Academic literature on the topic 'Body of glory'

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Journal articles on the topic "Body of glory"

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Kim, Jae Lee. "불안정한 몸 : 한국 군대제도와 춤에 관한 안무적 다큐멘터리 Glory." Journal of Dance Society for Documentation & History 52 (March 31, 2019): 77–94. http://dx.doi.org/10.26861/sddh.2019.52.77.

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Page, Kaylie G. "Raised Imperishable." Lumen et Vita 9, no. 2 (May 18, 2019): 56–66. http://dx.doi.org/10.6017/lv.v9i2.11131.

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Christians live in light of eternity: we anticipate a future glory yet to be unveiled, but we also have some level of participation in that glory in the present. What shape should that anticipation and participation take? In other words, how does the resurrection influence ethical choices in the present? This paper draws on the work of historical and modern theologians to consider what effects the resurrection of the body has on Christian life in the present. It argues that the nature of embodied life in the resurrection affects our view of and our behavior towards our own bodies, the body of the church, and the bodies of other people in the world. While the paper sketches the outlines of an ethic based on the bodily resurrection in each of these areas, its main concern is with the spiritual attitude that informs and results from these ethical choices. As Dietrich Bonhoeffer observes, Christian ethics that focuses on the resurrection tends to fall into one of the two traps of otherworldliness or secularism. However, when attention is given to the spiritual effects of a resurrection-oriented ethic, both of these pitfalls can be avoided. Living in light of the resurrection sharpens our anticipation of heavenly glory, but it also proves our inability to attain that glory by our own power, forcing us to rely ever more on God as the source of our salvation. Thus, although living with reference to the resurrection of the body has positive influence on our ethical choices, the primary impact of such a life is to drive the Christian back to the Gospel.
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Stoker, Wessel. "Presence in Contemporary Religious Art Graham Sutherland and Antony Gormley." Perichoresis 18, no. 3 (July 1, 2020): 77–89. http://dx.doi.org/10.2478/perc-2020-0018.

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AbstractThis article analyses the topic of presence in modern and contemporary religious art by means of the work of two artists. Graham Sutherland’s Christ in Glory (1951-1962) will be compared to the Buddhism-inspired works of Antony Gormley. Sutherlands Christ in Glory is intended to show Christ’s presence to the involved observer: the invisible Christ can become present through interaction with Christ in Glory in the same way that Christ becomes present through prayer. Viewed in connection with other works by Gormley, Land, Sea, and Air II (1982) is intended to show presence to the viewer, the body as presence. This concerns an attitude of quiet concentration and awareness in connection with the ‘elemental’ world. Theologically speaking, the difference between Christ in Glory and Gormley’s works is as follows: the Christian tradition views the human being as a creation of God. He or she lives in his or her presence only in dependence on God. For Gormley, it has to do with a presence without God the creator. The human being is present as body and awareness in a world in which everything is uncertain. There is an unmistakable difference in their views of presence, but that does not mean, as we will see, that Gormley’s work cannot be fruitful for the Christian religion. Gormley’s Sound II in the crypt of Winchester Cathedral points the involved observer to the importance of the renewal of life after baptism through meditation as an important part of Christian spirituality.
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Schmisek, Brian. "The Body of His Glory Resurrection Imagery in Philippians 3:20–21." Biblical Theology Bulletin: Journal of Bible and Culture 43, no. 1 (January 18, 2013): 23–28. http://dx.doi.org/10.1177/0146107912470334.

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Morales, Isaac Augustine. "“With my Body I Thee Worship”: New Creation, Beatific Vision, and the Liturgical Consummation of all Things." Pro Ecclesia: A Journal of Catholic and Evangelical Theology 25, no. 3 (August 2016): 337–56. http://dx.doi.org/10.1177/106385121602500307.

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“When our flesh, made glorious at the Judgment Seat, dresses us once again, then shall our persons become more pleasing in being more complete.” “Thereby shall we have increase of the light Supreme Love grants, unearned, to make us fit to hold His glory ever in our sight.”1
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Orlov, Andrei A. "RESURRECTION OF ADAM'S BODY: THE REDEEMING ROLE OF ENOCH-METATRON IN 2 (SLAVONIC) ENOCH." Scrinium 3, no. 1 (March 30, 2007): 385–89. http://dx.doi.org/10.1163/18177565-90000163.

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The study investigates the ritual of anointing with the oil of the resurrection found in 2 Enoch. 2 Enoch 22:9 portrays the archangel Michael anointing Enoch with delightful oil, the ointment of glory which transforms the patriarch into a celestial creature. According to some rabbinic materials this oil of the resurrection which is responsible for the change of human mortal nature into the glorious state of a celestial being will come at the eschatological time from the head of the Deity.
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Mopoung, Sumrit, Vijitr Udeye, Supaluck Viruhpintu, Nonglak Yimtragool, and Visarut Unhong. "Water Treatment for Fish Aquaculture System by Biochar-Supplemented Planting Panel System." Scientific World Journal 2020 (August 28, 2020): 1–8. http://dx.doi.org/10.1155/2020/7901362.

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Rice husk biochars were prepared by carbonization at 400–600°C. The products were analyzed by FTIR, SEM-EDS, BET, and approximate analysis in order to find final products with the best properties and the lowest carbonization temperature. It has been found that the biochar prepared at 500°C, which has 37.86 ± 0.11% yield, 341.0776 m2/g of BET surface area, and 0.136639 cm3/g of micropore volume, is suitable for use as a root supplement in the aquaponic system. The aquaponic systems consist of aquaculture and a hydroponic system with and without biochar supplement. The control experiment consists of an aquaculture and planting panel with biochar supplement disconnected from each other. Tilapia and Chinese morning glory were used for growth studies. The water quality from all aquaculture ponds has also been analyzed at an interval of 10 days for 47 days. The results showed that the growth rates of Tilapia and Chinese morning glory in the aquaponic system with biochar were clearly higher than in the control experiment, which is in accordance with the water quality in each aquaculture pond. However, the growth rates of Tilapia (23.5 g/body vs. 22.7 g/body) and morning glory (3.907 g/stem vs. 2.609 g/stem) in supplemented biochar system tend to be higher than the nonsupplemented biochar system. It has been shown that rice husk biochar can help in treating water in the aquaponic system by increasing the amount of dissolved oxygen in the aquaculture water and conversion of toxic compounds to those beneficial for plant growth.
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Ward, Matthew. "GLORY AND NOSTOS: THE SHIP-EPITHET ΚΟΙΛΟΣ IN THE ILIAD." Classical Quarterly 69, no. 1 (May 2019): 23–34. http://dx.doi.org/10.1017/s0009838819000557.

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In the Iliad the Achaean ships play a prominent role in the narrative; they are foregrounded as Achilles sits by his vessels in anger and threatens to sail home; as the Trojans come close to burning them; and as Hector's body lies by Achilles’ ships until ransomed. Where not in the foreground, the ships remain a consistent background; without them the Achaeans would not have reached Troy; they are an essential component of the Greek encampment; and are the unrealized potential vehicle of the Achaean homecoming.
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Widdicombe, Peter. "The Wounds and the Ascended Body." Articles spéciaux 59, no. 1 (April 22, 2003): 137–54. http://dx.doi.org/10.7202/000793ar.

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Abstract The question of whether the ascended and glorified body of Christ retains the marks of the wounds first became an issue of theological importance in the fifth century with the writings of Cyril of Alexandria and it continued to be developed until the Reformation, when both Luther and Calvin rejected the idea. For the patristic and medieval theologians, the enduring reality of the wounds testify to the intimate connnection between the economy of God’s salvific work within the created order and the eternal economy. It underscored God’s ongoing good intention for, and engagement with, fallen creation. However transformed in glory, the ascended Christ is not to be thought of as dehominised and the evidence of his history as the incarnate and suffering human being is not to be erased. Suffering and sinful humanity finds itself in the Son at the right hand of the Father and it can see there the evidence that the divine heart has and continues to beat with compassion for humanity in its continuing brokenness. It is the enduring presence of the marks of the wounds in heaven that testifies to the divine engagement with the sinful human condition, in both judgment and mercy, which in turn is the basis of humankind’s response of thankfulness.
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Ranković, Slavica. "Immanent Seas, Scribal Havens: Distributed Reading of Formulaic Networks in the Sagas of Icelanders." European Review 22, no. 1 (February 2014): 45–54. http://dx.doi.org/10.1017/s1062798713000616.

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Medieval sagas of Icelanders are considered one of the most significant ‘contributions made by Nordic culture’,1 among ‘the great marvels of world literature […] so timelessly up-to-date’ and characterised by ‘a supreme, undistorted sense of actuality’.2 ‘We will never comprehend’, the famous novelist Milan Kundera said, ‘the significance of the fact that the first grand, enormous body of prose composed in a European national language sprang from the genius of a very small nation, perhaps the smallest in Europe … the glory of the sagas is indisputable’.1,2 What follows is an attempt to make comprehensible some of the aesthetic mechanisms through which the sagas attain their remarkable representational complexity. This is not in order to diminish the glory of the genius that Kundera refers to – the genius of the people and the many geniuses from among the people – but rather to appreciate it even more, as usually results from a deeper understanding of the workings of things.
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Dissertations / Theses on the topic "Body of glory"

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Whitefield, Victoria Jane. ""Glory is temporary, brain injury may be forever" : a neuropsychological study on the cumulative effects of sports-related concussive brain injury amongst Grade 12 school boy athletes." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1004471.

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The study investigated the long-term neuropsychological effects of repetitive mild traumatic brain injury (MTBI) due to participation in a contact sport amongst South African final year male high school athletes (N=189). The sample was divided by sports affiliation (Contact n = 115; Non-Contact n = 74) and concussion history (2+ Concussion n = 43; 0 Concussion n = 108). Comparative subgroups were statistically equivalent for age, education and estimated IQ (P > 0.05), with the Contact sport groups having markedly higher incidences of concussion than controls (p < 0.000). Measures included the ImPACT Verbal and Visual Memory, Visuomotor Speed and Reaction Time Composites, Digit Symbol Substitution and Digit Symbol Incidental Recall (immediate and delayed), the ImPACT Symptom Scale and a Post-concussion Symptom (PCS) questionnaire. Independent t-tests on cognitive measures at pre-and post-season revealed a predominant trend of Contact and 2+ Concussion groups performing worse, although only ImPACT Reaction Time at pre-season reached significance (p = 0.014). PCS comparisons revealed an overwhelming tendency of enhanced symptoms for Contact and 2+ Concussion groups with total scores being significantly different in most instances at pre-and post-season. Fatigue and aggression were the symptoms most pervasively high for the Contact and 2+ Concussion groups. Dependent t-test analyses at pre- versus post-season, revealed significant practice effects for the Contact group, not in evidence for controls on ImPACT Visual Motor Speed and Digit Symbol Incidental Recall-Delayed. Overall the results imply the possible presence of lingering neurocognitive and symptomatic concussion sequelae amongst South African final year high school participants of a contact sport. The indications gain potency when understood against the background of (i) Brain Reserve Capacity threshold theory, and (ii) the known risk of Type II error in group MTBI research, that might result in under-emphasis of subtle effects and miscalculation of cost-benefit risks. Clinical implications, and the need for prospective case-based research to ratify the results of this predominantly cross-sectional study, are discussed.
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"Her Brown Body Is Glory: A Legacy of Healing Forged Through Sisterhood and Dance." Master's thesis, 2020. http://hdl.handle.net/2286/R.I.57272.

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abstract: “Her Brown Body Is Glory: A Legacy of Healing Forged Through Sisterhood and Dance” fondly captures the process of creating the evening length dance project, Her Brown Body Is Glory (HBBIG). This document addresses many themes, such as liminality, rites of passage, trauma in the African American community (like the effects of Dr. Joy DeGruy Leary’s “Post Traumatic Slave Syndrome (PTSS) theory), and provides a perspective of healing rooted in dance, rituals, and community. This research focuses on dance being the source of intervention to create sisterhood among African American women of many shades. Throughout the creation of this dance project, the choreographer and dancers collaboratively generated experiences to cultivate a space of trust, vulnerability, sisterhood, and growth. The use of written, verbal, and movement reflection supported this creative process as the main source of ritual to check in with self, building community amongst the dancers, and generating choreography. The insertion of these sisterhood rituals into the production became the necessary element of witness for the audience to experience an authentic and moving performance of Her Brown Body Is Glory.
Dissertation/Thesis
Masters Thesis Dance 2020
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AVRAMOVA, Radka. "Propojení duchovních proudů východu a západu a křesťanský aspekt v učení O.M. Aivanhova." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-52932.

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This work discourses about the teaching of bulgarian {--} french philosopher, pedagogue and spiritual teacher Omraam Mikhaël Aivanhov. It is divided in several thematic chapters discoursing always a certain philosofical {--} spiritual theme from the point of view how is it treated in the teaching of Aivanhov. Among those themes are for example: Creation, Good and evil, About God, Jesus and Christ, Reincarnation, Soul, Ressurection, Holy Trinity. Aivanhov has fresh and undogmatic approach to these themes and he accents that his teaching can serve to a man for the practical work on him or herself. He does not stick to any particular tradition neither he arteficially syncretizes. He rather sees the various levels of the creation and its Creator as a reality which has universal laws and principles. And a mission of man is according to Aivanhov to discover those laws and principles and to live in harmony with them.
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Books on the topic "Body of glory"

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Bomkamp, Jim. The body of Christ in all her glory. San Diego, CA: Aventine Press, 2008.

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Bomkamp, Jim. The body of Christ in all her glory. San Diego, CA: Aventine Press, 2008.

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Bomkamp, Jim. The body of Christ in all her glory. San Diego, CA: Aventine Press, 2008.

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Glory and terror: Seven deaths under the French Revolution. New York: Routledge, 2001.

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Pius. Apostolic constitution: The definition by His Holiness, Pope Pius XII, of the dogma that Mary, the Virgin Mother of God, was assumed, body and soul into the glory of heaven. Boston, Mass: St. Paul Editions, 1988.

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Pius. Munificentissimus Deus: The definition by His Holiness, Pope Pius XII, of the dogma that Mary, the Virgin Mother of God, was assumed body and soul into the glory of heaven : issued November 1, 1950. Boston, Mass: St. Paul Books & Media, 1992.

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Grit & Glory: Cross Training Your Body and Soul. Our Sunday Visitor, 2018.

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Brown, Charles A. Fit For His Glory: Wholeness in Spirit, Soul, and Body. Redemption Press, 2015.

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Waldstein, Michael. Glory of the Logos in the Flesh: Saint John Paul's Theology of the Body. Sapientia Press Ave Maria Univ, 2020.

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Boehme, Jacob. Of Death And How The Dead Body Is Revived And Replaced Into Its First Glory Or Holiness. Kessinger Publishing, LLC, 2006.

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Book chapters on the topic "Body of glory"

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Sweeney, Robert. "The Body as Expression of Life." In Life in the Glory of Its Radiating Manifestations, 97–106. Dordrecht: Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-009-1602-9_8.

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Golitzin, Alexander. ""The Demons Suggest An Illusion Of Godís Glory In A Form": Controversy Over The Divine Body And Vision Of Glory In Some Late Fourth, Early Fifth Century Monastic Literature." In The Theophaneia School, edited by Andrei Orlov, 49–82. Piscataway, NJ, USA: Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463216313-009.

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Guastella, Gianni. "Giving Glory a Body." In Word of Mouth, 251–318. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198724292.003.0009.

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"Voltaire; or, The Body of the Philosopher King." In Glory and Terror, 43–66. Routledge, 2013. http://dx.doi.org/10.4324/9781315023076-2.

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"3. Dust, Shadow, and the Incantation of Glory." In The Body Incantatory, 141–96. Columbia University Press, 2014. http://dx.doi.org/10.7312/copp16270-006.

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Gerard, Philip. "Glory Bound." In The Last Battleground, 29–33. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469649566.003.0006.

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Capt. William Henry Asbury Speer marches off to war from his beloved Yadkin River Valley a reluctant soldier who blames the Secessionists for the war. He is captured in battle, then exchanged, and rejoins the 28th regiment. Even as he fights bravely at Fredericksburg and is wounded at Chancellorsville, he campaigns hardest to keep his younger brother out of the war. He survives Pickett’s Charge at Gettysburg and ten more major engagements, rising to command the regiment. He pens a dark poem predicting his on death and near Petersburg is blasted by shrapnel from an artillery shell. Friends cart his body home in a wagon for burial among his Ulster Scots and Quaker ancestors.
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"5 From Oblivion to Glory: The Revival of Yan Yuan in Modern China." In Body, Ritual and Identity, 117–49. BRILL, 2016. http://dx.doi.org/10.1163/9789004318731_006.

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Goodrum, Alison. "Land of Hip and Glory: Fashioning the ‘Classic’ National Body." In Dressed to Impress. Berg, 2011. http://dx.doi.org/10.2752/9781847888709/drsimprs0009.

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Quick, Laura. "Holy Garments for Glory and for Beauty (Exod 28:2)." In Dress, Adornment, and the Body in the Hebrew Bible, 84–120. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198856818.003.0004.

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In this chapter, I explore the function of dress in its wider social context, informed by anthropological and sociological approaches to the body. I consider the role of clothing as a disguise in the stories of Pughat, from the Ugaritic epic of Aqhat, and Tamar, from the book of Genesis. These stories reveal the gendered dimensions of clothing. At the same time, as something which can be changed at will, clothing allows these female characters to adopt and discard various personas, and in so doing to affect a change in their social status and positioning. Moving from female bodies to male bodies, I then consider the dress of the High Priest prescribed by the book of Exodus. The elaborate and ornate clothing worn by the High Priest manifests his liturgical power. But beyond this, these garments are what mark individuals as priests, granting them privileged access to the divine. We will see that clothing is central to the construction of identity—and the articulation of power.
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Lindsey, Rachel McBride. "Here Is My Name When I Am Dead." In A Communion of Shadows. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469633725.003.0003.

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This chapter explores death and mourning pictures within a shifting memorial culture that was rooted in historical modes of representation and theologies of redemption. Over the course of the nineteenth century, photographic portraiture emerged within this memorial culture as both the preferred iconography of mourning in nineteenth-century America and, significantly, as a relic of the departed that disclosed future glory to the bereaved. In this chapter, I explore the role of photographs as relics that illuminated the communion of shadows by mediating the body of the deceased with the grieving body of the bereaved. Here, photographs were devised not as tokens of the moldering body of the deceased but of promise of celestial reunion in glory. As memorial portraiture focused attention on the body of the deceased, another facet within the communion of shadows purported to provide evidence of the soul’s survival after death.
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