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Books on the topic 'Body representation in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Beauty's body: Femininity and representation in British aestheticism. Stanford, Calif: Stanford University Press, 1997.

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2

Enter the body: Women and representation on Shakespeare's stage. London: Routledge, 2001.

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3

The body, subject & subjected: The representation of the body itself, illness, injury, treatment & death in Spain and indigenous and Hispanic American art & literature. Chicago, IL: Sussex Academic Press, 2016.

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4

Dynamique des formes et représentation: Vers une biosymbolique de l'humain. Paris: L'Harmattan, 2002.

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5

Mofaʻ ha-ʻatsmi: Performans arṭ ṿe-yitsug ha-ʻatsmi = Self-performance : performance art and the representation of the self. Tel Aviv: Resling, 2014.

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6

Running scared: Masculinity and the representation of the male body. Philadelphia: Temple, 1993.

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7

Running scared: Masculinity and the representation of the male body. Detroit: Wayne State University Press, 2007.

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8

Running scared: Masculinity and the representation of the male body. Philadelphia: Temple University Press, 1993.

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9

Elder, Bruce. Body of vision: Representations of the body in recent film and poetry. Waterloo, Ont: Wilfrid Laurier University Press, 1997.

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10

Pietrzak-Franger, Monika. The male body and masculinity: Representations of men in British visual culture of the 1990s. Trier: WVT, Wissenschaftlicher Verlag Trier, 2007.

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11

Pietrzak-Franger, Monika. The male body and masculinity: Representations of men in British visual culture of the 1990s. Trier: WVT, Wissenschaftlicher Verlag Trier, 2007.

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12

Pietrzak-Franger, Monika. The male body and masculinity: Representations of men in British visual culture of the 1990s. Trier: WVT, Wissenschaftlicher Verlag Trier, 2007.

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13

DuBois, Page. Sowing the body: Psychoanalysis and ancient representations of women. Chicago: University of Chicago Press, 1988.

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14

Elder, Bruce. Body of vision: Representations of the body in recent film and poety : R. Bruce Elder. Waterloo, Ont: Wilfrid Laurier University Press, 1997.

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15

Hatzaki, Myrto. Beauty and the male body in Byzantium: Perceptions and representations in art and text. New York: Palgrave Macmillan, 2009.

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16

Beauty and the male body in Byzantium: Perceptions and representations in art and text. New York: Palgrave Macmillan, 2009.

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17

Kuhn, Annette. The power of the image: Essays on representation and sexuality. London: Routledge & Kegan Paul, 1985.

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18

The power of the image: Essays on representation and sexuality. London: Routledge, 1992.

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19

Reynolds, Kimberley. Victorian heroines: Representations offemininity in nineteenth-century literature and art. New York: Harvester Wheatsheaf, 1993.

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20

Nicola, Humble, ed. Victorian heroines: Representations of femininity in nineteenth-century literature and art. New York: New York University Press, 1993.

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21

Härtel, Insa, and Sigrid Schade, eds. Body and Representation. Wiesbaden: VS Verlag für Sozialwissenschaften, 2002. http://dx.doi.org/10.1007/978-3-663-11622-6.

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22

The body/body problem: Selected essays. Berkeley: University of California Press, 1999.

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23

Burke, Adrienne. Body art. New York, NY: Sterling Innovations, 2008.

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24

McComb, David. Body art. London: Titan Books, 2011.

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25

Body art. New York, NY: Sterling Innovations, 2008.

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26

Wood, Alix. Body art. New York: Gareth Stevens Publishing, 2015.

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27

Body art. [Place of publication not identified]: Select Editions, 2002.

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28

Hill, Deborah. Body art. Canberra, ACT: Published by the National Library of Australia, 2013.

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29

Hawes, Alison. Body art. Stevenage: Badger Learning, 2014.

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30

Beach body art. Toronto: elan Press, 1999.

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31

McComb, David, and Ashley. Body art 2. London: Titan, 2011.

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32

Laura, Hodgson, ed. Body art chic. North Pomfret, Vt: Trafalgar Square Pub., 1999.

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33

Wicked! body art. London: Caxton Editions, 2001.

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34

Goodman, Eleanor. Body art 3. Edited by Titan Books. London: Titan Books, 2012.

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35

Hirshhorn Museum and Sculpture Garden., ed. Representation abroad. Washington, D.C: Published for the Hirshhorn Museum and Sculpture Garden by the Smithsonian Institution Press, 1985.

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36

Moreno, Newton. Agreste: Body art ; A refeição = Agreste ; Body art ; Le Repas. São Paulo, SP: Aliança Francesa, 2008.

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37

Power of the Image: Essays on Representation and Sexuality. Taylor & Francis Group, 2016.

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38

Jane, Brettle, and Rice Sally, eds. Public bodies/private states: New views on photography, representation, and gender. Manchester: Manchester University Press, 1994.

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39

Landes, Joan B. Visualizing the Nation: Gender, Representation, and Revolution in Eighteenth-Century France. Cornell University Press, 2001.

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40

Visualizing the Nation: Gender, Representation, and Revolution in Eighteenth-Century France. Cornell University Press, 2003.

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41

Arts assistes par machine et art contemporain. vers une nouvelle philosophie de l'art ? L'Harmattan, 2002.

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42

(Editor), Jane Brettle, and Sally Rice (Editor), eds. Public Bodies/Private States: New Views on Women and Representation (Photography : Critical Views). Manchester Univ Pr, 1994.

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43

Levent, Nina Sobol. Healthy Spirit In A Healthy Body: Representations Of The Sports Body In Soviet Art Of The 1920s And 1930s. Peter Lang Publishing, 2004.

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44

Healthy Spirit In A Healthy Body: Representations Of The Sports Body In Soviet Art Of The 1920s And 1930s. Peter Lang Publishing, 2004.

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45

Elder, R. Bruce, and Bruce Elder. A Body of Vision: Representations of the Body in Recent Films and Poetry. Wilfrid Laurier University Press, 1998.

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46

Riggs, Christina. 4. Art and power. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199682782.003.0004.

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‘Art and power’ considers how works of art and architecture were used to negotiate power relationships between human beings in the complex, hierarchical society of ancient Egypt, and between human beings and the world of the gods. The king’s body—its care and adornment, its representation in art, and its safety—was an important concern, which Egyptian art explored in many ways. The architecture of Egyptian temples was designed to keep people out in order to maintain a pure and desirable home for the gods. But they were also central to Egyptian society as the priests helped oversee the administrative, economic, and cultural life of the country.

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47

Rey, Georges. Representation of Language. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198855637.001.0001.

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This book is a defense, against mostly philosophical objections, of a Chomskyan postulation of an internal, innate computational system for human language that is typically manifested in native speaker’s intuitive responses to samples of speech. But it is also a critical examination of some of the glosses on the theory: the assimilation of it to traditional Rationalism; a supposed conflict between being innate and learned; an unclear ontology which requires what I call a “representational pretense” (whereby linguists merely pretend for the sake of exposition that, e.g., tokens of words are uttered); and, most crucially to my concerns, Chomsky’s specific eliminativism about the role of intentionality not only in his own theories, but in any serious science at all. This last is a fundamentally important issue for linguistics, psychology, and philosophy that I hope an examination of a theory as rich and promising as a Chomskyan linguistics will help illuminate. I will also touch on some peripheral issues that Chomsky seems to me to mistakenly associate with his theory: an anti-realism about ordinary thought and talk, and a peculiar dismissal of the mind/body problem(s), toward the solution of some of which I think his theory actually makes a promising contribution.

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48

and, Bruno. Perceiving Your Own Body. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198725022.003.0002.

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The perception of our own body is a defining characteristic of our sense of self and a prerequisite for interacting with the environment and guiding movements. In the traditional view, the body is perceived mostly through somatosensation. However, experimental results are increasingly demonstrating that visual and vestibular signals also play an important role in body perception, that somatosensation in body perception is not limited to touch as traditionally conceived but may also include signals from the interior of the body (interoception), and, perhaps most surprisingly, that how we perceive and represent our body can be rapidly altered by novel combinations of multisensory stimuli. These findings have important implications for our understanding of neurological impairments of body representation and for their rehabilitation.

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49

Lehman, Peter. Running Scared: Masculinity and the Representation of the Male Body (Culture and the Moving Image). Temple University Press, 1995.

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50

Sowing the Body: Psychoanalysis and Ancient Representations of Women (Women in Culture and Society). Univ of Chicago Pr (Tx), 1988.

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