80, 60–63. The Chinese University of Hong Kong Press, 2020. http://dx.doi.org/10.2307/j.ctvzpv76v.10.

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"Wear (Bo 剝)." In The Yi River Commentary on the Book of Changes, 189–94. Yale University Press, 2019. http://dx.doi.org/10.2307/j.ctvgc61zp.29.

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"23. Wear (Bo 剝)." In The Yi River Commentary on the Book of Changes, 189–94. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300245530-027.

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"Bod mi’i mi tshe’i brgyud rim ltar gyi dmangs srol skor zhig la rtogs zhib byas pa: Gtso bo a mdo’i ‘brog khul gyi gnas tshul bzhir bzung pa yin." In Proceedings of the Ninth Seminar of the IATS, 2000. Volume 1: Tibet, Past and Present, 343–60. BRILL, 2002. http://dx.doi.org/10.1163/9789004483071_021.

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"Glossary Bo idiophone, cymbal Dang idiophone, small brass gong suspended in a wooden frame Dao the transcendent eternal Cosmic Way Daozang Taoist canon Di aerophone, horizontal flute Difang yun regional chants Dujiang chief cantor Fangshi man of magical techniques Faqi ritual instruments Fujiang assistant cantor Gaogong fashi chief Taoist or master of exalted merit Gongchi notational system Gu membranophone, drum Guan aerophone, reeded pipe He process of uniting the yin and yang Huoju daoshi non-celibate Taoist priests Jinian fashi rituals celebrating the birthdays of various gods, deities, and past Taoist masters Luo idiophone, gong Moyu idiophone shaped like a fish, made of wood Qi the primordial energy Qing idiophone in the shape of a large bowl, usually made of brass Quanzhen Perfect Realization Quanzhen zhenyun Orthodox Quanzhen chants Sandong three-part classification of historical documents used in the Taoist canon Sanjiao heyi Three religions (Taoism, Buddhism, Confucianism) into one Sanqing The Three Pure Ones, highest of the Taoist gods Shougu membranophone, hand-held drum Suona aerophore, oboe Taiping Dao The Way of Great Peace Tan Taoist altar Tian ren he yi human in/as universe Tianshi Dao The Way of the Heavenly Masters Wushi shaman and spirit-medium Wuwei Taoist philosophical idea of non-interference Xiudao fashi daily morning and evening offices Yangyun chants praising the virtues and power of the gods Yanyue court banquet music." In Tradition & Change Performance, 79. Routledge, 2012. http://dx.doi.org/10.4324/9780203985656-15.

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