Relevant bibliographies by topics / Boom Festival

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Boom Festival'

Author: Grafiati
Published: 9 September 2021
Last updated: 9 February 2022

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Journal articles on the topic "Boom Festival"

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Bradley, Eddie, Lauren Close, and Ian Whyte. "Putting the Boom, Boom, Boom into Physical Activity and Health: Music Festivals as a Positive Health Alternative to Couch Fandom." International Journal of Environmental Research and Public Health 16, no. 12 (June 14, 2019): 2105. http://dx.doi.org/10.3390/ijerph16122105.

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Background: Despite the popularity of outdoor music festivals in the UK, no evidence exists of the volume or intensity of movement that occurs through attendance at these festivals and the potential health benefits this may provide. The aim of this study was to accurately record the amount of physical activity and movement at the Glastonbury Festival and to compare it against recommended levels. Methods: 22 attendees wore an Actigraph activity monitor and GPS data-logger to the Glastonbury Festival. Distances travelled, speeds and durations were recorded. Activity levels were identified based on step count thresholds and the total duration spent in moderate to vigorous physical activity (MVPA) was calculated. Results: Mean total distance of 66.1 km was recorded with daily distance (11.01 km), movement duration (11 h 28 min) and steps/day (15,661). Total MVPA of 927 min occurred over the festival period. Conclusions: This study objectively recorded the volume of physical activity that occurred at an outdoor UK festival. Large movement distances and MVPA six times greater than the recommended guidelines for health benefits were found. It can be suggested that attendance at large-scale festivals can be used as a modality for attaining physical activity guidelines alongside commonly suggested fitness activities.
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Kunin, Alexander I. "Popularization of Graphic Novels in Russia and the Role of the Russian State Library for Young Adults in Formation of Loyal Library Environment." Bibliotekovedenie [Russian Journal of Library Science] 69, no. 6 (February 8, 2021): 610–19. http://dx.doi.org/10.25281/0869-608x-2020-69-6-610-619.

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The article presents the attempt to generalize the experience of working with graphic novels (comics, manga, etc.) available in the domestic book sector. The author considers the main stages of development in the historical perspective of forms and methods of popularization and distribution of graphic novels in Russia. At the first stage, formation of the segment of graphic novels in Russia was associated with the development of the festival movement. At the second stage — with the publishing boom and distribution of publications. Later — with work with a reader of graphic novels in libraries. Development of the festival movement was carried out due to the interest, first, in Japanese cartoons (anime) and Japnese graphic novels (manga), and secondly, in American comics and European graphic novels.The author presents the festival movement in the context of the main directions: anime festivals and comics festivals (with special emphasis on the work of the ‘KomMissia’ [ComMission] festival). The article gives general characteristics of these types of festivals and reveals the degree of their involvement in the processes of forming the readership and professional environment at a certain evolutionary stage.Bookstores and public libraries are the traditional operators of book dissemination and popularization of knowledge. The author explains why the integration of graphic novels into these spaces was delayed. The article notes the importance of reader communities in social networks in creating alternative channels for selling the products of publishers of graphic novels. In 2010, the Russian State Library for Young Adults (RSLYA) established the Centre for comics and visual culture, collecting graphic novels and providing methodological assistance to libraries that use graphic novels in their work. At present, it is the Centre for graphic novels and images that provides comprehensive support to libraries. The author highlights the role of the RSLYA as a methodological centre for library services to young people in the formation of loyalty to the new phenomenon among Russian library professionals. Based on the studied processes, the article gives characteristics of graphic novels as a new segment of the Russian book market with its inherent features of positioning in the reader’s environment.
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Stevens, Kirsten. "From film weeks to festivals: Australia’s film festival boom in the 1980s." Studies in Australasian Cinema 10, no. 2 (May 3, 2016): 250–63. http://dx.doi.org/10.1080/17503175.2016.1198450.

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Butow, David. "Latino Urbanism." Boom 6, no. 1 (2016): 88–101. http://dx.doi.org/10.1525/boom.2016.6.1.88.

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“Latino urbanism” describes the myriad ways that immigrants from Latin America are remaking American cities to feel more like the places from which they came. It describes a culture in many ways the opposite of the “intensely private” city Leon Whiteson described, with an emphasis much more on sociability and extending private and commercial realms outside and onto the street. Perhaps there’s no better example of this than LA’s CicLAvia-modeled on Bogotá’s Ciclovía-the open streets festival that brings tens of thousands of pedestrians and cyclists out onto temporarily closed streets. Latino urbanism is remaking California by adapting what already exists. David Butow’s photo essay captures this dynamic in action in California.
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de Sousa, A. E. Moreira, R. Sá, E. Sáez-López, A. Sottomayor, V. Cabral Veríssimo, P. Cunha Correia, V. Ricoca Peixoto, G. Leiras, and R. Mexia. "Active and syndromic surveillance for mass gatherings: BOOM festival 2018, Portugal." International Journal of Infectious Diseases 79 (February 2019): 35. http://dx.doi.org/10.1016/j.ijid.2018.11.099.

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Autissier, Anne-Marie. "Professional and personal strategies of documentary filmmakers in Brazil: the case of the State of Rio de Janeiro and Minas Gerais." Culture and Local Governance 7, no. 1-2 (June 7, 2021): 55–82. http://dx.doi.org/10.18192/clg-cgl.v7i1-2.5922.

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Between 2012 and 2019, this qualitative sociological research was part of a documentary "boom" moment in Brazil, in terms of production and international recognition. Faced with a bottleneck in terms of their distribution, a growing number of festivals have opened up for documentaries, not counting the historical festival "É tudo Verdade" (São Paulo). This period also corresponds to a time when attempts at policies in favor of documentary films were made by the Federation and the Ministry of Culture (MinC) – public channel TV Brasil, TV Cultura, Doc.TV... These various advances have allowed the expression of a "black" cinema (Joel Zito Araujo), LGBT concerns (Karla Holanda), women’s rights (Helena Solberg and Susanna Lira) and the possibility for indigenous people to seize digital tools to reflect their own realities (Vincent Carelli, Video nas aldeias). Thus, while the Brazilian authorities were carrying out unfinished policies facing the weight of the private oligopolistic sector, it was interesting to analyze how documentary filmmakers developed their professional strategies. From this perspective, fourteen directors were the subject of semi-structured interviews in the state of Rio de Janeiro and three in Minas Gerais. In addition, producers and festival managers were also contacted. But the arrival of the Bolsonaro government caused a real rift. Against a backdrop of cultural war, fake news aimed at discrediting artistic circles, the takeover of the National Cinema Agency (ANCINE) and the abandonment of the São Paulo film library, cuts from major corporate sponsors, and beyond, Brazilian documentary filmmakers have found themselves strangers in their own country.
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Martins, Daniel, Monica J. Barratt, Cristiana Vale Pires, Helena Carvalho, Mireia Ventura Vilamala, Iván Fornís Espinosa, and Helena Valente. "The detection and prevention of unintentional consumption of DOx and 25x-NBOMe at Portugal's Boom Festival." Human Psychopharmacology: Clinical and Experimental 32, no. 3 (May 2017): e2608. http://dx.doi.org/10.1002/hup.2608.

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Carvalho, Maria, Mariana de Sousa, Paula Frango, Pedro Dias, Joana Carvalho, Marta Rodrigues, and Tania Rodrigues. "Crisis Intervention Related to the Use of Psychoactive Substances in Recreational Settings - Evaluating the Kosmicare Project at Boom Festival." Current Drug Abuse Reviews 7, no. 2 (January 27, 2015): 81–100. http://dx.doi.org/10.2174/1874473708666150107115515.

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Murray, Simone, and Millicent Weber. "‘Live and local’?" Convergence: The International Journal of Research into New Media Technologies 23, no. 1 (January 24, 2017): 61–78. http://dx.doi.org/10.1177/1354856516677531.

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Literary festivals throughout the English-speaking world have been enthusiastic adopters of digital technology: uploading podcasts of author talks, posting videos of panel sessions to video-sharing sites such as YouTube, inviting guest bloggers to comment on proceedings and encouraging live-tweeting as a means of reinforcing audience members’ participatory agency. Such innovations serve to expand festivals’ reach to encompass dispersed audiences and, moreover, increase the longevity of previously transient events. They hence provide evidence to justify writers’ festivals’ claims on public funding as well as to delineate vibrant online and offline bookish communities of interest. However, wholesale uptake of digital technology destabilizes some previous givens of the literary festival as they have coalesced since the phenomenon’s 1980s efflorescence. The concept of authorship undergoes profound changes in a climate of online performativity, constant availability to readerships and digitally diminished ‘aura’. Equally, previously passive audiences are reconceptualized as amateur critics, co-publicists and even co-publishers in the case of crowdsourced subscription publishing. Festival programming may be sampled live or archived, and audiences are only partially tethered to a particular geographical location – a disarticulation taken to another level by emerging online-only writers’ festivals such as the #TwitterFiction Festival and the Digital Writers’ Festival. What are the implications of these shifts for our conceptualization of 21st-century literary community? This article seeks to address this question by proposing a theoretical framework for examining the digital/literary festival interface, analyzing a wide range of terrestrial and online-only festivals and underpinning this analysis with empirical audience interviewing conducted at multiple Australian and UK writers’ festivals and book towns. In bringing together these strands, the article presents a detailed picture of an important and currently underexplored dimension of the public encounter with literature at a moment of profound digital change.
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ROSSETTI, GIULIA. "Foreign languages education in international literary festival tourism: the case of Festivaletteratura in Italy." International Journal of Language, Translation and Intercultural Communication 4, no. 1 (June 24, 2016): 68. http://dx.doi.org/10.12681/ijltic.10342.

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<p><em>Festivals have always represented a good opportunity on the economic front, but most importantly they have been perfect occasions for creating settings for social, cultural and inter-linguistic interaction. Nowadays, thanks to the globalisation process, intercultural and inter-lingual communications are increasingly important in the festivals domain, especially those focused on international literary events. According to the experiential learning theory, international book festivals can be environments for learning activities, and specifically for language development. Thus, these cultural events have provoked such questions as the following: attending international literary festivals can increase participants' language learning? In what ways do international literary festival managers invest in multilingual services in order to encourage language learning? This study aims to investigate if international literary festivals can develop adult visitors’ language learning, taking Festivaletteratura of Mantua (Italy) as a case study. Firstly, I shall present the importance of interlingual communication in festival tourism and the experiential learnign theory. Secondly, I will explore Festivaletteratura supply analysis, considering also its international projects as potential language training tools: Scritture Giovani and Vocabolario Europeo, and Festivaletteratura’s international connection with other partners: the Hay Festival and the Berlin Internationales Literaturfestival. Then, I will investigate the role of foreign languages in the demand analysis of the festival, according to the questionnaire survey among 300 adult attendees during the 2015 Festivaletteratura edition. Finally, I intend to argue that even if the festival might provide a setting for language learning with lots of international guests, due to its target, who is not familiar with foreign languages, it cannot be described as an example of language learning environment.</em></p><p><em> </em></p><p> </p>
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Dissertations / Theses on the topic "Boom Festival"

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Docherty, Paul J. "Developing literary Glasgow : towards a strategy for a reading, writing and publishing city." Thesis, University of Stirling, 2018. http://hdl.handle.net/1893/28083.

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Since the 1990s, urban cultural policy in the UK has been bound to the cause of urban regeneration. Much has been written in examination and critique of this relationship, but what happens when the direction of strategic attention is reversed and civic leadership seeks to regenerate culture itself? The city of Glasgow, having made capital of culture over many decades, has moved towards a strategy for the development of literary Glasgow. This thesis documents a search for those factors crucial to that strategy. The research focuses on literary Glasgow as one aspect of the city’s cultural sector; identifies and examines gaps in the relationship between the civic cultural organisation and literary communities; and highlights those elements vital to the formation of a strategy for development of the literary in Glasgow. An extended period of participatory ethnographic research within the Aye Write! book festival and Sunny Govan Community Radio, is supplemented with data from interviews conducted across the literary sector and analysis of organisational documentation. Through these a gap has been identified between the policies and operations of a civic cultural organisation, and the desires of those engaged within the literary community. This gap is caused, in part, by the lack of a mechanism with which to reconcile contrasting narratives about the cultural essence of the city, or to negotiate the variations in definitions of value in relation to cultural engagement. The interdisciplinary approach builds upon insights from existing work within publishing studies, cultural policy, complexity theory and organisational studies to construct an understanding of the dynamics of Glasgow’s literary sector. This reveals the need for a framework in support of a landscape of practice, a desire for the placement of boundary objects to facilitate engagement, and the significance of value in relation to participation in literary activity. This work informs a strategy for literary Glasgow and contributes to conversations on strategies for cultural development in other cities.
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Yang, Liaoran, and 杨了然. "Boon or bane?: changes in the Yi Fan Festivalof the Chinese Mulam minority after its designation as a national-level intangible cultural heritage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50716426.

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There are 55 ethnic minorities (少數民族) in the People’s Republic of China, among which Mulam Minority (仫佬族) is a small one gathering in a remote town in the northern part of Guangxi Province. Every group of people has their own culture and tradition, usually culture reflects on the food, drinks, clothe, rituals and festivals, etc. The most important festival of Mulam Minority is Yi Fan Festival (依飯節), which has been designated as a national-level intangible cultural heritage in 2006. The current research will look into the changes in this particular festival after its designation in terms of both tangible and intangible aspects; also it’s a look into the local traditional culture within its context. The identity of a culture is hard to define and is also changing with time. It is when based on the defined cultural identity can a tradition advance with time without losing its authenticity. How to make conservation become a part of the development is what we are facing in the fast-changing world. Since festival consists an indispensable part of traditional culture, how to transmit it through media and how to interpret it becomes the key question. As a young stakeholder of the Mulam Minority, we should understand the opportunities, challenges, strengths and weaknesses of every change that is going to happen, and above all, carry on practicing.
published_or_final_version
Conservation
Master
Master of Science in Conservation
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Pereira, Tiago André Moreira. "Heterotopia, liminaridade e vida quotidiana: O Boom Festival como epifenómeno de alteridade." Doctoral thesis, 2021. http://hdl.handle.net/10348/10364.

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Tese de Doutoramento em Ciências da Cultura
Tendo em conta a efervescência que o conceito festival ganhou ao longo das primeiras duas décadas do século XXI, a tese procura novos significados de festival à medida que se configura como fenómeno de massas e indústria, i.e., cujo volume de negócio aumentou exponencialmente, satisfazendo os movimentos de massas e as indústrias a ele ligadas. Partindo de perspetivas aportadas pelas ciências da cultura e explorando o conceito de festival transformacional são analisadas as circunstâncias sociais e os quadros culturais que configuram as disposições subjetivas e impulsionam a procura do Boom Festival, em Portugal. A Boomland, espaço onde se realiza o Boom Festival, afigura-se como um santuário e local de peregrinação muito concorrido para os aficionados de um movimento global denominado tribo psytrance. Este movimento alternativo, com origens nas correntes ditas contra-culturais da década de 1960, apresenta uma veia hedonista, uma tendência espiritual e um elevado interesse no comércio e consumo de psicadélicos. O psytrance, epifenómeno da EDMC, está na génese do Boom Festival e é a característica que demarca este festival dos demais no circuito internacional. É em torno da Boomland e do festival que nela tem lugar que esta investigação vai orbitar, procurando salientar o impacto que a experiência Boom Festival tem na vida de quem a vive. A tese observa as modulações identitárias associadas aos processos de socialização, práticas e fruições culturais entre indivíduos e grupos, em contextos de alteridade, promovidos durante o evento. Em simultâneo, são abordadas as propriedades no festival que lhe proporcionam uma feição heterotópica de espaço de transgressões, tendo em vista compreender de que modo os contextos sociais temporários de suspensão e liminaridade induzem processos transformacionais no regresso à vida normal. Os três eixos conceptuais centrais nos quais a tese assenta – neotribalismo/heterotopia/processo ritual – são essenciais para entender e situar o Boom Festival no contexto das transformações sociais e culturais da contemporaneidade, sobretudo no que diz respeito à influência da tecnologia e do digital nos processos sócio-culturais. Partindo desses três eixos, esta investigação implicou numa abordagem etnográfica, com recurso à etnografia digital e à autoetnografia, complementadas com entrevistas semi-dirigidas. A recolha de dados incidiu em três momentos relativos à edição de 2018 do festival – antes, durante e após o festival – , com base num grupo de discussão/observação composto por 20 pessoas, reunidas na plataforma digital Facebook, remetendo para um trabalho de campo no espaço digital e no espaço geográfico.
For the past two decades the concept of ‘festival’ has evolved into new connotations on the sociocultural field. This thesis explores these new connotations of ‘festival’ as it develops into a phenomenon of mass culture and industry, i.e., festival business has increased exponentially, as a consequence of a mass consumption and festival related industries. There has been a social effervescence around the transformational festival meme which triggered new perspectives on the cultural sciences scope. This study examines those perspectives along with data analysis to expand social circumstances and cultural frameworks that configure the subjective dispositions and drive the demand for Boom Festival in Portugal. Boomland is Boom Festival’s territory and appears to be both a popular sanctuary and a pilgrimage site for fans of a global movement called psytrance tribe. This alternative movement with origins in the so-called counter-cultural tendencies of the 1960s promotes its hedonistic vibe, a spiritual tendency and a high interest in the trade and consumption of psychedelics. Psytrance, an epiphenomenon of EDMC, is not only the source of Boom Festival but it is the main feature which sets this festival apart from the rest of those on the international circuit. This investigation is about Boomland and the festival itself. It analyses the impact the Boom Festival experience can have on the lives of those who live it. The thesis emphasizes identity modulations associated with the sociological process, i.e., practices and cultural fruition between individuals and groups in contexts of otherness promoted during the event. Simultaneously, it addresses the properties at the festival that can be analyzed as heterotopic transgressive spaces in order to understand how the contexts of temporary suspension and liminality imply a transformative power in the return to everyday life. In addition, it is important to identify neotribalism / heterotopia / ritual process as the key elements to which this thesis is built upon. As a result, it is vital to situate the Boom Festival in the contemporary sociocultural paradigm while keeping track on the impact of digital technology on the anthropological range. The research involved an ethnographic approach, using digital ethnography and auto-ethnography, complemented by semi-directed interviews. The empirical work underlined the three (liminal) moments related to the 2018 edition of Boom Festival – before, during and after the festival –, based on a 20 people discussion/observation group, gathered on the digital platform Facebook, implying fieldwork both in digital and geographic territory.
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Valbom, Mónica Sofia Teixeira. "O impacto da descriminalização de substâncias psicoativas para as intervenções de redução de riscos e minimização de danos : estudo de caso do projecto Kosmicare/Boom Festival." Master's thesis, 2015. http://hdl.handle.net/10400.14/18013.

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O objetivo do presente estudo é compreender o Impacto da Descriminalização do consumo de substâncias psicoativas (SPA) na prática de Redução de Riscos e Minimização de Danos (RRMD), em Portugal No desenvolvimento deste trabalho recorremos a uma metodologia de investigação qualitativa assente em questionários realizados a agentes de segurança e técnicos de saúde, com intervenção direta nas práticas de consumo e tráfico de SPA. A análise de dados foi feita com recurso ao software Nvivo10®. Uma conclusão central que emerge deste trabalho é o facto de, na sua maioria, os agentes de segurança desconhecerem qual a legislação em vigor, no que concerne às políticas das drogas em Portugal, bem como, não compreenderem o impacto da descriminalização do consumo de SPA, em Portugal. No entanto, este é apenas um primeiro contributo para a exploração desta temática, que necessita de aprofundamento adicional em muitas das suas dimensões. Entendemos que uma disseminação mais eficaz do conhecimento sobre a lei e suas implicações junto dos agentes envolvidos na sua implementação contribui de forma significativa para a melhoria da eficácia das medidas contempladas pela lei, no interesse e no benefício dos indivíduos utilizadores em Portugal.
The aim of this study is to understand the Impact of Descriminalization of psychoactive substance use in the practice of harm reduction and risk minimization in Portugal In the development of this investigation we used a qualitative research methodology based on questionnaires conducted to security agents as well as health agents which have had direct contact with either consumption and/or traffic of psychoactive substances. The research methodology relies on a qualitative process using the.Nvivo10®. A blunter conclusion of this work is that, on average, the security agents are unaware of the current legislation premises regarding psychoactive substances consumption. Also, it's to be said that they didn’t understand the impact that the decriminalization has had in Portugal. However this is only the first step to explore this theme, which will require, a deeper and more complex analysis in all its' planes. We believe that creating ways to promote knowledge of the law around the agents which are also implicated, will result in a significant change and bettering on the application and enforcement of said law, which, it's in the benefit and on the psychoactive substance user best interest, in Portugal.
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Chiang, Ming-Kung, and 江明恭. "The Research of Picture Book Creation for Dongshi Xindingban Festival." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/3c64af.

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碩士
國立臺中教育大學
美術學系碩士班
103
The research of picture book creation for Dongshi Xindingban Festival Student：Ming-Kung Chiang Adivisor：Professor Bao-Ling Hsiao,Ph.D Department of Fine Arts National Taichung University of Education Abstract The Lantern Festival falls on the 15th day of the lunar month, and is the culmination of the end of the Lunar New Year. In Taiwan, the famous folk celebrations for the Lantern Festival are New Taipei City’s Pingsi Sky Lantern Festival, and Greater Tainan’s Yanshui Beehive Rockets Festival. However, People in Taichung Dongshi, celebrate the Lantern Festival with Xindingban Festival. This research is to study the intension of Xindingban Festival as below points. a.To offer a thanksgiving to God. b.To enjoy joy of life for heritage passing down. c.To pass down the Hakka culture. Lin Chih Hsin, a Taiwan printmaker spent twenty years to complete "Towards Matsu" masterpiece, in order to pass down the cultural heritage of the traditional Taiwanese temple. Unlike printmaker Lin Chih Hsin’s insistence on tradition, this research was presented "Xindingban" Print by the creation of children's picture books. This picture book is included sixteen pages of cover, title page, and contents. About learning sheet, the major parts are the first grade curriculum and children’s picture books for Dongshi Xindingban Festival. In this study, we complete two children's picture books for "Dongshi Xindingban Festival", and we also design another picture book for first grade curriculum that is "sixth unit: happy new year". In addition, I design an interactive card for future teaching. Keywords: Lantern Festival, Dongshi Xindingban Festival
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Shih, Wan-Chen, and 石宛蓁. "A Thesis Work of Let’s Fight with「Festival Fat」Postcard Book Design." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/75638680099474905438.

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碩士
國立高雄師範大學
視覺設計學系
101
Food is Taiwan's most important cultural festivals protagonist, food can really festive finishing touch, but after the festival is a major health problem but also worrying, the media began reporting sharply, urged people to pay attention to weight control after the festival; New Year does not get fat, most of the Taiwanese, it was almost impossible task! According to the Health Department survey shows that over the years, each year during the Spring Festival, people will increase the average weight of about 2 kg (NOWNEWS, 2013). The creation of prevention is better than cure on the angle, in order to prevent public festival holidays obesity problems as the goal to Taiwan four festivals: the Spring Festival, Dragon Boat Festival, Mid-Autumn Festival, Hungry Ghost Festival for the creation of themes for each unit series of festive specialties the amount of the order based on the weight and calorie labeling, healthy eating festival food and attach the correct concept of health and sport offers three ways, each of the festival developed into six packages postcard combination product, in addition to festive holiday period reached caloric intake control to remind outside , exercise some postcards available daily except during the festival can send a copy of the "health" to friends, public health advocacy training exercise habits. humorous illustration image interesting combination of computer typesetting presented in a way. Creators expect the concept of healthy holiday postcard advocacy through to the domestic populace, in addition to a correct understanding would allow people to be more food calories a healthy way to enjoy food, fat removed from the Festival asked interference. Select postcards for the creation of the carrier, due to transfer messages and postcards have blessed effects creators consider expatriates living in Taiwan. Development of both the English version, consumers can choose send the object, festivals and more close to healthy weight loss combined with modern life; take the concept of healthy weight loss, gifts and blessings through postcards ways to convey to the receiver.
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Wen, Yuan-Chen, and 温元禎. "Design Research of Children’s Pop-up story book-take Taiwanese Festival Stories for example." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/12997994493864476698.

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碩士
銘傳大學
商業設計學系碩士班
100
In recent years, the government is placing more emphasis on children’s education, not only in the pursuit of innovation and reformation of our education system, but also in every related aspect such as food, clothing, accommodations, transportation, education, and recreation, in the hopes of creating the best academic environment for them. With the development of computer technology and the rapid changes of information, children can experience diverse life and information during their childhood. Therefore, many ordinary publications cannot meet their reading demand. However, pop-up books veer away from the framework of ordinary picture books to make the children experience the excitement in vision and in touch through the rich structural changes of the inner pages and through the interactive mechanisms, while reading them. Because pop-up books possess the characteristics of both picture books and toys, they enhance the children’s joy of reading and at the same time enrich the children’s imagination and spatial perception. Based on the analysis of literatures and the use of questionnaires, this research explores the pop-up book’s history, types, subjects, functions, and value as well as relevant design applications. Meanwhile, it discusses the pop-up book’s value, types, characteristics, and background stories of festivals in accordance with Taiwan’s festivals. What’s more, this study collects relevant books and information related to domestic and overseas festivals and takes the results of the analyses of the interviewees’ questionnaires as the reference for future creation and research. The design employs Taiwan’s traditional festival stories as the subject and recreates children’s pop-up books replete with Taiwanese culture by integrating the pop-up books’ different expression types. It takes the three background stories of Taiwan’s festivals as the creative content: the story of the monster Nian, the patriotic poet Qu Yuan, and the rabbit living in the moon to form three series; each of which are integrated with different pop-up book structures of layered scenes, jump intos, and exhibit scenes. By combining traditional festival stories and children pop-up books, Taiwan festival stories can be presented with an innovative appearance making children more receptive to learning the traditional culture of Taiwan.
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Chu, Wen-Feng, and 朱文鳳. "The Researching of Picture Book Creation"The Beauty of Festivals in Taiwan"." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/74797544726862598997.

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碩士
高雄師範大學
視覺設計學系
99
In Taiwan, there are many traditional festivals and folk festivities with the cultural significance and distinctive customs. These are so treasonable that need us to hand down from generation to generation. The creator used collage techniques to present an appearance of the traditional Taiwanese festivals and created a picture book involves Taiwan’s local color. People can toward a better understanding of the traditional Taiwanese festivals and the special folk festivities by this picture book. Also, the creator hopes it can be published for local education in elementary school as supplementary materials. By reading combined with pleasure of searching, let the children regain the traditional culture which has been forgotten. In this dissertation, the chapter one is a preface about the origin of creation. The chapter two is literature collection of folklore, local education, and picture book to analyze the definition. The chapter three is the creation analysis, to discuss the research of the picture book about Taiwan’s culture, collage techniques’ development and collage techniques’ picture book. According to this research, the chapter four is the primary part of creation. There are 42 pieces of picture, including the cover sheet, endpaper, pages, title page, copyright page and so on. Hopefully, this creation can present a beautiful appearance of the traditional Taiwanese festivities then pass on and carry on the humanism of traditional culture. To make people toward a better understanding of this island and local culture, continue the traditional culture’s endless vitality. Finally, I expect this picture book can be both of achieving cultural preservation and educational.
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Jirmusová, Petra. "Svět knihy Praha - 25 let mezinárodního knižního a literárního festivalu na pozadí sociálně-kulturních proměn českého knižního trhu." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-438498.

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(in English) This diploma thesis focuses on the Book World Prague - International Book Fair and Literary Festival - in the context of the transformation of the Czech book market after 1989. Particularly, it aims to examine the role the Book World Prague played in rehabilitation of the Czech book market as for re-implementation of basic market mechanisms in book production and distribution. Individual chapters cover the following topics: characterization and typology of modern book fairs, the history of the Czech book market from 1948 the present day, the history of the origin of trade fairs, the specific history and developments of book fairs, and the milestones in the history of the Book World Prague. Central to the research are data collected by the author by interviewing ten professionals working in various fields of the book industry. The transcribed interviews served two major purposes: firstly, they were used as the primary source enabling the author to answer the research question. Secondly, they created a primary source material relating the history of the Book World Prague.
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Smutná, Petra. "Knihy nakladatelství Baobab pro děti předškolního věku a jejich role v rozvoji čtenářství." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-386467.

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The aim of this diploma thesis is to describe the uniqueness of the Baobab publishing house books for pre-school children and to find out what is the opinion of parents and pre- school teachers on selected books from this publishing house, on their content and on their graphic design. In the theoretical part I describe and explain the basic concepts of the reading literacy. I also devote to the contemporary situation in the book market for children, especially pre- school children, mostly non-readers. I focus on a small alternative publishing house called Baobab, its book production for children in general, and on its awarded books. In the empirical part I interviewed parents (41 returned questionnaires altogether) about their awareness and opinion on the Baobab publishing house and on selected books published by Baobab, namely Jak zvířataspí (How Animals Sleep), Šmalcova ABECEDA (Šmalec's Alphabet) and Z domu a zahrady (From the House And the Garden). I also interviewed 7 pre- school teachers to find out about their awareness of the Baobab publishing house and about their opinion on the selected books. Unlike the parents, all teachers had known the publishing house. It was proved that although the publishing house was awarded several prizes for its children's books (especially for the graphic design), the...
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Books on the topic "Boom Festival"

1

Academy, Kerala State Chalachitra, and Kerala (India). Dept. of Cultural Affairs., eds. Festival book. Thiruvanathapuram: Kerala State Chalachitra Academy, 2004.

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Academy, Kerala State Chalachitra, and Kerala (India). Dept. of Cultural Affairs., eds. Festival book. Thiruvananthapuram: Kerala State Chalachitra Academy, 2007.

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Academy, Kerala State Chalachitra, and Kerala (India). Dept. of Cultural Affairs., eds. Festival book. Thiruvanathapuram: Kerala State Chalachitra Academy, 2005.

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Festiwal Książki Artystycznej (2003 Warsaw, Poland). Festiwal Książki Artystycznej, wędrówka: Sztuka książki VII edycja 2003 = The book art VII edition 2003 : Artist's Book Festival, wandering. Warszawa: Okręg Warszawski Związku Polskich Artystów Plastyków, 2003.

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Spicer, Dorothy Gladys. The book of festivals. Detroit: Omnigraphics, 1989.

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Paterson, Aileen. Maisie at the Edinburgh Book Festival. [Edinburgh]: [s.n.], 1993.

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Academy, Kerala State Chalachitra, and Kerala (India). Dept. of Cultural Affairs., eds. 11th International Film Festival of Kerala: 8-15 December 2006 : festival book. Thiruvananthapuram: Kerala State Chalchithra Academy, 2007.

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International Book Art Festival (8th 2006-2008 Warsaw, Poland). Międzynarodowy Festiwal Sztuki Książki-CZAS: Grudzień 2006-grudzień 2008 = International Book Art Festival TIME : December 2006-December 2008. Warszawa: Związek Polskich Artystów Plastyków, 2006.

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Ron, Blunt, and National Cherry Blossom Festival (Washington, D.C.), eds. Cherry blossoms: The official book of the National Cherry Blossom Festival. Washington, D.C: National Geographic, 2012.

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15th international film festival of Kerala, 10-17 December 2010, Thiruvananthapuram: Festival book. Thiruvananthapuram: Kerala State Chalachitra Academy, 2010.

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Book chapters on the topic "Boom Festival"

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Weber, Millicent. "Festival as Field: Literary Festivals as Instantiations of Larger Cultural Spaces." In Literary Festivals and Contemporary Book Culture, 187–223. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71510-0_6.

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Weber, Millicent. "Recognising Literary Festivals." In Literary Festivals and Contemporary Book Culture, 19–60. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71510-0_2.

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Weber, Millicent. "Patterns of Attendance and Experience." In Literary Festivals and Contemporary Book Culture, 61–105. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71510-0_3.

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Weber, Millicent. "Online and Onsite: Intersections in Embodied and Digital Engagement." In Literary Festivals and Contemporary Book Culture, 107–46. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71510-0_4.

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Weber, Millicent. "Festival as Policy Vehicle: Creative Industries, Creative Cities, and the Creative Class." In Literary Festivals and Contemporary Book Culture, 147–85. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71510-0_5.

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Weber, Millicent. "Conclusion: Rules of the Game." In Literary Festivals and Contemporary Book Culture, 225–35. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71510-0_7.

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Weber, Millicent. "Introduction." In Literary Festivals and Contemporary Book Culture, 1–17. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71510-0_1.

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Melis, Claudia. "City on Fire: Deterritorialisation and Becoming at Edinburgh’s Beltane Fire Festival." In The Urban Book Series, 111–23. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41905-9_8.

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Jacobus, Helen R. "Calendars in the Book of Esther: Purim, Festivals, Cosmology." In Studies on Magic and Divination in the Biblical World, edited by Helen R. Jacobus, Anne Katrine de Hemmer Gudme, Philippe Guillaume, Andras Bacskay, Ronnie Goldstein, Marian Broida, Heiko Wenzel, et al., 51–76. Piscataway, NJ, USA: Gorgias Press, 2013. http://dx.doi.org/10.31826/9781463228026-007.

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Sánchez Cano, David. "(Failed) Early Modern Madrid Festival Book Publication Projects: Between Civic and Court Representation." In Writing Royal Entries in Early Modern Europe, 93–111. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.eer-eb.4.00027.

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Conference papers on the topic "Boom Festival"

1

Perrin, Christine. "Open book." In ACM SIGGRAPH 2006 Computer animation festival. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1179196.1179264.

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Ogino, Natsuki. "Rat in a book." In SIGGRAPH Asia 2012 Computer Animation Festival. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2407603.2407651.

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Unknown. "Annie & Boo." In ACM SIGGRAPH 2004 Computer animation festival. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1186015.1186020.

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Unknown. "Annie & Boo." In ACM SIGGRAPH 2004 Computer animation festival. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1186015.1186052.

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