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Journal articles on the topic 'Bogatyrs'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Pesina, Evgeniya. "Russian Bogatyrs: Mission Impossible. Social Function of Giftedness." Social Phenomena 10, no. 2 (2020): 34–40. http://dx.doi.org/10.47929/2305-7327_2020.02_34-40.

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The article examines the role of gifted people and their place in the Russian society. The prospects of individual-centered approach to conceptualizing giftedness are analyzed. As giftedness has social nature, so the hypothesis is advanced that to define this concept one should start by identifying the function that gifted people are called to perform in society. It is noted that this function is not reflected clearly in contemporary social consciousness; therefore its traces should be sought at deeper levels of collective consciousness, viz. in the ancient epic literature. This task is perfor

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2

Mironov, Arsenii. "“Insignificant” characters: on the one peculiarity of Russian epic concept of heroism." Филология: научные исследования, no. 1 (January 2020): 72–82. http://dx.doi.org/10.7256/2454-0749.2020.1.32176.

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&nbsp; The subject of this research is the concept of heroism (bogatyrs) as an element of Russian epic mentality. The focus of attention is the peculiarities of epic understanding of bogatyr power that excludes the interpretation by an epic bard of &ldquo;his&rdquo; character as a giant. Meanwhile, the popular in science representation of particular characters of the Russian Epos (Svyatogor, Mikula Selyaninovich, Ilya Muromets) as giants is caused by their idealization, convergence of an epic with a tale or myth, as well as readiness to proliferate upon epics such laws of poetics t

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3

Chernousova, Irina P. "The “Occupation/Employment” Concept in the Epic Tale Picture of the World." World of the Russian Word, no. 4 (2023): 49–56. http://dx.doi.org/10.21638/spbu30.2023.406.

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The article explores the concept “occupation/employment” embracing occupations that existed in Ancient Rus’ and which are presented in the epic picture of the world in a re-coded form. The epic tale is characterized by social stratification (the prince, the boyars, bogatyrs, merchants, priests, plowmen, moneylenders, servants) and a wide variety of military and economic positions, as well as an abundance of servants. The main characters of the epics are bogatyrs who serve the prince and are part of the epic druzhina (the prince’s military retinue). Among the numerous occupations and positions,

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4

Кузьмина, А. А. "Motivation of the bogatyr's departure from home in the olonkho of Vilyui epic tradition." Эпосоведение, no. 1(29) (March 30, 2023): 84–94. http://dx.doi.org/10.25587/svfu.2023.84.38.008.

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Актуальность данной темы обусловлена необходимостью системного исследования внутренней структуры якутского героического эпоса, в частности типического места, связанного с мотивировкой выезда богатыря из дома и занимающего важное место в сюжете. Новизна исследования состоит в том, что впервые изучаются особенности и виды типического места «Мотивировка выезда богатыря из дома» в олонхо Вилюйского региона. Цель работы – выявление и изучение видов мотивировки выезда богатыря из дома в героическом эпосе вилюйчан. Для достижения цели были поставлены следующие задачи: выявление видов мотивировки выез

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5

Bukhurov, Mukhamed Fuadovich. "ADYGHE LATE FAIRY TALES ABOUT EPIC BOGATYRS." BULLETIN of the Kabardian-Balkarian Institute for the Humanities Research 4, no. 2 (2020): 116–24. http://dx.doi.org/10.31007/2306-5826-2020-4-2-47-116-124.

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6

Elena V., Naumova. "The Image of Bogatyrs in Yakut and Russian Folklore Texts." Journal of Siberian Federal University. Humanities & Social Sciences 11, no. 7 (2018): 1113–26. http://dx.doi.org/10.17516/1997-1370-0295.

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7

Tingting, Zhao, and Xi Dongxiao. "Narrative strategy and inspiration of the Russian animated film series “The Three Bogatyrs”." OOO "Zhurnal "Voprosy Istorii" 2023, no. 3-1 (2023): 146–53. http://dx.doi.org/10.31166/voprosyistorii202303statyi29.

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The localization of the narrative is an important factor in the success of The Three Bogatyrs, which is a phenomenal film in the history of Russian animation films in the new era. The folk narrative, historical narrative and carnival narrative are interwoven and blended to balance the storytelling, ideology and entertainment of the series. The use of traditional cultural symbols greatly broadens the potential audience resources of the animated film series.

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8

Lobač, Vladimir. "Bogatyrs, giants and virgin warriors in the toponymic traditions of the Eastern Slavs." Balto-Slavic Studies, no. XX (2019): 350–83. http://dx.doi.org/10.31168/2658-5766.2019.20.13.

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9

OROSINA, Nadezhda. "Images of the hero's celestial patrons in the Yakut olonkhos about the bogatyrs Nyurguns." Epic studies 4, no. 36 (2024): 95–104. https://doi.org/10.25587/2782-4861-2024-4-95-104.

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The relevance of the topic is due to the need for a systematic study of the character series of the Yakut epic olonkho, including previously unstudied mythological images. The article for the first time examines the images of the hero's heavenly patrons in five olonkho texts about the Nyurgun heroes, representing various epic traditions of Central Yakutia. The purpose of the article is to study the images of the hero's heavenly patrons in the context of the figurative system of the olonkho about the Nyurguns, to clarify their role and functions in the plot structure. To achieve the goal, the f

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10

Arbachakova, Lyubov N. "Mount Surgu and the Milk Lake in the Shor epic." Sibirskiy filologicheskiy zhurnal, no. 1 (2024): 23–34. http://dx.doi.org/10.17223/18137083/86/2.

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This work examines the beliefs of the Shor people about the mythical Mount Surgu/Sumer/ Sugur with the süttüg-kӧl (a milk lake) at the foot. This mythical mountain is well known in the Sayano-Altaic epic. The analysis focuses on the examples of twenty Shor heroic tales recorded by N. P. Dyrenkova, A. I. Chudoyakov, D. A. Funk, L. N. Arbachakova, and others. Mount Surgu and the milk lake cannot be regarded as ancestral places for the Shor people, as an ancestral mountain is a mountain near the residence of the people. The epic life of an alyp (giant or bogatyr) does not feature rituals at the f

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11

Leskinen, M. V. "Among Bogatyrs and Maidens: Visual Images of the Mother Russia in Mikhail O. Mikeshin’s Work." Art & Culture Studies, no. 2 (June 2023): 268–303. http://dx.doi.org/10.51678/2226-0072-2023-2-268-303.

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The article considers a number of visual personifications of Russia in works by Mikhail O. Mikeshin (1835–1896). Their detailed interpretation in the context of the study of feminine national allegories in historiography has not been undertaken before. The author has offered an explanation of two key anthropomorphic allegories (the Maiden Russia and the Bogatyr / Vityaz) in a little-known painting by Mikeshin, The Coronation of Alexander III (1883). The article reconstructs the evolution of the image of the Maiden Russia in Mikeshin’s sculpture and graphics of the 1860s-1890s, which influenced

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12

Дрёмова, Полина Сергеевна. "«Богатыри» В. М. Васнецова: взгляд с позиции археологии". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 466–74. https://doi.org/10.18688/aa2414-6-36.

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The article is devoted to the influence of archaeological science on the process of creating ‘Bogatyrs’ (1898, State Tretyakov gallery), a famous painting by Viktor M. Vasnetsov. The author conducted a comparative analysis of the weapons and decorations depicted in the painting with real archaeological material. This analysis showed that the artist, while working on the canvas, used specific samples of archaeological antiquities in his painting Those objects belong to the Viking Age (9th − the first half of the 11th century) and Old Rus period (11th −14th centuries). It can be assumed that his

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13

Ustyantsev, Herman Yu. "Bogatyrs and Rulers: Folklore Characters in the Ethnic Identity and Religious Practices of the Vyatka Mari." RUDN Journal of Russian History 22, no. 4 (2023): 532–45. http://dx.doi.org/10.22363/2312-8674-2023-22-4-532-545.

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The author examines the mythological aspect of the entoregional identity of the modern Mari population in the Kirov oblast’ (the Vyatka, the Urzhum-Vyatka Mari) living in the Malmyzhsky and Urzhumsky districts. The author identifies the role of heroic images in modern ethno-cultural activism and the representation of the Vyatka Mari as the main problem of the study. Due to the multidimensional aspect of the problem, the article includes thematic sub-items: Features of the ethnic and religious identity of the Vyatka Mari - Images of folklore rulers in the perception of local residents - Legenda

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14

Чертыкова, М. Д., and А. Д. Каксин. "VERB REPRESENTATION OF THE SPEECH OF THE BOGATYRS: ON THE MATERIAL OF THE KHAKASS HEROIC LEGEND “ALBYNCHY”." Эпосоведение, no. 2(26) (June 30, 2022): 5–16. http://dx.doi.org/10.25587/e5144-5227-9796-w.

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Цель статьи – описание и выявление функционально-семантических особенностей глаголов со значением речевой деятельности в языке фольклора. Материалом для анализа послужили глаголы, репрезентирующие речевой процесс (по сути, речь богатырей / богатырш), собранные методом сплошной выборки из текстового корпуса хакасского героического сказания «Албынчы» [1]. По нашим сведениям, в данном фольклорном памятнике содержится 18 простых и 10 аналитических форм глаголов со значением речевой деятельности в более чем 500 контекстных употреблениях. В работе использованы описательный (дескриптивно-аналитически

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15

Корякина, А. Ф. "Features of modern storytelling: author's works in the olonkho style." Эпосоведение, no. 1(25) (October 25, 2022): 95–103. http://dx.doi.org/10.25587/f6163-8450-6401-l.

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Якутское олонхо уникально сохранением в нем древнего остова эпической сюжетики, сюжетных мотивов, образной системы, образно-художественного языка. Статья посвящается изучению текстов современных авторских произведений в стиле олонхо с целью выявления сохранения в них устойчивых аутентичных эпических традиций, так как в олонхо, в традиционном его понимании, недопустимы искажения и неправильные интерпретации компонентов эпической культуры, созданной сказителями за многие века. Следование традиционным канонам своего национального эпоса является средством сохранения самобытной культуры народа, и п

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16

Popov, Mikhail A., and Maria S. Lyakhovich. "BOGATYRS AND SPIRITS OF THE RUBEZH ENCLAVE: SOME RESULTS OF THE FIELD TRIP TO THE CHULYM REGION IN 2019." Folklore: structure, typology, semiotics 2, no. 3 (2019): 162–91. http://dx.doi.org/10.28995/2658-5294-2019-3-162-191.

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17

Korolyova, Svetlana Yu. "Boulder Stones in Legends about the First Inhabitants of the Region: Dynamics of Ethnocultural Tradition in Northern Prikamye." Izvestia of the Ural federal university. Series 2. Humanities and Arts 22, no. 4 (202) (2020): 29–47. http://dx.doi.org/10.15826/izv2.2020.22.4.061.

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This article is devoted to the traditional mechanisms of semioticisation of natural landscape, which are considered with reference to revered boulder stones of Northern Prikamye. The approach chosen by the author is determined by modern trends in the study of the cult of stones, more particularly, the shift from the search for “traces of paganism” to other possible models that influenced the existing mythological ideas and practices. The author closely examines two ethno-local traditions functioning in Komi-Permyak District, Perm Region, i.e. in Yusvinsky and Gainsky Districts. The research ma

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18

Ustyantsev, Herman Yu. "THE MYTHOLOGIZED PAST IN THE LEGENDS OF THE MARI HEROES: HISTORY PERCEPTION IN THE LOCAL CULTURAL MEMORY." Folklore: structure, typology, semiotics 6, no. 3 (2023): 30–48. http://dx.doi.org/10.28995/2658-5294-2023-6-3-30-48.

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The purpose of this article is to consider the perception of the images of the Mari heroes (Lugovomar. “patyr-vlak”) by the contemporaries and the models of interpretation of historical legends and beliefs about them. The category of bogatyrs, often referred in modern culture as the concept of the “Mari national heroes” (Lugovomar. “Mari taleshke-vlak”) includes both legendary warriors (Chotkar, Chumbulat) and princes (Akpars, Mamich-Berdei, Poltysh). Narratives about the Mari heroes represent ideas about idealized past, the “golden age” of history and the struggle against foreign invaders. Th

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19

Borzunov, Victor. "Ancient Burials of the Ob’ Ugrians’ Elite (Bogatyrs and Shamans of the Kulayka Epoch of the Surgut Ob’ and Lower Ob’ region)." Stratum plus. Archaeology and Cultural Anthropology, no. 4 (August 2022): 287–332. http://dx.doi.org/10.55086/sp224287332.

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Archaeologists of Sverdlovsk-Yekaterinburg and Tomsk in the taiga of the Surgut and Lower Ob’ River regions examined six burial objects of the 1st—4th centuries BC of Kulayka cultural and historical community with a large number of imported and local inventory. These include the graves of people located in different territories (a child, adults), the burial of ittarmadolls, which were posthumous dummies of warriors who died in a foreign land, as well as a hoard with metal regalia of the shaman’s vestments. This indicates the beginning of an active social-economic stratification in the society

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20

Глазова, М. М. "“THE FORGOTTEN FORTRESS” AND “THE CAUCASIAN BOGATYRS” BY VAS.I. NEMIROVICH-DANCHENKO: A COMPARATIVE ANALYSIS OF THE EDITIONS OF THE TEXT ON THE CAUCASUS WAR." Вестник Тверского государственного университета. Серия: Филология, no. 1(76) (April 17, 2023): 199–205. http://dx.doi.org/10.26456/vtfilol/2023.1.199.

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В статье проводится исследование двух редакции текста Вас. И. Немировича-Данченко о Кавказской войне: «Забытая крепость» (1895) и «Кавказские богатыри: очерки жизни и войны в Дагестане» (1902). Анализируются причины написания и редактирования текста. Делается вывод о том, в чем состояло для писателя различие между главами романа и очерками. The article conducted a study of two editions of the text of Vas. I. Nemirovich-Danchenko about the Caucasian War: “The forgotten fortress” (1895) and “Caucasian heroes: essays on life and war in Dagestan” (1902). The reasons for writing and editing the tex

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21

Селеева, Ц. Б. "Typological relationships in the structure of the plot “On the first fight of the glorious Jangar with Sanal”." Эпосоведение, no. 2(30) (June 30, 2023): 76–86. http://dx.doi.org/10.25587/svfu.2023.96.54.007.

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Актуальность продиктована тем, что вопросы сюжетной типологии национальных версий эпоса «Джангар» все еще остаются недостаточно изученными. Новизной является изучение сюжетной структуры и типологических схождений сюжетов собственно синьцзян-ойратской версии «Джангара» в контексте калмыцкой версии. Целью и задачами исследования ставятся рассмотрение структуры и содержания эпического сюжета в его повествовательном изложении и выявление типологических сходств составных элементов сюжета синьцзян-ойратской версии «Джангара» сказителя Рампила «О том, как славный Джангар впервые сразился с Саналом».

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22

Божедонова, А. Е. "Bogatyr's horse in the structure of the concept “BOGATYR AS AN IDEAL PERSON”: the case of early olonkho texts." Вестник Северо-Восточного федерального университета имени М.К. Аммосова. Vestnik of North-Eastern Federal University. Серия "Эпосоведение. Epic studies", no. 4(24) (December 30, 2021): 105–11. http://dx.doi.org/10.25587/v3865-3122-0922-h.

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В олонхо в структуре концепта «БОГАТЫРЬ – ИДЕАЛЬНЫЙ ЧЕЛОВЕК» главным компонентом является «БОГАТЫРЬ», так как универсалия идеального человека представлена, прежде всего, через образ богатыря. Однако в якутском традиционном сознании образ богатыря неразрывно связан с его богатырским конём. Цель данного исследования – определение содержания ментальной единицы «КОНЬ» в культуре народа саха как компонента структуры концепта «БОГАТЫРЬ – ИДЕАЛЬНЫЙ ЧЕЛОВЕК», транслирующего особенности национального характера и национальную идентичность якутов. Материалом для исследования послужили ранние тексты олонх

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23

Koryakina, Antonina. "Stability, Variability and Transformation of Epic Traditions in the Olonkho of the Vilyui Region of the Mid-19th–20th Century." Проблемы исторической поэтики 20, no. 3 (2022): 29–49. http://dx.doi.org/10.15393/j9.art.2022.10542.

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The article deals with the issues of continuity, stability, variability, and transformation of archaic epic traditions in the early text (mid-19th century) and subsequent records (mid-20th century) in the olonkho of the Vilyui region. Attention is drawn to the features of compositional plot structures and plot motifs, and their functional and analytical characteristics are proposed. In connection with the replenishment of the olonkho fund with new publications on Yakut folklore studies, the problem of confirming, updating, and developing previously obtained results to identify common and local

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24

Unru, S. A. "Military culture in the heroic legends of the peoples of Siberia and the Far East." Languages and Folklore of Indigenous Peoples of Siberia, no. 42 (2021): 111–18. http://dx.doi.org/10.25205/2312-6337-2021-2-111-118.

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The paper studies the military culture of indigenous peoples in heroic epos of the Tungus-Manchurian, Ob-Ugric, and Paleo-Asiatic peoples. The Evenk folklore reflects the period of wars with Changites and Deptygirs. The descriptions of the bogatyrs’ battles with enemies show a special formula condemning the confrontation. High-status characters warn the warriors of their responsibility to the spirits for the destruction. In Chukchi and Koryak folklore, some peoples unite to fight against others for land and deer herds. The heroes protect the community and family honor by following the custom o

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25

Mukhamed F., Bukhurov. "To the typology of the Kuytsuk (Little Bald Man) image in the Adyg epic." Kavkazologiya 2024, no. 4 (2024): 352–65. https://doi.org/10.31143/2542-212x-2024-4-352-365.

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The article examines the image of Kuytsuk in the narrative (novelistic, magical, heroic tales, nart tales, historical and heroic epic) genres of Adyg folklore. Special attention is paid to identifying the signs that determine his social origin, personal qualities, and actions. Based on this, it is noted that this hero does not always have the same characteristic. When determining the typology of this character, the established scientific principle is used – by what means the hero achieves the goal. There are two types of image – Kuytsuk, who achieves a fabulous goal due to his physical strengt

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26

Zaworska-Nikoniuk, Dorota. "Media representations of poverty and wealth in the entertainment show <i>Biedny dom – bogaty dom</i> [Poor house – rich house] aired on Polsat Cafe – in the perspective of pedagogical research." Family Upbringing 27, no. 2 (2022): 377–94. http://dx.doi.org/10.61905/wwr/170357.

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<b>Cel.</b> Celem podjętych przeze mnie badań jest poznanie dominujących przekazów odnoszących się do ubóstwa i bogactwa w programie rozrywkowym pt. <i>Biedny dom – bogaty dom</i>, emitowanym w telewizji Polsat Cafe. Podstawę analityczną stanowią podstawowe kategorie pedagogiczne, wyznaczające ramy moich badań, tj.: dom rodzinny, rodzina, dziecko, edukacja, wykształcenie, praca zawodowa. <b>Metoda.</b> Metodę zbierania danych stanowiło przeszukiwanie źródeł wtórnych, zaś analizy – metoda analizy dyskursu. Próbę badawczą stanowiło pięć sezonów, składających s

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27

Berezkina, Elena Petrovna, and Mariya Nikolaevna Zhornikova. "Autobiographical motifs of Andrey Rumyantsev’s lyrics (based on the compilation of poems “The Empress Life”)." Филология: научные исследования, no. 1 (January 2020): 21–30. http://dx.doi.org/10.7256/2454-0749.2020.1.29017.

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This article is dedicated to the autobiographical discourse in the compilation of poems &ldquo;The Empress Life&rdquo; by the national poet of Buryatia Andrey Rumyantsev. &nbsp;The subject of research is the key images and motifs of Rumyantsev&rsquo;s autobiographicallyrics, while the object is the poet&rsquo;s lyrical biography. The author analyzes Andrey Rumyantsev&rsquo;s poetry for the purpose of determination of the means of expression of autobiographical images and motifs in the texts created in form of poetic reminiscences. Most careful attention is given to the

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28

Mironov, Arsenii. "Change the character’s value focus as the concept of theme of an epic poem." Litera, no. 1 (January 2020): 75–93. http://dx.doi.org/10.25136/2409-8698.2020.1.32154.

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The subject of this research is the axiological worldview of the Russian epos, while the subject is value focus of the epic character (namely the Three Bogatyrs in the Kievan-Rus' epic poem cycle). Main attention is given to changeability of inner world of the epic poem (bylina) characters, substantiated by the bard&rsquo;s representation on the presence of causal relationship of the hero&rsquo;s specific motives with his actions and consequences of these actions. The author interprets the particular themes that comprise the variants of epic poems, as a sensible artistic solution of a

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29

Surlai, ABYSOVA. "The technique of repetition in Altai heroic tales." Epic studies 1, no. 33 (2024): 57–69. http://dx.doi.org/10.25587/2782-4861-2024-1-57-69.

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Altai heroic tales are unique monuments of the people’s epic heritage. They act as a cultural code that preserved the originality of the ethnic worldview, traditions of the people, as well as the peculiarities of their poetic language. At the same time, the Altai epic has much in common and peculiar in comparison with the epics of other Turkic-speaking peoples. The study of the epic style originality is special interest for folkloristics. The relevance of this study is determined by the insufficient study of style features of the Altai people’s heroic tales. The scholarly novelty of the work c

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30

Rodionov, Vitaliy G. "IMAGES OF THE FIRST PRIMAL FOREFATHERS OF THE HUNNO-BULGARS AND THEIR ETHNOGENETIC TRADITIONS." Vestnik Chuvashskogo universiteta, no. 3 (September 29, 2023): 122–31. http://dx.doi.org/10.47026/1810-1909-2023-3-122-131.

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The purpose of the study is to trace the evolutionary path of the images of the primal forefathers of the Hunno-Bulgars and their descendants.  Materials and methods. Ethnographic data from ancient and later sources were used, an ethnolinguistic and comparative approach to the study was applied. The etymological works of modern linguists-Turkologists are considered.  Results. In this article, the word “primal forefather” refers to the “natural-ancestral divine essence” of Eastern (primarily Chinese) antiquity. The most ancient images of the Hunno-Bulgars’ primal forefat

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Tomczyk, Dominik. "Bogactwo jako hojność dawania. Analiza lingwistyczno-teologiczna 1Tm 6,17-19." Wrocławski Przegląd Teologiczny 29, no. 1 (2021): 71–93. http://dx.doi.org/10.52097/wpt.3537.

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Autor artykułu przedstawia analizę lingwistyczno-teologiczną tekstu 1Tm 6,17-19, który jest swego rodzaju „instrukcją” autora Listu na temat postawy chrześcijanin wobec bogactwa. Każdy z trzech wierszy analizowany jest oddzielnie. Autor artykułu zwraca uwagę na fakt, że posiadane bogactwo materialne stanowi dar Boga dla człowieka, uwidaczniający się w potrójnej odpowiedzialności: przed samym sobą, przed społeczeństwem oraz przed Bogiem. Analizowany tekst podkreśla dwa główne elementy bogactwa, wyrażone przez przymiotniki εὐμετάδοτος (hojność ponad miarę) oraz κοινωνικός (społeczny wymiar bogac

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Чаптыкова, Ю. И. "Image of a Shamaness in Khakas heroic epic: the case of S. I. Shulbaevʼs tales". Вестник Северо-Восточного федерального университета имени М.К. Аммосова. Vestnik of North-Eastern Federal University. Серия "Эпосоведение. Epic studies", № 4(24) (30 грудня 2021): 63–70. http://dx.doi.org/10.25587/q2256-5725-7619-m.

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В статье впервые рассматривается образ шаманки в героических сказаниях хакасов, тексты алыптыг нымахов, записанные от сказителя С. И. Шулбаева, вводятся в научный оборот. Целью исследования является определение типа женщин, сведущих во всех трёх мирах, сравнение топосов, встречающихся на пути шаманки в Нижнем мире героического эпоса и в путешествии в «мир мертвых» реального шамана. Для осуществления поставленной цели исследования использованы описательный, сопоставительный методы. В героическом эпосе хакасов типы женщин, сведущих во всех трех мирах, обладающих магическими свойствами, волшебным

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Ilyina, E. N. "ONOMASTICON OF RUSSIAN FABRIC IN “BOGATYR” ANIMATED FILMS." Onomastics of the Volga Region, no. 2 (2020): 339–42. http://dx.doi.org/10.34216/2020-2.onomast.339-342.

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The article explores the intertextual relations of Russian epics and animated films about Russian knights the art Studio «Mill»: Alyosha Popovich and Tugarin Zmey (2004), Dobrynia Nikitich and the Serpent Gorynych (2006), Ilya Muromets and Nightingale the Robber (2007), revealing the correlation of traditions and innovations in the verbal representation of the images.

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Герасимова, Л. Н. "Image-forming verbs in the representation of the concept “BOGATYR” in olonkho texts of early and late periods." Вестник Северо-Восточного федерального университета имени М.К. Аммосова. Vestnik of North-Eastern Federal University. Серия "Эпосоведение. Epic studies", no. 4(24) (December 30, 2021): 98–104. http://dx.doi.org/10.25587/s7462-4688-3258-v.

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В статье рассматриваются изобразительные (образные) глаголы, участвующие в вербализации концепта «БОГАТЫРЬ» в эпическом тексте олонхо. Цель исследования – установление особенностей функционирования изобразительных глаголов в смысловом наполнении концепта и выявление наличия преемственности этих особенностей в якутских эпических текстах раннего и позднего периодов при сравнительном анализе. Для достижения поставленной цели использовались следующие методы исследования: метод концептуального анализа, метод сплошной выборки, компонентный анализ, метод семантического определения, метод контекстуаль

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Keep, John. "Sergei Bogatyrev, ed., Russia Takes Shape." Cahiers du monde russe 46, no. 46/4 (2005): 948–51. http://dx.doi.org/10.4000/monderusse.6647.

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Markiewicz, Halina. "Działania charytatywne Wileńskiego Towarzystwa Dobroczynności wobec dorosłych." Seminare. Poszukiwania naukowe 11 (June 30, 1995): 283–93. http://dx.doi.org/10.21852/sem.1995.19.

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Wileńskie Towarzystwo Dobroczynności założone w 1807 r., nierozerwalnie związane z uniwersytetem, poprzez tzw swoją działalnością służył biednemu społeczeństwu XIX-wiecznego Wilna. Wspierany przez mężczyzn wykształcony i bogaty, udzielał schronienia, dostarczał żywność, prowadził różną działalność charytatywną. Założycielami i jednocześnie dobroczyńcami i nauczycielami Towarzystwa byli ludzie, którzy na zawsze zapisany w historii dobroczynności na Litwie; bp Jan Nepomucen Kossakowski, worek. Hieronim Stroynowski, ksiądz Józef Korzeniowski, dr Józef Frank. Dzięki ich wysiłkom ubodzy wileńskiego

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Миронов, А. С. "Certain Results of an Axiological Analysis of the Russian Heroic Epic." Nasledie Vekov, no. 3(27) (September 30, 2021): 64–75. http://dx.doi.org/10.36343/sb.2021.27.3.005.

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Целью статьи является формирование представления о ценностном наполнении русского героического эпоса, основанном на результатах последствий поступков героев. Методология опирается на аксиологический анализ, механизм которого включает исследование мотивирующих героя ценностей, совершенного им поступка и последствий этого поступка. Различимые в былинах ценностные категории (слава, честь и др.) предполагают два сюжетно маркированных инварианта. На основании последствий (положительных или отрицательных) поступка героя, мотивированного, в свою очередь, той или иной вариативной ценностью, она либо у

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Bukhurov, Mukhamed Fuadovich. "FEMALE BOGATYR IMAGE IN THE ADYGHE HISTORICAL AND HEROIC EPOS." Philological Sciences. Issues of Theory and Practice, no. 9-2 (September 2018): 233–36. http://dx.doi.org/10.30853/filnauki.2018-9-2.3.

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Kulakov, Sergey. "Early Palaeolithic site of Bogatyri/Sinyaya Balka on the Taman Peninsula." Archaeological News 24 (2018): 19–32. http://dx.doi.org/10.31600/1817-6976-2018-24-19-32.

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Hatłas, Jerzy. "Kwestia bogatych pochówków kobiecych w antycznej Tracji." Folia Praehistorica Posnaniensia 12 (November 1, 2018): 299–310. http://dx.doi.org/10.14746/fpp.2004.12.11.

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The article discusses the most important opinions of Bulgarian scholars on rich women burials in ancient Thracia. Analysis of subsequent sites, along with the newest archaeological discoveries (in particular, a burial from mound 47 at Smjadovo), makes possible to conclude that such burials really existed on the discussed territory, or at least on its part.

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GONNEAU, Pierre. "Sergej Bogatyrev, The sovereign and his counsellors." Cahiers du monde russe 43, no. 43/4 (2002): 680–82. http://dx.doi.org/10.4000/monderusse.4004.

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Trautmann-Waller, Céline. "Pëtr Bogatyrëv et le théâtre de marionnettes." Cahiers du monde russe 51, no. 51/4 (2010): 547–64. http://dx.doi.org/10.4000/monderusse.7341.

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Trautmann-Waller, Céline. "Pëtr Bogatyrëv et le théâtre de marionnettes." Cahiers du monde russe 51, no. 51/4 (2010): 547–63. http://dx.doi.org/10.4000/monderusse.9207.

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Ermagambet, B. T., B. K. Kasenov, N. U. Nurgaliyev, M. K. Kazankapova, Zh M. Kasenova, and E. E. Kuanyshbekov. "Chemical Composition and Electrophysical Characteristics of the Ash of Bogatyr Coal." Solid Fuel Chemistry 54, no. 2 (2020): 99–104. http://dx.doi.org/10.3103/s0361521920020020.

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Koskina, Mariia. "Ancient Bogatyr to Electric River: The Modernized Mythology of the Yenisei." Soviet and Post-Soviet Review 49, no. 1 (2022): 3–38. http://dx.doi.org/10.30965/18763324-bja10051.

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Abstract In propaganda related to the industrial hero-project of the Krasnoyarsk Dam (built 1956–1972), the Soviet press synthesized a narrative of modern conquest of nature by means of advanced hydrology and hydraulic technology with folklore-like myths that emphasized the often-mysterious greatness of the Yenisei River, the glory of the Soviet state, and the heroic feats of Soviet people. This mythology was a complex mixture of imagery that drew on the Indigenous groups of Central Siberia (the Evenks, Tuvans, and Buryats) that had been displaced and alienated by the Russian state and the his

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Fyodorov, Maksim L. "A Journey to the Old Russia and Back. Bogatyry by Demian Bedny." Studia Litterarum 2, no. 3 (2017): 236–51. http://dx.doi.org/10.22455/2500-4247-2017-2-3-236-251.

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Sulyak, Sergey G., and Ju Danilets. "Father Kassian Bogatyrets at the second Viennese trial." Biblioteka zhurnala «Rusin», no. 1 (April 1, 2016): 8–15. http://dx.doi.org/10.17223/23451734/4/2.

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Kuzmina, Aitalina Akhmetovna. "The system of epic characters of olonkho "Bogatyr Tong Saar" by S. N. Karataev." Litera, no. 1 (January 2024): 269–76. http://dx.doi.org/10.25136/2409-8698.2024.1.69510.

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The subject of the article is the semantics, structure and plot functioning of the character system in the Yakut heroic epic. The object of the study is the olonkho "Bogatyr Tong Saar" by Semyon Nikolaevich Karataev, which is one of the exemplary texts of the Vilyuisk epic tradition, recorded during the Vilyuisk expedition of 1938. The relevance of the work is due to the need for a detailed study of the system of characters of the Yakut heroic epic, determining their role in the development of the Olonkho plot, identifying new images. The purpose of the article is to reveal the system of epic

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Борисов, Ю. П. "Russisms in early olonkho text Ala-Bulkun bogatyr: semantic and functional aspects." Эпосоведение, no. 3(23) (October 27, 2021): 76–87. http://dx.doi.org/10.25587/a9483-0635-6591-m.

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Статья посвящена изучению семантических и функциональных особенностей русизмов вязыке раннего текста олонхо «Ала Булкун бухатыыр» Т. В. Захарова – Чээбий, записанного со слов олонхо-сута в 1906 г. Новизна работы заключается в том, что проблема русизмов в языке олонхо все еще остаетсянедостаточно разработанной, и потому такие вопросы, как дефиниция русизмов, особенности процессаих проникновения, специфика функционирования, способы адаптации и тематическая классификация яв-ляются актуальными исследовательскими задачами. В результате анализа текста олонхо выявлены 169лексических заимствований из

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Jing, Chen. "The Role of Ballet Scenes in the Magic Opera “Ilya Bogatyr” by C. A. Cavos and I. A. Krylov." Университетский научный журнал, no. 75 (August 25, 2023): 140–48. http://dx.doi.org/10.25807/22225064_2023_75_140.

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. The article is devoted to the opera “Ilya Bogatyr” created by composer C. A. Cavos and playwright I. A. Krylov in line with Pre-Romantic trends characteristic of the Russian art of the early 19th century. The performance refl ected the authors’ desire to create a national sample of the magic opera genre. The undoubted advantage of the opera “Ilya Bogatyr” was a variety of dance scenes: a comic ballet of heroes; light dances of nymphs and geniuses focused on ancient images; character dances in the Russian folk style; fairy-tale dances of evil spirits and oriental maidens. All ballet scenes ar

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