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Relevant bibliographies by topics / Body without Organs

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Journal articles

Academic literature on the topic 'Body without Organs'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 June 2025

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Journal articles on the topic "Body without Organs"

1

Markula, Pirkko. "The Dancing Body without Organs." Qualitative Inquiry 12, no. 1 (2006): 3–27. http://dx.doi.org/10.1177/1077800405282793.

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2

Richter, Nicole. "Unravelling the body without organs in Body Memory." Short Film Studies 4, no. 2 (2014): 167–70. http://dx.doi.org/10.1386/sfs.4.2.167_1.

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The primary source of terror in Body Memory emerges from the lack of materiality underneath the unravelling body. Using Gilles Deleuze and Felix Guattari’s concept of the ‘body-without-organs’ this article discusses the biopolitical implications of representing the body as an assemblage of string.

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3

Kolyri, Chloe. "The Body Without Organs in Schizoanalysis." Deleuze and Guattari Studies 14, no. 3 (2020): 481–506. http://dx.doi.org/10.3366/dlgs.2020.0413.

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Félix Guattari spent his entire working life at La Borde psychiatric clinic where a radicalised form of psychoanalysis, ‘schizoanalysis’, was applied, based on the theory that emerged in Anti-Oedipus and was elaborated in A Thousand Plateaus. In the medium of this non-Oedipalised therapeutic plane lies the ‘body without organs (BwO), a body not fully organised but open to every form of expression and metamorphosis. The ideas and practice involved in schizoanalysis, which have now been in effect for fifty years in every social and cultural field, have produced a new hybrid of Lacanian analysis and schizoanalysis, with the recent queering psychoanalysis expanding further the revolutionary character of the latter. The general logic and the determinate ideas of A Thousand Plateaus were applied as a reciprocal presupposition between content and form: free expression, interconnectedness, becoming-woman and -imperceptible, a deterritorialisation of models, roles and relations.

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4

Thorsteinsson, Vidar. "The Common as Body Without Organs." Deleuze Studies 4, supplement (2010): 46–63. http://dx.doi.org/10.3366/dls.2010.0205.

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The paper explores the relation of Michael Hardt and Antonio Negri's work to that of Deleuze and Guattari. The main focus is on Hardt and Negri's concept of ‘the common’ as developed in their most recent book Commonwealth. It is argued that the common can complement what Nicholas Thoburn terms the ‘minor’ characteristics of Deleuze's political thinking while also surpassing certain limitations posed by Hardt and Negri's own previous emphasis on ‘autonomy-in-production’. With reference to Marx's notion of real subsumption and early workerism's social-factory thesis, the discussion circles around showing how a distinction between capital and the common can provide a basis for what Alberto Toscano calls ‘antagonistic separation’ from capital in a more effective way than can the classical capital–labour distinction. To this end, it is demonstrated how the common might benefit from being understood in light of Deleuze and Guattari's conceptual apparatus, with reference primarily to the ‘body without organs’ of Anti-Oedipus. It is argued that the common as body without organs, now understood as constituting its own ‘social production’ separate from the BwO of capital, can provide a new basis for antagonistic separation from capital. Of fundamental importance is how the common potentially invents a novel regime of qualitative valorisation, distinct from capital's limitation to quantity and scarcity.

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5

Belonogov, Ivan N. "5 Etudes on Body Without Organs." Galactica Media: Journal of Media Studies 2, no. 1 (2020): 71–103. http://dx.doi.org/10.46539/gmd.v2i1.96.

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The concept of “Body without Organs (BwO)” proposed by Gilles Deleuze (and Félix Guattari) is quite often overlooked both in the “post-Deleuzian” literature and in various systems/media theories. This paper aims to show the changes that might occur when introducing this concept in different discourses. Specifically, in terms of the systems theory, BwO resolves the paradox of “a certain system in the state of uncertainty” as well as opens the way to the neorationality; in the philosophy of life, it makes the zone of indistinguishability between life and death clearly visible; against the background of the identity politics, it becomes the guiding idea of liberation; while in the context of the media theory, it unfolds the mode of existence of the worlds of fantasy. The outcomes of this study may be useful not only for philosophers addressing the issues of systems, organizations, technics, media etc., or for political activists, but also for anyone interested in the philosophical heritage of Gilles Deleuze as well as in the development of his philosophical ideas.

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6

Demers, Jason. "Re-Membering the Body without Organs." Angelaki 11, no. 2 (2006): 153–68. http://dx.doi.org/10.1080/09697250601029333.

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7

Markula, Pirkko. "Deleuze and the Body Without Organs." Journal of Sport and Social Issues 30, no. 1 (2006): 29–44. http://dx.doi.org/10.1177/0193723505282469.

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8

Kim, Gwangyeon. "Body without Organs and Extension of Organic Body - Focusing on the body without organs in the Wizard of Oz -." Institute of Humanities at Soonchunhyang University 41, no. 2 (2022): 63–89. http://dx.doi.org/10.35222/ihsu.2022.41.2.63.

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The scarecrow from the fairy tale [The Wizard of Oz] wanted a part of the human body. The scarecrow wanted to have a brain that could think like a human. The scarecrow himself believed that if he had the ability to think, he would be able to have the values of seeing the world. In the transhuman age, scarecrow will able to fulfill their wishes. If the scarecrow is implanted with a machine-made brain, he will be able to think like a human enough. In the age of transhuman, the human body is understood as functionalism, and various prostheses and machines that will replace the function have begun to take the place of the human body. This article discusses the ethical issues that arise as extended organs in the body disappear and replace them with machines and prostheses that emphasized the functional aspect. This article approaches with awareness of the problem that the organs in the body are gradually being replaced by functionalism. Above all This article criticizes the organs's functional reductionism through the films The Wizard of Oz and Ghost in the Shell.

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9

김은주. "Visual technology and body image as “organs without body”." Korean Feminist Philosophy 25, no. ll (2016): 137–63. http://dx.doi.org/10.17316/kfp.25..201605.137.

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10

Delpech-Ramey, J., P. A. Harris, and W. Behun. "The Body of Light and the Body without Organs." SubStance 39, no. 1 (2010): 125–40. http://dx.doi.org/10.1353/sub.0.0069.

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