Log in

Relevant bibliographies by topics / Bortniansky / Journal articles

To see the other types of publications on this topic, follow the link: Bortniansky.

Journal articles on the topic 'Bortniansky'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 18 journal articles for your research on the topic 'Bortniansky.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Kuzma, Marika. "Bortniansky à la Bortniansky: An Examination of the Sources of Dmitry Bortniansky's Choral Concertos." Journal of Musicology 14, no. 2 (1996): 183–212. http://dx.doi.org/10.2307/763922.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Kuzma, Marika. "Bortniansky a la Bortniansky: An Examination of the Sources of Dmitry Bortniansky's Choral Concertos." Journal of Musicology 14, no. 2 (1996): 183–212. http://dx.doi.org/10.1525/jm.1996.14.2.03a00030.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Petryshyna, Tetiana. "Found Sacred Concerts of D. Bortniansky in the Context of the Traditions of Solo Vocal Performance." Bulletin of KNUKiM. Series in Arts, no. 45 (December 17, 2021): 124–32. https://doi.org/10.31866/2410-1176.45.2021.247380.

Full text

Abstract:

The purpose of the article is to study and introduce into scientific and public circulation the found sacred concerts of D. Bortniansky in the context of the traditions of solo vocal performance of the Classical period. The research methodology is based on historical, source-based, and analytical approaches. The historical method makes it possible to study the process of D. Bortniansky creation of sacred concerts and identify the reasons for the appearance of solo and ensemble structures in them. The source-based method allows us to outline the ways of the modern search for unknown concerts of

APA, Harvard, Vancouver, ISO, and other styles

4

Чувашов, Алексей Викторович. "Copyists of D. S. Bortniansky’s Music Manuscripts in Italy and Russia." Научный вестник Московской консерватории, no. 4(51) (December 29, 2022): 656–77. http://dx.doi.org/10.26176/mosconsv.2022.51.4.01.

Full text

Abstract:

В статье идет речь о нотных копиистах композитора Д. С. Бортнянского - Дж. Бальдане (Венеция) и Л. Цанини (Санкт-Петербург). Труд людей этой профессии долгое время считался сугубо вторичным, не заслуживающим отдельного изучения. Автором статьи впервые атрибутирован почерк Бальдана в копиях сочинений Бортнянского итальянского периода, а также составлен список копий сочинений композитора, выполненных Бальданом и Цанини. Приведены факты биографии Бальдана, до настоящего времени не введенные в научный обиход в отечественном музыкознании. Представленная информация расширяет представления о круге об

APA, Harvard, Vancouver, ISO, and other styles

5

Shumilina, Olga. "OPERA "CREONT" BY DMYTR BORTNIANSKY: FROM PORTUGAL TO UKRAINE." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 2(63) (June 26, 2024): 37–54. http://dx.doi.org/10.31318/2414-052x.2(63).2024.310283.

Full text

Abstract:

The article examines the creative activity of the outstanding Ukrainian artist Dmytro Bortnyanskyi as an opera composer. The focus is on the operas of his Italian creative period (1768 - 1779) - Creont (1776, Venice), Alcides (1778, Venice) and Quintus Fabius (1779, Modena). The happy modern stage fate of the opera "Alkid" is indicated, its score was published in Kyiv in 1985. The found manuscript of the score by Dmytro Bortnyansky's first opera "Creont" provides new opportunities for studying the artist's work, this score was considered to be lost for a long time; after establishing the locat

APA, Harvard, Vancouver, ISO, and other styles

6

Salkowski, David. "The “Economy of Incarnation” and the Cherubic Hymn in Nineteenth-Century Russia." Journal of Musicology 41, no. 1 (2024): 115–48. http://dx.doi.org/10.1525/jm.2024.41.1.115.

Full text

Abstract:

The Russian Orthodox liturgy constantly hovers on the boundary of representation and supposed real presence of the divine. This tension is dramatically illustrated by the Cherubic Hymn, which purports to “mystically represent” angelic song and accompanies the transfer of the bread and wine that will be transformed into the body and blood of Christ in the Eucharist. The Cherubic Hymn was the most commonly set liturgical text in modern Russia, attracting many of Russia’s leading composers, including Dmitry Bortniansky, Mikhail Glinka, Pyotr Tchaikovsky, Milii Balakirev (who arranged the text to

APA, Harvard, Vancouver, ISO, and other styles

7

Admink, Admink, та Інна Антіпіна. "ХОРОВИЙ ПЕРФОРМАНС ЯК НОВИЙ НАПРЯМ У СУЧАСНОМУ КУЛЬТУРНОМУ ПРОСТОРІ". УКРАЇНСЬКА КУЛЬТУРА : МИНУЛЕ, СУЧАСНЕ, ШЛЯХИ РОЗВИТКУ (НАПРЯМ: КУЛЬТУРОЛОГІЯ), № 33 (3 травня 2020): 60–66. http://dx.doi.org/10.35619/ucpmk.vi33.290.

Full text

Abstract:

Досліджено новаторську тенденцію в хоровому виконавстві, спричинену пошуком сучасних форм актуалізації хорового співу. Спираючись на результати власних спостережень та аналіз діяльності камерного хору ім. Д. Бортнянського під керівництвом І. Богданова, виявлено нові культурні складові хорових проектів (перформансів). Визначено практичну значимість культурно-просвітницьких заходів даного типу та можливі шляхи розвитку цього напряму. Висвітлено роль використанні психологічних прийомів маніпуляції з елементами тренінгу та використання новітніх інтерактивних технологій в проекті «Welcome to rabstv

APA, Harvard, Vancouver, ISO, and other styles

8

Kliuchynska, Nataliia. "THE ASPECTS OF MUSIC PALAEOGRAPHY IN THE MANUSCRIPT OF DMYTRO BORTNIANSKY OPERA «FALCON» (1786) FROM THE BRITISH MUSEUM LIBRARY." Scientific collections of the Lviv National Music Academy named after M V Lysenko, no. 52 (2024): 12–20. https://doi.org/10.32782/2310-0583-2024-52-03.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Végh, Mónika. "Antecedents, and Development of the Sacred Choral Concerto in Russia." Studia Universitatis Babeş-Bolyai Musica 65, no. 2 (2020): 173–92. http://dx.doi.org/10.24193/subbmusica.2020.2.12.

Full text

Abstract:

"Upon dealing with Russian religious choral music of the 18th century, one may clearly recognize the outlines of a unique genre, the duhovny kontsert, or in other words, the genre of the religious choral concerto. The subject is suppletory, since very few people in Hungary have dealt with pre-19th century Russian music, let alone with choral repertoire. In the present study, we may follow up the legalization and development of polyphony in church music – which was strictly monophonic up until the 1500s – and the different types of multivocal hymns. We will also get to know the Russian composer

APA, Harvard, Vancouver, ISO, and other styles

10

Bondarenko, Andrii. "On Monoculturalism Issue in Music." Bulletin of KNUKiM. Series in Arts, no. 45 (December 17, 2021): 73–78. https://doi.org/10.31866/2410-1176.45.2021.247350.

Full text

Abstract:

The purpose of the article is to analyse the context of the use of the term monoculturalism in music, determine the features of the relation with the concept of multiculturalism, outline the prospects for their application. Research methodology. Analytical and comparative methods are to analyse the context of the application of the term monoculturalism in cultural and music literature and compare the meanings in the interpretation by different researchers. The scientific novelty of the study is the definition of criteria for applying the concepts of monoculture (monoculturalism) and multicultu

APA, Harvard, Vancouver, ISO, and other styles

11

Svyrydenko, N. "Music in museum (second half of 20th century, Ukraine)." Musical art in the educological discourse, no. 3 (2018): 61–65. http://dx.doi.org/10.28925/2518-766x.2018.3.6165.

Full text

Abstract:

Due to the process of early music revival, started in the USSR from the 60s of the 20th century, there are searches of the appropriate premises, in which early music could be perceived naturally, where one can feel a single style in combination of rooms, music, instrumentation and performance style that would increase the perception of each of the components of the creative process. Such most suitable premises are found out to be the halls of museums — former mansions, or palaces, which serve as museums in our time. The practice of conducting concerts in museums was introduced in Western Europ

APA, Harvard, Vancouver, ISO, and other styles

12

CHUVASHOV, ALEKSEI. "Dmitri Bortniansky’s Spiritual Cantatas with Orchestra." Временник Зубовского института, no. 3 (2022): 48–74. http://dx.doi.org/10.52527/22218130_2022_3_48.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Kuzma, Marika. "Dmitrii Bortniansky’s authentic voice: musical sound and theological meaning in his sacred choral concertos." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 4(41) (December 21, 2018): 48–63. http://dx.doi.org/10.31318/2414-052x.4(41).2018.152155.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Kornii, Lidiia. "Specific Character of Ukrainian-Russian Contacts in the Musical Culture of the 17th – 18th Centuries: A Modern View." Materìali do ukraïnsʹkoï etnologìï 21 (24) (November 30, 2022): 28–32. http://dx.doi.org/10.15407/mue2022.21.028.

Full text

Abstract:

The relevant problem of the significance of the Ukrainian-Russian musical dialogue in the 17th –18th centuries for the future development of Ukrainian and Russian musical cultures is considered in the article. Ukrainian-Russian contacts have taken place in the field of professional music, dominated with religious Christian themes at that time. Significant achievements of Ukrainian musical art of the late 16th - the first half of the 18th century are noted, where Ukrainian Orthodox traditions are combined with the adapted achievements of Polish and Western European art: the reformation of music

APA, Harvard, Vancouver, ISO, and other styles

15

Koliada, A. "Contemporary opera practices in the context of postcolonial debates: the case of Ukraine." Culture of Ukraine, no. 86 (December 24, 2024): 41–47. https://doi.org/10.31516/2410-5325.086.05.

Full text

Abstract:

The purpose of the article is to analyze the impact of contemporary postcolonial discussions on the transformation processes in the genre of Ukrainian opera, focusing on the role of opera theatre and independent opera projects in shaping Ukrainian national cultural identity, integrating national folklore into professional artistic practices, and introducing new Ukrainian works into the international cultural context, in particular through artistic reflection on universal challenges within socially engaged opera projects. The methodology of the theoretical analysis of this article is based on p

APA, Harvard, Vancouver, ISO, and other styles

16

Dutchak, Violetta. "Discography of the Taras Shevchenko Ukrainian Bandurist Chorus of North America." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 2, no. 2 (2019): 173–88. https://doi.org/10.31866/2616-7581.2.2.2019.187443.

Full text

Abstract:

This article deals with the discography (audio recordings) of the Ukrainian diaspora prominent collective – The Taras Shevchenko Ukrainian Bandurist Chorus of North America (Detroit, USA) in the context of bandura art development research actualization in Ukraine, as well as abroad, in particular, the celebration of the 100th anniversary of the collective (2018). Along with active performing activities, with triumphant performances in Massey Hall (Toronto, Canada) and the White House (Washington, USA), chorus recorded their tunes, issued numerous LP, cassettes, audio and video tapes, wor

APA, Harvard, Vancouver, ISO, and other styles

17

Vovkun, Vasyl. "Modern director’s reflections of Dmytro Bortniansky’s «Sokil» and «Alkid» in the Lviv national opera." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 1 (October 4, 2022). http://dx.doi.org/10.32461/2226-3209.1.2022.257732.

Full text

Abstract:

Purpose of Research. The purpose of the research is to analyze Andreas Weirich's directing of the operas «Le Faucon» and «Alcide» by D. Bortniansky on the stage of the Lviv National Opera. Methodology. The methodology of the research is based on an interdisciplinary approach that allows us to use the knowledge from the history of music culture, musicology, theatre studies, performing arts, contemporary theatre, etc. To achieve the goal of the research, the author has used the following methods: a historical one (to analyze the genesis of the creation and production of D. Bortniansky's operas «

APA, Harvard, Vancouver, ISO, and other styles

18

Osmachko, Yulia. "Work of Ukrainian Composers in Concert and Performance Practice of Pianists of the Canadian Diaspora in the Second Half of the Twentieth Century." Collection of scientific works “Notes on Art Criticism”, no. 43 (September 3, 2023). http://dx.doi.org/10.32461/2226-2180.43.2023.286859.

Full text

Abstract:

The purpose of the work is to highlight the main milestones of the concert performance activities of pianists of the Ukrainian diaspora in Canada in the second half of the twentieth century; to reveal the palette of their repertoire; to outline the role of Ukrainian composers in the performing heritage of emigrant pianists. The research methodology is based on the following scientific approaches: chronological, which allows the author to consider the artistic activity of pianists of the Ukrainian diaspora in Canada in a chronological sequence; specific search, which consists in studying the li

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!