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Relevant bibliographies by topics / Book of Concord - Concordances

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Academic literature on the topic 'Book of Concord - Concordances'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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Journal articles on the topic "Book of Concord - Concordances"

1

Kolich, Augustus M. "Book Review: Hawthorne in Concord." Christianity & Literature 56, no. 2 (2007): 357–61. http://dx.doi.org/10.1177/014833310705600212.

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Hedahl, Susan, Paul Lutter, Ralph Quere, Michael Aune, James Nestingen, and Robert Kolb. "The New Book of Concord." Dialog: A Journal of Theology 40, no. 1 (2001): 64–75. http://dx.doi.org/10.1111/0012-2033.00057.

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Lamy, Marie-Noëlle. "Analyse de Concordances in The Classroom: a resource book for teachers." Alsic, Vol. 2, n° 2 (December 15, 1999): 33–40. http://dx.doi.org/10.4000/alsic.1638.

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Burns, Elizabeth D. "WHERE THE CONFLICT REALLY LIES: PLANTINGA, THE CHALLENGE OF EVIL, AND RELIGIOUS NATURALISM." Philosophia Reformata 79, no. 1 (2014): 66–82. http://dx.doi.org/10.1163/22116117-90000563.

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In this paper I argue that, although Alvin Plantinga’s Felix Culpa theodicy appears on only two pages (i.e. 58-59) of his recent book Where the Conflict Really Lies: Science, Religion and Naturalism (2011), it is of pivotal importance for the book as a whole. Plantinga argues that there is superficial conflict but deep concord between science and monotheism, and that there is superficial concord but deep conflict between science and naturalism. I contend that the weakness of the Felix Culpa theodicy lends support to the view that there is more than superficial conflict between science and mono

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Jürgensen, Frauke. "Partial signatures as transmitted in the Buxheim Organ Book and its concordances." Early Music 43, no. 4 (2015): 597–609. http://dx.doi.org/10.1093/em/cav090.

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Dolgodrova, Tatiana A. "German Editions of the “Formula of Concord” of the 16th century in the Collection of the Russian State Library." Bibliotekovedenie [Library and Information Science (Russia)] 68, no. 4 (2019): 375–82. http://dx.doi.org/10.25281/0869-608x-2019-68-4-375-382.

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The author considers the publications of the “Formula of Concord” (lat. Formula Concordiae), one of the principal symbolic books of Lutheranism. For the first time the article reveals part of the collections of the Russian State Library (RSL), containing within the displaced cultural values ten editions of the “Formula of Concord” in German, the first of them (Dresden, 1580, Shtekel and Berg Printers) is presented in four copies. The article traces the entire history of the monument, which is equal by dogmatic significance to the “Augsburg Confession” — the earliest exposition of the doctrinal

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7

Robinson Jr., Mixon. "Bell, Book, and Locomotive: Communicating Abolition in and out of Concord, Massachusetts." New England Quarterly 91, no. 3 (2018): 448–82. http://dx.doi.org/10.1162/tneq_a_00686.

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“Bell, Book, and Locomotive” explores the print culture of abolitionism in Concord, Massachusetts by focusing on a confluence of communication technologies: town bells, printing presses, and the railroad. In addition to Ralph Waldo Emerson and fellow transcendentalist Henry David Thoreau, the article considers the antislavery activism of Moses Grandy, Frederick Douglass, and Harriet Jacobs.

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8

Montover, Nathan, William Dau, Herman Theodore, Gerhard Friedrich Bente, and Paul Timoth McCain. "Concordia, the Lutheran Confessions: A Reader's Edition of the Book of Concord." Sixteenth Century Journal 38, no. 4 (2007): 1128. http://dx.doi.org/10.2307/20478677.

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Bundy, David, and Michael E. Stone. "Texts and Concordances of Armenian Adam Literature. Vol. 1, Genesis 1-4, Penitence of Adam, Book of Adam." Journal of Biblical Literature 118, no. 1 (1999): 175. http://dx.doi.org/10.2307/3268255.

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10

Kolb, Robert. "Melanchthonian Method as a Guide to Reading Confessions of Faith: The Index of the Book of Concord and Late Reformation Learning." Church History 72, no. 3 (2003): 504–24. http://dx.doi.org/10.1017/s0009640700100332.

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Horst Kunze, the contemporary German authority on indexing, writes, “An index is not a tool that has its own independent existence. It is an aid for the use of another literary object. It is like a signpost. Like a signpost it has no other purpose than to point the way in certain directions.” Indices seldom attract scholarly investigation. Casual users accept the index as a more or less objective guide to the contents of a book. However, the index prepared in 1580 for the initial publication of the Book of Concord, appearing in several of its first printings, was designed to point in specific

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Dissertations / Theses on the topic "Book of Concord - Concordances"

1

Jürgensen, Frauke. "Accidentals in the mid-fifteenth century : a computer-aided study of the Buxheim organ book and its concordances." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85921.

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The Buxheim Organ Book, the largest fifteenth-century manuscript of keyboard tablature, has never before been examined as a whole in light of musica ficta issues, although it contains far more accidentals than any contemporaneous source in mensural notation. Although tablature has been used by various scholars to examine accidentals in sixteenth-century music, studies of fifteenth-century accidentals have focussed on theoretical evidence and small groups of pieces from mensural sources. The author uses the Buxheim Organ Book to extend the investigations of accidentals in tablature back

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2

Galler, Jayson Scott 1966. "Logic and argumentation in the Book of Concord." Thesis, 2007. http://hdl.handle.net/2152/3474.

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The sixteenth-century Reformation in Germany is often viewed as having made a radical change by breaking with the thinking of the past and starting something new. One example given is the Reformation's perceived rejection of philosophy (that is, philosophy's method, subject matter, and purpose), although the regard for philosophy has often been assessed only on the basis of second-order data. Past research has looked at various individuals' keeping or breaking with the preceding era and at the question of continuity between individuals within the Reformation movement of the sixteenth century.

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Books on the topic "Book of Concord - Concordances"

1

Bedell, Clyde. Concordex of the Urantia book. 3rd ed. Clyde Bedell Estate, 1986.

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2

Outline of the Book of Concord. Northwestern Pub. House, 1994.

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3

Arne, Nestingen James, and Kolb Robert 1941-, eds. The book of Concord: A historical introduction. Fortress Press, 2012.

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4

The book of New Testament word studies. Barbour Books, 1987.

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5

The Book of Concord: The confessions of the Evangelical Lutheran Church. Fortress Press, 2000.

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1965-, Bouchoc Raymond, ed. The book study concordance of the Greek New Testament. Broadman & Holman, 2003.

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7

Price, Lynn F. Every person in the Book of Mormon. Horizon, 1995.

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8

Radday, Yehuda Thomas. An analytical linguistic key-word-in-context concordance to the Book of Exodus. Edited by Levi Yaakov. Biblical Research Associates, 1985.

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9

McCain, Paul Timothy. Concordia: The Lutheran confessions : a reader's edition of the Book of Concord. Concordia Pub. House, 2005.

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10

"What Does The Bible Say About...": The Ultimate Bible Answer Book. AMG Publishers, 2005.

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Book chapters on the topic "Book of Concord - Concordances"

1

Kolb, Robert. "The Formula of Concord and the Book of Concord. The Path to Consensus and Definition within the Wittenberg Circle." In Bekennen und Bekenntnis im Kontext der Wittenberger Reformation. Vandenhoeck & Ruprecht, 2019. http://dx.doi.org/10.13109/9783666570957.177.

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Galler, Jayson S. "A Sham, Pretense, and Hypocrisy? Poverty in The Book of Concord of 1580." In Arizona Studies in the Middle Ages and Renaissance. Brepols Publishers, 2012. http://dx.doi.org/10.1484/m.asmar-eb.1.101055.

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3

"Introduction to the Book of Concord." In Book of Harmony. 1517 Media, 2016. http://dx.doi.org/10.2307/j.ctt1b3t772.6.

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4

"On Thoreau's Book and Gleason's Photographs." In The Illustrated "A Week on the Concord and Merrimack Rivers". Princeton University Press, 1986. http://dx.doi.org/10.1515/9781400857197.ix.

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5

"Jakob Andreaeʹs Drive for Lutheran Unity and the Composition of the Formula of Concord and the Book of Concord." In The Lutheran Confessions. 1517 Media, 2011. http://dx.doi.org/10.2307/j.ctt22h6rzc.19.

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6

"Orientation to the Texts in the Book of Concord and the Lutheran Hermeneutics." In Lutheran Theology. T&T CLARK, 2020. http://dx.doi.org/10.5040/9780567686756.ch-003.

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Gee, Emma. "Interplanetary Harmonies." In Mapping the Afterlife. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190670481.003.0008.

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This chapter studies the first of three of Plato’s afterlife myths treated in this book, namely the Spindle of Necessity from the Myth of Er in the Republic. The Spindle is a representation of the planetary orbits, along with the sound they are said to produce, which we know as the harmony of the spheres. The author argues against the traditional interpretation of this harmony as an octave scale, arguing instead for the Spindle as an anticipation of the harmonic series. In this she has called upon evidence for ancient recognition of tones as composite, and for the use of harmonics in ancient performance practice. This is important because, as she argues, Plato is striving toward an abstract, mathematical framework for consonance, which, further, carries ethical connotations. Combining as it does astronomy and music, the Spindle represents the role of sound and vision in shaping our understanding of the cosmos of which the soul is a part. Musical concord acts as a blueprint for the souls’ right ethical conduct during incarnation, which ought to follow natural laws, among which is the law of harmony. In the Myth of Er, the human soul is privileged to a vision of concord, in order to understand what to strive for.

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Dallmayr, Fred. "Concluding Comments." In Post-Liberalism. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190949907.003.0012.

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The chapter links together and provides a brief overview of all the main topics covered in the preceding chapters, showing that they are animated by an overarching concern: the relationality between unity and diversity, concord and discord. The roots of this relationality can be found in a certain open-ended understanding of humanity. The book posits that self-serving individualism threatens Western democracy, with the equality of citizens at large squashed by the egocentric liberty of a few. Ethical teachings, especially virtue ethics, dovetail with the philosophies of natural rightness and social justice, all underpinning a newer conception of freedom and understanding of what it means to be human. The study closes with reflections on the task of “learning to be human.”

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9

Alqassas, Ahmad. "Summary and Conclusions." In A Unified Theory of Polarity Sensitivity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197554883.003.0006.

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This chapter summarizes the central points from each previous chapter and elaborates on the individual analyses of these PSIs (polarity-sensitive items) and their contributions to the critical issues in syntax and linguistic theory. This book studied the microvariation in the syntax of PSIs (negative and positive polarity, negative concord, and negative indefinites) in Standard Arabic and the major regional dialects represented by Jordanian, Egyptian, Moroccan, and Qatari. Overall, the syntactic licensing of PSIs in Arabic bears on key theoretical issues in the cross-linguistic studies of polarity sensitivity. Such issues include the syntactic licensing configurations for these items, the feature of structure/specifications of these items, and the availability of syntactic agreement in the context of negation. Lastly, the chapter presents residual issues for future research.

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10

Pesic, Peter. "Kepler and the Song of the Earth." In Music and the Making of Modern Science. The MIT Press, 2014. http://dx.doi.org/10.7551/mitpress/9780262027274.003.0006.

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Johannes Kepler, more than anyone, incorporated music into the foundations of his innovative astronomy. This chapter relates his interest in musical practice to his novel approach to its theory, which moved him to reject algebraic results that contradicted musical experience. Kepler’s search for cosmic polyphony points to Orlando di Lasso’s In me transierunt as a moving expression of the “song of the Earth,” down to the melodic spelling of the Earth’s song. Kepler presents cosmos and music as essentially alive and erotically active, based on his sexual understanding of numbers. The pervasive dissonance of the cosmic harmonies reflects the throes of war and eros. Like Oresme, Kepler realized the essential incompleteness of the cosmic music, which seemingly could never reach a final cadence, a universal concord on which the world-music could fittingly end. This would have been a heretical view, contradicting scriptural teachings about the finitude of time. Kepler treats this as an indication of divine infinitude, inscribed in the finite cosmos. Throughout the book where various sound examples are referenced, please see http://mitpress.mit.edu/musicandmodernscience (please note that the sound examples should be viewed in Chrome or Safari Web browsers).

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