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Journal articles on the topic 'Boiardo'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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1

Lausten, Pia Schwartz. "Da Roland blev italiener – og forelsket." K&K - Kultur og Klasse 35, no. 103 (2007): 38–67. http://dx.doi.org/10.7146/kok.v35i103.22297.

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Italiensk ridderdigtning mellem epos og roman: M.M.Boiardos Orlando innamorato (1495) When Roland became an Italian – and fell in loveThough marking the invention of the chivalric epic, so famously mocked by Cervantes, Boiardo’s poem Orlando Innamorato (1494) has been overshadowed by the later, more famous works of Ariosto and Tasso, and the very genre of chivalric epic tends often to be forgotten. This article describes the cultural and historical conditions for the rise of the genre in the 15th century at the Este-court of Ferrara where an elitist humanist culture paradoxically enough coexis

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2

De Capitani, Patrizia. "Boccace dans Boiardo." Cahiers d’études italiennes, no. 8 (July 15, 2008): 63–97. http://dx.doi.org/10.4000/cei.869.

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3

Miller, Leo. "Milton's "Oxenbridge" Boiardo Validated." Milton Quarterly 23, no. 1 (1989): 26–34. http://dx.doi.org/10.1111/j.1094-348x.1989.tb00756.x.

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4

Segurado e Campos, José António. "Boiardo e a épica cavaleiresca." Euphrosyne 23 (January 1995): 379–98. http://dx.doi.org/10.1484/j.euphr.5.125996.

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5

Terpening, Ronnie H., and Julia M. Kisacky. "Magic in Boiardo and Ariosto." Italica 78, no. 1 (2001): 103. http://dx.doi.org/10.2307/480228.

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6

Dorigatti, Marco, Jo Ann Cavallo, and Charles Ross. "Fortune and Romance: Boiardo in America." Modern Language Review 95, no. 4 (2000): 1091. http://dx.doi.org/10.2307/3736660.

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7

Parkin-Speer, Diana, Jo Ann Cavallo, and Charles Ross. "Fortune and Romance: Boiardo in America." Sixteenth Century Journal 31, no. 2 (2000): 568. http://dx.doi.org/10.2307/2671687.

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8

Passante, Romana. "Jo Ann Cavallo and Corrado Confalonieri. Boiardo." Quaderni d'italianistica 41, no. 2 (2021): 246–48. http://dx.doi.org/10.33137/q.i..v41i2.36793.

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9

Cavallo, Jo Ann. "Book Review: Magic in Boiardo and Ariosto." Forum Italicum: A Journal of Italian Studies 34, no. 2 (2000): 562–64. http://dx.doi.org/10.1177/001458580003400216.

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10

Francis, R. A. "Review: Traduction de Roland l'Amoureux de Boiardo." French Studies 56, no. 4 (2002): 524–25. http://dx.doi.org/10.1093/fs/56.4.524.

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11

Looney, Dennis. "La pedìa de Cyro (da Senofonte). Matteo Maria Boiardo. Ed. Valentina Gritti. Opere di Matteo Maria Boiardo 5. Novara: Centro Studi Matteo Maria Boiardo; Interlinea Edizioni, 2014. 540 pp. €48." Renaissance Quarterly 68, no. 3 (2015): 984–86. http://dx.doi.org/10.1086/683868.

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12

Dorigatti, Marco, and Peter V. Marinelli. "Ariosto and Boiardo: The Origins of 'Orlando Furioso'." Modern Language Review 84, no. 4 (1989): 1001. http://dx.doi.org/10.2307/3731236.

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13

Brand, C. P., P. V. Marinelli, and Denise Alexandre-Gras. "Ariosto and Boiardo: The Origins of Orlando Furioso." Comparative Literature 42, no. 2 (1990): 183. http://dx.doi.org/10.2307/1771210.

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14

Kisacky, Julia M. "Jo Ann Cavallo and Corrado Confalonieri (eds.), Boiardo." Forum Italicum: A Journal of Italian Studies 53, no. 1 (2019): 174–76. http://dx.doi.org/10.1177/0014585818820022.

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15

Sowell, Madison U., and Peter V. Marinelli. "Ariosto and Boiardo: The Origins of Orlando Furioso." Rocky Mountain Review of Language and Literature 43, no. 1/2 (1989): 104. http://dx.doi.org/10.2307/1347206.

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16

Murrin, Michael J., and Peter V. Marinelli. "Ariosto and Boiardo: The Origins of "Orlando Furioso"." Italica 66, no. 4 (1989): 466. http://dx.doi.org/10.2307/479266.

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17

Comensoli, Viviana, and Peter V. Marinelli. "Ariosto and Boiardo. The Origins of Orlando Furioso." Sixteenth Century Journal 19, no. 4 (1988): 662. http://dx.doi.org/10.2307/2540997.

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18

BENOZZO, FRANCESCO. "Nostalgia for Chivalry and the Myth of the Knight: The Post-Medieval Reception of Arthurian Tales." Philology 4, no. 2018 (2019): 173–93. http://dx.doi.org/10.3726/phil042019.4.

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Abstract The role of Renaissance writers in discovering Medieval Arthurian texts has been a crucial one, and somehow precedes the cultural process of Romantic authors. In this article a few narrative strategies and attitudes are analysed, with reference to authors like Pierre Sala, Mossen Gras, Alain Bouchart, Jorge Ferreira de Vasconcelos, Niccolò degli Agostini, Luigi Alamanni, and with comparative considerations about Malory, Ariosto and Boiardo.

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19

Boiardo (book author), Matteo Maria, Andrea di Tommaso (book editor and translator), and Robert J. Rodini (review author). "Amorum Libri. The Lyric Poems of Matteo Maria Boiardo." Quaderni d'italianistica 15, no. 1-2 (1994): 271–72. http://dx.doi.org/10.33137/q.i..v15i1-2.10263.

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20

Cavallo, Jo Ann, Matteo Maria Boiardo, and Andrea di Tommaso. "Amorum Libri: The Lyric Poems of Matteo Maria Boiardo." Italica 71, no. 3 (1994): 409. http://dx.doi.org/10.2307/480111.

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21

Monducci (book author), Elio, Gino Badini (book author), and Antonio Franceschetti (review author). "Matteo Maria Boiardo: La Vita nei documenti del suo tempo." Quaderni d'italianistica 18, no. 2 (1997): 304–5. http://dx.doi.org/10.33137/q.i..v18i2.10013.

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22

Marinelli (book author), Peter V., and Antonio Franceschetti (review author). "Ariosto and Boiardo. The Origins of Orlando Furioso." Quaderni d'italianistica 11, no. 2 (1990): 316–20. http://dx.doi.org/10.33137/q.i..v11i2.10591.

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23

Sherberg, Michael. "Matteo Maria Boiardo and the Cantari di Rinaldo." Quaderni d'italianistica 7, no. 2 (1986): 165–81. http://dx.doi.org/10.33137/q.i..v7i2.11000.

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24

Baldassari, Gabriele. "Il Boiardo di Tiziano Zanato. Riflessioni, ipotesi, raffronti." Giornale storico della letteratura italiana 194, no. 647 (2017): 402–27. http://dx.doi.org/10.1484/j.gsli.5.129690.

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25

Baldassari, Gabriele. "Un percorso metrico negli Amores di Boiardo. I sonetti cruciati." Colloquium 9788879168946 (October 2019): 39–46. http://dx.doi.org/10.7359/894-2019-bald.

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26

Nicou, Pascaline. "La poétique de l’émerveillement dans le Roland amoureux de Boiardo." Labyrinthe, no. 19 (December 15, 2004): 139–43. http://dx.doi.org/10.4000/labyrinthe.253.

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27

Kisacky, Julia M. "Magic and Enchanted Armaments: Moral Considerations in Boiardo and Ariosto." Forum Italicum: A Journal of Italian Studies 30, no. 2 (1996): 253–73. http://dx.doi.org/10.1177/001458589603000201.

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28

Dotoli, Giovanni, and Marcella Leopizzi. "Alain-René Lesage et la traduction au XVIIIe siècle : Roland l’Amoureux." TTR 23, no. 2 (2012): 187–220. http://dx.doi.org/10.7202/1009165ar.

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En 1717, Alain-René Lesage fait paraître une adaptation en prose du poème italien de Matteo Maria Boiardo, intitulé Orlando innamorato, sous le titre de Roland l’Amoureux. Comme lui-même l’explique dans sa Préface, Lesage élabore son remaniement de l’Orlando innamorato en toute conformité aux nécessités et aux goûts du XVIIIe siècle. Il intervient sur l’architecture du récit, voire sur la dispositio, mais aussi sur l’inventio : il se base sur le principe de vraisemblance, il introduit une plus grande cohérence dans la narration, il « corrige » tout ce qui apparaît trop fantastique et irrationn

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29

Davie, Mark, and Paolo Baldan. "Metamorfosi di un orco: un'irruzione folclorica nel Boiardo esorcizzata dall' Ariosto." Modern Language Review 81, no. 1 (1986): 224. http://dx.doi.org/10.2307/3728819.

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30

Figliuolo, Bruno. "Due inedite lettere del Comune di Bologna a Matteo Maria Boiardo." Giornale storico della letteratura italiana 193, no. 641 (2016): 48–51. http://dx.doi.org/10.1484/j.gsli.5.129543.

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31

Tissoni Benvenuti, Antonia. "Appunti per il Ricobaldo di Boiardo: Ammiano Marcellino e Biondo Flavio." Colloquium 9788879168946 (October 2019): 47–52. http://dx.doi.org/10.7359/894-2019-tiss.

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32

Boccassini, Daniela. "Fifteenth-century ?istoria?: texts, images, contexts (Matteo Maria Boiardo andjacopo Bellini)." Renaissance Studies 13, no. 1 (1999): 1–14. http://dx.doi.org/10.1111/j.1477-4658.1999.tb00062.x.

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33

Zava, Giulia. "Matteo Maria Boiardo, Asino d’oro (da Apuleio), a cura di Matteo Favaretto, Novara, Centro Studi Matteo Maria Boiardo-Interlinea, 2021." Zeitschrift für romanische Philologie 138, no. 4 (2022): 1358–60. http://dx.doi.org/10.1515/zrp-2022-0079.

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34

Cavallo (book author), Jo Ann, and Sebastiano Bazzichetto (review author). "The World beyond Europe in the Romance Epics of Boiardo and Ariosto." Quaderni d'italianistica 35, no. 2 (2015): 272–74. http://dx.doi.org/10.33137/q.i..v35i2.23626.

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35

Cavallo (book author), Jo Ann, and Goran Stanivukovic (review author). "The World beyond Europe in the Romance Epic of Boiardo and Ariosto." Renaissance and Reformation 40, no. 1 (2017): 246–48. http://dx.doi.org/10.33137/rr.v40i1.28457.

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36

Cavallo, Jo Ann. "The Pathways of Knowledge in Boiardo and Ariosto: The Case of Rodamonte." Italica 79, no. 3 (2002): 305. http://dx.doi.org/10.2307/3656094.

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37

Carocci, Anna. "Il Cieco da Ferrara e Matteo Maria Boiardo: una ripresa per opposizione." Giornale storico della letteratura italiana 192, no. 640 (2015): 549–70. http://dx.doi.org/10.1484/j.gsli.5.129511.

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38

Everson, Jane. "Espaces chevaleresques et héroiques de Boiardo au Tasse - Edited by Matteo Residori." Renaissance Studies 24, no. 2 (2010): 328–30. http://dx.doi.org/10.1111/j.1477-4658.2010.00652.x.

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39

Celli, Andrea. "The World Beyond Europe in the Romance Epics of Boiardo and Ariosto." Italian Culture 34, no. 1 (2016): 49–51. http://dx.doi.org/10.1080/01614622.2015.1133049.

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40

Spangenberg, Brady J. "Delay the War But Not the Sex: Boiardo on Action and Time." Arthuriana 21, no. 1 (2011): 97–109. http://dx.doi.org/10.1353/art.2011.0010.

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41

Ross, Charles, and Julius A. Molinaro. "Matteo Maria Boiardo: A Bibliography of Works and Criticism from 1487-1980." Italica 66, no. 2 (1989): 232. http://dx.doi.org/10.2307/478942.

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42

Sowell, Madison U. "Ariosto and Boiardo: The Origins of Orlando Furioso by Peter V. Marinelli." Rocky Mountain Review 43, no. 1-2 (1989): 104–6. http://dx.doi.org/10.1353/rmr.1989.0007.

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43

Boccassini, D. "Fifteenth-century 'Istoria': texts, images, contexts (Matteo Maria Boiardo and Jacopo Bellini)." Renaissance Studies 13, no. 1 (1999): 1–14. http://dx.doi.org/10.1111/1477-4658.00289.

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44

Lacroix, Jean. "Le carnaval des animaux de Matteo Maria Boiardo : un bestiaire ludique et décoratif." Italies, no. 10 (October 1, 2006): 11–35. http://dx.doi.org/10.4000/italies.1950.

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45

Martín Morán, José Manuel. "El entrelazamiento en el Quijote." Anales Cervantinos 53 (December 9, 2021): 133–56. http://dx.doi.org/10.3989/anacervantinos.2021.005.

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El entrelazamiento en el Quijote ofrece a Cervantes la oportunidad de desarrollar la figura y las funciones de Cide Hamete, como responsable de la mayor parte de las alternancias narrativas de la historia principal. No es esta la única diferencia en el uso de esta técnica tradicional en la narrativa caballeresca entre el Quijote y los tres interlocutores privilegiados de su diálogo intertextual: el Orlando furioso, el Orlando innamorato y el Amadís de Gaula. El cotejo de las fórmulas y las ocasiones del entrelazamiento, así como de la relación de aquellas con la materia narrativa, revelan una

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46

Zoltán, Simon Lajos. "Adalékok Janus Pannonius De stella aestivo meridie visa című elégiájának értelmezéséhez." Antik Tanulmányok 65, no. 2 (2021): 235–47. http://dx.doi.org/10.1556/092.2021.00016.

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Mindmáig nem jutott nyugvópontra a kutatás azon kérdésben, hogy milyen égitest tűnik föl Janus Pannonius De stella aestivo meridie visa című elégiájában. Bollók János az égitestet az 1462 nyarán Kínában megﬁgyelt üstökössel azonosította. Álláspontját azonban kétkedés fogadta, s az elégiát elemző újabb tanulmányok a Venus bolygóval való azonosítás mellett foglalnak állást. Tanulmányunkban a kutatásban eleddig ﬁgyelmen kívül hagyott irodalmi párhuzamok vizsgálatával amellett érvelünk, hogy a leírás üstököst kíván ábrázolni. Megvizsgáljuk Tito Vespasiano Strozzi Borsias című eposzának hasonló tár

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47

Fumagalli, Edoardo. "Una nuova lettura di Matteo Maria Boiardo (a proposito di un bel libro recente)." Quaderni d'italianistica 16, no. 1 (1995): 91–104. http://dx.doi.org/10.33137/q.i..v16i1.10387.

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48

Cavallo (book author), Jo Ann, and Valeria Finucci (review author). "The Romance Epics of Boiardo, Ariosto and Tasso: From Public Duty to Private Place." Renaissance and Reformation 39, no. 4 (2003): 116–18. http://dx.doi.org/10.33137/rr.v39i4.8932.

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49

Migiel, Marilyn, and Jo Ann Cavallo. "The Romance Epics of Boiardo, Ariosto, and Tasso: From Public Duty to Private Pleasure." Sixteenth Century Journal 37, no. 4 (2006): 1224. http://dx.doi.org/10.2307/20478227.

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50

Leopizzi, Marcella. "Alain-René Lesage et son adaptation de l’“Orlando Innamorato” de Matteo Maria Boiardo." Studi Francesi, no. 164 (LV | II) (September 1, 2011): 323–33. http://dx.doi.org/10.4000/studifrancesi.5496.

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