Academic literature on the topic 'Border Art Workshop/Taller de Arte Fronterizo'

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Journal articles on the topic "Border Art Workshop/Taller de Arte Fronterizo"

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Fusco, Coco. "The border art workshop/ taller de arte Fronterizo." Third Text 3, no. 7 (June 1989): 53–76. http://dx.doi.org/10.1080/09528828908576229.

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Hershberger, Andrew E. "Bordering on Cultural Vision(s): Jay Dusard's Collaboration with the Border Art Workshop/Taller de Arte Fronterizo." Art Journal 65, no. 1 (April 1, 2006): 82. http://dx.doi.org/10.2307/20068452.

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Hershberger, Andrew E. "Bordering on Cultural Vislon(s): Jay Dusard's Collaboration with the Border Art Workshop/Taller de Arte Fronterizo." Art Journal 65, no. 1 (March 2006): 82–93. http://dx.doi.org/10.1080/00043249.2006.10791196.

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Books on the topic "Border Art Workshop/Taller de Arte Fronterizo"

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Fronterizo, Border Art Workshop/Taller de Arte. The Border Art Workshop (BAW/TAF) 1984-1989: A documentation of 5 years of interdisciplinary art projects dealing with U.S.-Mexico border issues (a binational perspective) = Taller de Arte Fronterizo (BAW/TAF) 1984-1989 : documentación de 5 años de proyectos de arte interdisciplinario sobre asuntos de la frontera de Estados Unidos con México (una perspectiva binacional). San Diego, Calif: Border Art Workshop/Taller de Arte Fronterizo, 1988.

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Book chapters on the topic "Border Art Workshop/Taller de Arte Fronterizo"

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Masala, Andrea. "«What kind of dirt do you need?»." In Storie della Biennale di Venezia. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-366-3/015.

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Abstract:
Only one year after the fall of the Berlin Wall, in 1990, another border could be observed at the Aperto section of the Venice Biennale. It was the work Colón Colonizado – Tutto è Mio – ¿De Quién? by the Border Art Workshop/Tallér de Arte Fronterizo (BAW/TAF), a binational collective of artists from the San Diego-Tijuana border region. The project corresponds to the first landing of Border Art overseas, but also to the dissolution of the BAW/TAF. The work is therefore subject and conductor of the essay. Its site-specificity aspects are deepened in relationship to the Biennale’s exhibition context. The analysis of this case study will present the Venice Biennial as a key moment and a stage for the transformation of the border space from geographical-territorial to mental and conceptual.
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