Relevant bibliographies by topics / Bolivian Art

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  1. Journal articles

Academic literature on the topic 'Bolivian Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Bolivian Art"

1

Śniadecka-Kotarska, Magdalena. "Formy narracyjne retablos andyjskich. Casus Peru i Boliwii." Sztuka Ameryki Łacińskiej 1 (2011): 139–61. http://dx.doi.org/10.15804/sal201106.

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The article concerns contemporary folk art in Peru and Bolivia. The local retablos are described, their history from colonial period and their new functions in the present time are presented. Traditional products of artesanía have been converted from sacred objects into ones that comment actual political-social changes. The author focuses on examples from the civil war period in Peru 1980–2000 and these from 2005–2009 from Bolivia. Peruvian retablos from Ayacucho region show tragic events of civil war, violence against indigenous Indians, fights and women tragic fate. Bolivian retablos show di
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2

Ferreira, Leonardo, Giovanni A. Carosso, Natalia Montellano Duran, et al. "Implementing participatory immunology education in a diverse Latin American student population." Journal of Immunology 204, no. 1_Supplement (2020): 222.19. http://dx.doi.org/10.4049/jimmunol.204.supp.222.19.

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Abstract Immunology is typically first encountered by students in advanced college or graduate courses. Additional challenges to teaching immunology exist in the developing world, where limited resources require curricula balancing state-of-the-art knowledge with region-specific practical considerations. Project-based teaching is especially difficult to execute due to lack of infrastructure and teacher training. Here, we report the results of implementing short hands-on low-cost microbiology and immunology courses for high school and college students in Bolivia. This initiative, “Clubes de Cie
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3

Hess, John. ": The Art and Politics of Bolivian Cinema . Jose Sanchez-H." Film Quarterly 53, no. 3 (2000): 58–59. http://dx.doi.org/10.1525/fq.2000.53.3.04a00140.

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Hess, John. "Review: The Art and Politics of Bolivian Cinema by José Sanchez-H." Film Quarterly 53, no. 3 (2000): 58–59. http://dx.doi.org/10.2307/1213743.

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5

Bodansky, Daniel, and Kenneth J. Vandevelde. "Aguas del Tunari, S.A. v. Republic of Bolivia. ICSID Case no. ARB/02/3. Jurisdiction. 20 ICSID." American Journal of International Law 101, no. 1 (2007): 179–84. http://dx.doi.org/10.1017/s000293000002964x.

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Aguas Del Tunari, S.A. v. Republic of Bolivia, ICSID Case No. ARB/02/3. Jurisdiction. 20 ICSID Review: Foreign Investment Law Journal 450 (2005).International Centre for Settlement of Investment Disputes, October 21, 2005.In Aguas del Tunari v. Republic of Bolivia, an International Centre for Settlement of Investment Disputes (ICSID) tribunal held that it had jurisdiction under the Netherlands-Bolivia bilateral investment treaty (BIT) over a claim against Bolivia brought by a Bolivian company owned primarily by two companies— one American and one Spanish—through Dutch intermediaries. The tribu
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6

Field, Thomas C. "Union Busting as Development: Transnationalism, Empire and Kennedy's Secret Labour Programme for Bolivia." Journal of Latin American Studies 52, no. 1 (2019): 27–51. http://dx.doi.org/10.1017/s0022216x19000646.

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AbstractDrawing on archives from the US labour movement, personal papers of transnational labour organisers, Bolivian oral histories and press reports, and government records from four countries, this article explores a web of Cold War relationships forged between Bolivian workers and US government and labour officials. Uncovering a panoply of parallel and sometimes conflicting state-supported trade union development programmes, the article reveals governments’ inability to fully control the exuberance of ideologically-motivated labour activists. Rather than succeed in shoring up a civilian go
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7

Tomaszewski, Jarosław. "Populizm religijno-polityczny Eva Moralesa wyzwaniem dla Kościoła katolickiego." Annales Missiologici Posnanienses, no. 25 (December 31, 2020): 71–84. http://dx.doi.org/10.14746/amp.2020.25.5.

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The article shows the diffi cult problem of how to renew the dialogue between the Catholic Church, present in Bolivia since the sixteenth century and the populist regime of Evo Morales, nowadays expelled by the Bolivian opposition from his own country. The painful division of the Bolivian society into several distinctly separate groups is a huge missionary challenge for the Catholic Church in Bolivia. Catholicism cannot look indiff erently at the many social experiments conducted in the area of this very poor Andean country. What is required, is a radical change of the spiritual formation, whi
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8

Smale, R. "José Sánchez-H. (1999), The Art and Politics of Bolivian Cinema, The Scarecrow Press, Inc. (Lanham, Maryland, and London). xviii+267 pp., $55.00 hbk." Bulletin of Latin American Research 19, no. 4 (2000): 579–81. http://dx.doi.org/10.1016/s0261-3050(00)00043-7.

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9

Haynes, Nell. "Kiss with a fist." Journal of Language and Sexuality 5, no. 2 (2016): 250–75. http://dx.doi.org/10.1075/jls.5.2.06hay.

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Lucha libre, a form of exhibition wrestling, has recently gained popularity in Bolivia, thanks to mixed-gender matches featuring traditionally-dressed women known as the cholitas luchadoras. Within their matches, the act of kissing is often used as a form of humiliating an opponent. This article explores the convergence of eroticism and humiliation in these kisses as an entry point for a broader understanding of the deployment of power in the Bolivian context. Taking both the symbolic language of bodies in the ring and audience discourses about that action, I explore how associations between h
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10

Antaki, Berea, and Katalin Medvedev. "Bolivian textile crafts and the subversion of institutionalized sustainability." Clothing Cultures 7, no. 1 (2021): 91–100. http://dx.doi.org/10.1386/cc_00031_1.

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This article describes the tensions between institutionalized and grassroots forms of sustainability and their subsequent effects on textile artisans in La Paz, Bolivia. Principles of the indigenous cosmology Suma Qamaña are applied to the twenty-first-century challenge of environmental degradation and governmental corruption in the description of craft practices at two artisan collectives in La Paz. Suma Qamaña is an expression of the harmonious and respectful coexistence of humans with nature, which entails communal values and reciprocal resource management principles. The study highlights g
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