Relevant bibliographies by topics / Body art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Body art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Body art"

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Lapointe, François-Joseph. "Bio Art + Body Art = Inner-Body Art." International Journal of the Arts in Society: Annual Review 6, no. 3 (2011): 1–8. http://dx.doi.org/10.18848/1833-1866/cgp/v06i03/36047.

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Muraz, Özlem. "BODY AS AN ART OBJECT IN CONTEMPORARY ART." E-journal of New World Sciences Academy 14, no. 2 (April 29, 2019): 136–44. http://dx.doi.org/10.12739/nwsa.2019.14.2.d0232.

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Jerrentrup, Maja. "Body art." HAU: Journal of Ethnographic Theory 11, no. 3 (December 1, 2021): 1136–52. http://dx.doi.org/10.1086/718319.

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Hancocks, S. "Body art." British Dental Journal 195, no. 6 (September 2003): 357. http://dx.doi.org/10.1038/sj.bdj.4810541.

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Roberts, Janine. "Body art." Families, Systems, & Health 29, no. 2 (2011): 150. http://dx.doi.org/10.1037/a0023394.

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Wood, Catherine. "Body art." Lancet 356, no. 9248 (December 2000): 2197–98. http://dx.doi.org/10.1016/s0140-6736(00)03511-x.

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Miller, Marisa A. "Body Art." Athletic Therapy Today 8, no. 5 (September 2003): 52–53. http://dx.doi.org/10.1123/att.8.5.52.

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Mandabach, Mark G., Diedre A. McCann, and Gale E. Thompson. "Body Art." Anesthesiology 88, no. 1 (January 1, 1998): 279–80. http://dx.doi.org/10.1097/00000542-199801000-00053.

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Maroto, Michelle Lee. "Professionalizing Body Art." Work and Occupations 38, no. 1 (December 16, 2010): 101–38. http://dx.doi.org/10.1177/0730888410385402.

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King, Anthony. "Art: Body work." Nature 473, no. 7348 (May 2011): 451. http://dx.doi.org/10.1038/473451a.

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Dissertations / Theses on the topic "Body art"

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Lodder, Matthew C. "Body Art : Body Modification as Artistic Practice." Thesis, University of Reading, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525734.

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This thesis is an investigation into the legitimacy and limits of the term "body art" in its vernacular sense, wherein it refers to methods of decorating or ornamenting the body, such as tattooing or piercing. Though the term is widely used and widely understood, it has rarely appeared in any writing which takes an explicitly arthistorical or art-critical approach, and has never been subjected to any sustained analysis which uses the methodologies deployed by specialists when engaging with other forms of art. If tattooing and its coincident technologies are "body art", they have not as yet been understood as such by art historians. The arguments made over the course of this work thus amount to a case for the applicability of art-historical and art-theoretical methodologies to body modification practice. The thesis first establishes the existence of a rhetorical yet broadly undefended case for the artistic status of practices which alter the form of the body. This claim is to be found amongst both the contemporary subcultural body modification community and amongst plastic surgeons. With particular reference to theories of art and aesthetics by John Dewey, Richard Shusterman, and Gilles Deleuze and Felix Guattari, the work investigates whether such claims are tenable. In light of these investigations, the thesis then presents a number of problems which immediately arise from such a claim - problems of authorship, ownership, objectivity and value - and attempts to resolve them through detailed analysis of a number of case-studies.
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Connor, Tenielle. "The body as a canvas : a non-permanent form of body art inspired by body adornment practices." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1439.

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Thesis (BTech (Surface Design))--Cape Peninsula University of Technology, 2010
Forms of body adornment and scarification practices have been around since the origin of mankind. Many forms of traditional body adornment have evolved overtime and still exist within our mainstream society today, however examples of recent body adornments, show that although still very much in practice, in many cases the meaning has been lost. The motivational routes of western adornments are today based on what looks good as apposed to a ritual or right of passage that marks one's body for life. Therefore, the aim of this dissertation is to share the value of representation with the viewer - as representation has played, and continues to play, such an important role within the social aspect of mankind. Bycreating a link between traditional practices of African body adornmentl scarification and connecting these with body expression and representation within my own sub-cultural context, I hope to create awareness of body adornment throughout time. Finally the practical component of this research will consist of a portfolio of different photographs and videos documenting the process and completion of adorning different female bodies. These works of art will be traditionally inspired, nonpermanent three-dimensional body art that will also undoubtedly represent selfexpression and comment on 'trendv' sub-cultural society. As Idocument my progress and work it is hoped that I portray in a conceptual framework, a life cycle that comments on the evolution of culture from rural to urban, and from traditional to Western, and how Western lifestyle is diluting our social being with trends rather than using the method of body adornment as a cultural conversation.
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Green, Allison. "Body of Process." Ohio Dominican University Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1337213923.

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Lomofsky, Lynne. "Body of evidence." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/13911.

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Includes bibliographies.
This body of work is an experiential study which aims primarily to investigate the effect of the Western medical anatomisation of myself - the cancer patient - on and through my artmaking. The dissertation aims to contextualise my practice - to situate it somewhere between the different readings of cancer according to the Western theory of disease, the Eastern and New Age understandings of the body and ill health, and the work of other artists. It seeks balance between these competing discourses and looks for integration through them. The responses of other artists to their ill bodies are described, several of them exploiting medical technology, others subverting the language of the dominant discourse and the image of the 'good' patient with a 'bad' body. My own work attempts to make art around and out of the experience of cancer. The artmaking is an attempt to gather an understanding of my condition and to integrate art and life. The challenge is to visually represent this. I began the work with an ambivalence - was I an activist helping others, or was I merely immersed in my own struggle to maintain sanity, to reach a peace with my body, a calm space from which to deal with my condition? I have dismissed this ambivalence and settled on the latter position, which has the indirect effect of helping others. I have realized, like Jo Spence, that it is easy to burn yourself out when you work from a position of anger. Art and science have exploited and depicted the body throughout their history, sometimes in ways that overlap, sometimes at cross purposes that conflict, and sometimes in mutually supportive ways. When examining the binaries of revealing and concealing, visibility and invisibility, legibility and illegibility, one cannot avoid a conflict with the medical system. However, through the excavation of my body by modern medical technology, I have evolved from previously seeing only the horror of a tumour to now also seeing the hidden beauty of the other landscapes inside my body. My artmaking is thus taken up as a personal issue, not attempting to shock or to be placatory, but to externalize the cancer experience and, rather than simply reacting to it, to find the beauty inside my body.
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Torres, Alessandra Lee Michelle. "OUT OF BODY." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/793.

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This thesis explores the evolution of Alessandra Torres's work, from her early performances and installations, to her latest work with surrogate bodies, as she challenges the relationship between artist and their creation, body and object, and audience and art. Examining the work of artists such as Cindy Sherman, Rebecca Horn and Marina Abramovic, Torres explores the transformative capabilities of interactive sculpture and live performance. Join Ms. Torres as she transforms herself into everything from a paintbrush to a serpent, in her ongoing exploration of the body's ability to adapt and evolve.
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Barry, Marie Porterfield. "Lesson 23: The Postmodern Body in Art." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/25.

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Skantze, Kristina. "Body anagram." Thesis, Konstfack, Textil, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5779.

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BODY ANAGRAM is a number of hand stitched sculptures, a growing collection of mountable body parts that can be organized and screwed together in different ways. The process of stitching and sculpting bodies is metaphorically compared to the art of anagrams, wordplays. Their common reversibility between recognition and destruction is discussed. Psychological perspectives on intersubjective, as well as subject-object relationships are used to explain what can happen when people and sculptures meet. How can common emotional experiences of relationships be embodied through human-like textile sculptures? This question is processed in video documentations of people interacting with the sewn body parts. These meetings as well as collaborations around the making of the film, “Your hands and their hands”, are explored further in this paper.
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Takacs, Stephen R. "Sing the Body Electric." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343344994.

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Clarke, Warwick Media Arts College of Fine Arts UNSW. "Body and soul." Publisher:University of New South Wales. Media Arts, 2008. http://handle.unsw.edu.au/1959.4/44096.

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The research component, "Body and Soul", is an interdisciplinary, comparative study of the essay form, focusing on the Weimar period. The essay is a marginal literary genre, which, like much documentary style photography, attempts "the imaginative recreation of a culture, a period or an individual". August Sander's photographic opus, People of the 20th Century and Robert Musil's essayistic novel, The Man Without Qualities invite comparison as complex and problematic portraits of their respective societies. Sander's typological portraits are well known and his legacy informs much of contemporary documentary photography. Sixty images were published in 1929 by Kurt Wolff, Transmare Verlag, Munich, as Antlitz der Zeit (Face of Our Time) with an introduction by Alfred D??blin. The rust two volumes of Robert Musil's, Der Mann ohne Eigenschaften (The Man Without Qualities), were published in 1930 and 1932 by Rowohlt Verlag, Hamburg. Recent publication of new editions of both Musil's and Sander's works prompted the attempt to reconcile two portraits of people and events of the early decades of the 20th Century in Germany and Austria. The essay form in literature and the documentary style in photography are examined with regard to the polemic associated with truth and reality. This review attempts to illustrate the inevitable inclusion of the fictional element into the fabric of both forms of investigation. The study concludes with a review of contemporary art practice in photo-documentary and some thoughts on future developments. The studio component, "Dargan", is a photographic essay of a site in the Blue Mountains West of Sydney. Focusing on relics of industrial activity in the region, and their effects on the landscape, large format colour photographs were produced to establish a documentary style body of work for exhibition as large-scale colour analogue prints. The work is the response to a need to engage with the Australian landscape and to establish a sustainable practice that recognises and takes into account an ambivalent relationship with "country".
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Fok, Siu-har Silvia. "Performance art and the body in contemporary China." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/b40203888.

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Books on the topic "Body art"

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Wood, Alix. Body art. New York: Gareth Stevens Publishing, 2015.

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McComb, David. Body art. London: Titan Books, 2011.

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Burke, Adrienne. Body art. New York, NY: Sterling Innovations, 2008.

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Hill, Deborah. Body art. Canberra, ACT: Published by the National Library of Australia, 2013.

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Hawes, Alison. Body art. Stevenage: Badger Learning, 2014.

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McComb, David, and Ashley. Body art 2. London: Titan, 2011.

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Laura, Hodgson, ed. Body art chic. North Pomfret, Vt: Trafalgar Square Pub., 1999.

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Goodman, Eleanor. Body art 3. Edited by Titan Books. London: Titan Books, 2012.

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Moreno, Newton. Agreste: Body art ; A refeição = Agreste ; Body art ; Le Repas. São Paulo, SP: Aliança Francesa, 2008.

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Claybourne, Anna. Body Art: Body Painting (Body Art). Heinemann Library, 2005.

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Book chapters on the topic "Body art"

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Avgitidou, Angeliki. "Body and space." In Performance Art, 109–28. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003197904-7.

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Avgitidou, Angeliki. "Body, gender, identity." In Performance Art, 55–76. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003197904-4.

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Avgitidou, Angeliki. "The augmented body." In Performance Art, 94–108. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003197904-6.

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Andrews, Elmer. "Body." In The Art of Brian Friel, 208–62. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23986-3_5.

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Holmes, Thom. "Sounds of the Body." In Sound Art, 48–54. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781315623047-5.

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Pluciennik, Mark. "Art, Artefact, Metaphor." In Thinking through the Body, 217–32. Boston, MA: Springer US, 2002. http://dx.doi.org/10.1007/978-1-4615-0693-5_12.

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Swift, B. "Body Art and Modification." In Essentials of Autopsy Practice, 159–86. London: Springer London, 2004. http://dx.doi.org/10.1007/978-1-4471-0637-1_7.

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Millett-Gallant, Ann. "Sculpting Body Ideals." In The Disabled Body in Contemporary Art, 51–81. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109971_3.

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Millett-Gallant, Ann. "Sculpting Body Ideals." In The Disabled Body in Contemporary Art, 35–58. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-48251-9_3.

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Störl, Kerstin. "Correspondence and Contradiction: Functions and Interactions of Spoken and Body Language." In Word Art + Gesture Art = Tone Art, 23–46. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20109-7_2.

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Conference papers on the topic "Body art"

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"[Cover art]." In 2010 International Conference on Body Sensor Networks (BSN). IEEE, 2010. http://dx.doi.org/10.1109/bsn.2010.64.

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Silva, Priscila Ramos da. "Corpo na arte, body art, body modification: fronteiras." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3690.

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Tão freqüentemente associado à produção artística atual, o termo corpo na arte é, para muitos, uma incógnita. Afinal, do que se trata falar, simultaneamente em arte e corpo? A junção das duas palavras parece, à primeira vista, mais confundir do que esclarecer. Com freqüência, a arte do corpo dos anos 1990/2000 é confundida duas outras manifestações em que o corpo é o suporte da criação: a body art dos anos 1960/70 e o a body modification, fenômeno que compreende a realização de piercings, tatuagens, escarificações e outras intervenções corporais. No que se refere à arte contemporânea, um estudo aprofundado sobre a questão do corpo deve se deter, de início, sobre duas questões metodológicas fundamentais: a primeira é a definição o do próprio termo corpo na arte. A segunda, a delimitação das fronteiras entre os três campos de ação distintos: a arte do corpo atual, body art e a body modification. Estas serão as questões discutidas nesta comunicação.
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Besant, Derek. "Body of water." In ACM SIGGRAPH 2004 Art gallery. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185889.

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"[Cover art]." In 2012 Ninth International Conference on Wearable and Implantable Body Sensor Networks (BSN). IEEE, 2012. http://dx.doi.org/10.1109/bsn.2012.45.

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Pogue, Briohny. "Body story." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.312863.

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"Cover Art." In 2014 11th International Conference on Wearable and Implantable Body Sensor Networks Workshops (BSN Workshops). IEEE, 2014. http://dx.doi.org/10.1109/bsn.workshops.2014.23.

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Haig, Ian. "Body Horror 2.0." In Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.6.

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Pombo, Olga, Catarina Nabais, Marco Pina, and Silvia Di Marco. "Body-image: Crossing science and art." In Electronic Visualisation and the Arts (EVA 2012). BCS Learning & Development, 2012. http://dx.doi.org/10.14236/ewic/eva2012.48.

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Sabin, Jenny E. "Fourier carpet and body blanket." In ACM SIGGRAPH 2008 art gallery. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400390.

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Bravo, Jason. "Bob's body parts." In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281814.

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Reports on the topic "Body art"

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Bloch, Guy, Gene E. Robinson, and Mark Band. Functional genomics of reproduction and division of labor in a key non-Apis pollinator. United States Department of Agriculture, January 2011. http://dx.doi.org/10.32747/2011.7699867.bard.

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i. List the original objectives, as defined in the approved proposal, and any revisions made at the beginning or during the course of project. Our objectives were: 1) develop state-of-the-art functional genomics tools for B. terrestris. These resources will be then used to: 2) characterize genes and molecular pathways that are associated with reproduction, 3) characterize genes and molecular pathways associated with specialization in foraging or nursing activities, and 4) determine the extent to which juvenile hormone (JH) is involved in the regulation of reproduction and division of labor. 5) Use RNA interference to down regulate genes associated with reproductive physiology, division of labor, or both. A decrease in the cost of RNA sequencing enabled us to further use the BARD support to extend our research to three additional related projects: A) The regulation of body size which is crucial for understanding both reproduction (castedetermination) and (size based) division of labor in bumblebees. B) Analyze RNA editing in our RNA sequencing data which improves the molecular understanding of the systems we study. C) The influence of JH on the fat body in addition to the brain on which we focused in our proposal. The fat body is a key tissue regulating insect reproduction and health. ii. Background to the topic. Bees are by far the most important pollinators in agricultural and natural ecosystems. The recent collapse of honey bee populations, together with declines in wild bee (including bumble bee) populations, puts their vital pollination services under severe threat. A promising strategy for circumventing this risk is the domestication and mass-rearing of non-Apis bees. This approach has been successfully implemented for several bumble bees including Bombusterrestris in Israel, and B. impatiens in the US, which are mass-reared in captivity. In spite of their critical economic and environmental value, little is known about the physiology and molecular biology of bumble bees. In this collaborative project we developed functional genomics tools for the bumble bee B. terrestris and use these tools for a first thorough study on the physiology and molecular biology of reproduction, dominance, and division of labor in a bumble bee. iii. Major conclusions, solutions. The valuable molecular data of this project together with the functional tools and molecular information generated in this BARD funded project significantly advanced the understanding of bumblebee biology which is essential for maintaining their vital pollination services for US and Israel agriculture.
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals activated by energetic tree changers and numerous professionals who have relocated from Sydney. Both communities rely on the visitor economy and there have been considerable changes to how local government in this region approach strategic planning for arts and culture. The newly built Coffs Harbour Education Campus (CHEC) is an experiment in encouraging cross pollination between innovative businesses and education and incorporates TAFE NSW, Coffs Harbour Senior College and Southern Cross University as well as the Coffs Harbour Technology Park and Coffs Harbour Innovation Centre all on one site. The 250 seat Jetty Memorial Theatre is the main theatre in Coffs Harbour for local and touring productions while local halls and converted theatres are the mainstay of smaller communities in the region. As peak body Arts Mid North Coast reports, there is a good record of successful arts related events which range across all genres of music, art, sculpture, Aboriginal culture, street art, literature and even busking and opera. These are mainly managed by passionate local volunteers.
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Mills, Kathy, Elizabeth Heck, Alinta Brown, Patricia Funnell, and Lesley Friend. Senses together : Multimodal literacy learning in primary education : Final project report. Institute for Learning Sciences and Teacher Education, Australian Catholic University, 2023. http://dx.doi.org/10.24268/acu.8zy8y.

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[Executive summary] Literacy studies have traditionally focussed on the seen. The other senses are typically under-recognised in literacy studies and research, where the visual sense has been previously prioritised. However, spoken and written language, images, gestures, touch, movement, and sound are part of everyday literacy practices. Communication is no longer focussed on visual texts but is a multisensory experience. Effective communication depends then on sensory orchestration, which unifies the body and its senses. Understanding sensory orchestration is crucial to literacy learning in the 21st century where the combination of multisensory practices is both digital and multimodal. Unfortunately, while multimodal literacy has become an increasing focus in school curriculum, research has still largely remained focussed on the visual. The Sensory Orchestration for Multimodal Literacy Learning in Primary Education project, led by ARC Future Fellow Professor Kathy Mills, sought to address this research deficit. In addressing this gap, the project built an evidence base for understanding how students become critical users of sensory techniques to communicate through digital, virtual, and augmented-reality texts. The project has contributed to the development of new multimodal literacy programs and a next-generation approach to multimodality through the utilisation of innovative sensorial education programs in various educational environments including primary schools, digital labs, and art museums.
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Martinho, Diogo, Adam Field, and Hugo Sarmento. Soccer referees are also part of the game: a systematic review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, August 2022. http://dx.doi.org/10.37766/inplasy2022.8.0052.

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Review question / Objective: The of this study was to review and organise the literature using a holistic approach about match indicators, testing, nutrition and physiology on soccer refereeing. Condition being studied: This review is focused on physical, physiological, body composition, and physiological outputs among soccer referees. Each main topic will be organized according to the results of extracted studies. Eligibility criteria: (1) population – male and/or female soccer referees and/or assistant referees; (2) relevant data about body size, body composition, physical performance, physiological outputs and nutrition.
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Akasheh, Rand, Mahenge Cuthbert, Faiza Kalam, Anita Adib, Stephanie Schulte, and Ting-Yuan David Cheng. Body Size and Body Composition in Relation to the PI3K/AKT/MTOR Pathway Informing Cancer Risk and Outcomes: A Systematic Review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, May 2024. http://dx.doi.org/10.37766/inplasy2024.5.0036.

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Longcope, Donald B. ,. Jr, Thomas Lynn Warren, and Henry Duong. Aft-body loading function for penetrators based on the spherical cavity-expansion approximation. Office of Scientific and Technical Information (OSTI), December 2009. http://dx.doi.org/10.2172/986592.

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Perrin, Richard A., Robert E. Bona, Bennis A. Brekhus, and Carol E. Fraser. ARN Integrated Retail Module (IRM) & 3D Whole Body Scanner System at Fort Carson, Colorado. Fort Belvoir, VA: Defense Technical Information Center, December 2006. http://dx.doi.org/10.21236/ada474423.

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Gladstone, Nat, Kathleen Mooney, and Julie Pierce. FSA Response to Public Body Reviews 2022-23. Food Standards Agency, June 2023. http://dx.doi.org/10.46756/sci.fsa.fjb694.

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The FSA’s Scientific Advisory Committees (SACs) are non-statutory and advisory non-departmental public bodies (ANDPBs) or Departmental Expert Committees (DECs) which are subject to review under the Cabinet Office’s ‘Guidance for the Review of Public Bodies’. In August 2022, the FSA set out the intention to review all 8 SACs per the guidelines, including an independent review of the Science Council (SC) and Advisory Committee for Social Sciences (ACSS). The FSA has completed an internal review of three of its SACs, and one review encompassing all three Joint Expert Groups (JEGs). The FSA commissioned external experts to undertake the independent review and the report and recommendations were submitted at the end of March 2023. The purpose of these reviews is to provide assurance to the FSA, and its stakeholders, that the SACs and JEGs roles and purposes are appropriate in addressing the future needs of the FSA, consumers and wider government, and that the bodies are operating effectively and efficiently. The SC and ACSS were the only two SACs submitted to Independent Review due to this being the first review cycle since they were commissioned in 2017.
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Malinowski, Owen, Scott Riccardella, and Jason Van Velsor. PR-335-203810-R03 CT Fundamentals with Calibration and Reference Standards for Pipeline Anomaly Detection. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), March 2022. http://dx.doi.org/10.55274/r0012216.

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X-ray Computed Tomography (XRCT) was initially developed and utilized in the medical industry to image the internal structure of the human body. X-ray imaging was conceived and realized at the turn of the 20th century and subsequently, XRCT, was conceived in the middle of the 20th century and its development continues today. Near the end of the 20th century industrial cone beam XRCT for applications such as dimensional metrology branched off, including its use for identifying and dimensioning flaws. XRCT has been utilized successfully for three-dimensional imaging of flaws in the small panel cut-outs from steel oil and gas transmission pipelines. However, the performance of XRCT on full-circumference pipe samples has not been assessed to determine if the technology can be used to obtain flaw dimensional information with the same accuracy that has been observed on panel cut-outs. This would enable the industry to generate full-circumference reference samples with well-characterize flaw dimensions, which would be much more practical and useful for qualification, certification, and validation of inline inspection and nondestructive examination tools, personnel, and procedures. This tasks for this project were to evaluate the state-of-the-art in XRCT technology, establish guidelines for XRCT scanning of pipeline samples, compare XRCT performance on artificial and natural flaws, and compare performance of lab-based and in-the-ditch XRCT technologies on artificial and natural flaws through scanning multiple samples utilizing multiple XRCT vendors and subsequently destructive testing the samples. The overall objective of the project was to determine if XRCT is a viable alternative to destructive testing for collecting "truth" data from flaw reference samples. Related webinar
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Rud, Juan Pablo, and Andrés Fernández Martín. From Institutions to Financial Development and Growth: What Are the Links? Inter-American Development Bank, March 2015. http://dx.doi.org/10.18235/0011689.

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This paper presents an integrated overview of the literature linking institutions, financial development and economic growth. From the large body of research on institutional development, the paper first selects those contributions that make it possible to study the role of institutional arrangements in ameliorating/worsening the information frictions and transaction costs that characterize the development of financial markets. The paper then investigates the theoretical mechanisms by which these specific frictions affect economic growth and presents the stock of empirical evidence quantifying the impact of institutions on growth through financial development.
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