Relevant bibliographies by topics / Bojack horseman

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Bojack horseman'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Bojack horseman"

1

Marqueta Calvo, Sergio. "BoJack Horseman, construyendo humor." Ventana Indiscreta, no. 20 (2018): 18–25. http://dx.doi.org/10.26439/vent.indiscreta2018.n020.2683.

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Terrone, Enrico. "There’s Always More Show." Film and Philosophy 26 (2022): 55–67. http://dx.doi.org/10.5840/filmphil202110199.

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This paper casts the television series BoJack Horseman as a challenge to the genre that Stanley Cavell calls “the comedy of remarriage.” First, it is argued that the last season of the series explicitly suggests but finally contradicts the narrative pattern of the comedy of remarriage. Then, the impossibility of remarriage in BoJack Horseman is traced back to some structural features of the medium of television and its relationship to time. Finally, the impossibility of remarriage in BoJack Horseman is related to the capacity of the medium of television to enable self-defeating fictions which challenge fiction as a cultural institution.
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Sawallisch, Nele. "“Horsin’ Around”? #MeToo, the Sadcom, and BoJack Horseman." Humanities 10, no. 4 (October 29, 2021): 115. http://dx.doi.org/10.3390/h10040115.

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The animated series BoJack Horseman has garnered much critical acclaim for its mix of tragic and comic portrayals of its eponymous protagonist, washed-up actor and cynic BoJack, and his friends in the anthropomorphic Hollywoo setting. The term “sadcom” has been applied to BoJack and other series that operate on similar premises—an interesting response to larger critical investigations of the intersections of tragic and comic modes of humor that find expression, for example, in the awkward and in cringe. This article investigates how this mixture comes to bear in season 5 of the series from 2018, which deals with several topics related to the #MeToo movement. Through several formal elements as well as plotlines that lay bare superficial performances and complicitness in a sexist system, the season supports notions of authenticity and solidarity that lie the heart of sadcoms, which invites closer inspection not just of BoJack Horseman but the genre as a whole.
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Falvey, Eddie. "Situating Netflix’s Original Adult Animation: Observing Taste Cultures and the Legacies of ‘Quality’ Television through BoJack Horseman and Big Mouth." Animation 15, no. 2 (July 2020): 116–29. http://dx.doi.org/10.1177/1746847720933791.

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This article aims to expand upon a key aspect of Mareike Jenner’s work on Netflix original comedy by considering how the streaming network’s original adult animated series reflect developments occurring within the sitcom format post-TV III. Using Netflix original animations BoJack Horseman (2014–) and Big Mouth (2017–) as case studies, this article will consider how thematically complex, ostensibly ‘smart’ animated shows illustrate changing industrial dynamics and taste cultures. While exhibiting qualities found in preceding key adult animated shows such as South Park (Comedy Central 1997–) and Family Guy (Fox 1999–), including lewd humour, metatextual in-jokes and topicality, the knotty storytelling and ambiguous characterizations of the shows under discussion reflect links to other contexts of TV production. Exploring these links, this article uses BoJack Horseman and Big Mouth to explore current trends in animated television, situating their characteristics and reception within a broader network of influences. The author argues that the turn towards complex storytelling manifests both in inherited production tactics, changing taste cultures and in the multifaceted and multifarious potentialities provided by the medium itself.
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Wilm, Jan. "KOMMT EIN KENTAUR IN EINE BAR. ÜBER BOJACK HORSEMAN UND ANDERE MISCHWESEN." POP 7, no. 1 (March 1, 2018): 158–76. http://dx.doi.org/10.14361/pop-2018-0119.

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Asmita Singh. "Bojack Horseman’s Existentialism and the Nuances of Representation of Mental Health." Creative Launcher 6, no. 2 (June 30, 2021): 54–60. http://dx.doi.org/10.53032/tcl.2021.6.2.09.

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Contemporary pop culture and media, especially the ones targeted at young individuals, are beginning to get the rightful recognition, deservedly so. Psychologists, researchers are shifting the focus on the validity of media (Broadcast media in particular like Television, Podcasts, in shaping one’s perception of mental health and illness. OTT platforms such as Amazon Prime, Netflix, and Hotstar, among many others, and the content produced on those have exponentially influenced the lives of so many. As they exercise more freedom than traditional media, they explore uncharted territories in terms of their content, as is obvious because of the lack of censorship. OTT platforms have observed an upward curve in their popularity and usage, especially on account of the depiction of varied themes and subjects like mental illness, therapy, and millennial psychology. Consumption patterns have shifted tremendously, especially in unprecedented confinement. Millennials prefer to consume a lot of online content streamed on these platforms. Qualitative descriptive data in the form of the visual text comes from the Netflix original, Bojack Horseman, while simultaneously applying autoethnographic research technique to understand the depiction of mental health in the show; analyzing the show’s existentialist tools to relieve millennial angst brought on by the unbearableness of human existence.
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Sánchez Saura, Raúl. "BOJACK HORSEMAN, OR THE EXHAUSTION OF POSTMODERNISM AND THE ENVISIONING OF A CREATIVE WAY OUT." Creativity Studies 12, no. 2 (November 13, 2019): 291–300. http://dx.doi.org/10.3846/cs.2019.10845.

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Postmodernism, as a hegemon, has determined the cultural coordinates of audiovisual products in the last decades. Since 2008, some shows have creatively questioned its main principles, such as superficiality, cynicism-bordering irony and the lack of alternative to all this (Francis Fukuyama’s end of history). BoJack Horseman (executive producers Raphael Bob-Waksberg, Noel Bright, Steven A. Cohen, Blair Fetter, Jane Wiseman, Will Arnett, Aaron Paul and Andy Weill, 2014–2019), the Netflix series, follows the struggles in the life of the eponymous character, star of the 1990s sitcom Horsin’ Around, and his exhaustion from the vacuity of life in Hollywood, United States. Surrounded by his peculiar entourage, viewers witness all sorts of unimportant nonsense and risible statements to ultimately engage in the story and meet old characters under a new light. After many seasons, our understanding of them changes and we are forced to revaluate our consideration of them, engaging sympathetically and leaving behind an individualist detachment some authors, like David Foster Wallace, criticised in the past. This only comes to happen because of the creative use of animation, the script and characters.
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Coração, Cláudio Rodrigues, and William David Vieira. "Ídolos de uma decadência perversa." Tríade: Revista de Comunicação, Cultura e Mídia 8, no. 17 (July 1, 2020): 66–92. http://dx.doi.org/10.22484/2318-5694.2020v8n17p66-92.

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Neste artigo, travamos um debate em torno do que definimos como decadência ou ontologia de uma perversidade midiática dentro da cultura pop, por meio da análise de quatro personagens (ou ícones). São eles: Norma Desmond (Crepúsculo dos Deuses, filme de 1950), Toni Roy Show (conto de João Antônio), BoJack Horseman (personagem da série homônima de 2014) e a cantora Lana Del Rey, com seu videoclipe Blue Velvet. Trabalhamos a ideia de que os personagens são exemplos de um mesmo sufocamento, que torna autômato e hermético um processo de fabricação e destruição de ícones midiáticos. Orquestramos metodologicamente tais questões por meio de três categorias analíticas (melodrama, frivolidade e semblante da melancolia), que nos levam a perceber o funcionamento dessa decadência, símbolo de operação do pop.
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Schmuck, Laurel. "Wild Animation: From the Looney Tunes to Bojack Horseman in Cartoon Los Angeles." European journal of American studies 13, no. 1 (May 16, 2018). http://dx.doi.org/10.4000/ejas.12459.

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Dissertations / Theses on the topic "Bojack horseman"

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Chiappani, Vanessa. "Traduzione audiovisiva. BoJack Horseman: Free Churro - A case study." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019.

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BoJack Horseman è una serie è ancora in corso disponibile sulla piattaforma on demand Netflix. La casa di doppiaggio Royfilm si è occupati della traduzione e dell’adattamento dei dialoghi in italiano. In alcuni punti – specialmente per quanto riguarda realia, riferimenti a pop culture e giochi di parole, la loro traduzione risulta essere poco accurata. Ci si soffermerà in particolare sul sesto episodio della quinta stagione: “Free Churro” (Churro Gratis). Se ne analizzeranno le difficoltà di resa, sottolineando gli aspetti positivi e quelli più problematici della traduzione ufficiale in italiano, offrendo delle soluzioni alternative più efficaci. Questo episodio perché è costruito attorno ad un’ambiguità linguistica inglese che in italiano non è presente, che lo rende particolarmente interessante all'analisi. Sono presenti riferimenti ad elementi esistenti solo nella cultura statunitense e viene offerta un’ampia panoramica della profondità psicologica di tutta la serie e, in particolare, del personaggio principale. Il metodo adottato sarà il seguente: si inizierà con la descrizione di alcune nozioni teoriche sulla traduzione e l’adattamento televisivo, per poi procedere con l’analisi critica dell’adattamento della puntata, sottolineandovi punti di forza e punti di debolezza, trattando anche della carica emotiva di certe battute, laddove ve ne sia spazio. Nel momento in cui le soluzioni proposte dai traduttori ufficiali non siano ritenute soddisfacenti, verrà proposta una soluzione alternativa, senza l’intento di sostituirsi in alcun modo a dei professionisti.
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Carriero, Nicola. "Analisi semantica e traduzione del verbal humor: il caso Bojack Horseman." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017.

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L'elaborato presenta uno studio della semantica e della traduzione del verbal humour dall’inglese all’italiano, prima prendendo in considerazione la Teoria semantica dello humor di Raskin e la Teoria generale del verbal humor di Attardo, poi studiando alcuni estratti dalla serie televisiva BoJack Horseman. Lo scopo dell’elaborato è di studiare le difficoltà che si possono incontrare nel passaggio da una lingua-cultura a un’altra e analizzare le strategie adoperate per rendere efficace la traduzione dello humor.
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Safarova, Jeyla Sofie. "Humor som ett retoriskt vapen : En analys av Bojack Horseman och dess tragikomiska, retoriska funktion." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-347208.

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Books on the topic "Bojack horseman"

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Hanawalt, Lisa, writer of foreword, Bob-Waksberg, Raphael, writer of introduction, and Klopfer, Eric (Eric J.), editor, eds. BoJack Horseman: The art before the horse. 2018.

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Porat, David. BoJack Horseman Coloring Book: Coloring Book for Teen. Independently Published, 2020.

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3

Lovell, Daniel. Bojack Horseman: Ruled Journal with Lined Paper, Composition Notebook , Soft Cover. Independently Published, 2020.

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Wingler, Thomas. Bojack Horseman: Ruled Journal with Lined Paper for Taking Notes, Writing , Composition Notebook for School, Home, Office, Work, Perfect Gift for Kids and Adult All Ages, Notebook/Journal. Independently Published, 2020.

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Lovell, Daniel. Bojack Horseman: Ruled Journal with Lined Paper for Taking Notes, Writing , Composition Notebook for School, Home, Office, Work, Perfect Gift for Kids and Adult All Ages, Notebook/Journal. Independently Published, 2020.

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Darden, Adam. Bojack Horseman: Diary Notebook, School Composition Lined Journal, Unique for Teenage Girls Boys Adults, Perfect for Notes, Creative Ideas, Recipes, Diary, to Do Lists ... - Journal, Notebook, Best Gift for Kids All Ages. Independently Published, 2020.

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Book chapters on the topic "Bojack horseman"

1

Cochran, James M. "“Neigh Way, Jose”: Posthuman Communication in BoJack Horseman." In Second Language Learning and Teaching, 101–12. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76159-2_9.

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Conference papers on the topic "Bojack horseman"

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Chen, Feilin. "Research on the Dispirited Culture—Based on The BoJack Horseman." In 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200709.010.

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