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Books on the topic 'Body Worlds'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

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1

Whalley, Angelina. Pushing the limits: Encounters with body worlds creator Gunther von Hagens. Heidelberg: Arts and Sciences, 2005.

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2

Hagens, Gunther von. Prof. Gunther von Hagens' Body worlds: The anatomical exhibition of real human bodies : catalogue on the exhibition. Heidelberg: Institut für Plastination, 2002.

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3

Hagens, Gunther von. Gunther von Hagens' Body worlds: The anatomical exhibition of real human bodies. Heidelberg, Germany: Institute fur Plastination, 2006.

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4

Angelina, Whalley, ed. Gunther von Hagens' Body worlds: The anatomical exhibition of real human bodies. Heidelberg, Germany: Institute für Plastination, 2006.

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5

Angelina, Whalley, ed. Gunther von Hagens' Body worlds: The original exhibition of real human bodies. Heidelberg, Germany: Arts & Sciences, 2009.

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6

1964-, Jespersen T. Christine, Rodriguez Alicita 1972-, and Starr Joseph 1969-, eds. The anatomy of "Body Worlds": Critical essays on the plastinated cadavers of Gunther von Hagens. Jefferson, N.C: McFarland & Co., Publishers, 2008.

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7

The Celtic shaman's pack: Exploring the inner worlds. Shaftesbury, Dorset: Element, 1995.

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8

1948-, Matthews John, and Matthews Caitlin 1952-, eds. Walkers between the worlds: The Western mysteries from Shaman to Magus. Rochester, Vt: Inner Traditions International, 2003.

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9

J, Carman Neil, ed. Cosmic cradle: Souls waiting in the wings for birth : the soul's passage from heavenly worlds to our mother's womb as told by gifted individuals, philosophers, saints and historians. Fairfield, Iowa: Sunstar, 1999.

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10

Samuel, Todes, ed. Body and world. Cambridge, Mass: MIT Press, 2001.

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11

Delafosse, Claude. Human body: Hidden world. New York: Scholastic, 2000.

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12

Body, community, language, world. Chicago, Ill: Open Court, 1998.

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13

Body of the world. Keene, NY: Ausable Press, 2005.

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14

Gröning, Karl. Body decoration: A world survey of body art. New York: Vendome Press, 1998.

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15

Gröning, Karl. Decorated skin: A world survey of body art. London: Thames and Hudson, 2002.

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16

Sommers, Joan. The Joseph Cornell box: Found objects, magical worlds : from the collection of the Art Institute of Chicago. Kennebunkport, Me: Cider Mill Press, 2006.

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17

1973-, Drake Ascha, and Cornell Joseph, eds. The Joseph Cornell box: Found objects, magical worlds : from the collection of the Art Institute of Chicago. Kennebunkport, Me: Cider Mill Press, 2006.

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18

Dean, Lahn, ed. Body piercing. New York: St. Martin's Griffin, 1998.

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19

In the body of the world. New York: Metropolitan Books, 2013.

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20

Connelly, Karen. The small words in my body. Toronto: Kaleyard Books, 1995.

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21

The small words in my body. Vernon, B.C: Kalamalka Press, 1990.

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22

Liebmann-Smith, Joan. Body Signs. New York: Random House Publishing Group, 2007.

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23

Liebmann-Smith, Joan. Body Signs. London: Penguin Group UK, 2010.

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24

Body rain. London, Ont: Brick Books, 1991.

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25

Hamilton, Jena. Body rain. London, Ont: Brick Books, 1991.

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26

Publishing, DK. Secret Worlds: Body. DK CHILDREN, 2001.

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27

Parsons, Jayne. Secret Worlds: Body. DK CHILDREN, 2001.

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28

Hidden Worlds-Human Body. Hamlyn young books, 1994.

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29

Hidden Worlds - Human Body U.S. Egmont Books Ltd, 1994.

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30

Hidden Worlds - Human Body U.S. Hamlyn young books, 1994.

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31

Hidden Worlds - the Human Body. Hamlyn young books, 1993.

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32

The Human Body (Discover Hidden Worlds). Golden books, 1994.

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33

Secret World of Body: Bones, Muscles, Blood and Other Body Bits (DK Secret Worlds). Tandem Library, 2002.

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34

Kalman, Bobbie. A Dolphin's Body (Kalman, Bobbie, Dolphin Worlds.). Crabtree Publishing Company, 2002.

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35

Kalman, Bobbie. A Dolphin's Body (Kalman, Bobbie, Dolphin Worlds.). Crabtree Publishing Company, 2002.

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36

Body Language in the Greek And Roman Worlds. Classical Press of Wales, 2006.

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37

Emergent strategy: Shaping change, changing worlds. AK Press, 2017.

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38

Body-Worlds: Opicinus de Canistris and the Medieval Cartographic Imagination. Pontifical Institute of Mediaeval Studies, Department of Publications, 2014.

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39

Whittington, Karl. Body-Worlds: Opicinus de Canistris and the Medieval Cartographic Imagination. PIMS, 2016.

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40

Rainbow Over The River: Experiences Of Life, Death, And Other Worlds. Clairview Books, 2004.

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41

Angelina, Whalley, ed. Pushing the limits: Encounters with Body Worlds creator Gunther von Hagens. Heidelberg, Germany: Arts & Sciences, 2005.

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42

Infinite Grace: Where the Worlds of Science and Spiritual Healing Meet. Hampton Roads Publishing Company, 1999.

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43

Steves, B. A., A. J. Maciejewski, and M. Hendry, eds. Chaotic Worlds: From Order to Disorder in Gravitational N-Body Dynamical Systems. Springer Netherlands, 2006. http://dx.doi.org/10.1007/978-1-4020-4706-0.

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44

Magerstädt, S. Body, Soul and Cyberspace in Contemporary Science Fiction Cinema: Virtual Worlds and Ethical Problems. Palgrave Pivot, 2014.

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45

Body, Soul and Cyberspace in Contemporary Science Fiction Cinema: Virtual Worlds and Ethical Problems. Palgrave Pivot, 2014.

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46

Rogers, Holly. “Betwixt and Between” Worlds. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0001.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. Video art can be highly intermedial. Image and sound are recorded and projected simultaneously, so the user can create live, audiovisual work. This chapter argues that the audience engagement encouraged by video art has changed significantly since it became commercially available. Early video works involved interactivity, intermediality, and the closed-circuit feed. They were often part of multimedia events rather than appearing on their own; therefore the early years of video work can be placed within a temporal, historical liminality. More recent pieces form a coherent body of work. Often shown on flat screens in darkened rooms, they offer predetermined audiovisual narratives that immerse visitors, placing them within a spatial liminality between the video world and the gallery space. Although context is vital to both styles, the activation of space and the audiovisual relationships within it are articulated and activated very differently.

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47

López-Bertran, Mireia, and Jaime Vives-Ferrándiz. Tiny Bodies for Intimate Worlds. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190614812.003.0007.

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This chapter seeks to understand the material and corporeal significance of human figurines through a comparative examination of two ritual contexts from Iron Age Iberia: the cave sanctuaries of Cástulo (Linares, Jaén) and the urban sanctuary of La Serreta (Alcoi, Alicante). The authors specifically focus on the materiality of the figurines—production technologies, patterns of use, and deposition—to address issues of social significance, body construction, and personhood among the communities that produced, handled, and deposited them. They analyze the web of material and social relations between humans, miniatures of humans, and the materials the miniatures were crafted of—bronze and clay. In the final section, the authors consider the corporeal implications of processes of miniaturization of human bodies and the qualities of the bodies that were sought after by the Iberian communities.

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48

Matthews, John, and Caitlín Matthews. Walkers Between the Worlds: The Western Mysteries from Shaman to Magus. Inner Traditions, 2004.

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49

Head, Joseph, and S. L. Cranston. Reincarnation: The Phoenix Fire Mystery : An East-West Dialogue on Death and Rebirth from the Worlds of Religion, Science, Psychology, Philosophy. Theosophical University PR, 1994.

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50

Matthews, John. The Celtic Shaman's Pack: Exploring the Inner Worlds/Book and Cards. Element Books Ltd, 1996.

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