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Relevant bibliographies by topics / Born, Nicolas

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Academic literature on the topic 'Born, Nicolas'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Born, Nicolas"

1

Saalmann, Dieter. "Affinitäten und Diskrepanzen zwischen Rainer Maria Rilke und Nicolas Born." Orbis Litterarum 40, no. 2 (1985): 125–44. http://dx.doi.org/10.1111/j.1600-0730.1985.tb00829.x.

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Cadogan, Gerald. "Nicolas Coldstream (1927–2008)." Annual of the British School at Athens 104 (November 2009): 1–8. http://dx.doi.org/10.1017/s0068245400000174.

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Nicolas Coldstream, archaeologist of Greece and the Mediterranean in the 9th and 8th centuries bc, was born in India, educated in England, and carried out the research for his first masterpiece Greek Geometric Pottery (1968) while Macmillan Student at the British School at Athens (1957–60). In 1960 he began a long career at the University of London, culminating with the Yates Chair of Classical Archaeology at University College. Renowned as a teacher, he drew many graduate students, especially from Greece and Cyprus. As a prolific scholar, he also wrote Geometric Greece (1977), many articles, several reports on excavations including The Sanctuary of Demeter at Knossos (1973), the Knossos North Cemetery (1996) with Hector Catling, and Kythera (1972) with George Huxley, as well as the revised editions of his two fundamental monographs.O Nicolas Coldstream, αρχανολόγος της Ελλάδας και της Μεσογείου του 9ου και 8ου αιώνα π.Χ., γεννήθηκε στην Ινδία, σπούδασε στην Αγγλία και πραγματοποίησε έρευνα για την πρώτη του εξαιρετική μονογραφία Greek Geometric Pottery (1968) ως Macmillan Student της Βρετανικής Σχολής Αθηνών (1957–1960). Το 1960 ξεκίνησε την πολύχρονη σταδιοδρομία του στο Πανεπιστήμιο του Λονδίνου, αποκορύφωμα της οποίας υπήρξε η εκλογή του στην έδρα Yates της Κλασικής Αρχαιολογίας στο University College. Διάσημος πανεπιστημιακός δάσκαλος, προσέλκυσε πολλούς μεταπτυχνακούς φοιτητές, ιδιαίτερα από την Ελλάδα και την Κύπρο. Επιστήμονας με μεγάλο ερευνητικό και συγγραφικό έργο, δημοσίευσε επίσης τη μονογραφία Geometrie Greece (1977), πλήθος άρθρων και αρκετές ανασκαφικές εκθέσεις μεταξύ των οποίων The Sanctuary of Demeter στην Κνωσό (1973), Knossos North Cemetery (1996) με τον Hector Catling, Kythera (1972) με τον George Huxley, καθώς επίσης και τις ανατεωρημένες εκδόσεις των δύο βασικών μονογραφιών του.

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Lincoln, Kyle C. "“Because his mother was a Saracen” Pope Alexander III and the Case of Miguel de San Nicolás of Toledo (with two new letters from the Archivo Catedralicio de Toledo)." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Kanonistische Abteilung 107, no. 1 (2021): 359–67. http://dx.doi.org/10.1515/zrgk-2021-0009.

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Summary This short note edits and studies (briefly) the contents of two previously unpublished letters from the Archivo Catedralicio de Toledo. The two letters describe the case of a young sub-deacon in the archdiocesan parish of San Nicolas, whose mother was born a Muslim but converted prior to the young cleric’s conception. The conflict over his status required a visit to Rome, and resulted in a clarification of a gray area in canon law.

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4

Görner, Rüdiger. ""Im Innern der Gedichte" Bemerkungen zum poetischen Prozess am Beispiel von Nicolas Born." Jahrbuch für Internationale Germanistik 2011, no. 2 (2011): 37–47. http://dx.doi.org/10.3726/82039_37.

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5

Krämer, Ludwig. "Nicolas de Sadeleer and Charles-Hubert Born, Droit international et communautaire de la biodiversité (Paris: Dalloz, 2004), xvi and 780 pages." Yearbook of International Environmental Law 15, no. 1 (2004): 736–39. http://dx.doi.org/10.1093/yiel/15.1.736.

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6

Guilat, Yael. "Israeli-Ness or Israeli-Less? How Israeli Women Artists from FSU Deal with the Place and Role of “Israeli-Ness” in the Era of Transnationalism." Arts 8, no. 4 (2019): 159. http://dx.doi.org/10.3390/arts8040159.

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The Israeli art field has been negotiating with the definition of Israeli-ness since its beginnings and more even today, as “transnationalism” has become not only a lived daily experience among migrants or an ideological approach toward identity but also a challenge to the Zionist-Hebrew identity that is imposed on “repatriated” Jews. Young artists who reached Israel from the Former Soviet Union (FSU) as children in the 1990s not only retained their mother tongue but also developed a hyphenated first-generation immigrant identity and a transnational state of mind that have found artistic expression in projects and exhibitions in recent years, such as Odessa–Tel Aviv (2017), Dreamland Never Found (2017), Pravda (2018), and others. Nicolas Bourriaud’s botanical metaphor of the radicant, which insinuates successive or even “simultaneous en-rooting”, seems to be close to the 1.5-generation experience. Following the transnational perspective and the intersectional approach (the “inter” being of ethnicity, gender, and class), the article examines, among others, photographic works of three women artists: Angelika Sher (born 1969 in Vilnius, Lithuania), Vera Vladimirsky (born 1984 in Kharkiv, Ukraine), and Sarah Kaminker (born 1987 in Dnipropetrovsk, Ukraine). All three reached Israel in the 1990s, attended Bezalel Academy of Arts and Design in Jerusalem, and currently live and work in Tel Aviv or (in Kaminker’s case) Haifa. The Zionist-oriented Israeli-ness of the Israeli art field is questioned in their works. Regardless of the different and peculiar themes and approaches that characterize each of these artists, their oeuvres touch on the senses of radicantity, strangeness, and displacement and show that, in the globalization discourse and routine transnational moving around, anonymous, generic, or hybrid likenesses become characteristics of what is called “home,” “national identity,” or “promised land.” Therefore, it seems that under the influence of this young generation, the local field of art is moving toward a re-framing of its Israeli national identity.

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Holdbrook-Smith, Kobna. "What is Black Theatre? The African-American Season at the Tricycle Theatre." New Theatre Quarterly 23, no. 3 (2007): 241–52. http://dx.doi.org/10.1017/s0266464x07000140.

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Kobna Holdbrook-Smith was a member of the repertory company formed by artistic director Nicolas Kent for the 2005–2006 African-American season at the Tricycle Theatre in north London. That company also included Jenny Jules, Joseph Marcell, Lucian Msamati, Carmen Munroe, and Nathan Osgood. In Walk Hard – Talk Loud by Abram Hill, a play originally produced in 1944 and set in New York in the late 1930s, Holdbrook-Smith played a young boxer who faces racism. In Lynn Nottage's contemporary satire Fabulation, he took on dual roles – the heroine's husband who absconds with her wealth, and the gentle ex-junkie who offers her love. And in August Wilson's Gem of the Ocean, set in Pittsburgh in 1904, his Citizen Barlow seeks purification from the 285-year-old spiritual adviser Aunt Ester and is taken on a symbolic rite of passage. The Ghanaian-born Holdbrook-Smith also appeared at the Tricycle in 2004–2005 in Mustapha Matura's Playboy of the West Indies. Terry Stoller, who teaches at Baruch College in New York City and is working on a book project about the Tricycle Theatre, spoke with Holdbrook-Smith in June 2006 in Covent Garden, London.

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Воробьева, Ирина Геннадиевна. "FOR THE 200-TH ANNIVERSARY OF IVAN EGOROVICH ZABELIN." Тверского государственного университета. Серия: История, no. 3(55) (December 25, 2020): 138–45. http://dx.doi.org/10.26456/vthistory/2020.3.138.

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Сообщение посвящено 200-летию со дня рождения Ивана Егоровича Забелина (1820-1909), историка, археолога, создателя Императорского российского исторического музея (ГИМ), автора книг по истории Москвы и бытописанию жизни русских царей и цариц. И.Е. Забелин родился в Твери, о чём есть запись в метрической книге церкви святителя Николая на Зверинце, хранящейся в фонде Тверской духовной консистории. На основе переписки историка с членами Тверской учеёной архивной комиссии рассмотрены его отношения с земляками, сотрудничество Тверского музея с Историческим музеем в Москве, сохранение памяти И.Е. Забелина в Научной библиотеке Тверского государственного университета. This message is devoted to the 200-th anniversary of the birth of I.E. Zabelin (1820-1909), the historian, archaeologist, founder of the Empire Russian Historical Museum (GIM), the author of the books about the history of Moscow and the everyday life of Russian tsars and tsarinas. I.E. Zabelin was born in Tver, and there is a record about it in the register of births of the church of St. Nicolas «on the Menagerie», that is being kept in the fund of Tver Spiritual Consistory. The relations of this historian with his natives, the collaboration of the Tver Museum and the Moscow Historical Museum and the theme of the preservation of memory of I.E. Zabelin in the Scientific Library of the Tver State University are considered upon the data of his correspondence with the members of the Tver Scientific Archive Commission.

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Heller, WD, and G. Scherer. "EDITORS’ NOTE." Beiträge zur Tabakforschung International/Contributions to Tobacco Research 25, no. 3 (2012): 409. http://dx.doi.org/10.2478/cttr-2013-0919.

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AbstractIn 2002, Dr. Hubert Klus wrote a guest editorial introducing a review article on “Effects of Ingredients on Cigarette Smoke Composition and Biological Activity: A Literature Overview” [Beitr. Tabakforsch. Int. 20 (2002) 107-247]. On this occasion, he turned to some historical facts on the monitoring and regulation of additives used for tobacco products. He reported that already some 200 years ago stringent rules were set up in Nuremberg for the correct use of ingredients in manufacturing tobacco products (and vinegar)! In the decade from 2000 on, a wealth of valuable scientific information as well as opinionated reviews were published on the potential effects of additives on consumer behavior and health. Therefore, we believe that the critical review in this issue is important and right on time.It is with great sadness that we have to inform our readers that Professor ZHU Zunquan passed away in July. He was one of the most important scientists in tobacco research in China. He was born in 1919 in Xiangyang, China, and has for a long time been honorary or visiting professor of four universities in China. Of Professor Zhu's large spectrum of scientific publications we would like to mention especially the books “Cigarette Manufacturing Technology” and “Tobacco Technology”. Professor Zhu served also as executive editor of the journals “Tobacco Science and Technology” and “ActaTabacariaSinica”. Dr. Nicolas Baskevitch wrote a personal obituary for this issue.

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10

Huber, Harriet R. "Natality and weaning success in relation to age of first reproduction in northern elephant seals." Canadian Journal of Zoology 65, no. 6 (1987): 1311–16. http://dx.doi.org/10.1139/z87-207.

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Reproductive histories of female northern elephant seals (Mirounga angustirostris) tagged as pups at the Farallon, Año Nuevo, San Miguel, and San Nicolas islands were followed on the Farallon Islands, California, from 1975 to 1983. Age of primiparity ranged from 3 to 6 years. Females that first reproduced at age 4 or 5 had significantly higher subsequent natality and weaning success than did females first giving birth at 3 years. However, no difference in weaning success was evident between primiparous and experienced 4- and 5-year-olds. The number of primiparous 3-year-old animals that skipped pupping the following year was significantly higher than the number of primiparous 4-year-old animals that skipped the following year. Overall subsequent natality by parous females (both known-age and females tagged as adults) followed for 4 consecutive years averaged 0.86. On average, 14% (range 8 to 20%) of parous females did not give birth each year. Some of the females that skipped pupping hauled out in the fall with immature animals and some were present at breeding rookeries during the season of their missed pupping only to copulate. From 1974 to 1977, the number of pups born increased an average of 60% each year; however, from 1978 to 1983 the rate decreased to 25%. Most population growth was due to immigration. The range in age of parous females increased from 3 to 5 years in 1975 to 4 to 13 years in 1983.

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Dissertations / Theses on the topic "Born, Nicolas"

1

Almegård, Mats. "Macht ist da, weil auch wir Macht im Auge haben : Untersuchungen zur Machtkritik bei Nicolas Born /." Göteborg : Acta universitatis Gothoburgensis, 2002. http://catalogue.bnf.fr/ark:/12148/cb40117827s.

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Morais, Jessica. "La bonne entente en haute mer : impact de la mission scientifique sur les relations sociales dans l’expédition de Nicolas Baudin (1800-1804)." Mémoire, Université de Sherbrooke, 2016. http://hdl.handle.net/11143/8773.

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Le Siècle des Lumières a été témoin des premiers voyages d’exploration maritime à caractère scientifique, qui ont ensuite continué au 19e siècle. Ce mémoire prend témoignage de l’expédition de Nicolas Baudin (1800-1804) dans le but d'analyser le poids des contraintes apportées par la mission d’exploration scientifique sur la vie à bord des navires, qui était déjà largement régulée par rapport à la vie sur terre. Le premier chapitre dépeint le quotidien vécu par les membres de l’expédition ainsi que la structure typique d’une telle expédition scientifique au tournant du 19e siècle, incluant la division des tâches quotidiennes en mer et en escale. Les contraintes amenées par la vie en mer (les maladies, peurs par rapport à la mer, etc.), à bord d’un navire de marine (incluant sa hiérarchie, ses lois, traditions, etc.) et en compagnie d’un groupe d’hommes d’origines sociales et d’éducations différentes (des scientifiques, des officiers et aspirants, des officiers issus de la marine marchande, des marins, etc.) ont des conséquences importantes sur les microcosmes des deux vaisseaux. Le deuxième chapitre explore les types de discordes majeures, incluant la violence et les troubles hiérarchiques. Malgré les nombreux conflits à bord et à terre, le navire avait aussi l’effet contraire : il pouvait rapprocher certains individus, qui tissaient parfois des alliances temporaires contre leurs chefs, ou des liens durables pour affronter justement les innombrables contraintes de la vie en mer.

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Riensch, Nicolas Alexander [Verfasser], Holger [Gutachter] Helten, and Crispin [Gutachter] Lichtenberg. "Silicon/Boron Exchange Routes to Novel Inorganic-Organic Hybrid Molecules, Oligomers, Polymers and Macrocycles / Nicolas Alexander Riensch ; Gutachter: Holger Helten, Crispin Lichtenberg." Würzburg : Universität Würzburg, 2021. http://d-nb.info/1234912635/34.

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Schaller, Wendy M. "Children borne aloft : Nicolaes Maes's Ganymede Portraiture and the context of death and mourning in the seventeenth-century Netherlands /." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486401895207345.

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Baumann, Andreas Nicolas [Verfasser], and Dorian [Akademischer Betreuer] Didier. "Construction and transformation of unsaturated four-membered carbo- and heterocycles and new methods in boron mediated olefinations / Andreas Nicolas Baumann ; Betreuer: Dorian Didier." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2020. http://d-nb.info/1204365482/34.

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6

Labadie, Aurore. "Le roman d'entreprise français depuis les années 1980. Thierry Beinstingel, François Bon, Nicole Caligaris, Yves Pagès." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA146.

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Cette thèse s’attache à étudier la représentation du thème de l’entreprise dans la littérature contemporaine française, à travers un corpus panoramique de romans parus à partir des années 1980. Les œuvres de François Bon, Thierry Beinstingel, Nicole Caligaris et Élisabeth Filhol, représentatives de cette inflexion romanesque en passe de devenir un sous-genre, y trouvent une place privilégiée. Figurant les récentes mutations linguistiques, managériales, structurelles et idéologiques des grandes entreprises, le roman en soulève les divers enjeux connexes (socio-économiques, éthiques, anthropologiques) et se dote, ce faisant, d’un potentiel critique. Pour réfléchir (c’est-à-dire « refléter », tout autant qu’ « exercer leur réflexion sur ») ces transformations, les romanciers les plus entreprenants puisent à la capacité heuristique de la forme romanesque : la représentation des mutations se répercute alors dans des métamorphoses formelles prenant leur distance avec les esthétiques réaliste et naturaliste. Attachée à réinscrire ce roman dans une histoire littéraire remontant à Chrétien de Troyes, cette étude entend montrer comment le roman d’entreprise, refondé par François Bon et Leslie Kaplan, participe d’un mouvement de repolitisation du littéraire. Piochant dans les sciences humaines de quoi penser le monde, il offre ainsi de nouvelles lignes de lisibilité dans le réel, tout en posant, à nouveaux frais, la question de l’engagement littéraire<br>The point of this thesis is to study the representation of the corporation’s theme in the French contemporary literature, through a panoramic corpus of novels published since the 80’s. It gives a very specific place to works from François Bon, Thierry Beinstingel, Nicole Caligaris and Élisabeth Filhol, significant works representative of this quixotic redirection, which is about to become a sub category on its own. Featuring recent ongoing changes in linguistics, management, organization and ideology in big corporations, those novels highlight various related issues (socio-economic, ethic, anthropological) and through the process, gain a critical potential. To think about those transformations (meaning « thinking » as much as « reflecting ») the most innovative novelists inspire themselves from the heuristic capacity of a novel : the representation of those mutations will turn into formal metamorphosis distancing themselves from naturalist and realistic aesthetics. Committed to put this novel movement back into the literature history which goes back to Chrétien de Troyes, this thesis intends to show how Corporate novels, rebuilt by François Bon and Leslie Kaplan, are part of a larger movement which means to inject political engagement in literature. Using human sciences to think about the world, it offers new readings settled in real life, while questioning literature commitment

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7

Seah, Kwee Boon Brandon [Verfasser], Nicole [Akademischer Betreuer] Dubilier, Monika [Gutachter] Bright, and Andreas [Gutachter] Schramm. "The Bacterial Ectosymbionts of the Ciliate Kentrophoros / Kwee Boon Brandon Seah ; Gutachter: Monika Bright, Andreas Schramm ; Betreuer: Nicole Dubilier." Bremen : Staats- und Universitätsbibliothek Bremen, 2017. http://d-nb.info/114754543X/34.

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Brunnemann, Nicole [Verfasser], and Axel [Akademischer Betreuer] Mecklinger. "Development of declarative memory in preterm and full-term born children : evidence from neuropsychological tests, structural brain imaging, and event-related potentials / Nicole Brunnemann. Betreuer: Axel Mecklinger." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2011. http://d-nb.info/1051432693/34.

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Nerger, Rainer [Verfasser], Nicola [Akademischer Betreuer] Fohrer, and Hans-Rudolf [Gutachter] Bork. "Detection of changes in soil using the long-term soil monitoring network Boden-Dauerbeobachtung Schleswig-Holstein (BDF-SH), Germany / Rainer Nerger ; Gutachter: Hans-Rudolf Bork ; Betreuer: Nicola Fohrer." Kiel : Universitätsbibliothek Kiel, 2020. http://d-nb.info/1212853814/34.

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Nerger, Rainer Verfasser], Nicola [Akademischer Betreuer] [Fohrer, and Hans-Rudolf [Gutachter] Bork. "Detection of changes in soil using the long-term soil monitoring network Boden-Dauerbeobachtung Schleswig-Holstein (BDF-SH), Germany / Rainer Nerger ; Gutachter: Hans-Rudolf Bork ; Betreuer: Nicola Fohrer." Kiel : Universitätsbibliothek Kiel, 2020. http://nbn-resolving.de/urn:nbn:de:gbv:8-mods-2020-00205-7.

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Books on the topic "Born, Nicolas"

1

Nicolas Born und die politische Literatur, 1967-1982. Erich Schmidt, 2010.

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Kremp, Jörg-Werner. Inmitten gehen wir nebenher: Nicolas Born : Biographie, Bibiliographie, Interpretation. M & P Verlag fur Wissenschaft und Forschung, 1994.

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Inmitten gehen wir nebenher: Nicolas Born: Biographie, Bibliographie, Interpretationen. M & P, 1994.

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Macht is da, weil auch wir Macht im Auge haben: Untersuchungen zur Machtkritik bei Nicolas Born. Acta Universitatis Gothoburgensis, 2002.

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Kahrs, Axel. Wendland literarisch: Von Herzog August bis Nicolas Born ; ein Streifzug durch dei Literaturgeschichte des Landeskreises Luchow-Dannenberg. Davids-Drucke, 1985.

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Naaijkens, Antonius Bernardus Maria. Lyrik und Subjekt: Pluralisierung des lyrischen Subjekts bei Nicolas Born, Rolf Dieter Brinkmann, Paul Celan, Ernst Meister und Peter Rühmkorf = Poëzie en subject : pluralisering van het lyrisch subject bij Nicolas Born, Rolf Dieter Brinkmann, Paul Celan, Ernst Meister en Peter Rühmkorf. s.n.], 1986.

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Ghattas, Mona Latif. Nicolas, le fils du Nil. Elias Modern Pub., 1985.

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Saupe, Anja. "Die erdabgewandte Seite der Geschichte": Nicolas Borns Prosa. Königshausen & Neumann, 1996.

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Nicolas, le fils du Nil: Roman poétique. Trois, 1999.

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1798-1868, Hohe Nicolaus Christian, ed. Nicolaus Christian Hohe (1798-1868): Universitätszeichenlehrer in Bonn. Lit, 2001.

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Book chapters on the topic "Born, Nicolas"

1

Hanuschek, Sven. "Born, Nicolas." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6012-1.

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Liebl-Kopitzki, Waltraut. "Born, Nicolas." In Metzler Autoren Lexikon. J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_41.

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Rauh, Reinhold. "Born, Nicolas: Die Fälschung." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6015-1.

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Hanuschek, Sven. "Born, Nicolas: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6013-1.

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Rauh, Reinhold, and KLL. "Born, Nicolas: Die erdabgewandte Seite der Geschichte." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6014-1.

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Zeller, Christoph. "Abmessung eines Kampfgebiets. Bemerkungen zu Literatur und Terrorismus am Beispiel von Nicolas Borns Die Fälschung." In Ideologien zwischen Lüge und Wahrheitsanspruch. Deutscher Universitätsverlag, 2004. http://dx.doi.org/10.1007/978-3-322-81345-9_16.

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Kenny, Neil. "Not Going to Plan." In Born to Write. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852391.003.0010.

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Even those families for whom works of literature and learning afforded ways of projecting themselves into the past and the future did not always follow through smoothly on that projecting. Many works of literature and learning therefore communicated a version of family that did not square with smooth patrilinear norms. One kind of disruption was illegitimate birth. Others included bitter personal, confessional, and inheritance-based divisions within families. Two case studies are highlighted: that of the poet and magistrate Jean Vauquelin de la Fresnaye and his children, in particular his courtier and libertin-poet son Nicolas Vauquelin des Yveteaux; and that of Nicolas Vignier (the once-Protestant historian) and the confessionally divided literary producers who were his descendants.

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"Libanon: Nicolas Born, Die Fälschung (1979)." In Bürgerkrieg global. Wilhelm Fink Verlag, 2009. http://dx.doi.org/10.30965/9783846748947_011.

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Rennison, Nick. "Nicola Barker (born 1966)." In Contemporary British Novelists. Routledge, 2004. http://dx.doi.org/10.4324/9780203644683-6.

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Czajkowski, Kimberley, and Eckhardt Benedikt. "Herod and his Sons." In Herod in History. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192845214.003.0006.

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This chapter continues to explore the depiction of Herod’s domestic strife, and turns to the executions of Herod’s sons. This is a rare case where we have a separate fragment of Nicolaus, and thus can check Josephus’ censure of his predecessor’s account: the criticisms are not borne out, and Josephus’ accounts instead exhibit many Damascene traits. The executions, moreover, are a turning point in Herod’s decline from δραστήριος‎ to ἄπορος‎, in which he is shown to have now forgotten piety and justice. Furthermore, because Nicolaus himself was intimately bound up with these events, he here encountered new challenges in his narrative as he became one of the principal actors. Thus, not only do we see in these trials the further development of, we argue, Nicolaus’ depiction of the king’s descent into tyranny, but also a sustained exploration of what it meant to be an adviser to such a monarch, and more generally what it meant to be a φίλος‎ to king and emperor alike in the Augustan world.

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