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Relevant bibliographies by topics / Boito, arrigo, 1842-1918

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Journal articles
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Academic literature on the topic 'Boito, arrigo, 1842-1918'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Boito, arrigo, 1842-1918"

1

Filonik, Apolonia. "Motywy polskie w twórczości krytycznoliterackiej Arriga Boito. Od Mickiewicza do Zaciśniętej pięści." Colloquia Litteraria 34, no. 1 (2023): 113–26. http://dx.doi.org/10.21697/cl.2023.34.1.7.

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   Arrigo Boito’s (1842–1918) relationship with poland has been studied extensively since 1963, when Walerian preisner published a monographic study of Boito and his connections to poland. In subsequent years, additional publications focusing on this artist with polish roots have appeared. The article on polish motifs in Boito’s critical and literary work summarizes the influence of polish literature, particularly the works of Adam Mickiewicz, on the Italian’s oeuvre. This article not only builds on the research of previous scholars but also offers new insights and observatio

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2

Zamir, Sara. "A PORTRAITURE OF HELEN, QUEEN OF TROY IN BOITO'S Mefistofele: Coincidentia Oppositorum." Revista Europeia de Estudos Artisticos 1, no. 2 (2010): 1–15. http://dx.doi.org/10.37334/eras.v1i2.16.

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In this study we attempt to understand some of the aesthetical features implemented by Arrigo Boito (1842-1918) for the dramaturgic formation of the final act of the opera Mefistofele. Doing that, we will focus on the bifocal character of Helen, both as flash-and-blood woman and as the divine Queen of Troy. Disregarding the controversial criticism of the value of the music, the analysis below reveals deep concern for the dramatic coherence practiced by musical associations and cultural signals. It shows that the composer has sincerely made an effort to characterize both facets of Helen-i.e. fe

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3

Zamir, Sara. "A PORTRAITURE OF HELEN, QUEEN OF TROY IN BOITO'S Mefistofele:." ERAS | European Review of Artistic Studies 1, no. 2 (2010): 1–15. http://dx.doi.org/10.37334/eras.v1i2.180.

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Abstract:

In this study we attempt to understand some of the aesthetical features implemented by Arrigo Boito (1842-1918) for the dramaturgic formation of the final act of the opera Mefistofele. Doing that, we will focus on the bifocal character of Helen, both as flash-and-blood woman and as the divine Queen of Troy. Disregarding the controversial criticism of the value of the music, the analysis below reveals deep concern for the dramatic coherence practiced by musical associations and cultural signals. It shows that the composer has sincerely made an effort to characterize both facets of Helen-i.e. fe

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Dissertations / Theses on the topic "Boito, arrigo, 1842-1918"

1

Giordano, Céline. "La Scapigliatura (1862-1885) : approches historiques et critiques." Paris 4, 1997. http://www.theses.fr/1997PA040178.

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Ce travail se divise en deux parties comptant chacune trois chapitres. La première partie, du mot aux thèmes, réfléchit sur les origines du nom Scapigliatura afin de comprendre pourquoi ce terme désigne un mouvement littéraire et artistique, qui eut Milan pour foyer, et se développa entre 1860 et 1885. Le roman de Cletto (1828-1906), La Scapigliatura e il 6 Febbraio (1862), et le rôle de la presse dans la fortune de ce mot sont étudiés au premier chapitre, Scapigliatura et sémantique. Dans le second, au temps de la Scapigliatura, une perspective diachronique permet de présenter les principaux

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Books on the topic "Boito, arrigo, 1842-1918"

1

The Verdi-Boito Correspondence. University of Chicago Press, 2015.

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