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Journal articles on the topic 'Body and Performance'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Pahud de Mortanges, Elke. "Body@Performance und Gedächtnis." Kirchliche Zeitgeschichte 31, no. 2 (2018): 348–62. http://dx.doi.org/10.13109/kize.2018.31.2.348.

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2

Eichner, E. Randy. "Body Temperature and Performance." Current Sports Medicine Reports 9, no. 2 (2010): 68–69. http://dx.doi.org/10.1249/jsr.0b013e3181d40804.

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3

Högström, Gabriel M., Tom Pietilä, Peter Nordström, and Anna Nordström. "Body Composition and Performance." Journal of Strength and Conditioning Research 26, no. 7 (2012): 1799–804. http://dx.doi.org/10.1519/jsc.0b013e318237e8da.

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4

Přibyl, J., H. Krejčová, J. Přibylová, I. Misztal, J. Bohmanová, and M. Štípková. "Trajectory of body weight of performance tested dual-purpose bulls." Czech Journal of Animal Science 52, No. 10 (2008): 315–24. http://dx.doi.org/10.17221/2340-cjas.

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6 508 bulls of dual-purpose cattle at performance-test stations were weighed at intervals of 30 days from birth to 420 days. After all editing a total of 74 558 weight records were available. Live weight was evaluated by orthogonal Legendre Polynomial (LP) of degree 4 and by Linear Spline function (SP) with 5 knots. The fixed effects of test-day-year-station of weighing (TDS) and LP within station-year explain together 97% of variability. Variance components were estimated by REML (REMLF90 programme) taking into account heterogeneous variance during growth. The basic model included fixed effec

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5

Mourad, Mohamed Hassan. "Influence of body size on swimming performance of carp (Cyprinus carpio)." Acta Ichthyologica et Piscatoria 21, no. 1 (1991): 87–91. http://dx.doi.org/10.3750/aip1991.21.1.09.

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6

Handrigan, G. A., A. Plamondon, M. Simoneau, N. Teasdale, and P. Corbeil. "Body weight influences lifting performance." Canadian Journal of Diabetes 35, no. 2 (2011): 214–15. http://dx.doi.org/10.1016/s1499-2671(11)52277-4.

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7

Marriott, B. M., and J. Grumstrup-Scott. "Body Composition and Physical Performance." Medicine & Science in Sports & Exercise 25, no. 9 (1993): 1086. http://dx.doi.org/10.1249/00005768-199309000-00024.

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8

Black, Steven P. "The Body in Sung Performance." Anthropology News 52, no. 1 (2011): 10. http://dx.doi.org/10.1111/j.1556-3502.2011.52110.x.

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9

Araneo, Margaret. "Performance and the Medical Body." Interdisciplinary Science Reviews 41, no. 4 (2016): 383–85. http://dx.doi.org/10.1080/03080188.2016.1246117.

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10

Ahmed, Bahroz M. S., Nazhad N. Maarof, and Talal Y. Petrus. "Effect of Body Condition Score on Productive Performance of Local Karadi Cows." Journal of Zankoy Sulaimani - Part A 13, no. 1 (2010): 121–28. http://dx.doi.org/10.17656/jzs.10217.

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11

De Preester, Helena. "To Perform the Layered Body." Janus Head 9, no. 2 (2006): 349–83. http://dx.doi.org/10.5840/jh2006926.

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The aim of this article is to focus on the body as instrument or means in performance-art. Since the body is no monolithic given, the body is approached in terms of its constitutive layers, and this may enable us to conceive of the mechanisms that make performances possible and operational, i.e. those bodily mechanisms that are implicitly or explicitly controlled or manipulated in performance. Of course, the exploitation of these bodily layers is not solely responsible for the generation of meaning in performance. Yet, it is that what fundamentally /enables/ the generation of sense and signifi

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12

Marín, Pedro J., Azael J. Herrero, John G. Milton, Tom J. Hazell, and David García-López. "Whole-Body Vibration Applied During Upper Body Exercise Improves Performance." Journal of Strength and Conditioning Research 27, no. 7 (2013): 1807–12. http://dx.doi.org/10.1519/jsc.0b013e3182772f00.

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13

Lussana, Marcello. "Music and Body as Ritual-Performance." A Peer-Reviewed Journal About 2, no. 1 (2013): 86–93. http://dx.doi.org/10.7146/aprja.v2i1.121130.

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   In this paper I want to connect different kinds of knowledge: some ideas of the philosopher Gilles Deleuze, phenomenology, interactive technology, performance, music and ritual. The central idea is the concept of difference as a generative tool of thinking, doing, performing and understanding technology. This is realized through a constant exchange, a movement between these different activities: this communication is the practice of generating difference. Connector of this idea of movement is the concept of body, considered in his variety of meanings: a physical body, fles

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14

Dawes, Mark. "Performance Art: Spectacle of the Body." Circa, no. 74 (1995): 26. http://dx.doi.org/10.2307/25562887.

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15

Balasubramanian, Murali, and Ahmed Shaik. "Optimizing Body Panels for NVH Performance." SAE International Journal of Passenger Cars - Mechanical Systems 8, no. 3 (2015): 948–55. http://dx.doi.org/10.4271/2015-01-2265.

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16

Hanes, Karl R. "Neuropsychological performance in body dysmorphic disorder." Journal of the International Neuropsychological Society 4, no. 2 (1998): 167–71. http://dx.doi.org/10.1017/s1355617798001672.

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Fourteen patients with body dysmorphic disorder (BDD) were assessed with neuropsychological measures, including tests of executive, mnestic, and motor functions. Performance in these patients was compared to 10 patients with obsessive-compulsive disorder (OCD), 14 patients with schizophrenia, and 24 normal controls. Findings indicated normal performance of the BDD group on measures of mnestic and motor function, but poor performance of this group on tests of executive function (p < .05). The overall performance of the BDD and OCD groups on the neuropsychological measures was similar, while

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17

VARAKIS, ANGELIKI. "BODY AND MASK IN ARISTOPHANIC PERFORMANCE." Bulletin of the Institute of Classical Studies 53, no. 1 (2010): 17–38. http://dx.doi.org/10.1111/j.2041-5370.2010.00002.x.

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Abstract In Greek comedy the masking of the head and dressing of the body was essential to effect a full transformation of the actor into a comic character. The body mask was as important as the head in its power to transform the actor into a different persona, suggesting that the comic characters' bodies were as significant as their heads in producing meaning and not a simple costume accessory. In attempting to understand the function of the comic mask and body in ancient performance, this paper considers the similarities between the distorted bodies through a careful examination of a series

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18

Salimi, Rana. "The Female Bomber's Body in Performance." New Theatre Quarterly 30, no. 1 (2014): 51–64. http://dx.doi.org/10.1017/s0266464x14000074.

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Following the rules of self-sacrifice for a higher cause, the Palestinian female bomber performs the values of the struggle through and on her body in a farewell video statement. She leaves herself behind to create an image of a strong and victorious soldier. The female bomber's performance of the new self introduces her as a role model for younger generations. Her public appearance in hijab challenges notions of the body, physical beauty, and freedom in the secularist world at the same time as it deviates from the norms of a fundamentalist view of women. It is the dual impact on local and int

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19

Holmes, Stephen. "Intercultural Communicative Performance and the Body." Contemporary Pragmatism 12, no. 2 (2015): 275–301. http://dx.doi.org/10.1163/18758185-01202006.

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From the standpoint of an intercultural communication trainer in an exploration mode, the author starts by analyzing and evaluating two Third Culture models in order to sort out their contributions to practically improving intercultural communicative performance with the stranger. In his exploration he strives to move from competence to performance by shifting the focus of the abstract potential of competence to the body as an experiencing organism and its environment, the point in a situation where performance takes place. Along his path he also discovers interfaces with related discussions (

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20

Beecham, L. "Review body considers pay for performance." BMJ 308, no. 6926 (1994): 435–36. http://dx.doi.org/10.1136/bmj.308.6926.435b.

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21

Cordain, L., and R. Kopriva. "Wetsuits, body density and swimming performance." British Journal of Sports Medicine 25, no. 1 (1991): 31–33. http://dx.doi.org/10.1136/bjsm.25.1.31.

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22

RAYSON, M. P., D. E. HOLLIMAN, and C. L. BIRCH. "BODY COMPOSITION AND MILITARY PERFORMANCE 1181." Medicine &amp Science in Sports &amp Exercise 28, Supplement (1996): 198. http://dx.doi.org/10.1097/00005768-199605001-01180.

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23

Rüst, Christoph A., Beat Knechtle, Patrizia Knechtle, Andrea Wirth, and Thomas Rosemann. "Body Mass Change and Ultraendurance Performance." Journal of Strength and Conditioning Research 26, no. 6 (2012): 1505–16. http://dx.doi.org/10.1519/jsc.0b013e318231a7b5.

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24

Overton, Adam. "Invisible performance and the virtuosic body." Contemporary Music Review 25, no. 1-2 (2006): 173–82. http://dx.doi.org/10.1080/07494460600647659.

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25

Reilly, Thomas. "The body clock and athletic performance." Biological Rhythm Research 40, no. 1 (2009): 37–44. http://dx.doi.org/10.1080/09291010802067015.

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26

Parker-Starbuck, Jennifer. "The Spectatorial Body in Multimedia Performance." PAJ: A Journal of Performance and Art 33, no. 3 (2011): 60–71. http://dx.doi.org/10.1162/pajj_a_00056.

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27

Cody, Gabrielle H. "The Explicit Body in Performance (review)." Theatre Journal 49, no. 4 (1997): 543–44. http://dx.doi.org/10.1353/tj.1997.0100.

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28

Melrose, Susan. "My Body, Your Body, Her-His Body: Is/Does Some-Body (Live) There?" New Theatre Quarterly 14, no. 54 (1998): 119–24. http://dx.doi.org/10.1017/s0266464x00011933.

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Taking up the arguments set out by Anna Cutler in the preceding article, Susan Melrose here cautions against what she sees as the dangers Cutler fails to take into account of nominalization as an inherently conservative process. She suggests that the reification of the term ‘the body’ carries its own dangers, unless its complexities – as suggested by the title of this article – are recognized and assimilated. Arguing that many of the problems identified by Cutler are as applicable to the male as to the female performer, Susan Melrose concludes that the primacy of the word in documentation proc

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29

Ates, Osman, Ozlem Kirandi, and Burcak Keskin. "The relationship between the body composition and anaerobic performance of young football players." International Journal of Academic Research 9, no. 1 (2017): 47–51. http://dx.doi.org/10.7813/2075-4124.2017/9-1/a.10.

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30

Stupka, R., J. Čítek, K. Vehovský, et al. "Effects of immunocastration on growth performance, body composition, meat quality, and boar taint." Czech Journal of Animal Science 62, No. 6 (2017): 249–58. http://dx.doi.org/10.17221/99/2016-cjas.

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The study objective was to evaluate the effect of immunocastration in the period between the first and second vaccinations and subsequently between the second vaccination and slaughter on growth performance, carcass composition, meat quality, and boar taint, and compare results in immunocastrated males (IC), uncastrated boars (UCM), surgically castrated barrows (CM), and gilts (FE). The study included 70 pigs of the Duroc × (Large White × Landrace) crossbreed. Upon the overall assessment of the selected fattening indicators (average daily gain, feed intake), significant differences between CM

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31

Samejima, Yuka, and Yoshitaka Tsubaki. "Body temperature and body size affect flight performance in a damselfly." Behavioral Ecology and Sociobiology 64, no. 4 (2009): 685–92. http://dx.doi.org/10.1007/s00265-009-0886-3.

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32

Singh, Raghvendra, Dambarudhar Seth, Sanyog Rawat, and Kanad Ray. "In Body Communication." International Journal of Applied Evolutionary Computation 9, no. 1 (2018): 64–75. http://dx.doi.org/10.4018/ijaec.2018010104.

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This article makes an effort to assess the performance of a stacked meandered patch antenna in proximity of multiple homogeneous human tissue models. Nowadays, many smart wireless gadgets are being used around human vicinity, hence the performance investigation of these wireless gadgets is major concern. This article discloses the performance of meandered patch antenna for in-body communication in the MICS band. The human tissue is considerably effected by the exposure of electromagnetic radiation. Performance improvement of patch antennas used in wireless gadgets is the key solution of the pr

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33

Hardwick, Patricia A. "The Body Becoming: Transformative Performance in Malaysian Mak Yong." Music and Medicine 6, no. 1 (2014): 40. http://dx.doi.org/10.47513/mmd.v6i1.151.

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Mak yong is a Malay dance drama found in southern Thailand, northern Malaysia, and the Riau Islands of Indonesia. The form of mak yong currently performed in the northern Malaysian state of Kelantan requires its practitioners to be storytellers, actors, singers, dancers, musicians, and in the context of ritual performances, healers. Drawing upon interviews with performers, this article will explore first-hand accounts of the embodied experiences of individual Kelantanese mak yong practitioners during their performances of the Menghadap Rebab, the opening song and dance of a mak yong performanc

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34

Ade, Carl J., Ryan M. Broxterman, Jesse C. Craig, Susanna J. Schlup, Samuel L. Wilcox, and Thomas J. Barstow. "Upper Body Aerobic Exercise as a Possible Predictor of Lower Body Performance." Aerospace Medicine and Human Performance 86, no. 7 (2015): 599–605. http://dx.doi.org/10.3357/amhp.4181.2015.

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35

WANG, Jianqing, Kenichiro MASAMI, and Qiong WANG. "Transmission Performance of an In-Body to Off-Body UWB Communication Link." IEICE Transactions on Communications E94-B, no. 1 (2011): 150–57. http://dx.doi.org/10.1587/transcom.e94.b.150.

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36

Kaçoğlu, Celil, and Barış Gürol. "EFFECT OF BODY POSITION DURING WHOLE BODY VIBRATION ON ACUTE JUMPING PERFORMANCE." Baltic Journal of Sport and Health Sciences 3, no. 102 (2016): 8–12. http://dx.doi.org/10.33607/bjshs.v3i102.59.

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Background. The aim of the study was to investigate the acute effect of whole-body vibration (WBV) during heel raised and standing squat position on squat (SJ) and countermovement jump (CMJ) heights. Methods. Twenty four physically active sport science students are voluntarily participated in this study. Randomized, counterbalanced, crossover study was used in this study and all subjects completed two trials that were plantar (25–30°) and dorsal (5–10°) flexion squats. WBV exercises were performed on a vibration plate at 26 Hz frequency, 4mm amplitude. Jumping performances were assessed with a

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37

Han, Sang-Hun, and Sang Park. "Performance analysis of wireless body area network in indoor off-body communication." IEEE Transactions on Consumer Electronics 57, no. 2 (2011): 335–38. http://dx.doi.org/10.1109/tce.2011.5955164.

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38

Shiino Y, Sakai S, Takeishi R, Hayashi H, and Inoue M. "Effect of body posture on swallowing performance." Journal of Japanese Society of Stomatognathic Function 22, no. 1 (2015): 36–37. http://dx.doi.org/10.7144/sgf.22.36.

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39

Gürgen, Selim, and Melih Cemal Kuşhan. "High Performance Fabrics in Body Protective Systems." Materials Science Forum 880 (November 2016): 132–35. http://dx.doi.org/10.4028/www.scientific.net/msf.880.132.

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High performance fabrics are preferable for armor systems due to their lightweight structure and flexibility. High performance fabrics are generally used in body armor design for personal protection. However, these fabrics are utilized to cover the living space in military vehicles such as helicopters and armored vehicles. Besides, pilot seats in combat helicopters are included in utilization area of high performance fabrics. On the other hand armor is defined as a defensive covering to protect body or something against attacking threats. Protection is provided by absorbing the kinetic energy

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40

Bento, J., P. Teles, L. Silva, P. Nogueira, M. Neves, and P. Vaz. "Performance parameters of a whole body counter." Radiation Measurements 45, no. 2 (2010): 190–95. http://dx.doi.org/10.1016/j.radmeas.2010.01.002.

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41

Kok, Linda, Sanne Kreijkamp-Kaspers, Diederick E. Grobbee, Johanna W. Lampe, and Yvonne T. van der Schouw. "Soy isoflavones, body composition, and physical performance." Maturitas 52, no. 2 (2005): 102–10. http://dx.doi.org/10.1016/j.maturitas.2005.01.003.

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42

JARIC, SLOBODAN, DRAGAN MIRKOV, and GORAN MARKOVIC. "NORMALIZING PHYSICAL PERFORMANCE TESTS FOR BODY SIZE." Journal of Strength and Conditioning Research 19, no. 2 (2005): 467–74. http://dx.doi.org/10.1519/00124278-200505000-00037.

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43

McDONOUGH, P., C. A. KINDIG, T. S. HILDRETH, B. J. BEHNKE, H. H. ERICKSON, and D. C. POOLE. "Effect of body incline on cardiac performance." Equine Veterinary Journal 34, S34 (2010): 506–9. http://dx.doi.org/10.1111/j.2042-3306.2002.tb05474.x.

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44

Foster‐Dixon, Gwendolyn. "Troping the body: Etiquette texts and performance." Text and Performance Quarterly 13, no. 1 (1993): 79–96. http://dx.doi.org/10.1080/10462939309366033.

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45

Leproult, R., and P. B. Persson. "Enhanced mental performance at higher body temperature?" American Journal of Physiology-Regulatory, Integrative and Comparative Physiology 283, no. 6 (2002): R1368—R1369. http://dx.doi.org/10.1152/ajpregu.00524.2002.

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46

Almuzaini, K. S. "RELATIONSHIP OF BODY COMPOSITION TO ANAEROBIC PERFORMANCE." Medicine & Science in Sports & Exercise 33, no. 5 (2001): S126. http://dx.doi.org/10.1097/00005768-200105001-00716.

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47

Brownell, K. D., J. Rodin, and Jack H. Wilmore. "Eating, Body Weight, and Performance in Athletes." Medicine & Science in Sports & Exercise 25, no. 2 (1993): 305. http://dx.doi.org/10.1249/00005768-199302000-00026.

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48

Brooker, Meg. "Body and Performance ed. by Sandra Reeve." Theatre Topics 24, no. 2 (2014): 161–62. http://dx.doi.org/10.1353/tt.2014.0020.

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49

Hasselbach-Heitzeg, Mary M., and Patricia A. Reuter-Lorenz. "Egocentric body-centered coordinates modulate visuomotor performance." Neuropsychologia 40, no. 11 (2002): 1822–33. http://dx.doi.org/10.1016/s0028-3932(02)00034-9.

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50

Harnois-Deraps, J., U. L. Pen, I. T. Iliev, H. Merz, J. D. Emberson, and V. Desjacques. "High-performance P3M N-body code: CUBEP3M." Monthly Notices of the Royal Astronomical Society 436, no. 1 (2013): 540–59. http://dx.doi.org/10.1093/mnras/stt1591.

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