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Books on the topic 'Bollywood films'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Dwyer, Rachel. 100 bollywood films. Lotus Collection, Roli Books, 2005.

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2

Dwyer, Rachel. 100 Bollywood films. BFI, 2005.

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3

Institute, British Film, ed. 100 Bollywood films. BFI, 2005.

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4

Gupta, Shubhra. 50 films that changed Bollywood, 1995-2015. HarperCollins Publishers India, 2016.

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5

Anwar, Jamal, ed. Hollywood Bollywood: The politics of crossover films. Vani Prakashan, 2008.

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6

Diwan, Sattar, K. D. Satyam, Raima Sen та Salim Diwan. Bollywood diaries: Bôlīvuḍa dāyarīja. Shemaroo Entertainment, 2016.

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7

Grimaud, Emmanuel. Bollywood film studio, ou, Comment les films se font à Bombay. CNRS, 2003.

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8

Italo, Spinelli, and Festival internazionale del film di Locarno (55th : 2002), eds. Indian summer: Films, filmakers, and stars between Ray and Bollywood. Olivares, 2002.

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9

Madan-Bahel, Anvita. Sexual health and Bollywood films: A culturally-based program for South Asian teenage girls. Cambria Press, 2008.

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10

Dudrah, Rajinder Kumar. British South Asian identities and the popular cultures of British Bhangra music, Bollywood films and Zee Tv in Birmingham. University of Birmingham, 2001.

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11

Srour, Némésis. Bollywood Film Traffic. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-64491-7.

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12

Sheena, Sippy, ed. Bollywood posters. Thames & Hudson, 2008.

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13

Jansson, Pär. Bollywood: Indiens drömfabrik. 2nd ed. CKM, 2010.

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14

Ausaja, S. M. M. Bollywood in posters. Om Books International, 2009.

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15

Chopra, Anupama. King of Bollywood. Grand Central Publishing, 2007.

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16

Jess-Cooke, Carolyn. Film sequels: Theory and practice from Hollywood to Bollywood. Edinburgh Univ. Press, 2012.

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17

Dwyer, Rachel. 100 Bollywood Films. Bloomsbury Publishing (UK), 2005. http://dx.doi.org/10.5040/9781838710538.

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18

D, Sheila. Mon Carnet de Films Bollywood. Independently Published, 2021.

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19

Bollywood Films of the Decade. Independently Published, 2020.

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20

Kothari, Jitendra, and Dinesh Raheja. The Bollywood Saga. Aurum Press Ltd, 2004.

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21

Beyond Bollywood. Routledge, 2003.

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22

Bollywood Dreams. Faber & Faber, 2011.

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23

Dwyer, Rachel. 100 Bollywood Films (Bfi Screein Guides). British Film Institute, 2006.

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24

Dwyer, Rachel. 100 Bollywood Films (Bfi Screen Guides). British Film Institute, 2006.

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25

Rao, Sri. Bollywood Kitchen: Home-Cooked Indian Meals Paired with Unforgettable Bollywood Films. Houghton Mifflin Harcourt Publishing Company, 2017.

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26

Bollywood kitchen: Home-cooked Indian meals paired with unforgettable Bollywood films. Houghton Mifflin Harcourt, 2017.

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27

Bollywood Showplaces. E & E Plumridge Ltd, 2002.

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28

Indian Cinema Beyond Bollywood. Taylor & Francis Group, 2018.

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29

Krämer, Lucia. Adaptation in Bollywood. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.14.

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Chapter 14 examines the role of adaptation as both genre and practice in contemporary Hindi mainstream cinema, with reference to Indian film history and adaptation in Hollywood. In Bollywood today, despite the relative scarcity of literary adaptations, the multiplex boom has led to new ways of marketing adaptations and to a greater number of best-seller adaptations in recent years. Intramedial adaptations of both local and foreign films, by contrast, are a fully established practice of risk management, whose policies of copyright and self-positioning in relation to foreign films, for example t

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30

Limited, Dorling Kindersley, ed. Bollywood: The films! the songs! the stars! 2017.

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31

Banaji, S. Reading 'Bollywood': The Young Audience and Hindi Films. Palgrave Macmillan Limited, 2006.

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32

Banaji, S. Reading 'Bollywood': The Young Audience and Hindi Films. Palgrave Macmillan Limited, 2012.

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33

Banaji, Shakuntala. Reading 'Bollywood': The Young Audience and Hindi Films. Palgrave Macmillan, 2006.

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34

Banaji, S. Reading 'Bollywood': The Young Audience and Hindi Films. Palgrave Macmillan, 2006.

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35

Reading 'Bollywood': The Young Audience and Hindi Films. Palgrave Macmillan, 2006.

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36

Rajadhyaksha, Ashish. 5. Bollywood. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780198723097.003.0005.

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Indian cinema has historically assumed that its enormous local impact disqualifies it from imagining an audience beyond the domestic one. ‘Bollywood’ explains, however, that there has been—and still is—an elusive fugitive, global audience. But why are only 15–17 per cent of Indian films commercially successful? Who is making all the money? The criminal underworld of Bollywood is described along with the attempts to clean up the industry. An important marker occurred in 2006, when the very character of the Indian state appeared to have been transformed, and with it, its attitude to its cinema i

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37

The Bollywood mythological: Rise and decline. LAP, Lambert Academic Publishing, 2009.

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38

Devasundaram, Ashvin Immanuel. Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution. Taylor & Francis Group, 2018.

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39

Devasundaram, Ashvin Immanuel. Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution. Taylor & Francis Group, 2018.

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40

Pathak, Shubham. Discourse Construction of Gender in Select Bollywood Films: A Research Work. Notion Press, Inc., 2021.

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41

Desai, Jigna. Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. Taylor & Francis Group, 2004.

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42

Desai, Jigna. Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. Taylor & Francis Group, 2004.

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43

Beyond Bollywood: The cultural politics of South Asian diasporic film. Routledge, 2004.

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44

Sexual health and Bollywood films: A culturally-based program for South Asian teenage girls. Cambria Press, 2008.

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45

Sen, Meheli. Haunting Bollywood: Gender, genre, and the supernatural in Hindi commercial cinema. 2017.

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46

Politics of Hindi Cinema in the New Millennium: Bollywood and the Anglophone Indian Nation. Oxford University Press India, 2014.

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47

Beaster-Jones, Jayson. Dil Chahta Hai Soundtrack. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501388699.

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The2001 buddy filmDil Chahta Hai(dir. Farhan Akhtar), hadarguably the first rock soundtrack in Bollywood. The award-winning soundtrack is an entry point into the relationship between Bollywood film songs, Hindi language music, and the Indi-pop movement of the '80s and '90s. Beaster-Jones draws from reviews by music critics and fans, industry interviews, and his own close analysis of the music and the film to trace the role of theDil Chahta Haisoundtrack in transforming both the sound and production practices of Bollywood cinema in the new millennium. These songs emerged from the rock band and

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48

Chakravorty, Pallabi. Screens and Dances. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199477760.003.0003.

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This chapter uses some key songs and dance sequences from past Bombay cinema and contemporary Bollywood films to illustrate the journey of screen dances to the televisual spectacle of dance reality shows. Part of this journey traverses the performance context of traditional ‘mujras’ to the emergence of ‘item numbers’ in Bollywood.

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49

Rossoukh, Ramyar D., and Steven C. Caton, eds. Anthropology, Film Industries, Modularity. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022190.

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From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries

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50

Bollywood Routledge Film Guidebooks. Routledge, 2012.

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