Relevant bibliographies by topics / Body image in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Body image in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Body image in art"

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Edwards, Claire F. "Art Theraphy: Bridget's body image." Medical Journal of Australia 167, no. 11-12 (December 1997): 644. http://dx.doi.org/10.5694/j.1326-5377.1997.tb138931.x.

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Nordhofen, Eckhard. "Sacral Image-Scripture-Body-Art." CrossCurrents 63, no. 1 (March 2013): 9–25. http://dx.doi.org/10.1111/cros.12010.

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Tanuku, Purnima. "Body art showing poor image." Early Years Educator 12, no. 7 (November 2010): 8. http://dx.doi.org/10.12968/eyed.2010.12.7.78991.

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Bodart, Diane H. "Wearing images. Introduction = Imágenes portadas. Introducción." Espacio Tiempo y Forma. Serie VII, Historia del Arte, no. 6 (December 7, 2018): 15. http://dx.doi.org/10.5944/etfvii.6.2018.23087.

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In the past decades, studies on the materiality and the efficacy of images, as well as the artistic and social practices related to them, have allowed scholars to explore how much images’ making, use, handling and display contributed to the activation of their powers of presence through their interaction with the viewer. Further, the growing interest in the articulation between the history of art and the anthropology of images has brought to light the close links between the art object and the body: in fact, if the body can be the medium of the animate art object, the art object can potentially act as a substitute of the animate body. But what happens when the body is the support of a distinctive image, when it inscribes an image on its own surface, whether directly on the skin or through intermediary props such as clothing or corporeal parure? Wearing Images investigates the different modes of interaction between the image and the body that wears it in the Early-Modern period, when devotional, political, dynastic or familial images could be worn as medals, jewels, badges, embroidered garments or tattoos.En las últimas décadas, los estudios sobre la materialidad y la eficacia de las imágenes, así como de las prácticas artísticas y sociales asociadas a ellas, han permitido a los historiadores explorar hasta qué punto la fabricación de las imágenes, su uso, manejo y exhibición contribuyó a activar sus capacidades de presentarse a través de su interacción con el espectador. Además, el creciente diálogo entre la historia del arte y la antropología de las imágenes ha puesto de relieve las estrechas conexiones entre el objeto artístico y el cuerpo: en efecto, si el cuerpo puede ser el medio para el objeto artístico animado, el objeto artístico puede actuar potencialmente como sustituto del cuerpo animado. Pero ¿qué ocurre cuando el cuerpo es el soporte de una imagen distintiva, cuando inscribe una imagen en su propia superficie, ya sea directamente en la piel o a través de intermediarios como el vestido o un adorno? Wearin Images investiga las diferentes modalidades de interacción entre la imagen y el cuerpo que se viste con ella en la Edad moderna, en una época en la que imágenes devocionales, políticas, dinásticas o familiares podían vestirse como medallas, joyas, placas, prendas bordadas o tatuajes.
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Popczyk, Maria. "Body and image." Argument: Biannual Philosophical Journal 10, no. 2 (March 31, 2021): 443–53. http://dx.doi.org/10.24917/20841043.10.2.9.

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In aesthetics, as a philosophy of art, the body of the viewer is juxtaposed with the image of the painting, before which it stands still; both body and image are considered to be independent, which is a condition of a full aesthetic experience. In the present article I demonstrate how, through phenomenology, pragmatism and the idea of incarnation, post‐Kantian aesthetic is broadened. I limit myself to three theoretical perspectives; in each of them the duality of body and image is neutralised according to different rules. Phenomenology develops the relations between consciousness and body, while in pragmatism the encounter of body and image takes place in the process of the performative creation of image. The idea of incarnation, on the other hand, develops both of these currents in two divergent approaches: a theological and an anthropological one. Bringing together perspectives, which are so different methodologically reveals the existence of a profound tie between body and image.
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Popczyk, Maria. "Body and image." Argument: Biannual Philosophical Journal 10, no. 2 (March 31, 2021): 443–53. http://dx.doi.org/10.24917/20841043.10.2.9.

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In aesthetics, as a philosophy of art, the body of the viewer is juxtaposed with the image of the painting, before which it stands still; both body and image are considered to be independent, which is a condition of a full aesthetic experience. In the present article I demonstrate how, through phenomenology, pragmatism and the idea of incarnation, post‐Kantian aesthetic is broadened. I limit myself to three theoretical perspectives; in each of them the duality of body and image is neutralised according to different rules. Phenomenology develops the relations between consciousness and body, while in pragmatism the encounter of body and image takes place in the process of the performative creation of image. The idea of incarnation, on the other hand, develops both of these currents in two divergent approaches: a theological and an anthropological one. Bringing together perspectives, which are so different methodologically reveals the existence of a profound tie between body and image.
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Charlotte Graham, Charlotte Graham, Philippe Longchamps Philippe Longchamps, Michaela af Winklerfelt Michaela af Winklerfelt, Christian Berggren Christian Berggren, Ola Forsmark Ola Forsmark, Ola Tindberg Ola Tindberg, Marcus Rosenkvist Marcus Rosenkvist, and Kristóf Fenyvesi Kristóf Fenyvesi. "A Transdisciplinary Approach to Exploring Body Image in School Projects." Convergence Education Research Institute, Korea National University of Education 10, no. 1 (March 30, 2024): 111–22. http://dx.doi.org/10.69742/cer.2024.10.1.111.

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This case study introduces the integration of Mathematics and Arts within a STEAM (Science, Technology, Engineering, Art, and Mathematics) project, focusing on the exploration of human body proportions and body-image perceptions. Through a project-based learning approach, a team of Swedish teachers collaboratively designed and implemented a curriculum that not only illustrates the Maths-Art relationship but also addresses the broader social and cultural implications of body image. This paper outlines the project's methodology, emphasising hands-on activities, critical thinking, and transformative learning experiences that connect real-life and artistic perspectives. By engaging students in a comprehensive exploration of body-image through historical, cultural, and mathematical lenses, the project aimed to foster a healthier understanding of body diversity. The transdisciplinary approach adopted by the teachers at Tångvalla School in Sweden serves as a model for integrating STEAM education in addressing contemporary educational and societal challenges.
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Toledo Silva, Monica. "Body Lands: Image Performativity in Object and Shadow." Athens Journal of Humanities & Arts 10, no. 2 (March 6, 2023): 123–34. http://dx.doi.org/10.30958/ajha.10-2-3.

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The epistemological investigations concerning the visual arts of sculpture and video proposed in this essay begin in a performative field of research on the Greek islands of Kos and Crete. The intentional act of creating images from my own shadow meeting archeological objects brings an insightful approach to an update of these aesthetic languages, inspired by semantic displacement and ageless nomadism phenomena. The research is based on cognition, philosophy and body studies, as well as the modern concepts of minimalist art.
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Kang, Duckbong. "A Study of the correlation between Georges Bataille’s Concept of the Formless and the Nonrepresentational the Body Image." Korean Society of Culture and Convergence 45, no. 6 (June 30, 2023): 597–608. http://dx.doi.org/10.33645/cnc.2023.06.45.06.597.

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This paper aims to examine the correlation between the nonrepresentational body image in modern art and Georges Bataille’s concept of ‘the formless’. Therefore, Chapter 2 defines the concept of the nonrepresentational body image and examines cases in art history. In addition, by discussing the correlation between post structuralism and the nonrepresentational body image, the basis for the involvement of the body’s nonrepresentation in modern art is laid out. Chapter 3 discusses the analytical basis of the nonrepresentational body image by examining Georges Bataille’s concept of ‘the formless’ and its practical strategy, which provides a key element in the analysis of works. Chapter 4 analyzes the nonrepresentation of the body image in modern art based on Georges Bataille’s theory, as discussed above. Through this, the researcher presents the appearance of modern people whose nonrepresentational body image in the works of sample artists cross the boundary between the subject and the other as a sensory trace of the formless body, and it was found that behind it was the ‘Concept of Transgression’, which presupposes Georges Bataille’s negativity.
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Wang, Aishi. "Ontology of New Art and Survival of Art." SHS Web of Conferences 162 (2023): 01040. http://dx.doi.org/10.1051/shsconf/202316201040.

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Art is not an image work, but an image that people can see and an apparent result of the transcendent image presented by art; art is the ideological and spiritual product that’s processed from the high-end level of consciousness and thinking and generated by the entanglement movement of human body and cosmic materials. Also, it is an original form behind the physical image works, intended to reconcile the relationship between spiritual illusion and the material world; acting on all human life activities in accordance with the law of increasing progression under the cosmic stipulation, its ultimate task is to optimize the survival of human life while safeguarding the conservation of life; its practical task is to serve to help human beings achieve a perfect spiritual world of and construct a cultural spiritual system more in line with human society.
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Dissertations / Theses on the topic "Body image in art"

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Voisey, Rebecca Elizabeth. "Pathways of Felt-visuality in the New Wunderkammer: Producing Empathic Engagements with Body Imagery from Contemporary Art and Medicine." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/367991.

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This thesis proposes an alternative practice for looking at, understanding, imagining and representing bodies, and a potential context for fostering and realising such a practice. This alternative practice could transform our use of images in order to produce thoughtful, empathic and compassionate responses to bodies. Such a practice, as an ethical and emotional mode of engagement with body images, strives to create connections and reconnections between subject and object, self and other, individual and communal; to reconnect that which is thought, felt and experienced with the materiality of bodies. This dissertation examines the capacity for particular types of body imagery in contemporary visual art to reveal alternative practices of engagement. The bodies that feature in the images discussed reference and/or use the medicalised body rendered as object (drawing on medical and scientific information, practices and imaging-technology). Through these discussions a central paradox is revealed: that the body rendered as object, recontextualised in contemporary art, generates affective intensity and reconnects object with subject.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Humanities
Arts, Education and Law
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White, Vanessa Liane. "Body talk: the phenomenology of mark making." Thesis, The University of Sydney, 2010. https://hdl.handle.net/2123/28930.

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In this paper titled, Body Talk: the phenomenology of mark making, I theoretically unravel the phenomena of gesture in art, through implementing the philosophy of phenomenology. Gestural painting and drawing expresses the artists embodied experience of the world, it communicates a sensual, non-language and bodily perception of it. I examine these ideas through drawing, trace, artist Jackson Pollock, Cy Twombly Robin Rhode and my own work. Discovering that gestural art is an expression of the body: that it can make bodily thoughts and feelings known through drawing, painting and performance, making it possible for bodies to talk.
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Baden, Eric. "The image of the body in the works of Frederick Sommer." [Johnson City, Tenn. : East Tennessee State University], 2003. https://dc.etsu.edu/etd/838.

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Thesis (M.F.A.)--East Tennessee State University, 2003.
Title from electronic submission form. ETSU ETD database URN: etd-1109103-152208. Includes bibliographical references. Also available via Internet at the UMI web site.
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Horrex, Peta. "Art and body image : A journey through anorexia nervosa and the implications for art therapy rituals." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1999. https://ro.ecu.edu.au/theses/1265.

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This thesis examines the experience of body image and self image are for a sufferer with the eating disorder anorexia nervosa. Themes and symbols are explored and interpreted in art work that was produced in six session of individual art therapy. The sessions were designed to deal with issues and problems that had been discussed previously, or that became relevant during each session. The study is conducted from an interpretive perspective. It concentrates on the transference of the internal unconscious in the artwork created by, Michelle, who suffers from anorexia nervosa. The interpretation is from a western art therapy and self psychology perspective. The study explores how the repetition of depiction of self through creative expression in art work, can lead to greater awareness about body image, control issues and self image in a client with the eating disorder anorexia nervosa. It is shown that relatedness to art work and creative expression gives positive reinforcement to the client, Michelle, in her sense of awareness regarding prevalent issues in her life. Repeated symbols and visual metaphors are discussed in relation to both Michelle’s life and her struggle with her eating disorder, and to the construction of anorexia nervosa.
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Servedio, Danielle Lauren. "Cancer Patients' Perception of Body Image: A Visual Exploration." Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/111.

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This study explored the impact and trauma that a cancer diagnosis and cancer treatment can have on a women’s image and experience of her body. Focus group methodology was part of the qualitative art-based research approach. Since the research was focused on body image, the participants were asked to create art based on their experience of their body before and after cancer treatment. Content analysis was applied to the transcripts of the focus group sessio n to consider themes. The clusters were then correlated with the imagery in the participants’ artwork. The study results suggest that women who have undergone medical treatment for cancer have an altered view of their body image including fragmentation of the body, scarring and disfigurement, censoring of the body and feeling less feminine. The study asserts that the art process and discussion, in a therapeutic setting, provided a supportive environment for cancer patients to discuss sensitive information about their perspectives of their body, diagnosis and treatment.
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Jansen, Dina (Dieneke) Susanna. "The body upgrade aesthetics, value judgements and forces of choice : thesis submitted to the Auckland University of Technology in partial fulfilment of the degree - Masters of Art (Art and Design), 2004." Full thesis. Abstract, 2004.

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KAYROOZ, GILLIAN. "The Discarded Image." Thesis, Sydney College of the Arts, 2019. http://hdl.handle.net/2123/20118.

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Perillo, Danilo Roberto. "Visões (do não visto)." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284402.

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Orientadores: Lúcia Eustáchio Fonseca Ribeiro, Luise Weiss
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-19T14:53:09Z (GMT). No. of bitstreams: 1 Perillo_DaniloRoberto_M.pdf: 101855840 bytes, checksum: 21ae5cefa474ad44a8479f294517fef5 (MD5) Previous issue date: 2011
Resumo: O presente volume resgata uma trajetória artística que sempre teve neste percurso um intenso diálogo com o corpo humano. Mais do que entender esta relação, o que busco aqui é apresentar parte da história desta pesquisa, explicitando aquilo que a minha visão - parcial e afetiva - permite mostrar, na esperança que as lacunas possam ser preenchidas pelas respostas que o próprio trabalho contém. Trata-se da visão e do texto de um artista
Abstract: This volume takes up an artistic trajectory that has always been this way a dialogue with the human body. Than understanding this relationship, I seek here is to present part of the history of this research, explaining what my vision - partial and affective - to show in the hope that the gaps may be filled by the responses that the work itself contains. It is the vision and the text of an artist
Mestrado
Artes Visuais
Mestre em Artes
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Wymer, Tammy Jean. "self-imAGE." VCU Scholars Compass, 2003. http://scholarscompass.vcu.edu/etd/875.

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Many current media images of women have underlying messages that affect our psyche in a negative way, whether or not we are aware. These images convey an unrealistic, distorted view of ideals and perfection, which create an unattainable model to live up to. As women, we should be cherishing our uniqueness, but, rather than celebrating and accepting ourselves, we are taught to judge and conceal. This project seeks to address inner beauty as a reflection of our energy, vitality, wisdom and the mental, as well as emotional, engagement in our lives. The terms perfection and imperfection will be redefined and applied to inward rather than outward appearance. Through a photographic study, this project will emphasize the value and beauty in aging. In the end, I would like to encourage my audience to not only recognize but also understand and accept the difference between media images and their own self-images.
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Amato, Marion d'. "Du tissu à la peau, de la peau au tissu : dessiner à vif dans la matière." Thesis, Toulouse 2, 2012. http://www.theses.fr/2012TOU20053.

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Du tissu à la peau, de la peau au tissu : dessiner à vif dans la matière est une recherche sur la matière du corps et ses liens au monde. Cette étude est impulsée par une pratique artistique qui explore la peau et le tissu non pas comme seules enveloppes et interfaces, mais comme des matières plastiques à part entière, afin de faire émerger et de révéler de nouvelles approches du corps. A cet effet, j’emploie ciseaux, feutres, encre, aiguilles et fils, pour mettre en œuvre ma propre perception du corps, qui ne s’appréhende pas seulement en termes de modelés, mais en termes de lignes, celles qui se révèlent à mon regard dans l’image corporelle. La quête de la ligne, ou des lignes du corps sont au cœur de cette étude. Il s’agit de questionner l’espace du corps, l’idée d’une frontière entre une intériorité et une extériorité, en interrogeant la création artistique qui s’attache à œuvrer sur la peau et le tissu. Comment la peau et le tissu sont-ils perçus ? Comment et par quels procédés une réciprocité plastique de leurs champs d'actions peut-elle se créer, et interroger la vision du corps humain ? La sociologie, l’anthropologie, l’esthétique, la philosophie, l’histoire de l’art, la danse et la haute-couture, sont des disciplines qui nous permettrons d’affiner notre propos, et dont le point commun réside dans ce que chaque courant de pensée et chaque œuvre étudiée nous renseigneront sur la vision que nous avons du corps vêtu/dévêtu, et la perception qui en résulte. Le point de vue plasticien génère et répond aux interrogations théoriques proposant un espace plastique fait de peau et de tissu, que le spectateur est invité à explorer à son tour
From fabric to skin, from skin to fabric, drawing into material is a research on the body as material and its links to the outside world. This study is based on an artistic practice that explores skin and fabric not only as envelopes and interfaces, but also as artistic materials, so as to bring forth and reveal new approaches of the body. In this regard, I use scissors, felt-tips, inks, needles and thread, to work my own perception of the body, which is not only seen in terms of light and shade but also in terms of lines, those that show themselves to my eyes in the body image. The search for the line, or the lines of the body, is at the heart of this study. Our aim is to question the space of the body, the idea of a border between interior and exterior, whilst interrogating the artistic creation which attempts to work on skin and fabric. How are skin and fabric perceived? How and by which means can an artistic reciprocity of their fields of action be created, to question the vision of the human body? Sociology, anthropology, aesthetics, philosophy, art history, dance and fashion design are some of the fields that will enable us to specify our analysis, and their common point lays in the fact that every currents of thought and every works of art studied here will give us some clues about the vision we have of the dressed/undressed body, and the perception which results from it. The fine artist’s point of view generates and answers some theoretical questions concerning a plastic space made of skin and fabric, that the viewer is invited to explore
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Books on the topic "Body image in art"

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Elsa, Blum, Blum Harold P. 1929-, and Pazzagli Adolfo, eds. The body image in psychoanalysis and art. Firenze: Nicomp, 2007.

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Gill, Michael. Image of the body: Aspects of the nude. New York: Doubleday, 1989.

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Crocker, Trisha, and Susan M. D. Carr. Clay Work and Body Image in Art Therapy. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003097884.

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Harold, Brent. Bodywork: Notes & drawings. Wellfleet, Mass: Kinnacum Press, 1996.

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Vall, Renée van de, 1956- and Zwijnenberg Robert 1954-, eds. The body within: Art, medicine and visualization. Leiden: Brill, 2009.

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Evenson, Sarah. My body and its iterations. [Minneapolis, MN]: Sarah Evenson, 2022.

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Vall, Renée van de, 1956- and Zwijnenberg Robert 1954-, eds. The body within: Art, medicine and visualization. Leiden: Brill, 2009.

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Konrad, Lara. Mother, we all have been lonely and lovely places. Mexico City: Gato Negro Ediciones, 2018.

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Gosling, Ju. Abnormal. London: Bettany Press, 2011.

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Sturcz, János. The deconstruction of the heroic ego: The artist's body as metaphor in Hungarian art from the mid-80's to the present. [Hungary]: Hungarian University of Fine Arts, 2003.

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Book chapters on the topic "Body image in art"

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Millett-Gallant, Ann. "Introduction: Enabling the Image." In The Disabled Body in Contemporary Art, 1–23. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109971_1.

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Sheets-Johnstone, Maxine. "What are we naming?" In Body Image and Body Schema, 211–31. Amsterdam: John Benjamins Publishing Company, 2005. http://dx.doi.org/10.1075/aicr.62.14she.

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Touyz, S. W., P. J. V. Beumont, J. K. Collins, M. McCabe, and J. Jupp. "Body Image Disturbance in Anorexia Nervosa." In Psychiatry the State of the Art, 435–40. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4684-4697-5_73.

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Crocker, Trisha, and Susan M. D. Carr. "Making Connections." In Clay Work and Body Image in Art Therapy, 36–47. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003097884-4.

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Crocker, Trisha, and Susan M. D. Carr. "Case Studies, Study Two." In Clay Work and Body Image in Art Therapy, 91–107. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003097884-7.

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Crocker, Trisha, and Susan M. D. Carr. "Methods of Analysis." In Clay Work and Body Image in Art Therapy, 151–59. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003097884-12.

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Crocker, Trisha, and Susan M. D. Carr. "The Distorted Mirror." In Clay Work and Body Image in Art Therapy, 20–35. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003097884-3.

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Crocker, Trisha, and Susan M. D. Carr. "Case Studies, Study Two." In Clay Work and Body Image in Art Therapy, 108–22. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003097884-8.

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Crocker, Trisha, and Susan M. D. Carr. "Case Studies, Study Two." In Clay Work and Body Image in Art Therapy, 123–33. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003097884-9.

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Crocker, Trisha, and Susan M. D. Carr. "Intervention Protocol." In Clay Work and Body Image in Art Therapy, 137–50. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003097884-11.

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Conference papers on the topic "Body image in art"

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Pombo, Olga, Catarina Nabais, Marco Pina, and Silvia Di Marco. "Body-image: Crossing science and art." In Electronic Visualisation and the Arts (EVA 2012). BCS Learning & Development, 2012. http://dx.doi.org/10.14236/ewic/eva2012.48.

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Yang, Shuwen. "Dislocation and Disembodiment of Interactive Body Image in Neo-Pop Art." In 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220205.007.

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Liu, Jingyi. "Social Media and Its Impact on Chinese’s Women Body Image: The Effects of Body Comparison and Motivation for Social Media use." In 2021 International Conference on Public Art and Human Development ( ICPAHD 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220110.040.

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Liu, Jiayan. "The Influence of the Body Image Presented Through TikTok Trend-Videos and Its Possible Reasons." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.072.

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Cabral, Alexandra, and Carlos Manuel Figueiredo. "Costume Design: Ergonomics in Performance Art." In Applied Human Factors and Ergonomics Conference. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe100820.

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The human body, in contemporary art, is used as a means, as it also is in fashion design practices applied to the art field, that explore the alteration of the anatomic perimeter in its impact on the user’s self-image, expression and transformation. Costumes that defy gesture bear a reflection on dress over body and we question how functionality (or the lack of it) can influence cognition – mostly when we expect a performer to feel and express the same way a character does and when the audience aims to feel the same way the character feels. Does the performer become a more reactive user towards dress under the realm of the action field of performance art, if interacting with a «non-user-friendly» costume? Since costume and body cannot be separated in performance art, we explore ergonomics, regarding both physical and psychological discomfort in improving the acting of a performer, namely when improvising or moving and in the contribution to a more proficient involvement with the audience. A noninterventionist methodology of qualitative basis is used, based on literary research and observation on the impact of different garments on a performer’s work, so as to obtain new indicators for costume design methodology.
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Qian, Lihui, Xintong Han, Faqiang Wang, Hongyu Liu, Haoye Dong, Zhiwen Li, Huawei Wei, Zhe Lin, and Cheng-Bin Jin. "XFormer: Fast and Accurate Monocular 3D Body Capture." In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. California: International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/148.

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We present XFormer, a novel human mesh and motion capture method that achieves real-time performance on consumer CPUs given only monocular images as input. The proposed network architecture contains two branches: a keypoint branch that estimates 3D human mesh vertices given 2D keypoints, and an image branch that makes prediction directly from the RGB image features. At the core of our method is a cross-modal transformer block that allows information flow across these two branches by modeling the attention between 2D keypoint coordinates and image spatial features. Our architecture is smartly designed, which enables us to train on various types of datasets including images with 2D/3D annotations, images with 3D pseudo labels, and motion capture datasets that do not have associated images. This effectively improves the accuracy and generalization ability of our system. Built on a lightweight backbone (MobileNetV3), our method runs blazing fast (over 30fps on a single CPU core) and still yields competitive accuracy. Furthermore, with a HRNet backbone, XFormer delivers state-of-the-art performance on Huamn3.6 and 3DPW datasets.
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MAO, YAN-JIE, and ZONG-HUA LI. "CONSTRUCTION AND ALIENATION: RESEARCH ON FEMALE IMAGES IN WEBCAST." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35723.

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In recent years, webcasting has developed in a spurt, giving birth to a large number of camgirl communities. The interconnection of virtual fields and real spaces has made the appearance of webcast subjects a social phenomenon worthy of attention. The network media empowers people and brings new fields and opportunities for the development of female subjectivity. Camgirls based on identity and subjective expression participate in the process of constructing their own image. In the diverse and fluid cyberspace field and in the age of entertainment, the conspiracy of image capital and visual consumption has continuously created and produced a subculture in the live broadcast field, causing the construction of female images from "subjective fiction." The shift to "symbol alienation" has caused the female body to be continuously desired, materialized, symbolized, disciplined and peeped. Behind the image of the network camgirl, it conveys the changes of human society and culture, the variation of the real space and the network field, and it is worthy of our reflection and discussion.
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Yao, Guangming, Hongzhi Wu, Yi Yuan, Lincheng Li, Kun Zhou, and Xin Yu. "Learning Implicit Body Representations from Double Diffusion Based Neural Radiance Fields." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. California: International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/218.

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In this paper, we present a novel double diffusion based neural radiance field, dubbed DD-NeRF, to reconstruct human body geometry and render the human body appearance in novel views from a sparse set of images. We first propose a double diffusion mechanism to achieve expressive representations of input images by fully exploiting human body priors and image appearance details at two levels. At the coarse level, we first model the coarse human body poses and shapes via an unclothed 3D deformable vertex model as guidance. At the fine level, we present a multi-view sampling network to capture subtle geometric deformations and image detailed appearances, such as clothing and hair, from multiple input views. Considering the sparsity of the two level features, we diffuse them into feature volumes in the canonical space to construct neural radiance fields. Then, we present a signed distance function (SDF) regression network to construct body surfaces from the diffused features. Thanks to our double diffused representations, our method can even synthesize novel views of unseen subjects. Experiments on various datasets demonstrate that our approach outperforms the state-of-the-art in both geometric reconstruction and novel view synthesis.
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Sousa, Cleuber Cristiano de, and Joana de Vilhena Novaes. "Body, image and memory of repetition in autism." In IV Seven International Congress of Health. Seven Congress, 2024. http://dx.doi.org/10.56238/homeivsevenhealth-003.

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Introduction: There are vital needs that keep us going even when we are worn out or without a clear expectation of achieving some transfer to an external object. Unlike common sense, the demands of life do not come from what we want from the outside world, in other words, from our material aspirations. The outside world depresses us, but it doesn't cause us melancholy. What drives us comes from within, from our own lived body. For Jerusalinsky (2012), the repeated search for transference in autism constitutes fragments designated as partial objects. It still relativizes the imagined totalization, being that it prescinds to being only that agent who lives on the other side of the mirror (maternal agent). Objectives: The aim of this paper is to present the body as a memory of repetition in Autism and what the consequences would be of placing this body in relation with the internal and external world, with spaces, others and oneself. Methodology: In discourse analysis, we use movement and relationship as a theoretical-analytical device. Thus, the production of meanings is understood in comparisons, relationships, dissonances, approximations and displacements. It is in the event and in the analysis of other (non-linguistic) materialities that we will present the results. Results: The experiential experiences of childhood and the relationship between mother and baby are primordial for subjective constitution and the production of meanings in the formation of the psyche. Affective life, emotions, identifications and the strengthening of bonds of social belonging are anchored in this phase and from there emanate all the threads that bind the unconscious content. The case study of mother A.S. and her relationship with little R.A. showed that the child with autism is constituted in primary and secondary regressive and partial identifications, with their own singularity constituted in repetition. The symbolic and imaginary contents to remember and repeat are repeated without success. Conclusion: This work has focused on the considerations of Merleau-Ponty's (2011) studies on the body that inhabits the world and makes it a lived world. All the premises about affective life, the formation of the psyche and the unconscious come from the studies of Sigmund Freud and the psychoanalysts who followed him and affirmed or refuted his writings, helping psychoanalysis to become a theory in process. The case study presented in this paper is about little R.A., aged four, and his mother, his personal history and the constitution of a subjective body in the memory of repetition.
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Yang, S., Y. Wang, and C. Shrivastava. "Sedimentary Analysis Via Automatic Image Segmentation and Clustering with the LWD OBM Resistivity Image: A Case Study from Gulf of Mexico." In SPE Annual Technical Conference and Exhibition. SPE, 2023. http://dx.doi.org/10.2118/214908-ms.

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Abstract Microfacies analysis is the first step for depositional environment interpretation and sand body prediction. Textural details from borehole images are building blocks for facies analysis, representing different paleo sediimentation conditions. Associated workflows have been applied on high resolution borehole images by geologists and log analysts manually. Automation via machine learning solutions provides an opportunity to improve the working efficiency and accuracy. Such an approach has given satisfactory results with post-drilling wireline images. In this paper, the improved workflow for sedimentary analysis was applied and validated with a logging-while-drilling (LWD) resistivity imager in oil-based mud environment (OBM). The OBM LWD resistivity image in oil-based mud provides 72 data points at single depth from 4 different frequencies of electromagnetic measurements with a patented processing. The non-gap resistivity image gives more confident texture characterization. The continuous histogram and correlogram derived from image data were used for image segmentation. In each image segmentation, multiple vector properties were extracted from image data representing different texture features including adoptive variogram horizontally. Agglomerative clustering was selected for its stability and repeatability. The internally built dendrogram allows to automatically determine the number of clusters by finding a stable distance between the clusters’ hierarchy branches. In addition to the features extracted from image data, optional petrophysical logs with variable weights may be fed to the algorithm for a better classification. A case study from Gulf of Mexico is being used to demonstrate this workflow with Hi-Res LWD image. More than 10 different sedimentary geometries were classified automatically from image and petrophysical logs. The microfacies were named manually from sedimentary geometries with the related geological concept accordingly. The fluvial channel and delta sedimentary environment were interpretated finally from microfacies association. The interpretation results were compared and validated with published dips-based solution as well. This is the first time for the automatic borehole image segmentation with LWD OBM images. The working efficiency was improved a lot through this workflow and the accuracy of microfacies interpretation was guaranteed by machine learning solution.
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Reports on the topic "Body image in art"

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Mizrach, Amos, Sydney L. Spahr, Ephraim Maltz, Michael R. Murphy, Zeev Schmilovitch, Jan E. Novakofski, Uri M. Peiper, et al. Ultrasonic Body Condition Measurements for Computerized Dairy Management Systems. United States Department of Agriculture, 1993. http://dx.doi.org/10.32747/1993.7568109.bard.

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The body condition (BC) score is recognized in the dairy industry as an essential tool for managing the energy reserves of the dairy cow, which is essential for sustaining optimal and efficient production over several lactations. The current use of BC scoring depends on the accuracy of subjective visual estimates, and this limits its kusefulness as a management aid in the dairy industry. A measuring tool that would frequently provide objective data on the cow's body reserves would be a major contribution to efficient dairy herd management. Ultrasonic sensors have the potential to be developed into an efficient BC measuring device, and the experimental use of such sensors for subcutaneous fat thickness (SDFT) estimates, as an indication for BC in beef cattle, supports this assumption. The purposes of this project were: 1. To compare visual BC scoring and ultrasonic fat thickness with on-line automated body weight (BW) measurements as monitors of nutritional adequacy of dairy cows at various stages of lactation. 2. To determine the effects of variation in digestive fill in early and late lactation on the accuracy of body weight measurements in lactating cows. 3. To modify an existing ultrasonic system and develop a specialized, low-cost sensor for repeatable determination of body condition scores by users with minimal training and skill. 4. To develop a standard for the assignment of body condition scores based on ultrasonic measurements of subdermal fat thickness. The procedure to execute these objectives involved: 1. Frequent measurement of BW, milk yield (MY), BC (visually scored) and subdermal fat thickness ultrasonically measured of dairy cows, and data analysis on average and individual basis. 2. Testing and selection of an appropriate special-purpose sensor, finding an optimum body location for working an ultrasonic measurement, prcessing the signals obtained, and correlating the resulting measurements with performance responses in lactating cows. Linking the ultrasonic signals to BC scores, and developing a BC scoring data acquisition system are the first steps towards fulfilling the necessary requirements for incorporating this device into an existing dairy herd management system, in order to provide the industry with a powerful managment tool. From the results obtained we could conclude that: 1. BC does not correlate with BW changes during all stages of lactation, although in general terms it does. These results were confirmed by individual cow BW and BC data obtained during the course of lactation, that were supported by individual objective ultrasonic measurement of SDFT. 2. BW changes reflect energy metabolism reliably ony after peak milk yield; early in lactation, a decrease in BW expresses mobilization of body reserves only qualitatively, and not quantitatively. 3. Gastrointestinal content increases throughout the whole period during which dry matter intake (DMI) increases. The drastic increase very early in lactation prevents the use of BW changes as a basis for quantitative estimatio of energy meatabolism; at this stage of lactation, konly a BC score or any other direct measurements willl provide a quantitative estimate of energy metabolism. 4. Ultrasonic measurements of subdermal fat thickness can be used to quantify changes that correlate with the actual condition of the cow, as assessed by performance and the traditional way of scoring. 5. To find the best site on the cow's body at which to obtain responses to BC and its changes in the course of lactation, additional sites have to be examined. From the present study, it seems that the sites between ribs 12 and 13 have the potential for this purpose. 6. The use of templates made it easier to repeat measurements at a desired site and spot. However, the convenient easy-to-handle way to standardize the measurement, described in this study, koffers scope for improvement. 7. The RF peak values of the A-mode are better indicators of the location of fat layer borders than image analysis, from the point of view of future commercial development. 8. The distances between the RF peaks of the A-mode can be automatically measured by suitable software, for future commercial development. 9. Proper analysis of daily body weight and milk yield data can provide the necessary information on body condition changes during lactation, until a direct BC measurement device is developed. 10. In any case, at least one visual BC assessment has to be done, preferably immediately after calving, for calibration purposes.
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MR (Diffusion-Weighted Imaging (DWI) of the Apparent Diffusion Coefficient (ADC), Clinically Feasible Profile. Chair Michael Boss, Dariya Malyarenko, and Daniel Margolis. Radiological Society of North America (RSNA) / Quantitative Imaging Biomarkers Alliance (QIBA), December 2022. http://dx.doi.org/10.1148/qiba/20221215.

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The goal of a QIBA Profile is to help achieve a useful level of performance for a given biomarker. The Claim (Section 2) describes the biomarker performance and is derived from the body of scientific literature meeting specific requirements, in particular test-retest studies. The Activities (Section 3) contribute to generating the biomarker. Requirements are placed on the Actors that participate in those activities as necessary to achieve the Claim. Assessment Procedures (Section 4) for evaluating specific requirements are defined as needed to ensure acceptable performance. Diffusion-Weighted Imaging (DWI) and the Apparent Diffusion Coefficient (ADC) are being used clinically as qualitative (DWI) and quantitative (ADC) indicators of disease presence, progression or response to treatment. Use of ADC as a robust quantitative biomarker with finite confidence intervals places additional requirements on Sites, Acquisition Devices and Protocols, Field Engineers, Scanner Operators (MR Technologists, Radiologists, Physicists and other Scientists), Image Analysts, Reconstruction Software and Image Analysis Tools. Additionally, due to the intrinsic dependence of measured ADC values on biophysical tissue properties, both the Profile Claims and the associated scan protocols (Section 3.6.2) are organ-specific. All of these are considered Actors involved in Activities of Acquisition Device Pre-delivery and Installation, Subject Handling, Image Data Acquisition, Reconstruction, Registration, ADC map generation, Quality Assurance (QA), Distribution, Analysis, and Interpretation. The requirements addressed in this Profile are focused on achieving ADC values with minimal systematic bias and measurement variability. DISCLAIMER: Technical performance of the MRI system can be assessed using a phantom having known diffusion properties, such as the QIBA DWI phantom. The clinical performance target is to achieve a 95% confidence interval for measurement of ADC with a variable precision depending on the organ being imaged and assuming adequate technical performance requirements are met. While in vivo DWI/ADC measurements have been performed throughout the human body, this Profile focused on four organ systems, namely brain, liver, prostate, and breast as having high clinical utilization of ADC with a sufficient level of statistical evidence to support the Profile Claims derived from the current peer-reviewed literature. In due time, new DWI technologies with proven greater performance levels, as well as more organ systems will be incorporated in future Profiles. This document is intended to help a variety of users: clinicians using this biomarker to aid patient management; imaging staff generating this biomarker; MRI system architects developing related products; purchasers of such products; and investigators designing clinical trials utilizing quantitative diffusion-based imaging endpoints. Note that this document only states requirements specific to DWI to achieve the claim, not requirements that pertain to clinical standard of care. Conforming to this Profile is secondary to proper patient care.
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Tao, Yang, Amos Mizrach, Victor Alchanatis, Nachshon Shamir, and Tom Porter. Automated imaging broiler chicksexing for gender-specific and efficient production. United States Department of Agriculture, December 2014. http://dx.doi.org/10.32747/2014.7594391.bard.

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Extending the previous two years of research results (Mizarch, et al, 2012, Tao, 2011, 2012), the third year’s efforts in both Maryland and Israel were directed towards the engineering of the system. The activities included the robust chick handling and its conveyor system development, optical system improvement, online dynamic motion imaging of chicks, multi-image sequence optimal feather extraction and detection, and pattern recognition. Mechanical System Engineering The third model of the mechanical chick handling system with high-speed imaging system was built as shown in Fig. 1. This system has the improved chick holding cups and motion mechanisms that enable chicks to open wings through the view section. The mechanical system has achieved the speed of 4 chicks per second which exceeds the design specs of 3 chicks per second. In the center of the conveyor, a high-speed camera with UV sensitive optical system, shown in Fig.2, was installed that captures chick images at multiple frames (45 images and system selectable) when the chick passing through the view area. Through intensive discussions and efforts, the PIs of Maryland and ARO have created the protocol of joint hardware and software that uses sequential images of chick in its fall motion to capture opening wings and extract the optimal opening positions. This approached enables the reliable feather feature extraction in dynamic motion and pattern recognition. Improving of Chick Wing Deployment The mechanical system for chick conveying and especially the section that cause chicks to deploy their wings wide open under the fast video camera and the UV light was investigated along the third study year. As a natural behavior, chicks tend to deploy their wings as a mean of balancing their body when a sudden change in the vertical movement was applied. In the latest two years, this was achieved by causing the chicks to move in a free fall, in the earth gravity (g) along short vertical distance. The chicks have always tended to deploy their wing but not always in wide horizontal open situation. Such position is requested in order to get successful image under the video camera. Besides, the cells with checks bumped suddenly at the end of the free falling path. That caused the chicks legs to collapse inside the cells and the image of wing become bluer. For improving the movement and preventing the chick legs from collapsing, a slowing down mechanism was design and tested. This was done by installing of plastic block, that was printed in a predesign variable slope (Fig. 3) at the end of the path of falling cells (Fig.4). The cells are moving down in variable velocity according the block slope and achieve zero velocity at the end of the path. The slop was design in a way that the deacceleration become 0.8g instead the free fall gravity (g) without presence of the block. The tests showed better deployment and wider chick's wing opening as well as better balance along the movement. Design of additional sizes of block slops is under investigation. Slops that create accelerations of 0.7g, 0.9g, and variable accelerations are designed for improving movement path and images.
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Alvestrand, H. X.400 Image Body Parts. RFC Editor, January 1998. http://dx.doi.org/10.17487/rfc2158.

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FDG-PET/CT SUV for Response to Cancer Therapy, Clinically Feasible Profile. Chair Nathan Hall and Jeffrey Yap. Radiological Society of North America (RSNA) / Quantitative Imaging Biomarkers Alliance (QIBA), June 2023. http://dx.doi.org/10.1148/qiba/20230615.

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This QIBA Profile documents specifications and requirements to provide comparability and consistency for quantitative FDG-PET across scanners in oncology. It can be applied to both clinical trial use as well as individual patient management. This document organizes acquisition, reconstruction and post-processing, analysis and interpretation as steps in a pipeline that transforms data to information to knowledge. The document, developed through the efforts of the QIBA FDG-PET Biomarker Committee, has shared content with the FDG-PET UPICT protocol, as well as additional material focused on the devices used to acquire and analyze the FDG-PET data. The QIBA acquisition protocol is largely derived from the FDG-PET UPICT protocol for FDG-PET imaging in clinical trials. In the UPICT protocol, there is a carefully developed hierarchy with tiered levels of protocol compliance. This reflects the recognition that there are valid reasons to perform trials using different levels of rigor, even for the same disease/intervention combination. For example, a high level of image measurement precision may be needed in small, early-phase trials whereas a less rigorous level of precision may be acceptable in large, late-phase trials of the same drug in the same disease setting. This Profile defines the behavioral performance levels and quality control specifications for whole-body FDG-PET/CT scans used in single- and multi-center clinical trials of oncologic therapies. While the emphasis is on clinical trials, this process is also intended to apply for clinical practice. The specific claims for accuracy are detailed in the Claims section. A motivation for the development of this Profile is that while a typical PET/CT scanner measurement system (including all supporting devices) may be stable over days or weeks, this stability cannot be expected over the time that it takes to complete a clinical trial. In addition, there are well known differences between scanners and or the operation of the same type of scanner at different imaging sites. The intended audiences of this document include: Technical staff of software and device manufacturers who create products for this purpose Biopharmaceutical companies, oncologists, and clinical trial scientists designing trials with imaging endpoints Clinical research professionals Radiologists, nuclear medicine physicists, technologists, physicists and administrators at healthcare institutions (1) considering specifications for procuring new PET/CT equipment, (2) designing PET/CT acquisition protocols, (3) making quantitative measurements from PET/CT images Regulators, nuclear medicine physicians, oncologists, and others making decisions based on quantitative image measurements
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Gitimu, Priscilla N., and Abel G. Waithaka. Body image quality of life and appearance investment. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1917.

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Malinowski, Owen, Scott Riccardella, and Jason Van Velsor. PR-335-203810-R03 CT Fundamentals with Calibration and Reference Standards for Pipeline Anomaly Detection. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), March 2022. http://dx.doi.org/10.55274/r0012216.

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X-ray Computed Tomography (XRCT) was initially developed and utilized in the medical industry to image the internal structure of the human body. X-ray imaging was conceived and realized at the turn of the 20th century and subsequently, XRCT, was conceived in the middle of the 20th century and its development continues today. Near the end of the 20th century industrial cone beam XRCT for applications such as dimensional metrology branched off, including its use for identifying and dimensioning flaws. XRCT has been utilized successfully for three-dimensional imaging of flaws in the small panel cut-outs from steel oil and gas transmission pipelines. However, the performance of XRCT on full-circumference pipe samples has not been assessed to determine if the technology can be used to obtain flaw dimensional information with the same accuracy that has been observed on panel cut-outs. This would enable the industry to generate full-circumference reference samples with well-characterize flaw dimensions, which would be much more practical and useful for qualification, certification, and validation of inline inspection and nondestructive examination tools, personnel, and procedures. This tasks for this project were to evaluate the state-of-the-art in XRCT technology, establish guidelines for XRCT scanning of pipeline samples, compare XRCT performance on artificial and natural flaws, and compare performance of lab-based and in-the-ditch XRCT technologies on artificial and natural flaws through scanning multiple samples utilizing multiple XRCT vendors and subsequently destructive testing the samples. The overall objective of the project was to determine if XRCT is a viable alternative to destructive testing for collecting "truth" data from flaw reference samples. Related webinar
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Mills, Kathy, Elizabeth Heck, Alinta Brown, Patricia Funnell, and Lesley Friend. Senses together : Multimodal literacy learning in primary education : Final project report. Institute for Learning Sciences and Teacher Education, Australian Catholic University, 2023. http://dx.doi.org/10.24268/acu.8zy8y.

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[Executive summary] Literacy studies have traditionally focussed on the seen. The other senses are typically under-recognised in literacy studies and research, where the visual sense has been previously prioritised. However, spoken and written language, images, gestures, touch, movement, and sound are part of everyday literacy practices. Communication is no longer focussed on visual texts but is a multisensory experience. Effective communication depends then on sensory orchestration, which unifies the body and its senses. Understanding sensory orchestration is crucial to literacy learning in the 21st century where the combination of multisensory practices is both digital and multimodal. Unfortunately, while multimodal literacy has become an increasing focus in school curriculum, research has still largely remained focussed on the visual. The Sensory Orchestration for Multimodal Literacy Learning in Primary Education project, led by ARC Future Fellow Professor Kathy Mills, sought to address this research deficit. In addressing this gap, the project built an evidence base for understanding how students become critical users of sensory techniques to communicate through digital, virtual, and augmented-reality texts. The project has contributed to the development of new multimodal literacy programs and a next-generation approach to multimodality through the utilisation of innovative sensorial education programs in various educational environments including primary schools, digital labs, and art museums.
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Ogle, Jennifer Paff, Juyeon Park, and Nichole Monhait. Building Positive Body Image through an Interactive Body Positivity Program: A Positive Psychology Perspective. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8271.

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Wu, Yingying, Jacqueline Lorette Pribil, and Susan P. Ashdown. The influence of 3D body scans on body image for 18-22 age women. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-819.

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