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Books on the topic 'Bohemia Painting'

Author: Grafiati
Published: 26 July 2024

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Consult the top 16 books for your research on the topic 'Bohemia Painting.'

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1

Naděžda, Blažíčková-Horová, and Anězský klášter (Prague, Czech Republic), eds. Czech 19th century painting: Catalogue of the permanent exhibition, Convent of St. Agnes of Bohemia. Prague: National Gallery, 1998.

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2

Zdeněk, Kazlepka, and Moravská galerie v. Brně, eds. V zahradě Armidině: Italské barokní zátiší v Čechách a na Moravě = In the garden of Armida : Italian baroque still life in Bohemia and Moravia. [Brno]: Moravská galerie v Brně, 2007.

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3

Wissing, Caroline. Simple living: The Bohemian groove : painting exhibitions. Semarang, Indonesia: H2 Art Gallery, 2010.

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4

Trumble, Angus. Bohemian London: Camden Town and Bloomsbury paintings in Adelaide. Adelaide: Art Gallery of South Australia, 1997.

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5

Pešina, Jaroslav. The Master of the Hohenfurth altarpiece and Bohemian Gothic panel painting. [London]: [P. Wilson Publishers for] Sotheby's Publications, 1989.

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6

Hirsh, Nelda. A bohemian life: M. Evelyn McCormick (1862-1948) : American impressionist. Boulder, Colo: Green Rock Books, 2013.

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7

Dorothy, Gallagher, ed. The mural at the Waverly Inn: A portrait of Greenwich Village bohemians. New York: Pantheon Books, 2008.

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8

Medieval painting in Bohemia. Charles University, Karolinum Press, 2003.

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9

Royt, Jan. MEDIEVAL PAINTING IN BOHEMIA. Charles University, Prague/Karolinum, 2003.

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10

Hitchon, Gil, and Pat Hitchon. Sam Bough, RSA, the Rivers in Bohemia. Book Guild Ltd, 1998.

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11

Luces de bohemia: Artistas, gitanos y la definición del mundo moderno. Madrid: Fundación Mapfre, Instituto de Cultura, 2013.

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12

Keyssler, Johann Georg. Travels Through Germany, Bohemia, Hungary, Switzerland, Italy and Lorrain: Giving a True and Just Description of the Present State of Those Countries, ... Commerce, Manufactures, Painting, Sculptur. Arkose Press, 2015.

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13

Trumble, Angus. Bohemian London: Camden town and Bloomsbury Paintings in. Art Gallery Of South Australia, 2007.

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14

Rywiková, Daniela. Speculum Mortis: The Image of Death in Late Medieval Bohemian Painting. Lexington Books/Fortress Academic, 2021.

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15

Lawlor, William Thomas, ed. Beat Culture. ABC-CLIO, 2005. http://dx.doi.org/10.5040/9798400617089.

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The coverage of this book ranges from Jack Kerouac's tales of freedom-seeking Bohemian youth to the frenetic paintings of Jackson Pollock, including 60 years of the Beat Generation and the artists of the Age of Spontaneity. Beat Culturecaptures in a single volume six decades of cultural and countercultural expression in the arts and society. It goes beyond other works, which are often limited to Beat writers like William Burroughs, Charles Bukowski, and Michael McClure, to cover a wide range of musicians, painters, dramatists, filmmakers, and dancers who found expression in the Bohemian movement known as the Beat Generation. Top scholars from the United States, England, Holland, Italy, and China analyze a vast array of topics including sexism, misogny, alcoholism, and drug abuse within Beat circles; the arrest of poet Lawrence Ferlinghetti on obscenity charges; Beat dress and speech; and the Beat "pad." Through more than 250 entries, which travel from New York to New Orleans, from San Francisco to Mexico City, students, scholars, and those interested in popular culture will taste the era's rampant freedom and experimentation, explore the impact of jazz on Beat writings, and discover how Beat behavior signaled events such as the sexual revolution, the peace movement, and environmental awareness.
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16

Faxneld, Per. Subversive Satanic Women in Decadent Literature and Art. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190664473.003.0007.

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Chapter 7 discusses Decadence as a highly visible counter-discourse, which popularized tactics of counter-reading. Félicen Rops’s enthusiastically debauched engravings and paintings of Satanic women are examined. Next, J.-K. Huysmans’s novel Là-bas (1891) is considered, especially the female Satanist Mme Chantelouve who is portrayed in it. She is a self-governing woman with modern ideas about free love and described as hysterical. Hysteria carried connotations of feminism, and the independent Chantelouve can be seen as a caustic caricature of an emancipated New Woman. Certain bohemian females were undaunted and approached her as an object of identification. Finally, Stanislaw Przybyszewski’s highly ambivalent attitude towards the demonic feminine is read in view of his œuvre at large, which makes it difficult to understand his at times quite ghastly descriptions of female Satanists as a simple condemnation. At times unwittingly, Decadents contributed to a destabilization of gendered categories and ideals.
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