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Books on the topic 'Born, Nicolas'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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1

Nicolas Born und die politische Literatur, 1967-1982. Erich Schmidt, 2010.

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2

Kremp, Jörg-Werner. Inmitten gehen wir nebenher: Nicolas Born : Biographie, Bibiliographie, Interpretation. M & P Verlag fur Wissenschaft und Forschung, 1994.

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3

Inmitten gehen wir nebenher: Nicolas Born: Biographie, Bibliographie, Interpretationen. M & P, 1994.

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4

Macht is da, weil auch wir Macht im Auge haben: Untersuchungen zur Machtkritik bei Nicolas Born. Acta Universitatis Gothoburgensis, 2002.

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5

Kahrs, Axel. Wendland literarisch: Von Herzog August bis Nicolas Born ; ein Streifzug durch dei Literaturgeschichte des Landeskreises Luchow-Dannenberg. Davids-Drucke, 1985.

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6

Naaijkens, Antonius Bernardus Maria. Lyrik und Subjekt: Pluralisierung des lyrischen Subjekts bei Nicolas Born, Rolf Dieter Brinkmann, Paul Celan, Ernst Meister und Peter Rühmkorf = Poëzie en subject : pluralisering van het lyrisch subject bij Nicolas Born, Rolf Dieter Brinkmann, Paul Celan, Ernst Meister en Peter Rühmkorf. s.n.], 1986.

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7

Ghattas, Mona Latif. Nicolas, le fils du Nil. Elias Modern Pub., 1985.

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8

Saupe, Anja. "Die erdabgewandte Seite der Geschichte": Nicolas Borns Prosa. Königshausen & Neumann, 1996.

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9

Nicolas, le fils du Nil: Roman poétique. Trois, 1999.

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10

1798-1868, Hohe Nicolaus Christian, ed. Nicolaus Christian Hohe (1798-1868): Universitätszeichenlehrer in Bonn. Lit, 2001.

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11

Heinrich, Bosse. Das Hineinspringen in die Totschlägerreihe: Nicolas Borns Roman "Die Fälschung". W. Fink, 1991.

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12

Maria, Nicola De. Nicola De Maria, parole cinesi: Kunsthaus Zürich, Kunstmuseum Bonn. Das Kunsthaus, 1985.

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13

Langsam kehrten die Farben zurück: Zur Subjektivität im Romanwerk, im lyrischen und literaturtheoretischen Werk Nicolas Borns. Lang, 2002.

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14

Nicolas Born. Edition Text + Kritik, 2006.

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15

Nicolas Born zum Gedenken: Heinrich Mann, heute. Rowohlt, 1988.

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16

Franzen, Trisha. The Development of a Dissenter (1847–1870). University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038150.003.0002.

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This chapter details the early life of Anna Howard Shaw. Anna was born on St. Valentine's Day in 1847 to Thomas and Nicolas Shaw, in Newcastle-Upon-Tyne in northeast England, the sixth child and the third daughter of a bankrupt Scottish family. While all members of such struggling families in the mid-nineteenth century faced bleak and limited futures, girl-children, if they survived, had even fewer opportunities. In 1849, her father Thomas sailed for the United States, and in August 1851 Nicolas and her six children boarded the Jacob A. Westervelt in Liverpool for what was to be a seven-week passage to New York. The family made their first American home in the old whaling town of New Bedford, Massachusetts. They then moved to a new mill town, Lawrence, in the North on the Merrimac River, which would be their home for the next seven years, during the nation-changing decade of the 1850s. When the Civil War started in April 1861, Anna's two brothers and father volunteered. At only sixteen, Anna shouldered the responsibility for her family's survival.
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17

Bartfeld, Sina, Hannah Schickl, Cantas Alev, et al., eds. Organoide. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748908326.

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Organoids are developed from stem cells and serve as three-dimensional model systems for different organs. They have great potential for research and medicine, but also raise philosophical, ethical and legal questions which have rarely been discussed in Germany so far. This thematic study by the interdisciplinary research group (IAG) Gene Technology Report at the Berlin-Brandenburg Academy of Sciences and Humanities offers an overview of current scientific developments, their present and potential application, as well as epistemological, ethical and legal reflections. Hereby, the IAG wants to provide impetus for an interdisciplinary and society-wide debate on this general subject. With contributions by Cantas Alev, Aileen-Diane Bamford, Sina Bartfeld, Andreia S. Batista-Rocha, Ali H. Brivanlou, Thomas Burgold, Cindrilla Chumduri, Stephan Clemens, Emrecan Dilmen, Tobias Erb, Fred Etoc, Melinda B. Fagan, Heiner Fangerau, Boris Fehse, Nina Frey, Tristan Frum, Anne Grapin-Botton, Navin Gupta, Jürgen Hampel, Ferdinand Hucho, Özge Kayisoglu, Rashmiparvathi Keshara, Yung Hae Kim, Bon-Kyoung Koo, Martin Korte, Yaroslav Koshelev, Kai Kretzschmar, Allison Lewis, Lilian Marx-Stölting, Fruzsina Molnár-Gábor, Ryuji Morizane, Stefan Mundlos, Paola Nicolas, Angela Osterheider, In-Hyun Park, Anja Pichl, Sandra Pilat-Carotta, Jens Reich, Marlen Reinschke, Hannah Schickl, Silke Schicktanz, Nicolas Schlegel, Jason R. Spence, Yoshiaki Tanaka, Jochen Taupitz, Isaree Teriyapirom, Margherita Y. Turco, Jörn Walter, Eva Winkler, Martin Zenke.
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18

Caps, John. Allegheny River Launch. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0002.

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This chapter details the early life of Henry Mancini. Born in Cleveland, Ohio, in 1924 as Enrico Nicola Mancini, the young Henry would grow up just over the Pennsylvania border in the steel town of West Aliquippa, where two great rivers, the Allegheny and the Monongahela, come together to become the Ohio River. The first time Mancini became aware of the music score behind a movie was during a trip to the local movie theater with his father in 1935. Something in the grandiose score to a picture called The Crusaders, composed by Rudolf Kopp, made him pay attention to the role that music was playing in the adventure story. That day Henry decided that he wanted to be a composer, to somehow be involved in music for the movies. On his eighteenth birthday, Mancini circumvent the draft and enlisted. He was sent to Atlantic City for basic training where he met members of the band that Glenn Miller was trying to form.
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19

Nikolaus, Delius, Kross Siegfried, Mehl Dieter, Spevack Marvin, and Universität Bonn Englisches Seminar, eds. In memoriam Nicolaus Delius: Reden gehalten am 15. November 1988 bei der akademischen Gedenkfeier des Englischen Seminars der Rheinischen Friedrich-Wilhelms-Universität Bonn. Bouvier, 1989.

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20

Dohm, Lea, Felix Peter, and Katharina van Bronswijk, eds. Climate Action - Psychologie der Klimakrise. Psychosozial-Verlag, 2021. http://dx.doi.org/10.30820/9783837978018.

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Die Klimakrise spitzt sich zu, der Klimawandel wird immer stärker spürbar. Warum gelingt es vielfach trotzdem nicht, dringend notwendige Eindämmungsmaßnahmen einzuleiten und zu handeln? Die Autorinnen und Autoren beleuchten aus psychologischer und interdisziplinärer Sicht die Hindernisse, die einer produktiven Auseinandersetzung mit der Krise im Wege stehen. Sie bieten Inspirationen für den Umgang mit den Herausforderungen des Klimawandels und stellen Grundideen für ein konstruktives und kollektives Handeln dar. Dabei denken sie individuelles Handeln auf gesellschaftlicher Ebene und zeigen, dass jede*r in der Klimakrise wirksam werden und dabei gesund bleiben kann. Mit Beiträgen von Markus Barth, Katharina Beyerl, Julian Bleh, Helmut Born, Hans-Joachim Busch, Andreas Büttgen, Stuart Capstick, Parissa Chokrai, Felix Creutzig, Trevor Culhane, Aram de Bruyn-Ouboter, Katja Diehl, Lea Dohm, Immo Fritsche, Erhard Georg, Robert Goldbach, Tobias Gralke, Delaram Habibi-Kohlen, Gregor Hagedorn, Karen Hamann, Markus Hener, Nicole Herzog, Karolin Heyne, Sandra Hieke, David Hiss, Remo Klinger, Jan-Ole Komm, Ebba Laing, William F. Lamb, Helen Landmann, Odette Lassonczyk, Sebastian Levi, Giulio Mattioli, Jan C. Minx, Finn Müller-Hansen, Felix Peter, David J. Petersen, Kay Rabe von Kühlewein, Gerhard Reese, Toni Raimond, Anne-Kristin Römpke, Kaossara Sani, Christin Schörk, Mareike Schulze, Sara Schurmann, Benedikt Seger, Katharina Simons, Maximilian Soos, Julia K. Steinberger, J. Timmons Roberts, Nisha Toussaint-Teachout, Katharina van Bronswijk, Marlis Wullenkord und Ingo Zobel.
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21

Walker, Paul. Fugue in the Sixteenth Century. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190056193.001.0001.

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This book explores the roots of the classic fugue and the early history of non-canonic fugal writing through the three principal fugal genres of the sixteenth century: motet, ricercar, and canzona. The book begins with the pivot in Western composition from an emphasis on variety to one on repetition, first developed by such Franco-Flemish composers as Loyset Compère and Josquin des Prez toward the end of the fifteenth century. By around 1520 Jean Mouton and his contemporaries had established the classic Franco-Flemish motet with its well-known point-of-imitation structure. Nicolas Gombert proved to be the real pioneer in the further development of this idea in the 1530s when he explored the return of thematic material after its initial presentation, an approach that proved central not only to the motet writing of Thomas Crecquillon and Jacobus Clemens non Papa, but also to the earliest experiments in serious abstract instrumental composition (the ricercar) undertaken by a series of organists active in Venice, most notably Claudio Merulo and Andrea Gabrieli. The most important innovation of the last decades of the century was the creation at the hands of Brescian organists of the fugal canzona alla francese, an instrumental genre inspired not by the sophisticated compositional style of the motet, but by the contrapuntally looser approach of such imitative chansons as Passereau’s Il est bel et bon. By century’s end, composers such as Giovanni de Macque had given the canzona a contrapuntal integrity commensurate with that of the ricercar.
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