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Journal articles on the topic 'Bohuslän'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Ling, Johan. "Beyond Transgressive Lands and Forgotten Seas: Towards a Maritime Understanding of Rock Art in Bohuslän." Current Swedish Archaeology 12, no. 1 (June 10, 2021): 121–40. http://dx.doi.org/10.37718/csa.2004.07.

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Since the beginning of the 20th century rock art in Bohuslän has traditionally been interpreted, on the basis of its adjacent location to the clay-soil plains, as an indicator ofpermanent pastoral or agrarian settlement units. However, recent results ofthe first substantial and extensive shoreline study, covering the whole of Bohuslän, have shown that, during the entire Bronze Age, many of these lower, clay- soil plains were in fact sea bottoms in shallow bays. On the basis of these results new measurement of the rock art panels and the surrounding terrain were made. The study showed that many rock carvings had been placed on or near the contemporary shore during the Bronze Age. It therefore seemed essential to present new questions about the social and ritual behaviour, as manifested by the rock art in these particular areas. It is here suggested that the rock art in the investigated area may be a materialised reflection of seasonal maritime interactions during the Bronze Age.

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2

Corten, A. "A proposed mechanism for the Bohuslän herring periods." ICES Journal of Marine Science 56, no. 2 (April 1999): 207–20. http://dx.doi.org/10.1006/jmsc.1998.0429.

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3

Ström, Kåre, and Aimon Niklasson. "European Storm Petrels Hydrobates pelagicus visiting the Swedish west coast; results from a ringing study 1988–2012." Ornis Svecica 24, no. 1–2 (January 1, 2014): 12–26. http://dx.doi.org/10.34080/os.v24.22561.

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The results of a 25 year study of the Storm Petrel Hydrobates pelagicus on the Swedish west coast are described. The first bird was captured on 29 August 1988 (Orust in Bohuslän). A total of 72 Storm Petrels were captured between 1988 and 2012 (64 in Bohuslän and 8 in Halland). Sixty-eight of these were ringed by us and 4 were ringed abroad. Thirteen Storm Petrels (~18%) were captured twice or thrice: 4 re-traps by us (ringed abroad, 3 in Norway, 1 in Britain), 2 own re-traps and 6 recaptured abroad (2 in Britain and 4 in Norway; one own ringed bird recaptured twice). Three additional birds were spontaneously captured in other studies in southern Sweden during the same period. Mean body mass (SD) was 25.5 (1.9) g, and wing length was 123.1 (2.6) mm. A concentration of birds during the turn of the millennium may be related to periods of upwelling. Still no birds have been found breeding in Sweden. Comments are made regarding the first description by Linnaeus.

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4

LARSSON, KAROLINA, and WIM WILLEMS. "Report on freshwater Catenulida (Platyhelminthes) from Sweden with the description of four new species." Zootaxa 2396, no. 1 (March 11, 2010): 1. http://dx.doi.org/10.11646/zootaxa.2396.1.1.

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This contribution is one of the very first reports on Swedish species of freshwater Catenulida, a group of free-living, small flatworms. A total of 13 species were collected from 33 localities all over the country. Four species, all belonging to the taxon Stenostomum, are new to science. S. gotlandense n. sp., found on Gotland, has small ciliated pits located more posteriorly than other species of Stenostomum, large anterior brain lobes and a large mouth opening with peculiar wrinkles of the proximal rim of the pharynx. S. handoelense n. sp., from Jämtland, has long ciliated pits and a mobile prostomium with a lined appearance due to “metamerical” anterior brain lobes. S. heebuktense n. sp., from Bohuslän, has small ciliated pits and an extremely large and muscular pharynx which, in living animals, is bluish. S. steveoi n. sp., found in the provinces Bohuslän and Småland, has small ciliated pits and a large rectangular mouth opening. The remaining 9 species are illustrated and commented upon where necessary. For the sake of completeness three undescribed species are mentioned. Some general remarks on identification of catenulid species are given.

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5

Horn, Christian, and Rich Potter. "Transforming the Rocks – Time and Rock Art in Bohuslän, Sweden." European Journal of Archaeology 21, no. 3 (August 11, 2017): 361–84. http://dx.doi.org/10.1017/eaa.2017.38.

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Human representations are one of the most important groups of depictions in rock art in southern Scandinavia. These humans have long been discussed as complete, stable, and temporally-fixed images. The results of a new survey challenge this view. Recording rock art with Reflectance Transformation Imaging (RTI) enabled us to discern a possible sequence of production of individual human representations, their bodily features, and associated objects. Figures from a rock art site in Finntorp (Tanum, Sweden) will be used as an example. Differences in the dimensions of the engraved lines, the chronology of the depicted objects, and the placement of body parts suggest that several individuals may have been involved in making human representations on the rocks, and that their appearance as complete figures is the result of repeated transformations. The results presented demonstrate that Scandinavian rock art is not stable in time. We suggest that rock art is best understood as the creation of communities over time, which enables them to engage with the past by transforming the rocks.

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6

Coles, John. "A Land Apart: Environments and Rock Art in Northernmost Bohuslän, Sweden." Antiquaries Journal 88 (September 2008): 1–36. http://dx.doi.org/10.1017/s0003581500001323.

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This paper focuses on a distinctive region of granite ridges and forests in the parish of Hogdal, well north of the World Heritage rock art area in Bohuslän. In the later second millennium BC, a wide lake, left by the receding sea, provided the setting here for an arc of rock-carving sites along its shoreline. A second group of sites lies near the entrance to a major fjord to the south. The two areas contain Bronze Age imagery remarkable for its variety of scale, subject and artistry. The paper describes recording and analysis work undertaken in 2006 and 2007, offers commentaries on changing environments, chronology, site conditions and preservation, and provides a discussion of Bronze Age imagery and society.

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7

Coles, John. "Beacon on the Ridge. Rock Carvings at Kasen Lövåsen, Bohuslän, Sweden." Proceedings of the Prehistoric Society 72 (2006): 319–39. http://dx.doi.org/10.1017/s0079497x00000876.

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This paper discusses the rock carvings at Kasen Lövåsen, a site which now lies 5 km inland but, during the Bronze Age, looked out over a sea in process of withdrawal by the isostatic rise of the land. The site carries eight panels of carvings that have been the subject of several surveys and descriptions. Recent work has clarified the nature of some of these and revealed more. Carvings include discs, numerous boats, human figures (some explicitly male), including helmeted individuals, spear and swordsmen and paddle or torchbearers, duck figures, boots, dog-like creatures, and horse-riders. Composition and siting are discussed in relation to the quality and preservation of carving, dating, and to aspects of topography, communication routes, and sea level recession. The reasons and mechanisms behind transformations in the imagery are explored in terms of changing social symbolism and ideology in response to a rapidly changing land- and seascape.

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8

Coles, John. "Bridge to the Outer World: Rock Carvings at Bro Utmark, Bohuslän, Sweden." Proceedings of the Prehistoric Society 70 (2004): 173–205. http://dx.doi.org/10.1017/s0079497x0000116x.

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The rock carving site of Bro Utmark in Bohuslän is one of the largest in Sweden. Its hundreds of carved images reflect a variety of Bronze Age concerns, and the boats, warriors and animals depicted demonstrate the work of master carvers in the period 1600-300 BC, but concentrated in the later Bronze Age (1100–600 BC). The site is central to a concentration of about 200 carved sites, burial mounds, and other monuments. During the Bronze Age, Bro Utmark lay near the shoreline of a sea which was 15 m higher in relation to the land. The evolving cultural landscape of the Bronze Age suggests incremental settlement in the emergent land, with shorelines and wetlands providing focal points for activity.

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9

Ling, Johan, and Per Cornell. "Rock Art as Secondary Agent? Society and Agency in Bronze Age Bohuslän." Norwegian Archaeological Review 43, no. 1 (September 10, 2010): 26–43. http://dx.doi.org/10.1080/00293652.2010.489800.

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10

Nyqvist, Roger. "The Importance of How Regions are Constructed." Current Swedish Archaeology 10, no. 1 (June 10, 2021): 57–72. http://dx.doi.org/10.37718/csa.2002.04.

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In this article the author discuss how many regions can be identified in the province of Bohuslän. Region is a construction that covers everything from landscape, people and economic structure, to nature, political structure and structures for subsistence. We have to keep this fact in mind, because these aspects, will be the reasons for how and why our material remains have the shape and distribution that they do. Different materials within the region can also be the result of the agricultural history, as well as the influences of the interested group of collectors could create for the artefacts. Therefore it seems most correct to use the term region only in the geographic sense.

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11

Coles, John. "A Theatre of Imagery: the Rock Carving of Döltorp, Skee Parish, Bohuslän, Sweden." Antiquaries Journal 91 (July 14, 2011): 1–25. http://dx.doi.org/10.1017/s0003581511000084.

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AbstractThe parish of Skee, in western Bohuslän, has a wide variety of ancient monuments, among which is a small rock at Döltorp that displays a range of Bronze Age and Early Iron Age rock carvings. The new recording presented here identifies a number of hitherto unrecognized images and details. Some of the carvings are now considered to be of the late second millennium bc, while the bulk of the images are of mid-first millennium bc date. They include a particularly large decorated boat, with its crew finely detailed, as well as a number of carvings of warriors, discs, horses, spirals and smaller boats. The site lies in a landscape well inland from the Bronze Age shoreline, and its selection for carving was probably related to the existence of an earlier cairn high on a ridge to the west of the rock-carving site, perhaps linked to it by additional stones. Other sites in the immediate lowland region suggest that we should not view such sites as static creations; rather, we should consider them to have had long and episodic lives, maintaining and augmenting a societal awareness over many generations.

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12

Antonsson, Karin, and Heikki Seppä. "Holocene temperatures in Bohuslän, southwest Sweden: a quantitative reconstruction from fossil pollen data." Boreas 36, no. 4 (November 2007): 400–410. http://dx.doi.org/10.1080/03009480701317421.

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13

Lindström, Kristina N., and Mia Larson. "Community-based tourism in practice: evidence from three coastal communities in Bohuslän, Sweden." Bulletin of Geography. Socio-economic Series 33, no. 33 (September 1, 2016): 71–78. http://dx.doi.org/10.1515/bog-2016-0025.

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Abstract Local involvement in tourism development is defined as a key issue for sustainable tourism, however it is often questioned and less seldom implemented in reality. Reasons behind this condition are lack of knowledge and practical experience on community-based tourism as a bottom-up approach. In this paper it is argued that local involvement in tourism development is both a democratic right and a strategic destination management tool. The paper scrutinizes a process of collaboration and local participation in a tourism development project within three coastal communities on the Swedish West Coast. A mixed-methods approach was employed in the project with the specific aim of investigating attitudes to the community and tourism development and of involving community stakeholders in exploring alternative avenues of tourism development. The article describes four phases of the process of local involvement in a tourism development project: step 1, formation of a representative project group and negotiation of community-based approach; step 2, consulting local stakeholders and employing a mixed-methods approach; step 3, elaborating results with local stakeholders; step 4, increased community collaboration.

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14

Müller, Dieter K. "The Internationalization of Rural Municipalities: Norwegian Second Home Owners in Northern Bohuslän, Sweden." Tourism Planning & Development 8, no. 4 (November 2011): 433–45. http://dx.doi.org/10.1080/21568316.2011.605384.

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15

Andersson, Christer K., and Pär Sandberg. "Pilgrimsfalkens Falco peregrinus ockupation av häckningslokaler i Västsverige vintrarna 2000/2001–2004/2005." Ornis Svecica 25, no. 1–2 (January 1, 2015): 45–50. http://dx.doi.org/10.34080/os.v25.22551.

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During five winters (2000/2001–2004/2005), 24 breeding territories of Peregrine Falcon Falco peregrinus in Bohuslän, Västergötland and Halland in western Sweden were visited at least once. At these territories 10–14 (mean = 12) Peregrines were observed each winter. All birds that were aged were adults and the sex ratio was 52% females and 48% males. At least 50% of the breeding territories were estimated to be occupied by Peregrines each winter. Five of seven territories which usually were occupied in winter had a long record of breeding Peregrines. Some important factors that cause Peregrines to stay during the winter in their breeding territories in western Sweden are probably the mild climate, the abundance of prey (for instance Jackdaws Corvus monedula) and the competition for breeding territories.

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16

Coles, John. "Johan Ling:Elevated Rock-Art. Towards a Maritime Understanding of Rock Art in Northern Bohuslän, Sweden." Norwegian Archaeological Review 42, no. 1 (June 19, 2009): 103–5. http://dx.doi.org/10.1080/00293650902907516.

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17

BRADLEY, RICHARD, and TIM PHILLIPS. "DISPLAY, DISCLOSURE AND CONCEALMENT: THE ORGANIZATION OF RAW MATERIALS IN THE CHAMBERED TOMBS OF BOHUSLÄN." Oxford Journal of Archaeology 27, no. 1 (January 8, 2008): 1–13. http://dx.doi.org/10.1111/j.1468-0092.2007.00292.x.

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18

Egeler, Matthias. "The Hunt and the Otherworld: A Breton Reading of the Massleberg Stora Skee Rock Art Panel (Bohuslän, Southern Sweden)." Numen 63, no. 4 (June 15, 2016): 383–410. http://dx.doi.org/10.1163/15685276-12341433.

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Taking its starting point from the current trend towards using Indo-European comparative material for elucidating Scandinavian Bronze Age rock art sites, this article develops an interpretation of the overall iconographic program of the Massleberg Stora Skee rock art panel in Bohuslän, southern Sweden. It focuses on the hunting scene which forms one of the centerpieces of the site and poses the question of how this hunting scene relates to the remaining iconographic elements of the panel, especially the ships and footprints, and to the water flowing over the rock. Using analogies drawn from Old French “Breton lays,” medieval Irish and Welsh literature, and the archaeology of the Hallstatt period (the Strettweg cult wagon), it is possible to develop an interpretation which connects the hunt with the communication between the human world and an “Otherworld” and to show how such an interpretation can tie in with the other iconographic as well as natural elements of the site. On this basis, the article concludes with a general discussion of the use of typological analogies versus the application of concepts of Indo-European heritage for the analysis of Scandinavian rock art and discusses the wider applicability of the “Otherworld” term as an analytical concept.

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19

MacKenzie, Brian R., Jürgen Alheit, Daniel J. Conley, Poul Holm, and Carl Christian Kinze. "Ecological hypotheses for a historical reconstruction of upper trophic level biomass in the Baltic Sea and Skagerrak." Canadian Journal of Fisheries and Aquatic Sciences 59, no. 1 (January 1, 2002): 173–90. http://dx.doi.org/10.1139/f01-201.

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Fish and marine mammal populations in the Baltic Sea and Skagerrak have undergone major fluctuations over the past five centuries. We summarize how these fluctuations may have depended on various forms of predation (e.g., cannibalism, fishing, hunting) and environmental processes. The best-documented long-term fisheries in this region are the herring (Clupea harengus) fisheries near Bohuslän, western Sweden, and in the Øresund. These fisheries have been important since at least the 1200s and appear to be partly climatically driven. However, in the rest of the Baltic, information about fisheries for herring and other fish species is rare until after 1900. During the 20th century, while the Baltic underwent eutrophication, the biomass and landings of three fish species (cod (Gadus morhua), herring, and sprat (Sprattus sprattus)) all increased, whereas the biomass of marine mammals (grey seals (Halichoerus grypus), ringed seals (Phoca hispida), harbour porpoises (Phocoena phocoena)) decreased. The relative roles of exploitation, marine mammal predation, and environmental variability (e.g., eutrophication, major inflows of saline water, climate change) on the long-term dynamics of key fish species is not clear and requires increased collaboration among historians, fisheries and marine mammal ecologists, oceanographers, and climatologists.

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20

Coles, John. "Book Reviews - Lasse Bengtsson (ed.). Hällristningar från Askums socken Bohuslän Vol. 1. Arkeologisk Rapport 3 från Vitlyckemuséet). 97 pages, illustrations. 1997. Tanumshede: Vitlycke Museum; ISSN 1401-9078 paperback." Antiquity 76, no. 293 (September 2002): 901–3. http://dx.doi.org/10.1017/s0003598x00091468.

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21

Coles, John. "Book Reviews - Lasse Bengtsson (ed.). Hällristningar frän Askums socken Bohuslän (Vol. 2; Arkeologisk Rapport 4 från Vitlyckemuséet). 75 pages, illustrations. 1998. Tanumshede: Vitlycke Museum; ISSN 1401-9078 paperback." Antiquity 76, no. 293 (September 2002): 901–3. http://dx.doi.org/10.1017/s0003598x0009147x.

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22

Chippindale, Christopher. "John Coles. Shadows of a Northern Past: Rock Carvings of Bohuslän and Østfold. viii+222 pages, 264 illustrations, 16 colour plates. 2005. Oxford: Oxbow; 1-84217-181-X hardback £30." Antiquity 80, no. 308 (June 1, 2006): 479–80. http://dx.doi.org/10.1017/s0003598x00093868.

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23

CHRISTENSEN, ARNE EMIL. "Patterns in a Rocky Land: Rock Carvings in South-West Uppland, Sweden - By JOHN COLES with BO GRÄSLUND and Shadows of a Northern Past: Rock Carvings of Bohuslän and Østfold - By JOHN COLES." International Journal of Nautical Archaeology 36, no. 2 (August 23, 2007): 435–36. http://dx.doi.org/10.1111/j.1095-9270.2007.163_6.x.

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24

Berrocal, María Cruz. "Johan Ling, Elevated Rock Art: Towards a Maritime Understanding of Rock Art in Northern Bohuslän, Sweden (GOTARC Serie B. Gothenburg Archaeological Thesis 49, 2008, 271 pp., illustrations, 3 appendices, CD, ISBN 978-91-85245-34-8)." European Journal of Archaeology 14, no. 3 (2011): 503–6. http://dx.doi.org/10.1179/eja.2011.14.3.503.

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25

István, Anna. "TABLIC, Bohuslav: POEZYE." Slovenská literatúra 68, no. 2 (April 6, 2021): 193–96. http://dx.doi.org/10.31577/slovlit.2021.68.2.10.

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26

Jirglová, Lucie. "The Correspondence of Bohuslav Martinů with Josef Munclinger and his Comments on the Stage Direction of the Four-Part Opera Hry o Marii in the Collections of the National Museum." Musicalia 10, no. 1-2 (December 1, 2018): 149–75. http://dx.doi.org/10.1515/muscz-2018-0005.

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Abstract The collections of the Theatre Department at the National Museum in Prague contain a set of sources that allow us to see how Bohuslav Martinů participated in preparing productions of his stage works. This is a collection of the composer’s correspondence and comments on stage direction written on the occasion of the first Prague performance of the four-part opera Hry o Marii (The Plays of Mary), H 236 in 1936. The text publishes full transcripts of all of these sources with critical commentary. This involves two letters from Bohuslav Martinů addressed to Josef Munclinger, one letter from the management of the National Theatre in Prague to Bohuslav Martinů, and two lists of the composer’s comments on stage direction.

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27

Tvrzníková, Jana. "From the History of the Library of Bohuslav Dušek." Acta Musei Nationalis Pragae – Historia litterarum 63, no. 1-2 (2018): 35–44. http://dx.doi.org/10.1515/amnpsc-2017-0044.

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The article works with sources concerning the history of the library of Bohuslav Dušek (1886–1957), a bank clerk and a collector of books and art. Dušek built his library, comprising more than 3,000 volumes, from the beginning of the 20th century. Despite changing state regimes, he kept it until his death. His second wife, Hermína Dušková (1910–2012), organised the library and donated it in 1977 to the National Museum Library. The personal archival collection of Bohuslav Dušek, deposited in the National Museum Archives, provides as-yet unpublished information on the development of the library and its owners as well as on the process of the handover of this unique collection to the National Museum Library.

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28

Coles, John. "Torsten Högberg. Hällristningar från Litsleby, Tegneby & Socken {Arkeologisk Rapport 1 från Vitlyckemuséet}. 108 pages, illustrations, 1 tables. 1995. Uddevalla: Bohuslän Museum; 91-7686-162-7 paperback. - Tommy Andersson. Hällristningar från Högsbyn i Tisselskogs socken {Arkeologisk Rapport 2 från Vitlyckemuséet}. 16 pages, illustrations. 1997 Dals Långed: Ask & Embla; 91-973160-1-6 (ISSN 1401-9078) paperback. - Lasse Bengtsson (ed.). Hällristningar från Askums socken Bohuslän Vol. 1. Arkeologisk Rapport 3 från Vitlyckemuséet). 97 pages, illustrations. 1997. Tanumshede: Vitlycke Museum; ISSN 1401-9078 paperback. - Lasse Bengtsson (ed.). Hällristningar frän Askums socken Bohuslän (Vol. 2; Arkeologisk Rapport 4 från Vitlyckemuséet). 75 pages, illustrations. 1998. Tanumshede: Vitlycke Museum; ISSN 1401-9078 paperback. - Lasse Bengtsson & Camilla Olsson (ed.). The World Heritage Site's central area and Grebestad (Vitlycke Museum Archaeological Report 5). 101 pages, illustrations. 2000. Tanumshede: Vitlycke Museum; ISSN 1401-9078 paperback." Antiquity 76, no. 293 (September 2002): 901–3. http://dx.doi.org/10.1017/s0003598x00091444.

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29

Mabary, Judith, and Blanka Cervinkova. "Bohuslav Martinu (8.12.1890-28.8.1959): Bibliograficky katalog." Notes 49, no. 1 (September 1992): 128. http://dx.doi.org/10.2307/897222.

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30

Powell, L. "Bohuslav Martinu. Ed. by Ulrich Tadday." Music and Letters 92, no. 1 (February 1, 2011): 158–60. http://dx.doi.org/10.1093/ml/gcq098.

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31

Simeone, Nigel. "Symphony No. 4, H 305 by Bohuslav Martinů, and: The Epic of Gilgamesh, H 351 by Bohuslav Martinů." Notes 73, no. 1 (2016): 166–70. http://dx.doi.org/10.1353/not.2016.0082.

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32

Sharpe, Kate. "Johan Ling . Elevated rock art: towards a maritime understanding of Bronze Age rock art in northern Bohuslän, Sweden (Swedish Rock Art Research 2). 2014. xiv+271 pages, numerous colour and b&w illustrations, and tables. Oxford & Havertown (PA): Oxbow; 978-1-78297-762-9 hardback £40." Antiquity 89, no. 347 (October 2015): 1250–51. http://dx.doi.org/10.15184/aqy.2015.115.

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33

Martinek, Libor. "Poetika smrti v raném díle Bohuslava Reynka." Slavica Wratislaviensia 168 (April 18, 2019): 289–301. http://dx.doi.org/10.19195/0137-1150.168.24.

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Poetics of death in the early work of Bohuslav ReynekThis article is dedicated to the poetics of death in the early works of the Czech poet, translator and graphic artist Bohuslav Reynek 1892–1971. The author focuses his attention on the topos of death, which is the overarching theme that encloses other important motives associated with it and described by the author as “intermotives”. Typical of the whole first volume of Reynek’s poetry is the combination of the natural world with the vision of a Christian order, which at the end of human life tends toward an apocalyptic end of the earth and confrontation with the salvation of Jesus Christ. Poetyka śmierci we wczesnej twórczości Bohuslava ReynkaArtykuł poświęcony jest poetyce śmierci we wczesnych dziełach czeskiego poety, tłumacza i grafika Bohuslava Reynka 1892–1971. Autor tekstu skupia swoją uwagę na toposie śmierci, na który składają się ważne motywy z nim związane, nazwane przez niego intermotywami. Dla całego pierwszego tomu poezji Reynka typowe jest połączenie świata natury z wizją chrześcijańskiego porządku, w którym kres ziemi i ludzkiego życia w konfrontacji z dziełem zbawienia Jezusa Chrystusa zmierza ku apokalipsie.

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34

Philippi, Daniela. "Die neue Klassizitat im Instrumentalschaffen von Bohuslav Martinu." Archiv für Musikwissenschaft 60, no. 3 (2003): 221. http://dx.doi.org/10.2307/4145432.

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35

Sekyrková, Milada. "Soňa Štrbáňová, Bohuslav Raýman. Vědec, vlastenec a Evropan." AUC HISTORIA UNIVERSITATIS CAROLINAE PRAGENSIS 59, no. 1 (January 30, 2020): 199–200. http://dx.doi.org/10.14712/23365730.2019.28.

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36

Novotný, Antonín, and Fabian Baxa. "BALABÁN, Miloš. PERNICA, Bohuslav. Bezpečnostní systém ČR: problémy a výzvy." Obrana a strategie (Defence and Strategy) 16, no. 1 (June 15, 2016): 135–38. http://dx.doi.org/10.3849/1802-7199.16.2016.1.135-138.

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37

Lev, Bukovský, Jech Thomas, and Simon Petr. "The life and work of Bohuslav Balcar (1943--2017)." Commentationes Mathematicae Universitatis Carolinae 59, no. 4 (January 7, 2019): 415–21. http://dx.doi.org/10.14712/1213-7243.2015.272.

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38

Entwistle, Erik. "Bohuslav Martinů: The Compulsion to Compose (review)." Notes 69, no. 1 (2012): 93–96. http://dx.doi.org/10.1353/not.2012.0136.

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39

Mahaney, William C., and Rabbé Sjöberg. "Scanning electron microscopy of quartz grains from two granite caves and a gorge system in Bohuslan, Southwestern Sweden." Zeitschrift für Geomorphologie 37, no. 3 (October 11, 1993): 337–50. http://dx.doi.org/10.1127/zfg/37/1993/337.

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40

Drábek, Jakub. "Jan Štemberk – Ivan Jakubec – Bohuslav Šalanda: Automobilismus a česká společnost." HISTORICKÁ SOCIOLOGIE 13, no. 1 (May 17, 2021): 157–59. http://dx.doi.org/10.14712/23363525.2021.11.

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Tvrzníková, Jana. "Provenance Records in the Historical Part of the Library of Bohuslav Dušek." Acta Musei Nationalis Pragae – Historia litterarum 64, no. 3-4 (November 1, 2019): 20–32. http://dx.doi.org/10.2478/amnpsc-2019-0012.

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Abstract The article presents the provenance records preserved in the part of the library of the collector Bohuslav Dušek deposited in the Department of Manuscripts and Early Printed Books of the National Museum Library. Numerous provenance marks were left in the books by Dušek himself. Other preserved marks of Czech provenance come from Protestants as well as Catholics, from peasants, burghers and nobles, and later from scholars. The studied part does not contain any coherent set, because Dušek did not purchase the books in large quantities and chose them carefully according to his interests. For comparison, the collection of the director of Živnostenská banka Jaroslav Preiss is briefly presented as well.

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Solli, Brit. "Anders Gustafsson and Håkan Karlsson, Plats på scen. Kring beskrivning och förmedling av Bohusläns fasta fornlämningar genom tiderna (Uddevalla: Bohusläns Museum, Kulturhistoriska dokumentationer, 2004, 258 pp., hbk, ISBN 91–7686–188–0, ISSN 1102–528X)." European Journal of Archaeology 8, no. 3 (2005): 310–12. http://dx.doi.org/10.1179/eja.2005.8.3.310.

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David, Zdeněk V. "The Strange Fate of Czech Utraquism: The Second Century, 1517–1621." Journal of Ecclesiastical History 46, no. 4 (October 1995): 641–68. http://dx.doi.org/10.1017/s0022046900080477.

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This article aims to reassess current historical judgements on the Czech Utraquist Church during the second century of its existence, from 1517 to 1621. It seeks to outline the special problems which Bohemian Utraquism faced as a religious via media, partly viewed from the comparative perspective of the kindred phenomenon of the post-Reformation Church of England. After a discussion of the historiographic issues, the focus is on the distinctive development of sixteenth-century Utraquism and its relations to English theology and eastern Orthodoxy. The Church's intermediate position between the Church of Rome and the fully reformed Protestant Churches is then explored more systematically through the writings of the authoritative, but neglected, theologian of sixteenth-century Utraquism, Bohuslav Bílejovský.

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Kurach, Tamara Mykolayivna, and Iryna Aleksandrovna Pidlisetskaya. "CREATION OF THE WEB-MAP OF THE BOGUSLAVSKY DISTRICT." GEOGRAPHY AND TOURISM, no. 47 (2019): 129–39. http://dx.doi.org/10.17721/2308-135x.2019.47.129-139.

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The goal is to develop a tourist interactive map "Landmarks of Bohuslav". The methodology. The methodological and theoretical basis of the study is modern geographical and cartographic science in the field of thematic mapping with the involvement of web-mapping technologies. Results. A large-scale tourist web map of the cultural heritage of the Boguslavsky region - “Sights of Boguslavshchina” was created. Scientific novelty. Approbation of the methodology and technology for the development of interactive large-scale web maps of tourism topics involving the Leaflet JavaScript library. Practical value. An interactive tourist web map of the historical and cultural heritage sites “Sights of Bohuslavshchina” will be published on the website of the health-improving institution of sanatorium-type “Chaika”. Convenient using, visualization, prompt receipt of information will help to increase the attractiveness of tourist Boguslavschina routes.

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Vojtěšková, Jana. "A Commemorative Album with the Correspondence of Josef Suk." Musicalia 9, no. 1-2 (2017): 109–24. http://dx.doi.org/10.1515/muscz-2017-0011.

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A commemorative album with the correspondence of Josef Suk (1874-1935) belonged to his son. It contains both commemorative inscriptions made by persons who were in contact with the composer Josef Suk, and also correspondence addressed to the composer, and later to his grandson - the violinist Josef Suk (1929-2011). The album contains a total of 237 items. The article draws attention to certain figures from politics (T. G. Masaryk, František Drtina), authors and poets (Otakar Březina, Antonín Sova, Karel Václav Rais), painters (Hugo Boettinger, František Bílek, Otakar Nejedlý, Čenĕk Kvíčala, Adolf Kašpar), musicians (Václav Talich, Jaroslav Kocian, Vítĕzslav Novák, George Szell, Vladimír Helfert, and Suk’s pupils - Pavel Bořkovec, Julius Kalaš, Jaroslav Jezek, Emil Hlo- bil, Bohuslav Martinů, Miroslav Pone, Dalibor C. Vačkář, Vladimír Štĕdron, Mihovil Logar), and other persons.

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Gates, Eugene, and Karla Hartl. "Vítězslava Kaprálová: a remarkable voice in 20th-century Czech Music." Tempo, no. 213 (July 2000): 23–25. http://dx.doi.org/10.1017/s004029820000783x.

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It was with enormous pride in the achievements of his 23-year-old protégé Vítězslava Kaprálová that Bohuslav Martinů wrote the following in his review of the 1938 International Society for Contemporary Music (ISCM) Festival, held in London:The very first item on the programme of the Festival was Military Sinfouictta by Vitězslava Kaprálová – an opening with great promise for both the festival and the composer. Her performance was awaited with interest as well as some curiosity – a girl with a baton is quite an unusual phenomenon – and when our ‘little girl conductor’ (as the English newspapers called her) appeared before the orchestra, she was welcomed by a supportive audience. She stood before the orchestra with great courage and both her composition and performance earned her respect and applause from the excellent BBC orchestra, the audience, and the critics. … Kaprálová's international debut is a success, promising and encouraging.

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Zagnitko, V. M., V. V. Shunko, I. V. Kvasnytsia, and V. S. Sydorchuk. "Hydrothermal vein quartz from the granites of Bohuslav type (Rosynsko-Tikytskiy megablock of Ukrainian Shield)." Geochemistry and ore formation 37 (2016): 59–64. http://dx.doi.org/10.15407/gof.2016.37.059.

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Lebeda, Robert. "Nicolas Maslowski – Bohuslav Šalanda (ed.): Jak studovat aktéra a sociální změnu z perspektivy historické sociologie." HISTORICKÁ SOCIOLOGIE 11, no. 2 (December 2, 2019): 174–78. http://dx.doi.org/10.14712/23363525.2019.27.

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Zhukovska, Halyna. "REALISM AND MYTHOLOGY IN IVAN NECHUY-LEVYTSKY’S OEUVRE (based on the story “Starosvitski Batiushky ta Matushky”)." Literary Studies, no. 57 (2019): 77–96. http://dx.doi.org/10.17721/2520-6346.3(57).77-96.

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The article covers the features of the artistic embodiment of the mythological (biblical and antique) motifs and images in the story-chronicle of Ivan Nechuy Levytsky “Old-World fathers and mothers”, the foundations of mythology in the artistic text, the relations between mythology and realism are investigated. It is noted that Ivan Nechuy-Levytsky as a master of realistic prose in his work truly reproduces the daily life and life of the peasants of the Bohuslav region of the first half of the nineteenth century. Mainly focusing on the artistic modeling of the images of two priests – Khariton Mossakovsky and Mark Balabukh and the descriptions of the lives of their families, the author details internal (desire, thought, dreams, feelings) and the external existence of peasants, who are actively involved in social processes. It is proved that the use of mythological images and motifs in the narrative structure of a realistic story becomes a vivid means of disclosing a character or a life situation. Mythologism ornaments a realistic work, fills with vivid colors, deepens the emotional and narrative background, enriches the text.

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Coppins, B. J. "Nordic Lichen Flora. Volume 1. Introductory parts, Calicioid lichens and fungi. Bohuslän ‘5, Uddevalla: Nordic Lichen Society. pp 94, 82 colour photographs, 82 maps, 1 table; in English; hard covers. ISBN 91 972863 3 8. Price (including postage and packing): 230 kr (in Sweden) 280 kr (other Nordic countries) 350 kr (elsewhere in Europe) or 380 kr (outside Europe); available from Svenska Botaniska Föreningen, ℅Museum of Evolution, Botany Section, Villvägen 6, SE-752 36, Sweden." Lichenologist 32, no. 3 (May 2000): 305–7. http://dx.doi.org/10.1006/lich.2000.0275.

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