Academic literature on the topic 'Bongo language'

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Journal articles on the topic "Bongo language"

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Demolin, Didier, and Bernard Teston. "Labiodental Flaps in Mangbetu." Journal of the International Phonetic Association 26, no. 2 (1996): 103–12. http://dx.doi.org/10.1017/s0025100300006149.

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Labiodental flaps exist in several African languages, and were first described by Doke (1931) in a study of Shona. Westermann and Ward (1933: 76) quote data from Tucker, who notes labiodental flaps in Kreish, a Central Sudanic language of the Sara-Bongo-Baguirmi group. In the same group of languages, Thomas (1981: 262) claims to find them in Bongo-Gberi and in Binga-Kara. Thomas defines these sounds as “vibrantes labiodentales” (see also Caprile 1981: 238). Hoffman (1963) and Ladefoged (1964) both identify these sounds in Margi. Cloarec-Heiss (1981: 225) reports such sounds in Banda, but descr
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Yi, Sanghun. "The Bongo-dong Battle(鳳梧洞戰鬪) in 『Utsunomiya Taro Diary』". Paek-San Society 123 (31 серпня 2022): 157–80. http://dx.doi.org/10.52557/tpsh.2022.123.157.

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The Bongo-dong Battle(鳳梧洞戰鬪) in 1920 is one of the most important battles in the War of Independence. Compared to its interest and importance, Bongo-dong Battle still lacks research. In particular, military criminal records and the scale of participation are still controversial. The situation of the Bongo-dong Battle was examined through 『Utsunomiya Taro Diary』 left by Utsunomiya Taro, the commander of the Joseon Army at the time. First, I checked the existence of the Japanese military support unit through 「Hong Beom-do Diary」. The process of Japanese troops' retreat can also be confirmed thro
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Thompson, Katrina Daly. "“I am Maasai”: Interpreting ethnic parody in Bongo Flava." Language in Society 39, no. 4 (2010): 493–520. http://dx.doi.org/10.1017/s0047404510000424.

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AbstractIn the Tanzanian Bongo Flava youth music scene, Abel Motika is a popular artist who uses both verbal and visual markers of Kisongo Maasai ethnicity to style himself as “the Maasai rapper” with the stage name “Mr. Ebbo.” Through analysis of his 2002 song “Mi Mmasai” ‘I am Maasai’, this study investigates his ethnic stylizing in playful use of Maa pronunciation and an understudied Swahili language game known as kinyume ‘backwards style’. The study finds that while Ebbo strategically disrupts the sociolinguistic order that privileges Standard Swahili, the Maasai persona he projects is hum
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Yohana Sebonde, Rafiki. "Transformation or Socio-Cultural Identity: Style Shifting on Language Used in Tanzanian Film Industry (Bongo Movies)." International Journal of Language and Linguistics 6, no. 1 (2018): 8. http://dx.doi.org/10.11648/j.ijll.20180601.12.

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Erasmus, Aidan, and Valmont Layne. "Oral/Aural: Pastness and Sound as Medium and Method." Kronos 49, no. 1 (2023): 1–14. http://dx.doi.org/10.17159/2309-9585/2023/v49a1.

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In archival footage uploaded online of a concert at the University of the Western Cape in 1988 musician Robbie Jansen declared that the next composition to be performed was named 'Freedom Where Have You Been'.1 Before counting the band in, Jansen offered a short discourse on the meaning of the phrase hoya chibongo. Hearing the Afrikaans hoorie (meaning listen here) in the expression hoya, Jansen proceeded to split up the word chibongo to accentuate chi- as aurally reminiscent of the suffix -tjie that is used in Afrikaans to mark the diminutive. bongo, in this context as Jansen remarked, is the
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Ivshin, Leonid M. "About the unusual name “drone” in the Udmurt language of the 18th century." Polylinguality and Transcultural Practices 20, no. 4 (2023): 650–58. http://dx.doi.org/10.22363/2618-897x-2023-20-4-650-658.

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The relevance of the proposed topic is due to the insufficient identification and description of the vocabulary of fauna, as one of the most archaic layers in the vocabulary of almost all FinnoUgric languages. The purpose of this study is to trace the history of the written fixation of the word var-bozgo ‘drone’ in the Udmurt language, starting from its first appearance in the earliest written monuments of the 18th century and ending with the main lexicographic works of the modern period, to consider the lexical-semantic formation of a complex name and determine by possibilities of its etymolo
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Gorbatenko, K. M., and V. A. Yakovenko. "Spatial Variability of Macro- and Mesozooplankton in the Bransfield Strait in January 2020." Океанология 63, no. 4 (2023): 643–52. http://dx.doi.org/10.31857/s0030157423040044.

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The spatial distribution of the biomass of macro- and mesozoopankton species, as well as the size and sex structure of the species Euphausiasuperba (krill), Salpathompsoni, and Ihlearacovitzai in Bransfield Strait during the Antarctic summer of 2020 were studied. Krill is at the heart of the food chain of the Antarctic ecosystem because numerous populations of seabirds, seals and whales feed on krill. In recent decades, the Antarctic ecosystem has been under significant changes caused by global warming, but the nature and extent of this impact on krill stocks, especially its juveniles in the B
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Anto, Sylvester Kwabena, Elvis ResCue, and Victoria Nana Poku Frimpong. "Language Choice Among Children of Couples of Different Languages: A Case Study of Techiman Municipality in the Brong Ahafo Region of Ghana." Indian Journal of Language and Linguistics 5, no. 1 (2024): 1–14. http://dx.doi.org/10.54392/ijll2411.

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Ghana is a multilingual country with an average Ghanaian being exposed to at least more than one language. This linguistic situation often impacts language choices among bi/multi-lingual families where parents from different linguistic backgrounds face the reality of deciding which language(s) to expose their children to. This study investigates possible opportunities and challenges that the children of Ghanaian couples of different languages face in choosing the language(s) to speak with either parents or both parents at home using families in Techiman in the Bono East Region of Ghana as a ca
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Nikolskaya, Mayya. "Contemporary Language Policy in Tanzania: Cui Prodest? Cui Bono?" Uchenie zapiski Instituta Afriki RAN 68, no. 3 (2024): 114–30. https://doi.org/10.31132/2412-5717-2024-68-3-114-130.

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Contemporary Tanzania is one of the few African countries where the population speaks the indigenous language of Kiswahili, with English playing a major role as one of the two official languages. The article explores the reasons for the language policy the country has employed since independence and the key factors that determine it. Analyzing the political functions of the two languages, the author comes to the conclusion that English is perceived mostly as a means of social mobility (status value) and promotion of Tanzania’s cultural and economic diplomacy abroad (foreign policy value), whil
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Muhammad Dahlan, Hanana Muliana, and Nurfausiah Nurfausiah. "Ragam Bahasa dalam Interaksi Sosial di Desa Bonto Tala, Kecamatan Pattallassang, Kabupaten Takalar." BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan 2, no. 4 (2024): 144–51. https://doi.org/10.59841/blaze.v2i4.1963.

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The aim of this research is to explain the forms of language variation used and describe the factors that influence language variation in children's social interactions in BontoTala, Pattallassang District, Takalar Regency. This type of research is qualitative descriptive research which uses data and data sources. The data in this research are variations in the language of children's social interactions in Bonto Tala, Pattallassang District, Takalar Regency and the data source is 20 children taken in BontoTala, Pattallassang District, Takalar Regency. This study included 12 male and female chi
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Dissertations / Theses on the topic "Bongo language"

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Reuster-Jahn, Uta. "English versus Swahili: language choice in Bongo Flava as expression of cultural and economic changes in Tanzania." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-162769.

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Since around 2011, Bongo Flava musicians use significantly more English in their lyrics than in the previous years, particularly in love songs. This article documents and describes this new trend and discusses the reasons for the change in language use. It reveals that the new development is indicative of a transformation of Bongo Flava towards pop, caused by changes in the domestic market on the one hand and by a growing outward-looking market orientation on the other. These changes are demanding new ways of constructing identities through the use of language<br>Tangu mnamo mwaka 2011, wasani
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Reuster-Jahn, Uta. "Let`s go party!" Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91170.

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For over a decade now, Bongo Fleva has been the dominant category of popular music in Tanzania, surpassing Muziki wa Dansi (dance music) and Taarab in terms of its presence in the media. Bongo Fleva has become deversified in the last years and at present includes elements of traditional music as well as popular dance music, both of African and Western origin (Raab 2006: 43 ff.). As a result, contemporary Bongo Fleva is stylistically complex. Ther lyrics of Bongo Fleva are specifically determined by 1) the use of Swahili youth language and slang expressions. 2) the representation of modern and
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Boyeldieu, Pascal. "Identite tonale et filiation des langues sara-bongo-baguirmiennes (afrique centrale)." Paris 3, 1993. http://www.theses.fr/1993PA030129.

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Les langues sara-bongo-baguirmiennes (tchad, soudan, republique centrafricaine, zaire) revelent de fortes disparites tonales qui touchent a la fois l'identite des systemes (a deux, trois ou quatre registres distinctifs) et celle des schemes lexicaux (noms et verbes). En s'inspirant des principes du comparatisme historique on cherche 1) a restituer les caracteristiques essentielles d'un systeme tonal ancestral, commun a ces langus, 2) a expliquer les evolutions divergentes qui ont conduit a la diversite des systemes actuels et 3) a degager, sur l'indice d'innovations probables, un schema geneal
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MASCIOPINTO, MICHELE CLAUDIO D. "Narrazione generativa del paesaggio: antropologia del mare, eredità patrimoniali e rappresentazioni di un borgo marittimo." Doctoral thesis, Università degli studi della Basilicata, 2022. http://hdl.handle.net/11563/158066.

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La tesi, sviluppata seguendo le linee di ricerca intraprese dalla Cattedra UNESCO dell’Università della Basilicata “Paesaggi culturali del Mediterraneo e comunità di saperi”, mira ad indagare il tema della “narrazione generativa del paesaggio” come strumento capace di incrementare la conoscenza del territorio e delle sue comunità, al fine di promuovere la valorizzazione del suo patrimonio culturale e lo sviluppo sostenibile del paesaggio e dei suoi abitanti. La ricerca è stato condotta attraverso un approccio multidisciplinare su tre linee di ricerca: il paesaggio, il linguaggio cinematografic
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Maungedzo, Avhurengwi Edward. "The detective story in Venda : an analysis with special reference to Bono la mboni and Nwana wa mme anga." Thesis, 1999. http://hdl.handle.net/10500/23246.

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Summary in English<br>The purpose of this research is to make a literary appreciation of the detective story in Tshivenda. Chapter 1 is the introductory chapter which discusses the aim of study, the definition of detective story, methodology, detective noels in Tshivenda, background information regarding the authors, summaries regarding selected novels and the scope of research. Chapter 2 is devoted to the plot structure of the two detective novels, and outlines the diegetic and meta-diegetic stories. The elements of mystery and dramatic irony are also discussed. Chapter 3 concentrates mainly
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Books on the topic "Bongo language"

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Crawford, Mike. Bongo for dummies. IDG Books, 1997.

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Raveling, Wiard. Die Bungu-Bukolik "De casu moro": Blgasu, blgasu, blgasu : innerafrikanische Avantgarde im Focus transeuropäischer Linguistik. Libelle-Verlag, 1996.

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635-713, Yijing, and Tōyō Bunko (Japan), eds. Bongo senjimon: Taizōkai shingon. Bensei Shuppan, 2014.

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Goodman, Danny. Official Marímba guide to Bongo. Sams.net, 1997.

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Toda, Yūkyū. Bongo benran: Koten Sansukuritto kiso bunpō hen. Myōryūji, 2006.

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Sélézilo, Apollinaire. Le Ndòkà, langue Sara-Bongo-Baguirimienne de Centrafrique: Phonologie, morphophonologie et morphologie. Édition Compétence Césaline, 2013.

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Boyeldieu, Pascal. Identité tonale et filiation des langues sara-bongo-baguirmiennes (Afrique Centrale). Rüdiger Köppe Verlag, 2000.

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Bonenti, Fiore. Glossario dialettale di Bondo e Breguzzo. Gruppo culturale Bondo Breguzzo, 1997.

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1942-, Parodi Enzo, ed. Voci dal borgo: La Pisterna cuntòja dai pistergnéin. Impressioni grafiche, 2008.

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Honorine, Poidi-Gblem. Manuel d'orthographe igo: Cours destiné aux Bogo lettrés en français. Société internationale de linguistique, 1996.

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Book chapters on the topic "Bongo language"

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Essegbey, James. "Chapter 11. Catching and classifying fish among the Dwang." In Culture and Language Use. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/clu.23.11ess.

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The goal of this chapter is to discuss an endangered fishing practice, and the naming and uses of fish among the Dwang of the Bono East Region of Ghana. I discuss a (defunct) communal fish catching process known as kese /kə́sə́/, in which the poisonous plant Adenia cissampeloises, also called kese by the Dwang, was used to kill the fish and harvest them. I then turn to the Dwang names for six freshwater fish, which is a classification of sorts. I explore the semantics of the fish names, especially their classes, such as ka- for singular versus n- for plural (e.g., káwá/nkáwá), on the one h
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Boyeldieu, Pascal. "Chapter 9. Expressing similarity in Yulu and other Sara-Bongo-Bagirmi languages (Central Africa)." In Similative and Equative Constructions. John Benjamins Publishing Company, 2017. http://dx.doi.org/10.1075/tsl.117.10boy.

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Kryazheva, Irina A. "“Down with the Lyre, Long Live the Bongo!” On the Development of Latin American Music in the 20th Century." In Beyond Borders: In Memory of Andrey Kofman. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2025. https://doi.org/10.22455/978-5-9208-0803-5-112-134.

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The article examines the most important stage in the history of Latin American music of the 20th century, when a qualitative leap in the development of the composer schools of Cuba, Mexico, Brazil and Argentina took place. This refers to the new socio-cultural situation of the 1920s–1940s and the deeply individual refraction of the ideas of the European avant-garde in Latin America. An unprecedented interest in archaic layers of culture and at the same time a modern complex language gave rise to a unique response in the work of leading Latin American composers. Thus, under the influence of the
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Tucker, A. N., and M. A. Bryan. "The Bongo-Bagirmi Languages (Larger Unit)." In The Non-Bantu Languages of North-Eastern Africa. Routledge, 2017. http://dx.doi.org/10.4324/9781315105192-3.

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Brazeau, Robert. "Pro Bono Publico." In Joyce and the Law. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054742.003.0009.

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This essay reads the "Cyclops" episode of Ulysses in light of laws of alcohol consumption, specifically the 1900 act governing the licensing of pubs in Ireland. It uses the legal context to understand James Joyce's suggestion of public space as a discursive construction, made up of language and sociality.
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Kandybowicz, Jason. "An Anti-contiguity Approach to Tano in-situ Interrogative Distribution." In Anti-contiguity. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197509739.003.0003.

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This chapter develops the Anti-contiguity proposal based on the distribution of wh- in-situ in Krachi, Bono, Wasa, and Asante Twi. Embedded wh- in-situ is only allowed in Krachi and Bono. The chapter argues that a prohibition on wh- items phrasing with overt C at the level of Intonational Phrase (iP) underpins this distributional asymmetry. In these languages, the acceptability of embedded wh- in-situ correlates with the prosodic status of the immediately containing clause—embedded clauses are independent iPs in Krachi and Bono, but not in Wasa and Asante Twi. Thus, iP boundaries divide C from
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Choi, Jinhee. "Death of a Girl." In Forever Girls. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197685822.003.0004.

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Abstract This chapter advances necro-cinematics by analyzing two comparable scenes from The Gangster, the Cop, the Devil (Lee Won-tae, 2019) and Memories of Murder (Bong Joon-ho, 2003); in both scenes, a girl is murdered to set up a male rivalry and/or create a moral dilemma for male characters. Through the comparative analysis of Mother (Bong Joon-ho, 2009), Poetry (Lee Chang-dong, 2010), and Han Gong-ju (Lee Sujin, 2013), all of which depict and trace a similar sexual crime, the chapter argues for the need of necro-cinematics: the deaths of Korean girl protagonists could result from both his
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Nuzzo, Elena, and Clorinda Donato. "Investigating L2 Pragmatic Development in Tandem Telecollaboration." In Telecollaboration Applications in Foreign Language Classrooms. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-6684-7080-0.ch004.

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This study aims to triangulate the results of the pragmalinguistic analysis of L1/L2 English criticisms and suggestions carried out in a previous study with the ratings of speakers of US English. Five students from a Californian university were asked to rate the pragmatic appropriateness of three Italian learners' and four L1 or highly proficient speakers' use of English during the peer feedback discussion phases of e-tandem interactions. A pragmatic assessment questionnaire was purposely developed for the rating, and the raters were trained to focus on the pragmatic aspects of the speakers' p
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Mangova, Oksana Borisovna. "The experience of teaching public speaking in the paradigm of training specialists in the field of political sciences." In Theoretical and practical aspects of pedagogy and psychology. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-107390.

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The chapter substantiates the importance of mastering competencies related to the implementation of public speech for professionally oriented teaching of foreign languages. The author shares experience of teaching public speaking while training future specialists in the field of political science, and describes the model of preparing public speeches. As an example, the public speech of Bono, a well-known activist and leader of U2, is analyzed, and examples of the expressive means used by him are given. This speech can be used as a sample when teaching public speaking to students.
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"Bongó Itá: leopard society music and language in West Africa, Western Cuba, and New York City." In Rewriting the African Diaspora in Latin America and the Caribbean. Routledge, 2014. http://dx.doi.org/10.4324/9781315829630-11.

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Conference papers on the topic "Bongo language"

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Zhang, Tong, Dongyoon Lee, and Changhee Jung. "BOGO." In ASPLOS '19: Architectural Support for Programming Languages and Operating Systems. ACM, 2019. http://dx.doi.org/10.1145/3297858.3304017.

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PASSINATO, Cristiana de Barcellos, Victória Beatriz dos Santos DE OLIVEIRA, and Luciana Pereira DE ALMEIDA. "“SIX THINKING CARDS”: A GAME FOCUSED ON DEVELOPING ARGUMENTATIVE SKILLS IN THE CHEMISTRY CLASSROOM." In SOUTHERN BRAZILIAN JOURNAL OF CHEMISTRY 2021 INTERNATIONAL VIRTUAL CONFERENCE. DR. D. SCIENTIFIC CONSULTING, 2022. http://dx.doi.org/10.48141/sbjchem.21scon.29_abstract_almeida.pdf.

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Considering the increasing need to develop the argumentation and communication skills of the students, teaching practice has to consider how to do this concerning individual needs and preferences. Meaningful Learning proposes that education should consider the already acquired knowledge of the students in the process of building new learning. Therefore, when applied to the learning process, argumentation is a way to express acquired knowledge to other participants of this process. The Six Thinking Cards game permits students to explore their thinking in focused stages that are represented by t
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