Relevant bibliographies by topics / Bohemian Rhapsody

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Academic literature on the topic 'Bohemian Rhapsody'

Author: Grafiati
Published: 24 April 2022

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Journal articles on the topic "Bohemian Rhapsody"

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Ritchie, J. M., and K. Cornwell. "Bohemian Rhapsody." Manufacturing Engineer 70, no. 8 (1991): 22. http://dx.doi.org/10.1049/me:19910175.

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Muñoz Sobrino, Mónica, and Carmen Pereira Domínguez. "Bohemian Rhapsody." Padres y Maestros / Journal of Parents and Teachers, no. 379 (September 17, 2019): 52–55. http://dx.doi.org/10.14422/pym.i379.y2019.009.

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Es el momento en que la banda Queen inicia su intervención en el memorable concierto de rock Live Aid para combatir el hambre en Etiopía, celebrado el 13 de julio de 1985, en el estadio Wembley de Londres; recital considerado como el mejor hasta la fecha y la actuación de Queen, con un Mercury glorioso, ante un espléndido escenario, calificada como la actuación más brillante de la historia del rock. Un flashback nos remonta a los orígenes del grupo y nos guía por la trayectoria vital de su líder, Freddie Mercury.Como dicen los protagonistas, Queen es un grupo de inadaptados que toca para inadaptados. Pero también es la familia que apoya incondicionalmente, sin juzgar, y que alienta la creatividad liberadora de sus miembros. A través de la música de Queen reviviremos las luces y las sombras de las décadas de 1970 y 1980, y entenderemos las circunstancias sociales que fraguaron el “mejor grupo británico de todos los tiempos” (título otorgado tras un sondeo realizado por la emisora BBC Radio 2 en 2007). (*) Recomendación bibliográfica: A. Casas. (2018). Freddie Mercury. Una biografía. Barcelona: Penguin Random House Editorial.
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Elizabeth Fodaski. "Bohemian Rhapsody." American Book Review 31, no. 3 (2010): 12–13. http://dx.doi.org/10.1353/abr.0.0099.

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Bleumer, Hartmut. "Bohemian Rhapsody." Zeitschrift für Literaturwissenschaft und Linguistik 46, no. 2 (June 2016): 253–69. http://dx.doi.org/10.1007/s41244-016-0016-4.

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BRAAE, NICK. "Sonic Patterns and Compositional Strategies in Queen's ‘Bohemian Rhapsody’." Twentieth-Century Music 12, no. 2 (August 26, 2015): 173–96. http://dx.doi.org/10.1017/s147857221500002x.

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AbstractQueen's ‘Bohemian Rhapsody’ (1975) has been the subject of many academic analyses; the song has not been considered, however, in the context of Queen's wider output. This article examines ‘Bohemian Rhapsody’ in relation to Queen's idiolect as identified from the group's songs written between 1973 and 1975. ‘Idiolect’ refers to the common musical details of an artist's output or segment of their output. I subdivide the category of an idiolect to include sonic patterns and compositional strategies. The former accounts for patterns that are consistent in their presentation across songs, the latter accounts for patterns that differ in their presentation across songs. The formal and harmonic structures of ‘Bohemian Rhapsody’ reflect the group's common compositional strategies; the song's textural arrangements highlight Queen's sonic patterns. ‘Bohemian Rhapsody’ occupies a unique place in Queen's output, as the first song to present all the major elements of the group's idiolect.
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Mori, Lucia, and Gennaro De Libero. "‘Bohemian Rhapsody’ of MR1T cells." Nature Immunology 21, no. 2 (January 20, 2020): 108–10. http://dx.doi.org/10.1038/s41590-019-0588-6.

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Rowan, L. "GEOPHYSICS: Bohemian Rhapsody in the Crust." Science 299, no. 5606 (January 24, 2003): 475d—475. http://dx.doi.org/10.1126/science.299.5606.475d.

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Franklin, Simon. "The Igor Tale : A Bohemian Rhapsody?" Kritika: Explorations in Russian and Eurasian History 6, no. 4 (2005): 833–44. http://dx.doi.org/10.1353/kri.2005.0052.

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O'Hagan, Michael Paul, Jean-Louis Mergny, and Zoë Ann Ella Waller. "G-quadruplexes in Prague: A Bohemian Rhapsody." Biochimie 147 (April 2018): 170–80. http://dx.doi.org/10.1016/j.biochi.2018.02.004.

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Marschall Eirence, Metekohy. "Halliday’s Language Metafunction on Queen’s “Bohemian Rhapsody”." Prologue: Journal on Language and Literature 7, no. 1 (March 30, 2021): 40–48. http://dx.doi.org/10.36277/jurnalprologue.v7i1.67.

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This paper discusses the use of Language Metafunction in the song “Bohemian Rhapsody”. This research aims to identify the ideology of the song as portrayed through the words and actions of the protagonist in this song. This research focused on every single word in the lyric. The study used qualitative and descriptive methods. The data collection was obtained from genius.com. The data was analyzed by using Language Metafunction theory by Halliday’s Ideational, Interpersonal, and Textual Meaning. The results of the research show that three dominant processes of language can be found are Relational Process, Material Process, and Mental Process; with the last mentioned being the dominant one. Also, by analyzing the lyric, it can be concluded that the ideology of the song is the songwriter believes that all things that happened in the past are in the past.
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Books on the topic "Bohemian Rhapsody"

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Bohemian rhapsody. Leicester: Linford, 2012.

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2

Dawson, Mike. Freddie & me: A coming of age (Bohemian) rhapsody. London: Jonathan Cape, 2008.

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3

ha-Bohemah ha-betit: Poemah = Poemian rhapsody = Bayt min Būhīmiyā. Tel-Aviv: ha-Ḳibuts ha-meʼuḥad, 2013.

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Etter, Roberta Bromley. Prague/Bohemian Rhapsody. Passport Books, 1994.

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Bohemian Rhapsody & 32 Rock Classics. Warner Bros Pubns, 1999.

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Weber, John. Bohemian Rhapsody Coloring Book: Bohemian Rhapsody with Queen Coloring Book with Exclusive Images. Independently Published, 2020.

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Queen. and Freddie Mercury. Bohemian Rhapsody: Music from the Motion Picture Soundtrack. Hal Leonard, 2018.

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Queen. Bohemian Rhapsody: Music from the Motion Picture Soundtrack. Hal Leonard, 2018.

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Williams, Owen, Roger Taylor, and Brian May. Bohemian Rhapsody: The Official Book of the Movie. Weldon Owen, Incorporated, 2018.

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Freddie & Me: A Coming-of-Age (Bohemian) Rhapsody. Bloomsbury USA, 2008.

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Book chapters on the topic "Bohemian Rhapsody"

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Shovlin, Frank. "Bohemian Rhapsody." In Touchstones: John Mcgahern's Classical Style. Liverpool University Press, 2017. http://dx.doi.org/10.5949/liverpool/9781781383216.003.0008.

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This chapter examines McGahern’s interest in, and sometimes reverence for, Patrick Kavanagh’s poetry. It shows how the two writers briefly overlapped in the Dublin literary pub scene of the late 1950s and early 1960s and how this scene was not to McGahern’s taste. That bohemianism was transferred to London via the literary journal X and its editors Patrick Swift and David Wright from 1959-61 – a quarterly that was the first to publish McGahern. It then goes on to show how poems like ‘The Great Hunger’, ‘Kerr’s Ass’ and ‘Innocence’ are used by McGahern as touchstones in writing books such as The Dark and Memoir.
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Braae, Nick. "Hard Rock, Glam Rock, and Progressive Rock in the 1970s." In Rock and Rhapsodies, 139–73. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197526736.003.0007.

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This chapter places Queen within the network of the principal rock labels of the 1970s. Extending the work of classical and popular music analysts, a distinction is drawn between style and genre, as pertaining to replicated musical patterns and the cultural meanings afforded by such patterns, respectively. With this distinction in place, Queen’s 1970s outputs are analysed in relation to the style and genre conventions of hard rock, glam rock, and progressive rock. It is demonstrated that the band engaged the style conventions of the former and latter labels, but were positioned closer to glam rock in genre terms. This is evident through their subversive exaggerated articulation of hard and progressive rock style traits, with ‘Bohemian Rhapsody’ encapsulating this relationship.
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"CHAPTER 1. From the Rice Harvest to “Bohemian Rhapsody”: Diachronic Modernity in Angklung Performance." In Making Waves, 19–38. University of Hawaii Press, 2019. http://dx.doi.org/10.1515/9780824874872-003.

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Conference papers on the topic "Bohemian Rhapsody"

1

Waine, Ted, May Leung, and Paul Norris. "Directable stadium crowds from image based modelling for "Bohemian Rhapsody"." In SIGGRAPH '19: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3306307.3328155.

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