Academic literature on the topic 'Bonheur dans le crime'
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Journal articles on the topic "Bonheur dans le crime"
Murillo Chinchilla, Verónica. "Les Diaboliques de Barbey d’Aurevilly : Un éloge de la provocation. Regard sur la nouvelle Le bonheur dans le crime." LETRAS, no. 54 (August 31, 2013): 91–108. http://dx.doi.org/10.15359/rl.2-54.5.
Full textSchurmans, Fabrice. "Le vertige moderne des doubles dans Le Bonheur dans le crime de Harpman." Textyles, no. 21 (August 15, 2002): 83–94. http://dx.doi.org/10.4000/textyles.1015.
Full textChaguinian, Christophe. "« Le Bonheur dans le crime » de Barbey d’Aurevilly : une lecture maistrienne." Littératures, no. 70 (September 15, 2014): 179–95. http://dx.doi.org/10.4000/litteratures.302.
Full textSlaight, Jillian. "Seductive Arguments." French Historical Studies 42, no. 4 (October 1, 2019): 535–61. http://dx.doi.org/10.1215/00161071-7689156.
Full textWahnich, Sophie. "De l’économie émotive de la Terreur." Annales. Histoire, Sciences Sociales 57, no. 4 (August 2002): 889–913. http://dx.doi.org/10.3406/ahess.2002.280085.
Full textAbdulrahman, Ari M. "La Recherche de la Pureté dans Électre de Jean Giraudoux." Koya University Journal of Humanities and Social Sciences 4, no. 1 (June 30, 2021): 28–34. http://dx.doi.org/10.14500/kujhss.v4n1y2021.pp28-34.
Full textAdam, Philippe. "Bonheur dans le ghetto ou bonheur domestique ?" Actes de la recherche en sciences sociales 128, no. 3 (June 1, 1999): 56–67. http://dx.doi.org/10.3917/arss.p1999.128n1.0056.
Full textZabban, Vinciane, Hovig Ter Minassian, and Camille Noûs. "Le bonheur est dans l’indé ?" Réseaux N°224, no. 6 (2020): 111. http://dx.doi.org/10.3917/res.224.0111.
Full textAmar, Ruth. "Sérotonine ou la quête du bonheur selon Michel Houellebecq." Voix Plurielles 17, no. 1 (April 27, 2020): 182–92. http://dx.doi.org/10.26522/vp.v17i1.2480.
Full textHochedez, Camille. "Le bonheur est dans le panier." Géocarrefour 2008, no. 83 (September 1, 2008): 225–33. http://dx.doi.org/10.4000/geocarrefour.6931.
Full textDissertations / Theses on the topic "Bonheur dans le crime"
Koumba, Brice. "Du bonheur dans sa relation au crime. Approche ethico-poetique du texte sadien." Thesis, Nancy 2, 2010. http://www.theses.fr/2010NAN21020.
Full textIn Sade's text, why is there crime rather than anything else? Probably because the verb to write is always already bound to the verb to kill, not contingently but essentially. The text tells of Nature in another way, and crime is nature's mode of existence: mechanical movement whose goal is always destruction. As an expression of nature, crime is perceived as what best expresses Man's heart, but more than that ... the human condition. Crime is the dramatization of the human condition, a condition marked by penance. Everywhere, simply by virtue of his existence, man is experiencing pain and suffering. His condition is tragic indeed; crime is fatal to him. Fatal because, in fine, crime appears as the only reality of existence. Living is necessarily experiencing crime. Misfortune drives people to crime. However, resisting crime makes it impossible to reach bliss. This is why, pragmatically, happiness implies the advent of the criminal, a man who has become nature, a man who has become pure unadulterated bestiality
Kanga-Giovoussoglou, Evangélia. "Le bonheur dans la poesie lamartinienne." Toulouse 2, 1987. http://www.theses.fr/1987TOU20111.
Full textTaking into account the fact that lamartine's life is a permanent search for happiness, we have tried to point out the basic influence of his time and of his mother in his approach of happiness. We have asserted that contrarely to other poets of the xixe century who were searching substitutes to happiness in drugs, erotic pleasure, lamartine chooses consciously the ways that could provide fulfillment : in that way, he decides to get maried, to believe in god and to become a political character. His approach to happiness is linked to two elements : to the facts of his existence and to his will power to be happy. For this reason, we have analysed the importance of the moment and the poet's determination to face the obstacles of life in his quest for happiness. We have tried too, to underline the complexity of his thinking epicurian on one hand, philosophical on the other. After having stutied the evolution of his conception in his life and in his writings, we have reached the conclusion that for lamartine, happiness is a desire more than a reality, a state of mind, a hope to find a continuel enlightment of the heart and of the mind a search that nothing can stop
Lion, Brigitte. "L'idée de bonheur dans la littérature suméro-akkadienne." Paris 1, 1993. http://www.theses.fr/1993PA010567.
Full textThe analysed sources are literary cuneiform tablets in akkadian and sumerian from the third to first millenium b. C. The first condition of human's happiness is the agreement with the divine will. Leaving descendants is the most important individual wish, it is the best form of survival in such a civilization that does not believe in the next world. Less important is the search of material well-being. The necessity of living in society is showed by everyone's wish to integrate into a harmonious familial and social frame : loneliness is always feeled negatively. Those yearnings are perceptible through nice descriptions of collective feasts in social concord and abundance of goods. Happiness is easily imagined in a distant past with which one must renew by following the tradition. Present happiness is also appreciated, but there is no interest for the future which is frightening. Human realization has the known world as ideal spatial frame : the steppe scares and faraway worlds did not give rise to utopia. Divine happiness follow the same model as human happiness, but there are two differences : immortality and divine idleness (gods created men in order to make them work for them). The oldest representations of the general scheme appear in some particular social groups studies, like soldiers or nomads, which develop an ethic sometimes opposite to the ideals above-mentioned
Ahmadi, Masoumeh. "La question du bonheur dans l'oeuvre de Christian Bobin." Phd thesis, Université de Bourgogne, 2012. http://tel.archives-ouvertes.fr/tel-00795714.
Full textRajab, Saoussan. "La Notion de bonheur dans l'oeuvre de Jean Giono." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37617818j.
Full textRajab, Saoussan. "La notion de bonheur dans l'oeuvre de Jean Giono." Tours, 1988. http://www.theses.fr/1988TOUR2010.
Full textMost of jean giono's works are coloured with the concept of happiness. As a writter of feelings like joy and happiness, giono could not forget the hidden side of such feelings. According to him, the concept of happiness relies on a fusion with adversity and misfortune. So, this study has limited itself to the three following novels: le chant du monde, que ma joie demeure, le bonheur fou. Each one of the above quoted works consists of life, joy, hope, beauty and freedom. The concept of happiness is then renewed in three directions. The first one is the caracters's suffering, the weight of destiny and the influence of greek tragedies. The second one is based on pleasure, joy, optimism and pessimism as well. Finally, the third one relies on nature, peace and writting
Huberlant, Gérard. "Éducation et bonheur chez Jean-Jacques Rousseau." Paris 8, 2002. http://www.theses.fr/2002PA083666.
Full textDuta, Ioana. "Représentations du bonheur dans la littérature moderne de l'Europe centrale." Thesis, Paris, EHESS, 2020. http://www.theses.fr/2020EHES0155.
Full textThe purpose of this thesis is to analyse the representations of happiness in fictional works of Central Europe. Our work originates from the observation that today we seem to have engaged in an almost hysterical quest for happiness, which can take on an infinite number of forms and approaches. This diversity seems to cancel out the idea that happiness has a universal character despite the commonplace which says that all men seek to be happy. Happiness is the object of study of history, philosophy sociology, anthropology, psychology, theology, but also linguistics, economy and politics. Thus, defining the concept of happiness requires a multitude of perspectives, objective and subjective.Our study starts from the assumption that literature offers new interpretations to the idea of happiness. We aim to analyse it according to two axes: the nature of happiness and the components of happiness. Literature, thanks to its ability to bring together within fictional universes elements relating to history, to culture, to the examination of the depths of the ego – elements which are nourished by the collective memory and philosophical insights – offers us access to the past worlds of happiness. Seeking to define the idea of happiness, we have thus chosen to study Central European literature and the works of authors originating from countries that used to be part of the Austro-Hungarian empire because of its cultural richness that allows us to identify a more complex version of happiness. More specifically we look at the works of novelists from Austria, Hungary, Bohemia, Transylvania, Banat, Serbia, Bucovina, Galicia, Bosnia, Croatia and Italy, that were published during the 19th century all the way to the years before the Second World War. Their works describe and analyze the quest for happiness, and its successes and failures. Comparative analysis allows us to redefine happiness, distinguishing between its constant or universal character and its variable or fluid characteristics. Thus, our thesis identifies both the idea of happiness as conveyed by the Austro-Hungarian society since the 1800s and the experience of happiness as it described through literature. The latter enables us to establish the image of happiness of those times: from the center part of the Empire to its margins, multiculturalism allows us to grasp the problematic of happiness in all its complexity, encompassing both a common history and characteristics particular to different national identities.Our analysis highlights the diversity of types of happiness, depending on external factors (the influence of social environment, customs, education, human relationships, cultural heritage, etc.) and internal factors (the influence of features proper to happiness such as duration, recipient, its affiliation to pleasure, to desire or to the meaning of life, etc.). These literary representations of happiness help identify the variable components that emerge from the idea of happiness, while the crisis that comes with the First World War reconfigures the temporal dynamics happiness, allowing for a better grasp of the essence of happiness
Arabatzis, Georges. "Recherches sur le bonheur dans l'éthique orthodoxe (IVe-XIIe s. )." Paris, EHESS, 1995. http://www.theses.fr/1995EHES0302.
Full textThe present thesis studies the position held by happiness in the orthodox ethics, from 4thc. , when the political - religiou system of orthodoxy was established, till the 12 th c. Following max weber we considerate ethics as a privilegated field between religion and society. The orthodox ethics is a vaste field which lays beyond the religious morality and the doctrine and it recovers the totality of the byzantin's life, his beliefs, his feeling and actions. After a brief study of the classical, the hellenistic and the jewish inheritance of the orthodox ethics, concerning happiness, we pass to the study of the two principal axes of the orthodox idea of happiness : ist : the knowledge : the ways of the byzantin's perception affirm the priority of life before knowledge, following a long and ancient tradition. 2nd : the model of the pious : he is the person who knows and acts according to piety. Afterwards, we pass to an essay describing the orthodox hapiness, concentrated to the principal virtue of meekness and the synthesis between tradition (the ancient science) and present reality, between the external culture (scholasticism) and internal culture (ethical consciousness)
Liao, Min. "La quête du bonheur spirituel dans l'oeuvre de Michel Tournier." Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30036.
Full textMichel Tournier is one of the great figures of contemporary french novel. His work is remarkable both for its philosophical dimension and its mythic dimension. We find that the philosophical and mythic themes as the ogre, the double, the inversion are thoroughly analyzed in France. So our research will develop a philosophy of happiness about the life and the human existence, by exploring the recurring themes as the journey, the solitude, the happiness, etc. In most novels of Tournier, the image of the departure is the root of thoughts and the journey seems like the logic and dynamic result of the history and the theme. And in this journey the search of happiness seems essential. Thus, our research will be devoted to a reading of the texts by using the thematic approachs of Gaston Bachelard, an analysis of the motive of the journey and the evolution of the minds of characters in the initiatory journey. In the First Part, we try to analyze three levels of initiation : through the travelling, the images, the writing. The spiritual dimension of writing can reveal the meaning of true happiness, based on the respect for nature, the eternity and the serenity, which is similar to the concept of happiness in eastern philosophy. And especially, it expresses the consciousness of the writer on the beauty of nature and life. In the Second Part, we will study how the protagonists react, overcome the solitary fate of man and gain the happiness. The quest of the characters appears at the beginning to a search for the physical happiness ; in the end it leads to a reconstruction of the world and a spiritual quest. The happiness is finally fulfilled in a quest for the sacredness, by the resacralization of the world and the celestial phenomena. In the Third Part, we will explore the fantasies and the happiness of the writer through the haunting aspect of writing. The narcissism of the writer is first revealed in the recovery of the dream of his characters, the repetition of the same themes and expressions in different novels and essays. Then his fantasies resident in praise of childlike innocence. The writer's narcissism is still apparent in the association between the creative vocation and the divinity
Books on the topic "Bonheur dans le crime"
The figure of the dandy in Barbey d'Aurevilly's "Le bonheur dans le crime". New York: P. Lang, 1996.
Find full text(Organization), Passion céréales, ed. Le bonheur est dans les blés. La Tour-d'Aigue: Editions de l'Aube, 2011.
Find full textBook chapters on the topic "Bonheur dans le crime"
Hadlock, Philip. "Le château, le récit, et le regard dans Le Bonheur dans le crime." In Châteaux romantiques, 213–19. Presses Universitaires de Bordeaux, 2005. http://dx.doi.org/10.4000/books.pub.28256.
Full text"Le ‘bonheur dans le crime’: le plaisir de perdre et de se perdre chez Barbey d’Aurevilly." In Pleasure and Pain in Nineteenth-Century French Literature and Culture, 111–23. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789401206624_009.
Full textDe Georges-Metral, Alice. "Construction de l’opacité du texte et déconvenues de l’herméneute : Le Bonheur dans le crime de Barbey d’Aurevilly." In Le Roman du signe, 239–58. Presses universitaires de Vincennes, 2007. http://dx.doi.org/10.4000/books.puv.5601.
Full textRosenblum, Ouriel. "Si le bonheur est dans le pré...-partum, pourquoi un si malheureux bonheur dans le postpartum ?" In Recherche bonheur désespérément..., 7. Presses Universitaires de France, 2010. http://dx.doi.org/10.3917/puf.coll.2010.02.0007.
Full textBoustani, Carmen. "Willy : le bonheur de l’imposture." In L'imposture dans la littérature, 181–94. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.12172.
Full textSchapira, Nicolas. "Le bonheur est dans l’élite ?" In Les élites rurales, 195–209. Presses universitaires du Midi, 2007. http://dx.doi.org/10.4000/books.pumi.8869.
Full text"Chapitre 5. Les Paroles De Bonheur Dans Leur Contexte." In L'énigme du bonheur, 84–125. BRILL, 2008. http://dx.doi.org/10.1163/ej.9789004167179.i-314.26.
Full textBrunier, Sylvain. "Remerciements." In Le bonheur dans la modernité. ENS Éditions, 2018. http://dx.doi.org/10.4000/books.enseditions.8654.
Full textBrunier, Sylvain. "Liste des sigles." In Le bonheur dans la modernité. ENS Éditions, 2018. http://dx.doi.org/10.4000/books.enseditions.8655.
Full textBrunier, Sylvain. "Introduction." In Le bonheur dans la modernité. ENS Éditions, 2018. http://dx.doi.org/10.4000/books.enseditions.8656.
Full textConference papers on the topic "Bonheur dans le crime"
Pagán López, Antonia. "L’imaginaire de l’eau dans l’écriture de Maupassant." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3161.
Full textGarcía Fernández, Manuel Ángel. "Les représentations de l’eau dans les lais merveilleux bretons." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2978.
Full textTamarit Vallés, Inmaculada. "La recréation du hammam dans l’univers féminin de Karin Albou." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3116.
Full textMarcotte, Sophie. "Le calme après la tempête. Le pouvoir symbolique de l'eau dans l'œuvre de Gabrielle Roy." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2527.
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