Academic literature on the topic 'Book of Odes'
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Journal articles on the topic "Book of Odes"
Harrison, S. J. "Deflating the Odes: Horace, Epistles 1.20." Classical Quarterly 38, no. 2 (December 1988): 473–76. http://dx.doi.org/10.1017/s0009838800037083.
Full textBarchiesi, Alessandro, R. G. M. Nisbet, and Niall Rudd. "A Commentary on Horace, "Odes" Book III." Classical World 100, no. 1 (2006): 73. http://dx.doi.org/10.2307/25433986.
Full textKim JuWon, Dongho Ko, and 정제문. "On Manchu Translations of Book of Odes." ALTAI HAKPO ll, no. 19 (June 2009): 1–30. http://dx.doi.org/10.15816/ask.2009..19.001.
Full textTarrant, Richard. "Book review: Horace, Odes, Book I, written by Mayer, R." Mnemosyne 67, no. 3 (June 10, 2014): 500–504. http://dx.doi.org/10.1163/1568525x-12341705.
Full textKilpatrick, R. S., and Michael C. J. Putnam. "Artifices of Eternity: Horace's Fourth Book of Odes." Phoenix 41, no. 2 (1987): 207. http://dx.doi.org/10.2307/1088751.
Full textZanker, Andreas T. "Horace, Odes. Book 1. Edited by Roland Mayer." Gnomon 86, no. 3 (2014): 214–17. http://dx.doi.org/10.17104/0017-1417_2014_3_214.
Full textNethercut, William R., and Michael C. J. Putnam. "Artifices of Eternity: Horace's Fourth Book of Odes." American Journal of Philology 109, no. 4 (1988): 615. http://dx.doi.org/10.2307/295091.
Full textBarchiesi, Alessandro. "A Commentary on Horace, Odes Book III (review)." Classical World 100, no. 1 (2006): 73–74. http://dx.doi.org/10.1353/clw.2006.0084.
Full textMcCune, Blanche Conger. "CHLOE TEMPESTIVA, MISERA, DOCTA AND ARROGANS (HORACE, ODES 1.23, 3.7, 3.9 AND 3.26)." Classical Quarterly 66, no. 2 (October 26, 2016): 573–79. http://dx.doi.org/10.1017/s0009838816000677.
Full textSaussy, Haun. "Repetition, Rhyme, and Exchange in The Book of Odes." Harvard Journal of Asiatic Studies 57, no. 2 (December 1997): 519. http://dx.doi.org/10.2307/2719486.
Full textDissertations / Theses on the topic "Book of Odes"
Hills, P. D. "A commentary on selected poems in Horace's Fourth Book of Odes." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604066.
Full textLiao, Shueh-Ying. "L’usage de la figure rythmique dans l’analyse du procédé incitatif (Xing 興) : une méthode de lecture expérimentale pour le Shijing 詩經." Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE4027.
Full textThe present thesis has chosen to center its attention on The Book of Odes. After the study of diverse interpretations of these poems, the thesis is brought to suggest using numeric humanities in the analysis of what Xing calls “the incentive process” whose rhythmic figure has not yet been clearly defined. At the condition that a sinogram could be considered a musical note, it would be more accurate to call it a “sino-syllable” (hanzi-yinjie 漢字-音節). The results are relayed by these three principles: 1. The contrast of occurrences between sino-syllables 2. The sino-syllables’ combinatorial calculation 3. The scale of perception in comprehending sino-syllablesApplying these principles of analysis, the thesis then reveals an experimental method of reading which sets forth two aspects: the basic components that create the dominant rhythm and the mean ideas that constitute the thematic subject.The harmonious relationship of the dominant rhythm with the thematic subject reveals a system that rhythmically transforms words to poetic language. This metaphorical system, called “rhythmic figure” (jiulü xiuci 節律修辭) for the purpose of this research, serves as an internal reference to the corpus to manifest the rhythmic relationship between the first and final patterns in verses produced with Xing’s method
Grove, Chantal. "Sprekers vir die digter : die personae by Horatius, Odes : boek 1." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52460.
Full textENGLISH ABSTRACT: In his Odes, Horace pays particular attention not only to the subject in hand, but also to the reader as his audience, or the addressee, who is usually mentioned at the beginning of the poem. As this kind of communication draws the poet into his own creation, it is useful to refer to him in that context, as the speaker. It is evident from the manner of communication with the addressee that Horace conveys the message of each poem not solely by means of statements, but by implying certain facts, through this interaction between speaker and addressee. The specific addressee for each ode - to whom the speaker's attitude is a reaction - is therefore chosen with great care, in order to underline a specific subject or support a point of view. Just as each ode is different, and contains a variety of differing emotions, Horace's speakers display a myriad of different attitudes. His deeper sentiments do however remain constant. This brings one to the realisation that Horace applies a number of "roles", in order to obtain the desired effect in each poem. Eventually the interaction is not between the speaker and the addressee, but between the poet and the reader. Some of the poems do not give the names of addressees, only the roles Horace plays as the speaker. These roles are termed personae, and represent the poet on a number of realistic and super-realistic planes. In this study, a selection of personae was analysed and the effects examined, in order to establish in what way the persona might influence the interpretation of the poem. Initially a collective overview of several personae was planned, for the purpose of a synthesis of those personae, possibly leading to the discovery of a central Horatian persona. It was however, found, in the complex perfection of his work, that that central person is Horace: the poet.
AFRIKAANSE OPSOMMING: In Horatius se Odes, gee hy dikwels spesifieke aandag nie net aan die onderwerp nie, maar ook aan die leser as sy gehoor, of die aangesproke persoon, wat dikwels in die begin van die gedig genoem word: Omdat so 'n kommunikasie die digter in sy eie skepping intrek, is dit sinvol om na hom in daardie konteks as die spreker te verwys. In die wyse waarop daar dan met die aangesprokene gekommunikeer word, word dit duidelik dat Horatius die boodskap van sy gedig nie slegs deur middel van stellings oordra nie, maar dat hy ook deur middel van die wisselwerking tussen die aangesprokene en die spreker, sekere feite impliseer. Die aangesproke persoon, waarop die spreker se houding dan'n reaksie is, word dus vir elke ode gekies om 'n sekere onderwerp of siening te ondersteun. Soos wat elke ode dus verskil, en'n verskeidenheid emosies bevat, verskil Horatius se houdings teenoor sy aangesprokenes drasties. Sy dieper oortuigings bly egter dieselfde. Dit lei die leser tot die besef dat Horatius 'n verskeidenheid "rolle" aanwend om in elke gedig die gewensde effek te verkry. Die werklike wisselwerking is nie tussen die spreker en die aangesprokene nie, maar tussen die digter en die leser. Sommige gedigte bevat geen name van aangesprokenes nie; slegs die rolle wat Horatius as die spreker gebruik. Hierdie rolle word personae genoem en verteenwoordig die digter op 'n aantal realistiese en bo-realistiese vlakke. Die effekte van 'n seleksie personae word in hierdie studie deur middel van analise ondersoek om vas te stel hoe die toepassing van die persona die interpretasie van die gedig beïnvloed. 'n Gesamentlike beskouing van 'n aantal digterlike personae is aanvanklik beplan, met die oog op 'n sintese van die personae, wat moontlik tot die ontdekking van 'n sentrale persona by Horatius sou kon lei. Daar is egter bevind dat die sentrale persoon wat in die komplekse perfeksie van sy werk self sit, dié is van Horatius as digter.
Blumtritt, Ute. "Publikationsfreiheit oder Enteignung? Google Book Search, VG Wort und Open Access." Universitätsbibliothek Chemnitz, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-200901770.
Full textVock, Rubina. "Open Access – Publikationsfreiheit oder Enteignung?" Universitätsbibliothek Chemnitz, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-200901790.
Full textBuckner, Brenda Warren. "Against the odds : literacy success in rural, low-income families." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1290967.
Full textDepartment of Elementary Education
Atilgan, Canan. "Türkische Diaspora in Deutschland Chance oder Risiko für die deutsch-türkischen Beziehungen /." Hamburg : Deutsches Orient-Institut, 2002. http://books.google.com/books?id=UAhoAAAAMAAJ.
Full textKim, HyunJong. "Synthetic studies related to a molecular motor series and development of photoswitching systems on ODS-TiO₂." abstract and full text PDF (UNR users only), 2008. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3326204.
Full textBerg, Bernd. "Finanzkrisen und Hedgefonds Finanzmagier oder Krisenauslöser? /." Wiesbaden : Gabler Verlag / GWV Fachverlage GmbH, Wiesbaden, 2009. http://sfx.metabib.ch:9003/sfx_locater?sid=ALEPH:DSV01&genre=book&isbn=978-3-8349-8213-1&id=doi:10.1007/978-3-8349-8213-1.
Full textSiemens, Anne Maria. "Durch die Institutionen oder in den Terrorismus die wege von Joschka Fischer, Daniel Cohn-Bendit, Hans-Joachim Klein und Johannes Weinrich." Frankfurt : Friedrich Bischoff Druckerei, 2006. http://books.google.com/books?id=FtTZAAAAMAAJ.
Full textBooks on the topic "Book of Odes"
1947-, Mayer Roland, ed. Odes, book I. Cambridge: Cambridge University Press, 2012.
Find full textMargaret, Hubbard, ed. A commentary on Horace, Odes Book I. Oxford: Clarendon, 1989.
Find full textHilles, Robert. Breathing distance: A book of odes. Windsor, Ont: Black Moss Press, 1997.
Find full text1950-, Thomas Richard F., ed. Odes, Book IV: And, Carmen saeculare. Cambridge [England]: Cambridge University Press, 2011.
Find full textNisbet, R. G. M. A commentary on Horace: Odes, book 1. Oxford: Oxford University Press, 1989.
Find full textNiall, Rudd, ed. A commentary on Horace: Odes, book III. Oxford: Oxford University Press, 2004.
Find full textArtifices of eternity: Horace's fourth book of Odes. Ithaca: Cornell University Press, 1986.
Find full textMurray, Julia K. Ma Hezhi and the illustration of the book of Odes. Cambridge [England]: Cambridge University Press, 1993.
Find full textThe golden needle: And other odes of traditional acupuncture : book two of Yang Jizhou's grand compendium (1601). Edinburgh: Churchill Livingstone, 1991.
Find full textW, Attridge Harold, ed. Odes of Solomon: A commentary. Minneapolis, MN: Augsburg Fortress, 2009.
Find full textBook chapters on the topic "Book of Odes"
Redfern, Darren, and Edgar Chandler. "First-Order ODEs." In The Maple® O.D.E. Lab Book, 25–32. New York, NY: Springer New York, 1996. http://dx.doi.org/10.1007/978-1-4612-2402-0_3.
Full textRedfern, Darren, and Edgar Chandler. "Applications of First-Order ODEs." In The Maple® O.D.E. Lab Book, 33–44. New York, NY: Springer New York, 1996. http://dx.doi.org/10.1007/978-1-4612-2402-0_4.
Full textCain, Tom, and Ruth Connolly. "Horace, Ode 9, Book 3. To Lydia." In The Poems of Ben Jonson, 1089–90. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315696195-352.
Full textMiddendorf, Stefanie. "Entscheidende oder erbärmliche Jahrzehnte?" In Gewinner und Verlierer nach dem Boom, 121–44. Göttingen: Vandenhoeck & Ruprecht, 2020. http://dx.doi.org/10.13109/9783666311185.121.
Full textSchwarz, Ullrich. "Architektur nach ihrem Ende oder: die Überwindung der Verdinglichung." In Sehnsucht The Book of Architectural Longings, 181–89. Vienna: Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-7091-0327-2_11.
Full textRömmele, Andrea. "Der Markt für Politikberatung – Boom oder Baisse?" In Politik – Wissenschaft – Medien, 347–55. Wiesbaden: VS Verlag für Sozialwissenschaften, 2009. http://dx.doi.org/10.1007/978-3-531-91219-6_19.
Full textCain, Tom, and Ruth Connolly. "Horace, Ode the First. The Fourth Book. To Venus." In The Poems of Ben Jonson, 1086–88. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315696195-351.
Full textBoos, Philip. "Kognitives Kartieren urbanen Radfahrens als Place-basierte Methode." In Sozial- und Kulturgeographie, 281–96. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459584-019.
Full textFabricant, Carole, and Robert Mahony. "Horace, Book I., Ode XIV (“Paraphrased and Inscribed to Ireland”) (1726?)." In Swift's Irish Writings, 225–27. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106895_33.
Full textVoigt, Christian C. "Evidenzbasiertes Wildtiermanagement." In Evidenzbasiertes Wildtiermanagement, 1–4. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-65745-4_1.
Full textConference papers on the topic "Book of Odes"
Vasconcelos Filho, Rogério Carvalho, Andreza Oliveira Abreu, Arthur José Cavalcante Gois, João Gabriel Leal Martins, and Vitoria Lima Camelo. "CURSOS ONLINE COMO FERRAMENTA DE ENSINO COMPLEMENTAR À FORMAÇÃO EM CIÊNCIAS BIOLÓGICAS E ÁREAS AFINS." In II Congresso Brasileiro de Ciências Biológicas On-line. Revista Multidisciplinar de Educação e Meio Ambiente, 2021. http://dx.doi.org/10.51189/rema/1247.
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