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Journal articles on the topic 'Body art'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Lapointe, François-Joseph. "Bio Art + Body Art = Inner-Body Art." International Journal of the Arts in Society: Annual Review 6, no. 3 (2011): 1–8. http://dx.doi.org/10.18848/1833-1866/cgp/v06i03/36047.

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2

Muraz, Özlem. "BODY AS AN ART OBJECT IN CONTEMPORARY ART." E-journal of New World Sciences Academy 14, no. 2 (2019): 136–44. http://dx.doi.org/10.12739/nwsa.2019.14.2.d0232.

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3

Jerrentrup, Maja. "Body art." HAU: Journal of Ethnographic Theory 11, no. 3 (2021): 1136–52. http://dx.doi.org/10.1086/718319.

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4

Hancocks, S. "Body art." British Dental Journal 195, no. 6 (2003): 357. http://dx.doi.org/10.1038/sj.bdj.4810541.

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5

Roberts, Janine. "Body art." Families, Systems, & Health 29, no. 2 (2011): 150. http://dx.doi.org/10.1037/a0023394.

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6

Wood, Catherine. "Body art." Lancet 356, no. 9248 (2000): 2197–98. http://dx.doi.org/10.1016/s0140-6736(00)03511-x.

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7

Miller, Marisa A. "Body Art." Athletic Therapy Today 8, no. 5 (2003): 52–53. http://dx.doi.org/10.1123/att.8.5.52.

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8

Mandabach, Mark G., Diedre A. McCann, and Gale E. Thompson. "Body Art." Anesthesiology 88, no. 1 (1998): 279–80. http://dx.doi.org/10.1097/00000542-199801000-00053.

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9

Cameron, Jessica. "Body Modification as Body Art." Atlantis 45, no. 2 (2024): 127–41. http://dx.doi.org/10.7202/1114715ar.

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In this article, I discuss my “anti-aging” body modification practices as body art. The art documents my bodybuilding programs, self-administered neurotoxin (Botox) injections, and skin resurfacing treatments. Susan Pickard (2020) argues that femininity and aging are associated with the abject. She maps the abject and non-abject onto Simone de Beauvoir’s distinction between immanence and transcendence. Because “abjection should always be understood as an element of [...] oppression” (Pickard 2020, 159), my art practice could be read as an anti-feminist, ageist attempt to expel the abject. Afte

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10

Maroto, Michelle Lee. "Professionalizing Body Art." Work and Occupations 38, no. 1 (2010): 101–38. http://dx.doi.org/10.1177/0730888410385402.

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11

King, Anthony. "Art: Body work." Nature 473, no. 7348 (2011): 451. http://dx.doi.org/10.1038/473451a.

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12

Armstrong, Myrna L., Jane Tustin, Donna C. Owen, Jerome R. Koch, and Alden E. Roberts. "Body Art Education." Journal of School Nursing 30, no. 1 (2013): 12–18. http://dx.doi.org/10.1177/1059840513480815.

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13

Tanne, J. H. "Art: Body Art: Marks of Identity." BMJ 320, no. 7226 (2000): 64. http://dx.doi.org/10.1136/bmj.320.7226.64.

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14

Schildkrout, Enid. "Teacher's Corner: Body Art." AnthroNotes : National Museum of Natural History bulletin for teachers 22, no. 2 (2014): 4. http://dx.doi.org/10.5479/10088/22381.

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15

McGuinness, Teena M. "Teens and Body Art." Journal of Psychosocial Nursing and Mental Health Services 44, no. 4 (2006): 13–16. http://dx.doi.org/10.3928/02793695-20060401-03.

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16

Waldrep, Shelton. "The Body of Art." Corpus Mundi 1, no. 2 (2020): 62–87. http://dx.doi.org/10.46539/cmj.v1i2.21.

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As part of a larger study on the mainstreaming of pornography in contemporary film and television, this essay attempts to examine and extend our vocabulary for discussing visual representations of the human body by revisiting Kenneth Clark’s important study The Nude from 1972. Clark’s book provides a history of the male and female nude in two- and three-dimensional art from Ancient Egypt and Greece to the Renaissance and beyond. This essay focuses on places within his analysis that are especially generative for understanding pornography such as the importance of placing the nude form within a

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17

Tamir, Abraham. "Human Body via Art." Madridge Journal of Internal and Emergency Medicine 1, no. 1 (2017): 1–2. http://dx.doi.org/10.18689/mjiem-1000101.

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18

Youngwook Park. "Digital Art and Body." Drama Research ll, no. 44 (2014): 5–31. http://dx.doi.org/10.15716/dr.2014..44.5.

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19

Hall, P. "A body-based art." Canadian Medical Association Journal 180, no. 9 (2009): 956. http://dx.doi.org/10.1503/cmaj.090377.

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20

Brucher, Rosemarie. "Self-Injuring Body Art." New German Critique 46, no. 2 (2019): 151–70. http://dx.doi.org/10.1215/0094033x-7546220.

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AbstractArtistic self-injury, established as an art form since the late 1960s, polarizes the audience and still raises questions about the motivations behind such actions as well as about the narrative contexts in which they occur. While past research has focused on either specific performers or specific trajectories of violence in the contexts in which each artist was working, for instance, the Vietnam War (Kathy O’Dell), this article localizes artistic self-injury within the larger coherencies of the history of mind with respect to aesthetic theories. Questions of subjectivation and desubjec

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21

Armstrong, Myrna L., and Laura Elkins. "Body Art and MRI." AJN, American Journal of Nursing 105, no. 3 (2005): 65–66. http://dx.doi.org/10.1097/00000446-200503000-00026.

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22

Barker, D. J., and M. J. Barker. "The body as art." Journal of Cosmetic Dermatology 1, no. 2 (2002): 88–93. http://dx.doi.org/10.1046/j.1473-2165.2002.00027.x.

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23

Schnirring, Lisa. "Exploring Body Art Trends." Physician and Sportsmedicine 31, no. 3 (2003): 7–8. http://dx.doi.org/10.1080/00913847.2003.11440560.

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24

Wittmann-Price, Ruth A., Karen K. Gittings, and Kerrith McDowell Collins. "Nurses and body art." Nursing Management (Springhouse) 43, no. 10 (2012): 44–47. http://dx.doi.org/10.1097/01.numa.0000416404.30238.23.

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25

Telang, L. A. "Body art: Intraoral tattoos." British Dental Journal 218, no. 4 (2015): 212–13. http://dx.doi.org/10.1038/sj.bdj.2015.109.

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26

Wittmann-Price, Ruth A., Karen K. Gittings, and Kerrith McDowell Collins. "Nurses and body art." Nursing 42, no. 6 (2012): 62–64. http://dx.doi.org/10.1097/01.nurse.0000414627.23131.0b.

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27

Geisler, Sarah. "Body Art Gets Smart." Cell 174, no. 6 (2018): 1329–31. http://dx.doi.org/10.1016/j.cell.2018.08.051.

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28

Desai, Monica. "Body art: a history." BMJ 324, Suppl S6 (2002): 0206196. http://dx.doi.org/10.1136/sbmj.0206196.

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29

YOUNG-MASON, JEANINE. "Art, Body, and Soul." Clinical Nurse Specialist 28, no. 1 (2014): 71–74. http://dx.doi.org/10.1097/nur.0000000000000014.

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30

Young-Mason, Jeanine. "Art, Body, and Soul." Clinical Nurse Specialist 32, no. 5 (2018): 279–84. http://dx.doi.org/10.1097/nur.0000000000000390.

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31

YOUNG-MASON, JEANINE. "Art, Body, and Soul." Clinical Nurse Specialist 24, no. 6 (2010): 323–26. http://dx.doi.org/10.1097/nur.0b013e3181f9015d.

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32

Møller Madsen, Storm. "* Trans(ing) Body Art." Peripeti 15, no. 29/30 (2018): 89–104. http://dx.doi.org/10.7146/peri.v15i29/30.109634.

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This article engages with a number of trans artists who have turned to the genre of body art, using their explicit body as the focal point of their work. The article engages the subgenre of trans body art and reads the performances Ritual (Marriage) by Leah James and Mars Hobrecker and Homage by Kris Grey through the notion of the cut to examine the disciplining of corporeality and trans embodied labor and how these are/can be challenged and (re)imagined through performance.

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33

Kluger, Nicolas. "Body art and pregnancy." European Journal of Obstetrics & Gynecology and Reproductive Biology 153, no. 1 (2010): 3–7. http://dx.doi.org/10.1016/j.ejogrb.2010.05.017.

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34

Rezek, Petr, and Eva Spišiaková. "Body Art: Paradigms of Transformation in Contemporary Art." Art in Translation 12, no. 3 (2020): 361–78. http://dx.doi.org/10.1080/17561310.2020.1876828.

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35

Morel, Geneviève. "Body Art, un art entre deuil et mélancolie ?" Savoirs et clinique 7, no. 1 (2006): 119. http://dx.doi.org/10.3917/sc.007.0119.

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36

Dominiczak, Marek H. "A Different Body: Diagnostic Imaging and Body Art." Clinical Chemistry 60, no. 2 (2014): 430–31. http://dx.doi.org/10.1373/clinchem.2013.218263.

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37

Kelly, Kathleeen Coyne. "Malory's Body Chivalric." Arthuriana 6, no. 4 (1996): 52–71. http://dx.doi.org/10.1353/art.1996.0028.

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38

Murphy, Michael D. "Expressive Bodily Emotivity in Contemporary Visual Arts: a Methodological Aspect." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 42–49. https://doi.org/10.31866/2410-1176.42.2020.207631.

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The purpose of the article is to analyse the methodological aspects of emotivity in the image of bodily, body, nude, erotic, naked body. To accomplish this task, we explore the content and meaning of the “emotivity” concept, introducing it into contemporary art discourse for a comprehensive analysis of the process of visualisation of bodily in visual arts. The research methodology is based on comparison of the concepts of “emotivity”, “manifestation” and “expression”, using their heuristic potential for certain specifics of visualisation of the n

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39

Edwards, Claire F. "Art Theraphy: Bridget's body image." Medical Journal of Australia 167, no. 11-12 (1997): 644. http://dx.doi.org/10.5694/j.1326-5377.1997.tb138931.x.

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40

Schildkrout, Enid. "Body Art as Visual Language." AnthroNotes : National Museum of Natural History bulletin for teachers 22, no. 2 (2014): 1. http://dx.doi.org/10.5479/10088/22380.

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41

Brett, David, Fionna Barber, and Jo Allen. "Art Criticism: Body of Work." Circa, no. 79 (1997): 18. http://dx.doi.org/10.2307/25563092.

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42

Kreamer, Christine Mullen. "Body Art: Marks of Identity." African Arts 34, no. 1 (2001): 83. http://dx.doi.org/10.2307/3337738.

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43

Nead, Lynda. "ART HISTORY AND THE BODY." Art History 15, no. 1 (1992): 104–7. http://dx.doi.org/10.1111/j.1467-8365.1992.tb00472.x.

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44

Philippe, Maxime. "Performing "Aume": Artaud's Body Art." Theatre Journal 72, no. 2 (2020): 163–78. http://dx.doi.org/10.1353/tj.2020.0031.

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45

Foss, Sonja K. "Body art: Insanity as communication." Central States Speech Journal 38, no. 2 (1987): 122–31. http://dx.doi.org/10.1080/10510978709368236.

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46

Smith, Claire. "Body art and archaeological theory." Australian Archaeology 44, no. 1 (1997): 53–54. http://dx.doi.org/10.1080/03122417.1997.11681588.

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47

Playe, Stephen J. "Infectious Complications of Body Art." Emergency Medicine News 24, no. 7 (2002): 10. http://dx.doi.org/10.1097/01.eem.0000334232.52899.06.

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48

Rubin, J. Peter, and Omar E. Beidas. "The Art of Body Contouring." Plastic and Reconstructive Surgery 142, no. 5 (2018): 1397–98. http://dx.doi.org/10.1097/prs.0000000000004957.

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49

Skregelid, Lisbet. "BAD: Body – Art – Digital technology." Nordic Journal of Art & Research 13, no. 3 (2024): 1–26. https://doi.org/10.7577/ar.5454.

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During the first lockdown in March 2020, I started running two to three times a week to a nearby beach. Since then, I have stopped each time about halfway, and have been filming the sea view from the same spot for 30 seconds with my mobile phone. The now over 550 films (October 2024) are stored on the digital platform Padlet that makes it possible to share with others. The project My stunning stream - Made with a little mischief (Skregelid, 2020-) makes use of a/r/tography which is a practice-based methodological approach that unites art, education, and research. A/r/tography explores art, res

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50

Glancey, Lucy. "Body contouring: a sculptural art." Journal of Aesthetic Nursing 13, no. 4 (2024): 140–44. http://dx.doi.org/10.12968/joan.2024.0018.

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Lucy Glancey discusses the ways in which our aesthetic preferences for the shape of the human body can change over time, and the methods aesthetic practitioners are using to keep up with these ever-evolving preferences

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