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Journal articles on the topic 'Boris Savinkov'

Author: Grafiati

Published: 24 April 2022

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1

Gracheva, Alla M. "Alexey Remizov and Boris Savinkov: A History of Relationship in Letters and Memoirs." Studia Litterarum 6, no. 3 (2021): 346–79. http://dx.doi.org/10.22455/2500-4247-2021-6-3-346-379.

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The article reveals a history of relations between A.M. Remizov and B.V. Savinkov from 1901 to 1924. Their friendly contacts that were established during their Vologda exile were temporarily interrupted by the struggle for the fate of Remizov’s bride, Serafima Dovgello. In the second half of the 1900s, Remizov acted as the maitre of the famous revolutionary and novice writer Savinkov. In the 1910s, their communication was interrupted. Savinkov and Remizov met in 1917 in Petrograd. They disagreed in their attitude towards October Revolution. Their last rapprochement took place in Paris in the early 1920s, when both were going through a difficult period of accommodation to the world of the Russian post-revolutionary emigration. After Savinkov’s death, his image repeatedly appeared in Remizov’s works of the 1925–1940s. The history of their relationship significantly complements the understanding of the parameters of Russian culture at the beginning of the twentieth century. The article is followed up by the first publication of the correspondence between Remizov and Savinkov and obscure memoirs of him by A.M. and S.P. Remizovs.

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2

Malia, Jennifer. "Spectacles of Terrorist Violence in Boris Savinkov’s Fiction." Canadian-American Slavic Studies 51, no. 4 (2017): 409–27. http://dx.doi.org/10.1163/22102396-05104011.

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In the early twentieth century, Boris Savinkov organized assassinations for the Combat Organization of the Party of Socialist-Revolutionaries (PSR). He was not only a Russian revolutionary terrorist but also a fiction writer who wrote about political violence. With the publication of The Pale Horse (1909) and What Never Happened: A Novel of the Revolution (1912), many critics assumed Savinkov became disillusioned with political violence on moral grounds. I argue instead his works question the effectiveness of the PSR’s terrorism on political grounds by revealing the Party’s failed attempts to organize terrorist acts with consistent results. With his fiction, Savinkov problematizes his culture’s desire to create a heroic myth of the revolutionary terrorist as a martyr.

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3

Głuszkowski, Piotr. "Attitudes of Russian Officers in the Conditions of the Polish-Soviet War of 1920 Based on Savinkov’s Memoirs." Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, no. 1 (2021): 86–98. http://dx.doi.org/10.15826/izv2.2021.23.1.006.

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The Polish-Soviet War of 1920 is a key period to understanding the history of Poland as well as Polish-Russian relationships. Despite the amount of research on the topic, there are still many gaps to be filled. One of them is the attitudes and behaviour of Russian officers in war conditions. The main source for this article is Viktor Savinkov’s memoirs written in 1927 and kept in the State Archive of the Russian Federation. Viktor Viktorovich Savinkov (1886–1954) was a Russian publicist, writer, and artist; younger brother of Boris Savinkov, a famous writer and revolutionist. During the Russian Civil War, he was a soldier of the Don Army. In early 1920, he was captured by the Bolsheviks and offered to join the Red Army. The article characterises the way Savinkov was concealing his socio-political views, expressing his attitudes towards new authorities, and how he managed to desert during the Polish-Soviet war. The conditions of the offensive of the Red Army on Warsaw are also described in the memoirs, including the sentiments and behaviour of the soldiers. Savinkov’s memoirs make it possible to study the behaviour of other officers and soldiers of the former Russian army, who had been forced to serve in the Red Army.

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4

Brovkin, Vladimir, and Richard Spence. "Boris Savinkov, Renegade on the Left." Russian Review 53, no. 1 (1994): 144. http://dx.doi.org/10.2307/131320.

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5

Williams, Robert C. "Richard B. Spence, Boris Savinkov. Renegade on the Left." Studies in East European Thought 50, no. 2 (1998): 163–64. http://dx.doi.org/10.1023/a:1017913026183.

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6

Konstantin, Morozov. "The phenomenon of Boris Savinkov and the secret of his death." Ideas and Ideals 1, no. 3 (2016): 157–75. http://dx.doi.org/10.17212/2075-0862-2016-3.1-157-175.

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7

Rupasov, Aleksandr Ivanovich. "In a period of chaos: The fate of one supporter of Boris Savinkov." Петербургский исторический журнал, no. 1 (2018): 265–89. http://dx.doi.org/10.51255/2311-603x-2018-00017.

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8

Kornienko, S. Yu. "«Boris Savinkov Is My Brother»: The Poetics of Courtroom Procedure and Marina Tsveataeva’s Author’s Projections." Critique and Semiotics, no. 1 (2018): 97–115. http://dx.doi.org/10.25205/2307-1737-2018-1-97-115.

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9

Spence, Richard B. "The Terrorist and the master spy: The political ‘partnership’ of Boris Savinkov and Sidney Reilly, 1918–25." Revolutionary Russia 4, no. 1 (1991): 111–31. http://dx.doi.org/10.1080/09546549108575563.

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10

Senese, Donald. "Richard B. Spence. Boris Savinkov: Renegade on the Left. Boulder, CO: East European Monographs, 1991. v, 540 pp. $60.00. Distributed by Columbia University Press." Russian History 20, no. 4 (1993): 329–30. http://dx.doi.org/10.1163/187633193x00531.

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11

Zimmerman, E. R. "Richard B. Spence. Boris Savinkov: Renegade on the Left. Boulder, CO: East European Monographs, 1991. v, 540 pp. $60.00. Distributed by Columbia University Press." Canadian-American Slavic Studies 28, no. 3 (1994): 318–20. http://dx.doi.org/10.1163/221023994x00657.

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12

Schleifman, Nurit. "Karol Wedziagolski. Boris Savinkov: Portrait of a Terrorist. Edited by Tadeusz Swietochowski. Translated by Margaret Patoski. Clifton, N.J.: The Kingston Press, 1988. xxxvi, 249 pp. $29.00." Russian History 17, no. 4 (1990): 447–49. http://dx.doi.org/10.1163/187633190x00101.

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13

Kantor, V. "KERENSKY AS THE PHANTOM OF THE 1917 RUSSIAN REVOLUTIONS. THROUGH THE EYES OF RUSSIAN WRITERS AND POETS." Voprosy literatury, no. 3 (October 1, 2018): 170–98. http://dx.doi.org/10.31425/0042-8795-2018-3-170-198.

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Vladimir Kantor is examining the tragic and life-changing situation in Russia in 1917, the year of two revolutions, when Russian literature found itself in search of a new hero who could lead the country out of the catastrophe. Starting from March 1917, many writers believed they had found such a person in Aleksandr Kerensky. Russian poets and writers in unison hailed Kerensky as the new Napoleon, who would rein in the Russian revolt just like Napoleon did with the French one. Kerensky was aware only of the positive implications of this comparison. The article reveals the politician’s true role through comparative analysis of characterizations by his contemporaries.He began to live up to the phantom and act in the way that his admirers expected from him, losing his identity in the process. He surrounded himself with prominent figures, appointing the famous Social Revolutionary, terrorist and writer Boris Savinkov as his war minister. As the army commissar for ideology he selected Fyodor Stepun, a writer and philosopher. Most prominent artists from that period were all commissioned to paint Kerensky’s portrait. According to Stepun, Kerensky’s speeches were typified by an almost Schillerean ecstasy.But it was his most liberal law system that spelled doom for Russia and himself. The French National Convention rested upon terror and the guillotine, while Kerensky issued a decree abolishing the death penalty in Russia. In war times, amid raging banditry and with a disintegrating army, this decree proved to cause more irreparable damage than some of Peter I’s most ill-advised laws, and Kerensky used to hold Peter in high esteem. He relied on the power of rhetoric, which had propelled him to prominence during the February revolt, but the times had changed. He was nicknamed ‘negotiator-in-chief’, yet his skills were no longer effective with the mob. The mob was waiting for a show of strength and an order.

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14

Melancon, Michael. "Boris Savinkov: Renegade on the Left. By Richard Spence. East European Monographs, No. 316. Boulder, 1991. Distributed by Columbia University Press, New York, v, 540 pp. Index. Plates. Hard bound." Slavic Review 51, no. 4 (1992): 813–14. http://dx.doi.org/10.2307/2500149.

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15

Jansen, Marc. "Boris Savinkov's sons." Revolutionary Russia 14, no. 2 (2001): 131–37. http://dx.doi.org/10.1080/09546540108575743.

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16

PRAISMAN, L. "A new book about Boris Savinkov. Rev.: Tri brata (To, chto bylo): Sbornik dokumentov / Sostaviteli, avtory predisloviya i kommentariev K. N. Morozov, A. Yu. Morozova. Moscow: Novyj hronograf, 2019. 1016 p." Historical Expertise 4, no. 21 (2019): 332–40. http://dx.doi.org/10.31754/2409-6105-2019-4-332-340.

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17

Mosolkin, Sergei V. "Fiction and Historical Truth in Boris Savinkov’s Memoirs." Izvestiya of Saratov University. New Series. Series: History. International Relations 19, no. 3 (2019): 288–91. http://dx.doi.org/10.18500/1819-4907-2019-19-3-288-291.

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18

PATYK, LYNN ELLEN. "On Disappointment in Terrorism, War, and Revolution: Boris Savinkov's What Didn't Happen and Leo Tolstoy's War and Peace." Russian Review 77, no. 1 (2018): 30–46. http://dx.doi.org/10.1111/russ.12166.

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