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Books on the topic 'Body worlds Exhibition'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Hagens, Gunther von. Prof. Gunther von Hagens' Body worlds: The anatomical exhibition of real human bodies : catalogue on the exhibition. Institut für Plastination, 2002.

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Hagens, Gunther von. Gunther von Hagens' Body worlds: The anatomical exhibition of real human bodies. Institute fur Plastination, 2006.

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3

Angelina, Whalley, ed. Gunther von Hagens' Body worlds: The anatomical exhibition of real human bodies. Institute für Plastination, 2006.

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4

Angelina, Whalley, ed. Gunther von Hagens' Body worlds: The original exhibition of real human bodies. Arts & Sciences, 2009.

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5

Blum, Dieter. Cathedrals of the body. Palace Editions, 2004.

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6

Rotelli, Euro. Euro Rotelli: The body, the soul. Punto Marte, 2012.

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7

Angelina, Whalley, ed. Pushing the limits: Encounters with Body Worlds creator Gunther von Hagens. Arts & Sciences, 2005.

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8

Amundsen, Fiona. Fiona Amundsen: The imperial body. Split/Fountain Publishing, 2015.

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9

1964-, Jespersen T. Christine, Rodriguez Alicita 1972-, and Starr Joseph 1969-, eds. The anatomy of "Body Worlds": Critical essays on the plastinated cadavers of Gunther von Hagens. McFarland & Co., Publishers, 2008.

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10

Squiers, Carol. The body at risk: Photography of disorder, illness, and healing. International Center of Photography, 2005.

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11

1954-, Zaya Octavio, and Fundación Telefónica (Madrid Spain), eds. Escrito en el cuerpo: Written on the body. FundacioÌn TelefoÌnica, 2013.

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12

Australia, National Gallery of, ed. Sean Scully: Body of light. National Gallery of Australia, 2004.

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13

Kreivytė, Laima. M/A\G/M\A: Body and words in Italian and Lithuanian women's art from 1965 to present. Quodlibet, 2018.

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14

Bochum, Museum, Museum für Kunst und Kulturgeschichte (Goch, Germany), Ein Harod museum of art (Israel), and Musée d'art moderne Saint-Etienne, eds. Micha Laury: My shadow expands trough the mind body space of the order : 1967-2013. Le Gac Press, 2013.

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15

Scully, Sean. Sean Scully: Body of light. National Gallery of Australia, 2004.

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16

A, Ewing William, and Musée de l'Elysée (Lausanne, Switzerland), eds. The century of the body: 100 photoworks, 1900-2000. Thames & Hudson, 2000.

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17

Parkitny, Jens Uwe. Im porträt: Gesichtstatauierungen der Chin-Frauen in Birma. Staatliches Museum für Völkerkunde München, 2010.

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18

Silvester, Hans Walter, and Hans Silvester. Hans Silvester: Expressions d'Afrique, peintres du corps en Éthiopie. Hôtel des arts, 2008.

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19

Silvester, Hans Walter. Hans Silvester: Expressions d'Afrique, peintres du corps en Éthiopie. Hôtel des arts, 2008.

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20

Spain) Museo Würth La Rioja (Agoncillo. José de Guimarães: Mundos, cuerpo y alma : Museo Würth La Rioja : obras de la Colleccion Würth y de la Coleccion Jose de Guimaraes = Worlds, body and soul : works of the Würth Collection and the José de Guimarães Collection. Museo Würth La Rioja, 2008.

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21

(Jerusalem), Muzeʼon Yiśraʼel, ред. Hutsʼu mi-heḳsheram: Omanut evre ha-guf = Out of body : fragmentation in art. Muzeʼon Yiśraʼel, 2013.

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22

Tunick, Spencer. European installations. Spencer Tunick / Naked Pavement, 2013.

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23

Pigozzi, Marinella. Il corpo in scena: I trattati di anatomia della Biblioteca comunale Passerini-Landi. Tip.Le.Co., 2005.

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24

Tunick, Spencer. Citadinos: Spencer Tunick ; [coord., Isadora Oseguera-Pizaña]. Universidad Nacional Autónoma de México, 2009.

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25

Warszawie, Muzeum Niepodległości w., and Muzeum Harcerstwa, eds. Dziś, jutro, pojutrze--harcerki i harcerze w służbie polskiego państwa podziemnego: Wystawa w 70-lecie Szarych Szeregów, Muzeum Niepodległości w Warszawie, al. Solidarności 62, 24 lipca-15 października 2009. Muzeum Harcerstwa, 2009.

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26

Hagens, Gunther von, Whalley, Angelina. BODY WORLDS: The Original Exhibition of Real Human Bodies. Arts & Sciences, 2018.

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27

Munro, Gordon. Iron: Mapping Material Practice. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450276.

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The output consists of a body of 19 sculptural works made of iron, produced by Gordon Munro in collaboration with Ewan Robertson. The works were presented in two solo exhibitions – Iron: Origins and Destinations at Edinburgh Sculpture Workshop, 2017, and Iron: Artefacts and Actions at Park Gallery, Callendar House, Falkirk, 2018. The research explores the historical, geological, social, cultural and aesthetic registers of iron and brings these findings to the contemporary practice of sculpture. By examining iron’s multiple facets and roles within and beyond art, Munro and Robertson map the div

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28

Telotte, J. P. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190695262.003.0001.

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This chapter surveys the body of science fiction cartoons that appeared in approximate parallel to a burgeoning SF literature during the first years of film and continuing to World War II. It situates this material within the production and exhibition practices of the film industry and links it to modernist aesthetics, emphasizing modernism’s primary concerns with revisioning both the world and the self. It then describes the key memes typically found in these films—space vehicles and space travel, robots and mechanical figures, aliens and alien worlds, and inventions and inventors—while also

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29

Kelly, Jessamy. Imitate. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450184.

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Imitate is a body of twelve glass works that was exhibited at the exhibition Like a Rolling Stone which opened at the Museum Reich der Kristalle, as part of the Schmuck International Jewellery Fair, Munich (2017). The exhibition toured to Edinburgh, Scotland (2018) and Padua, Italy (2020). Imitate interrogates the capacity of glass to act as a medium of imitation. It experiments with the way glass can imitate materials and media including ceramic, paper, metal, wood, stone, plastic and semi-precious stones. Kelly situates this research in a lineage dating back to the 12th century, when Venetia

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30

Bodo Korsig: Limits. Kerber Verlag, 2012.

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31

Squiers, Carol. The Body at Risk: Photography of Disorder, Illness, and Healing. University of California Press, 2006.

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32

Kiddey, Rachael. Homeless Heritage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198746867.001.0001.

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Homeless Heritage describes the process of using archaeological methodologies to collaboratively document how contemporary homeless people use and experience the city. Drawing on fieldwork undertaken in Bristol and York, the book first describes the way in which archaeological methods and theory have come to be usefully applied to the contemporary world, before exploring the historical development of the concept of homelessness. Working with homeless people, the author undertook surveys and two excavations of contemporary homeless sites, and the team co-curated two public heritage exhibitions

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33

Painted people: September 12 - October 11, 2008. Marlborough Chelsea, 2008.

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34

Vale, Frankie, Elizabeth Lydiate, Alexandra Perry, et al. Empowered Journeys: A Co-Curated Exploration of Breast Cancer Surgery. University of Edinburgh, 2025. https://doi.org/10.2218/ed.9781836451280.

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This is the booklet that accompanies the Empowered Journeys exhibition, a co-curated display of artworks and text created by Alexandra Perry, Elizabeth Lydiate, Frankie Vale, Katherine Baker, Mary Geraghty, Penny Wright, and Sarah Browne, people with lived expertise of breast cancer surgery. The booklet also contains a foreword by research fellow Jimmy Turner. The exhibition, and therefore the materials contained within this booklet, are the culmination of a year-long curatorial research project as part of a wider doctoral project being undertaken by Frankie Vale at the University of Glasgow.

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35

Blazer, Christophe, Nassim Daghighian, Daniel Girardin, and Nathalie Herschdorfer. The Century of the Body: 100 Photoworks 1900-2000. Thames & Hudson, 2000.

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36

Dino Pedriali: Nudi e ritratti : fotografie dal 1974 al 2003. Skira, 2004.

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37

Yun Wang. Contemporary Chinese Graphic Design Practice. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350342316.

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Drawing from a rich body of archival documents, case studies and interviews, this book explores the ways in which graphic designers in China sought to establish graphic design as a profession and discipline from the 1980s to the present day. Yun Wang traces the impact of cultural, economic and social conditions on China’s developing design industry in a period of rapid transformation, focusing on Beijing, Guangzhou and Shenzhen as industry centres. From the influence of the newly implemented reform and opening up policy in 1978, to membership of the World Trade Organization in 2001, and intern

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38

Hylton, Richard. Donald Rodney. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350228504.

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Donald Rodney (1961-1998) was one of the most gifted, perceptive, and innovative contemporary British artists of his time.A protagonist from the first generation of Black British-born art students in the early 1980s, Rodney and his peers brought a new dynamic to British art – a hitherto unseen interplay between aesthetics, politics, humour and Black consciousness.Donald Rodney: Art, Race and the Body Politicis the first book-length study of a protean practice which spanned the early 1980s to the late 1990s and included a prodigious output of work across painting, photography, collage, assembla

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39

Home and the world: Architectural sculpture by two contemporary African artists : Aboudramane and Bodys Isek Kingelez. Museum for African Art, 1993.

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40

Jens Uwe Parkitny: Marked for Life. Kerber Verlag, 2017.

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41

Kohei Yoshiyuki: The Park. Radius Books, 2019.

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42

(Contributor), Nobuyoshi Araki, Yossi Milo (Introduction), and Kohei Yoshiyuki (Photographer), eds. Kohei Yoshiyuki: The Park. Hatje Cantz/Yossi Milo, 2007.

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43

Olalquiaga, Celeste, and N. Y.) Museum for African Art (New York. Home and the World: Architectural Sculpture by Two Contemporary African Artists : Aboudramane and Bodys Isek Kingelez (Focus on African Art). Museum for African Art, 1993.

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