Dissertations / Theses on the topic 'Bosco'

This critical operation hereby proposed aims to circumscribe and to identify the poetic reasons and the stylistic effort through wich Andrea Zanzotto creates hos unique relationship whith language and the poetic word and with the more complex theme of the place abnd the living
l'operazione critica che qui viene proposta si pone come obiettivo quello di circoscrivere ed individuare le ragionipoetiche e i gesti stilistici attraverso cui Andrea Zanzotto produce la sua singolare relazione con la lingua in generale, con la parola poetica e con il più complessivo tema del luogo e dell'abitare

Orientador: Marcos Siqueira Cavalcante
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Esta pesquisa teve por finalidade analisar a música de João Bosco de Freitas Mucci, particularmente, a maneira de tocar violão desse arista. O objetivo, aqui, foi demonstrar alguns recursos técnicos e musicais, relacionando-os a um projeto artístico construído em parceria com Aldir Blanc. Para isso, foi levantada uma bibliografia que consistiu, principalmente, em entrevistas e reportagens sobre o músico. Além disso, foi realizada uma audição minuciosa de toda a discografia, o que contribuiu para a análise de elementos rítmicos, harmônicos e melódicos. Para analisar os recursos técnicos utilizados pelo violonista, foram feitas transcrições de passagens significativas desse material. Ao relacionar técnica, recursos musicais e projeto artístico, verificou-se que o virtuosismo violonístico de João Bosco alcança mais expressividade quando o músico se apresenta ao vivo e sem o acompanhamento de outros instrumentistas
Abstract: This research had for purpose to analyze the music of João Bosco de Freitas Mucci, particularly, the way this artist plays guitar. The objective of this work was to demonstrate some technicians and musicals resources, relating them to an artistic project constructed in partnership with Aldir Blanc. A bibliography was raised that consisted, mainly, in interviews and articles about the musician. Moreover, his discography was critically studied, that contributed for the analysis of rhythm, harmony and melody. Transcriptions of significant parts of this material had been made to analyze the resources technician used by the violonist. When relating technique, musical resources and artistic project, were verified that the guitar skills of João Bosco reaches more expressivity when the musician presents himself in a live show and without the accompaniment of others musicians
Mestrado
Musica
Mestre em Música

L'amplitude et l'exaltation, au depart + l'ampleur et l'exaltation ; dans la pensee philosophico - religieuse de rene guenon, deviennent sous la plume d'henri bosco un schema essentiel de son processus de creativite et de sa poetique c'est-a-dire de la recreation d'un univers artistiquement apprehende. Ainsi, ces deux dimensions structurent la trame du +roman poetique ; : le mas theotime, repartissent en deux clans antithetiques et complementaires les personnages, polarisent l'espace et le temps symbolisant un dualisme dechirant que seule l'ambivalence tente de resoudre. Le mythe de l'androgyne sous-tend cette structure binaire. Dans cette oeuvre ambigue, l'esoterisme propose divers eclairages, sans reponse exclusive ou dogmatique
" amplitude and exaltation ", first " ampleness and exaltation " in r. Guenon's philosophico-religious thought, become an essential part of henri bosco's creative process and of his poetics, i. E. , the re-creation of a universe artistically apprehended. Thus, these two dimensions constitute the framework of a poetical novel, le mas theotime, they split characters into two groups, both antithetical and complementary, and polarize space and time symbolizing a heartbreaking dualism that only ambivalence can try to solve. The myth of androgyne underlies the binary structure. In this ambiguous work, esoterism offers several interpretations but no exclusive or dogmatic answer is give

Cette thèse cherche à cerner, dans Malicroix d’Henri Bosco, le cheminement qui préside à l’écriture du récit lui-même. Dans ce dessein, nous utilisons une approche poïétique qui s’intéresse à « l’œuvre en train de se faire », selon l’expression de René Passeron. Nous considérons ainsi l’œuvre comme une poétique d’auteur sous forme fictionnelle. La perspective phénoménologique que nous adoptons permet d’étudier le texte sous l’angle de la perception, alors que la mythocritique offre un point de vue privilégié pour réfléchir la perception du monde – particulièrement le monde textuel – par le biais du sacré et de son imagerie. Reconstruisant pas à pas la double structure – horizontale et verticale – du récit, nous nous penchons sur divers aspects de l’œuvre et du processus scriptural. L’horizon de lecture forme le premier chapitre de notre thèse et donne lieu à une vue triple sur le récit : l’histoire et les personnages, le contexte spatio-temporel et le point de vue du mythe comprenant le mythe fondateur du récit et le scénario initiatique qui en découle. Nous regroupons dans le deuxième chapitre l’élaboration de deux notions qui fondent notre étude poïétique, soient les figures et les chronotopes. Les figures consistent en deux groupes, les figures de l’écrivain et celles de l’expression qui jouent des rôles distincts dans le cheminement scriptural et s’inscrivent dans Malicroix par le biais des personnages. L’étude des chronotopes divise le récit en onze temps-espace qui constituent la trame d’un cheminement des figures suivant le parcours du texte. Le troisième chapitre détaille cette traversée des chronotopes qu’effectuent les figures, dessinant le chemin de l’écriture dans le texte selon onze situations successives. Le dernier chapitre de cette étude comporte deux parties. La première met en lumière une poétique d’écrivain bosquienne comme l’auteur la formule dans un bref article intitulé « L’exaltation et l’amplitude ». La seconde, le point d’arrivée de notre étude, intègre les données de la poétique d’écrivain au cheminement des onze situations, fournissant une description des étapes du processus scriptural que suit Bosco en écrivant Malicroix.
This thesis schematizes, in Malicroix by Henri Bosco, the process that presides to the writing of the novel itself. Using a poietic approach, we consider the text as a writer’s poetic that takes a fictional form. A phenomenological perspective allows us to study the novel from the point of view of perception, and mythocritique enables us to reflect on the perception of the world – especially the world of the text – through the angle of the sacred and its symbols. Reconstructing the horizontal and vertical structures of the novel, we reflect on diverse aspects of the text and of the scriptural process. The reading horizon constitutes the first chapter of our thesis and offers a triple view on the novel: the story and the characters, the spatiotemporal context and the mythical point of view. In the second chapter are elaborated two central notions, the figures and the chronotopes. Two groups of figures emerge, one associated with the writer as creator of the text and the other, with the process of expression. The figures play distinct roles in the conception and expression and are represented in Malicroix by way of the characters. The chronotopes study divides the novel in eleven times-spaces that constitute the basis of the figures’ progression through the text. The third chapter details how the figures cross the chronotopes’ series, drawing the scriptural route inscribed in eleven successive situations in the text. The last chapter contains two parts. The first examines the writer’s poetic that Bosco published under the title « L’exaltation et l’amplitude ». The second, which constitutes the final objective of our study, integrates the elements of this writer’s poetic in the eleven successive situations, producing a description of the stages of the scriptural process followed by Bosco while writing Malicroix.

Cette thèse cherche à cerner, dans Malicroix d’Henri Bosco, le cheminement qui préside à l’écriture du récit lui-même. Dans ce dessein, nous utilisons une approche poïétique qui s’intéresse à « l’œuvre en train de se faire », selon l’expression de René Passeron. Nous considérons ainsi l’œuvre comme une poétique d’auteur sous forme fictionnelle. La perspective phénoménologique que nous adoptons permet d’étudier le texte sous l’angle de la perception, alors que la mythocritique offre un point de vue privilégié pour réfléchir la perception du monde – particulièrement le monde textuel – par le biais du sacré et de son imagerie. Reconstruisant pas à pas la double structure – horizontale et verticale – du récit, nous nous penchons sur divers aspects de l’œuvre et du processus scriptural. L’horizon de lecture forme le premier chapitre de notre thèse et donne lieu à une vue triple sur le récit : l’histoire et les personnages, le contexte spatio-temporel et le point de vue du mythe comprenant le mythe fondateur du récit et le scénario initiatique qui en découle. Nous regroupons dans le deuxième chapitre l’élaboration de deux notions qui fondent notre étude poïétique, soient les figures et les chronotopes. Les figures consistent en deux groupes, les figures de l’écrivain et celles de l’expression qui jouent des rôles distincts dans le cheminement scriptural et s’inscrivent dans Malicroix par le biais des personnages. L’étude des chronotopes divise le récit en onze temps-espace qui constituent la trame d’un cheminement des figures suivant le parcours du texte. Le troisième chapitre détaille cette traversée des chronotopes qu’effectuent les figures, dessinant le chemin de l’écriture dans le texte selon onze situations successives. Le dernier chapitre de cette étude comporte deux parties. La première met en lumière une poétique d’écrivain bosquienne comme l’auteur la formule dans un bref article intitulé « L’exaltation et l’amplitude ». La seconde, le point d’arrivée de notre étude, intègre les données de la poétique d’écrivain au cheminement des onze situations, fournissant une description des étapes du processus scriptural que suit Bosco en écrivant Malicroix.
This thesis schematizes, in Malicroix by Henri Bosco, the process that presides to the writing of the novel itself. Using a poietic approach, we consider the text as a writer’s poetic that takes a fictional form. A phenomenological perspective allows us to study the novel from the point of view of perception, and mythocritique enables us to reflect on the perception of the world – especially the world of the text – through the angle of the sacred and its symbols. Reconstructing the horizontal and vertical structures of the novel, we reflect on diverse aspects of the text and of the scriptural process. The reading horizon constitutes the first chapter of our thesis and offers a triple view on the novel: the story and the characters, the spatiotemporal context and the mythical point of view. In the second chapter are elaborated two central notions, the figures and the chronotopes. Two groups of figures emerge, one associated with the writer as creator of the text and the other, with the process of expression. The figures play distinct roles in the conception and expression and are represented in Malicroix by way of the characters. The chronotopes study divides the novel in eleven times-spaces that constitute the basis of the figures’ progression through the text. The third chapter details how the figures cross the chronotopes’ series, drawing the scriptural route inscribed in eleven successive situations in the text. The last chapter contains two parts. The first examines the writer’s poetic that Bosco published under the title « L’exaltation et l’amplitude ». The second, which constitutes the final objective of our study, integrates the elements of this writer’s poetic in the eleven successive situations, producing a description of the stages of the scriptural process followed by Bosco while writing Malicroix.

L'essence de l'etre est le bien-etre c'est-a-dire que le bien-etre est le plus precieux des biens humains. Les espaces chez henri bosco existent pour ce bienetre : maison, foret, barque, hutte, grenier, ile. . . Mais pour jouir du bonheur, pour entrer dans l'espace heureux, les personnages de l'auteur doivent traverser l'espace aride, le vide qui apparait sous divers visages : l'abime de la conscience, du sentiment, de la nuit, du froid, de la foret. . . Le vide est une extraordinaire presence qui a faconne le regard de l' ecrivain sur l'univers, qui l'a engage a celebrer passonniement tout ce qui vit a l'air libre, loin de l'homme, et qui construit son texte poetique. C'est un espace d'epreuve ou les heros se sentent nus, depouilles de tout. Et aprpes cette souffrance retrouvent leurs cogitos qui sont la condition pour entrer dans l'espace heureux. Lorsque le vent d'hiver envahit le village, les protagonistes bosquiens s'enfoncent dans la maison, ils y trouvent une mere qui protege maternellement. Allumant le feu, ils savourent tout de suite la felicite, l'espace chaud devient le centre du monde. La maison d'enfance est surtout le receptacle du bonheur passe, restera pour toujours dans notre coeur le grenier apparait comme une ile au tresor ou les heros jouissent de la solitude, de la tranquillite. L'univers vegetal chez le poete, est sous un aspect edenique qui confirme une interrogation sur la veritable place de l'homme dans la nature. Il est heureux de rever a la barque. Les heros se repposent, s'endorment dans la berce aquatique l'eau berce l'homme comme une mere, le porte. Aucun homme n'est heureux. On essais simplement de le saisir le bonheur comme cyprien dans l'ane culotte", mais personne ne le trouve comme les deux pelerins d'emmais. Pour s'approcher de ce bien-etre de la verite, de la beaute qui peuveut etre l'essence de l'art, il nous faut l'amour. Avec l'amour, nous pouvons penetrer dans l'univers de bosco. Parce que l'amour est un moment d'abondance, de foi et de bonheur commune l'ecrivain le dit dans "malicroix". "me connaitre, c'est m'aimer : car la vraie connaissance est tout amour".

Si Bosco a développé dans ses romans une vision spiritualiste du monde, autour du ternaire Dieu-Homme-Nature, cet ésotérisme poétique a été influencé, de 1935 à 1954, par l'apport de Guénon : des notions précises sur l'initation, une géographie sacrée, des symboles et une conception panenthéiste. Mais ces concepts, concernant surtout les relations entre l'âme et Dieu, ne répondent pas à toutes les préoccupations de Bosco. C'est pourquoi, sans être totalement rejetée, la doctrine guénonienne a cessé d'inspirer Bosco, au profit d'une réflexion personnelle sur Dieu et la nature
Inside Henri Bosco' esoterism, René Guénon' doctrine took an important place from 1935 to 1954, with symbols, accurate notion of initiation, sacred geography and panentheism. But, this contribution did not satisfied Henri Bosco precoccupations. Therefore, without rejecting guenonian ideas, the author went back to his own and spiritual conceptions : to sum up, the relationship God-Man-Nature, the framework of his novels

L'analyse de l'organisation de l'oeuvre et des symboles nous montre la persistance du theme du temps chez bosco. Bosco metamorphose le double parametre du temps et du non-temps en un espace imaginaire. Dans ses jeux de l'imagination, le reel et l'imaginaire, le temps et le non-temps ne sont plus saisis comme des phenomenes contradictoires, mais comme une totalite dialectique dans laquelle s'insere le destin des heros. Cependant ce que bosco nous montre par la structure synthetique de l'imaginaire, est sa volonte de tendre vers le non-temps mythique ou l'imaginaire se dresse contre la dissolution du devenir. Le temps psychique est constitue par la dialectique du souvenir, la suspension totale de la temporalite et la structure spatio-temporelle. Le temps mythique, en tant que la dimension-archetype, est constitue par le temps initiatique, le mythe du paradis et le temps cyclique. En passant par le temps psychique et le temps mythique, tout le mouvement de l'energie du temps contre la decrepitude et la mort est vers le centre et vers l'un
The analysis on the organisation of the works and the symbols shows us the persistence of the theme of time in bosco. Bosco metamorphoses the double parameter of the time and of the no-time into a imaginary space. In his play of the imagination, the real and the imaginary, the time and no-time are not caught as contradictory phenomena, but as a dialectic totality in which the destiny of the heros is inserted. Nevertheless, what bosco shows us by the synthetical structure of the imaginary, is his desire to incline toward the mythical no-time where the imaginary rebels against the dissolution of vicissitudes. The psychic time is constituted by the dialectics of memories, the total suspension of the temporality and the spatio-temporal structure. The mythical time, as dimension-archetype, is constituted by the initiatory time, the myth of paradise and the cyclic time. Passing through the psychic time and the mythical time, the mouvement of the energy of the time against the decrepitude and the death is toward the centerm toward the one

Etude portant sur les forces obscures, les tentations, le tentateur et les mecanismes du discernement dans l'oeuvre de henri bosco, a travers essentiellement les romans suivants : l'epervier, le recif, l'antiquaire, hyacinthe, un rameau de la nuit et une ombre. Au terme de notre etude, nous voyons le christianisme de bosco se devoiler peu a peu, car l'auteur nous apprend que la connaissance de soi n'est possible qu'en presence de dieu dont l'amour seul peut nous sortir de notre neant
Research about the obscure forces, the temptations, the tempter and about the mechanisms of discernment in the art of he nri bosco, especially through following novels : l'epervier, le recif, l'antiquaire, hyacinthe, un rameau de la nuit and une ombre. At the end of our research, we see that the bosco's christianity is bit by bit revealed, because the author tell us that the knowledge of oneself is possible only in the presence of god whose love can get us out of our nothingness

This thesis examines the situation in the Democratic Republic of the Congo’s Kivu provinces and the role of the International Criminal Court in quelling the violence there. The two men under examination, Bosco Ntaganda and Sylvestre Mudacumura, are both leaders of rebel factions that are wanted for war crimes by the ICC. This work details the history that led to the present conflict and presents other examples of ICC activity, such as the warrants issued for members of the Lord’s Resistance Army of Uganda, to examine the proper course of action for those who seek justice in the area. In addition, this thesis covers the role of outside forces, principally the government of Rwanda, in the conflict. Finally, recommendations are presented on how all players should respond to the International Criminal Court’s warrants. Due to the voluntary detainment of Bosco Ntaganda late in the process of creating this work, there is also a final addendum analyzing this event in the overall structure of the argument.

Don Bosco Technical School in Phnom Penh is a typical example of a long-running non-profit institution in Cambodia. In this part of the world it is plainly called an NGO – a non-governmental organization. It provides vocational skills training education to some four hundred out-of-school youth every year. And yet it does not charge for tuition; nay more it even provides free lunch at noon. So how does Don Bosco Technical School survive this monetary based and profit oriented society? What are its sustainability secrets?This capstone project strives to look at the institution from a business perspective with organizational behavior, strategic planning, and human resource management as criteria.To achieve this, the process will include: •A critical evaluation of its organic strategic plan through a thorough analysis of its strategic documents like: logical framework, organizational charts, and programming sheets.•A structured interview of key employees gauging factors such as: their job satisfaction, job fit, and job identification with organizational values. •An in-depth analysis of its human resource management through observation of operations and investigation of corresponding documents like: salary scales, contracts, policies and procedures.The results of the study show that Don Bosco’s main strength lies in the staff’s strong commitment to the mission of the organization thereby providing the motivation to continue the work in spite of financial odds. On the other hand it has room for improvement in terms of organizing a more formal human resource management system due to its institutionalizing trend and for sustained sustainability of its work.

Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2005
Inclui bibliografia
A arbitragem de disputas envolvendo direitos de propriedade intelectual pode possuir diversas vantagens em face dos litígios judiciais. É necessário, contudo, para cada tipo de direito por exemplo direitos relativos a patente, marca, autoria, copyright, s

Debris flows, a flowing mixture of sediments, water, air and other materials, are one of the most destructive events in mountain areas: damaged buildings, interrupted infrastructures, fatalities are only some examples of their effects . In Northern Italy, for example, 36% of fatality events in the field of hydro-geo-morphological hazards is represented by debris flows. Alluvial fans, which have been just built by debris flow events occurred in the past, in fact, are areas where human activities (homes, factories, etc.) have always been developed. People living in mountain areas, in this way, must adopt expensive and impacting technical devices to prevent or to mitigate this phenomena. When the magnitude of debris flow is quite small, the protective capability of forests can be used to mitigate their destructive power. Due to the cost and to the environmental impact associated to the technical works, public administration in some areas of the Alps developed knowledge and guidelines to manage forests in a protection perspective. Few studies concerning the quantification of the protection effect, however, have been carried out especially for debris flow phenomena. In the present work small scale tests have been carried out in order to quantify the wood’s effect in the process of debris flows deposition. Results, in particular, show that trees can significantly influence deposit’s run out and area (two of the main debris flow’s deposition parameters), if their density is appropriate with respect to debris flow characteristics. Such evidence should represent the starting point for future researches which aspire to develop guidelines for protection forest’s maintenance in mountain areas.

Selvabella è un’area agricola appartenente a Finale Emilia, nella bassa modenese. Anticamente era un bosco, poi trasformato in terreno per coltivare la canapa tessile, attualmente una distesa di campi agricoli senza alcuna vegetazione, caratterizzata da architetture parzialmente e totalmente crollate a seguito del terremoto del 2012. L'obiettivo è quello di riportare l'antico bosco a Selvabella, e rifunzionalizzare l'intera area anche attraverso nuove architetture come un museo della canapa e un agriturismo, con un progetto che possa dare una identità a questo luogo, sempre dialogando con la natura e con il contesto.

Religieuse enseignante salésienne pendant quarante-deux ans, j'ai entrepris de parler de l'oeuvre, de la pédagogie de don Bosco. Celui-ci reçoit, de son milieu, de son époque, l'idée de prévention. Il fonde une oeuvre, deux congrégations, instaure le système préventif, en définit ses grandes lignes. A sa mort, les établissements d'éducation se multiplient dans le monde. En France, les projets éducatifs et pastoraux salésiens sont rédigés. Qu'en est-il du système préventif aujourd'hui ? J'ai effectué une enquête sur le terrain dans les établissements francophones : trois cent cinquante témoignages classés dont l'échantillonnage obéit à des critères d'équilibre, de diversité. Il suit un plan : école. . . , accueil. . . , joie. . . , formation humaine, religieuse. Quelles "touches" de l'art de don Bosco y transparaissent ? Autre document : une enquête de l'UPS de Rome, à l'échelon mondial, par questionnaires. Le système préventif se présente aujourd'hui également dans les textes des auteurs contemporains. Une "charte" du sytème préventif est établie pour aujourd'hui. Une définition de l'éducateur, une éthique de l'art éducatif donnent des bases universelles de tout système pédagogique que l'on retrouve dans la méthode préventive. Le contexte culturel nouveau d'une maison salésienne ouvre sur les perspectives de l'art éducatif de don Bosco dans la modernité. Des conditions internes d'adaptation sont définies. La recherche montre que la pédagogie de don Bosco est vécue aujourd'hui
As a Salesian nun who taught for forty two years, I undertook to talk about don Bosco work and pedagogy. He received from his social background, his time, the idea of a system about pedagogy. He founded two religious congregations, created the main lines of his system. At the time of his death, his schools have spread all around the world. In France, salesian educational and pastoral projects were written. What is it about his system today ? I did works-field and investigated in French speaking schools three hundred and fifty classified testimonies. The picked sample obeys to diversified and balanced criteria. He followed a plan : school, greeting, happyness, human and religious education. What does come through this ? Other document : a worldwide investigation based on questions from the Salesian Pontifical University (Rome) : elements of his system are now in the writings of nowadays authors ; a charter about this system is now established ; a definition of the educator, an ethic of the educational art give universal basis of every pedagogical system in which acting as a deterrent is. The new cultural context of a salesian house gives new plans for the adaptation and life of this system nowadays ; intern conditions for adaptation are defined. Searching gives evidence that don Bosco pedagogy is practised and lived today

The effort associated with relational and distinctive memory encoding was evaluated in two experiments. To this end, a secondary task was added during encoding, and the interference on the secondary task was used to infer encoding effort. Memory test expectancy was varied between-participants, with incidental, expect recognition, and expect recall conditions in Experiment 1, and recognition and recall conditions in Experiment 2. In both experiments, all participants encoded words varying in written frequency and rated concreteness. In Experiment 1, all participants received a recognition test regardless of test expectancy, and in Experiment 2, all participants received a test congruent with their expectancy. The results of Experiment 1 indicated that secondary task performance was sensitive to the addition of intentional encoding, as well as word concreteness. The results of Experiment 2 replicated those of Experiment 1 in that the secondary task appeared to be sensitive to differences in recognition and recall encoding operations. Further, the results demonstrated an interaction of frequency and concreteness on encoding effort when participants expected recall, whereas only concreteness affected encoding effort when participants expected recognition. The results are discussed in terms of Anderson and Bower's (1972, 1974) Human Associative Memory (HAM) model.

Ce travail propose une lecture des structures linguistiques signifiantes et vise, au-delà de l'appareil théorique qui lui sert de support, la reconstitution d'un univers d'écriture aux accents éminemment idiosyncratiques. Il s'articule en 3 mouvements. Le 1er reprend la conception épilinguistique bosquienne de l'objet littéraire et la pratique d'écriture préférentielle de l'auteur, à savoir la répétition dans ses multiples configurations lexicales, syntaxiques, et sémantiques. Le 2e traite respectivement de la perception et des réalisations du "je" énonciateur, des structures temporelles déictiques et cotextuelles et, enfin, de l'expression de l'espace tant déicque que cotextuel et de l'espace typographique comme inscription indicielle du sujet énonciateur. L'empâtement subjectif de la langue que font ressortir ces trois approches des marques énonciatives, révélant la présence d'un sujet linguistique omniprésent, ordonne le 3e mouvement où sont étudiées les formes d'expression analogique. A travers celles-ci apparaissent les accents d'un idéalisme ontologique qui achève de dessiner les contours d'une instance énonciatrice hypertrophique. La langue de Bosco, frappée au sceau de cette instance, n'en répercute pas moins, cependant, les échos d'une conscience et d'une forme d'expression collectives. La création de l'oeuvre littéraire se réalise alors dans cette double postulation, à la fois égotique et collective

This study uses ethnographic portraits of hotel school managers to identify specific soft skills lacking in Cambodian hospitality students and to examine the complex obstacles that the managers face when providing soft skills education. In Cambodia, 30% of the population lives under the poverty line (“UNICEF Cambodia Statistics,” n.d.). Meanwhile, the service and hospitality sector has grown to represent 39% of the country’s real GDP share (“Growth in service sector brings more challenges,” n.d.), making it an attractive industry for young workers to find employment and improve livelihoods. However, the World Bank identifies that there is a gap in young Cambodian workers’ skills, especially soft skills (Brixi, Van Adams, D’Amico, & Krauss, 2012). The qualitative portraiture method is used in the study to lend a more detailed perspective on school challenges since the existing literature on the soft skills deficiency in Cambodia is largely quantitative in nature. For this portraiture study, managers from the Don Bosco Hotel School, the largest hotel school in Cambodia, were chosen as protagonists. The findings reveal that the main soft skills lacking in students are: responsibility, self-assessment, honesty, self-confidence, teamwork, and culture sensitization. The findings also show that major obstacles hotel school managers faced when educating students in soft skills are: high staff turnover, lack of role models, short duration of training programs, lack of nutrition, problems with students’ families, and a shortage of external exchange opportunities. By humanizing the dialogue beyond quantitative statistics, a richer and more meaningful ecosystem of information can emerge. With greater contextual understanding, stakeholders in both the non-profit and for-profit sectors can create more sustainable changes for Cambodian hospitality soft skills training.
published_or_final_version
Education
Master
Master of Education

L'elaborato approfondisce le tematiche della sostenibilità ambientale e del benessere psicofisico nell’uomo al fine di proporre un sistema costruttivo per abitare i boschi, con attenzione all’impatto ambientale dei materiali e del loro riutilizzo. Il fondamento di questo elaborato consiste nel ritenere che la qualità della vita umana non possa prescindere dal contatto con gli ambienti naturali. Numerose ricerche hanno dimostrato una forte relazione psicofisica tra la vegetazione e l’essere umano, sviluppatasi nel corso dei duecento mila anni in cui la nostra specie si è evoluta adattandosi all’ambiente incontaminato. Si scoprono cosi gli effetti positivi contro lo stress e i disturbi ad esso correlati, i benefici fisici indotti da piccole sostanze volatili come i monoterpeni, l’abilità dei boschi di trattenere gli ioni negativi creando delle aree particolarmente benefiche per l’uomo e infine le capacità elettromagnetiche degli alberi in grado di accelerare il funzionamento delle nostre cellule. Inoltre le foreste limitano i processi di desertificazione, contengono il rischio di alluvioni, mitigano il cambiamento climatico e sono la principale fonte di ossigeno. Appare quindi necessario dare nuova importanza alla vegetazione, ripensare il nostro modo di abitare e di plasmare il paesaggio, lasciando il ruolo principale alle foreste e sviluppando architetture in grado di inserirsi in secondo piano rispetto ad esse. A partire da questa visione il percorso progettuale parte dall’obiettivo di immergere piccoli edifici in secondo piano rispetto agli alberi, con grande superficie vetrata per un ampio contatto visivo col contesto ed elementi puntiformi di fondazione per il minimo impatto sul suolo. Il progetto si concentra nel proporre un sistema prefabbricato e modulare in legno in cui l’edificio viene suddiviso in moduli capaci di garantire la flessibilità dimensionale degli spazi e di ottimizzare le fasi di cantierizzazione, trasporto, smontaggio e riutilizzo.

Au problème d'éducation posé par l'école d'aujourd'hui, problème qui peut se résumer dans la difficulté qu'éprouve l'école à être le lieu de formation de la personne qu'elle aspire à devenir, Don Bosco (1815-1888), prêtre-éducateur et pédagogue italien du XIXe siècle, semble avoir répondu concrètement, il y a cent ans. Convaincu que l'acte de connaissance est un "agir" finalisé au perfectionnement de l'homme et pas seulement au perfectionnement de l'une de ses facultés, Don Bosco a développé en chaque enseigne, grâce à la vertu de prudence, les dispositions propres à l'agir intellectuel. Ces dispositions: la bienveillance, la docilité et l'attention, citées par Aristote dans la rhétorique (iii, 1415 a 34 - 1415 b 17) comme étant les dispositions souhaitables pour un auditoire, sont aussi, nous le pensons, les dispositions vertueuses qui accompagnent nécessairement tout "agir" intellectuel. En instruisant pour éduquer, c'est-à-dire en éduquant l'intelligence en vue d'éduquer la personne dans son unicité et sa globalité, Don Bosco est parvenu à réaliser la synthèse éducative souhaitée par l'école actuelle, et résumée par ce slogan : "savoir, savoir-faire, savoir-être". A ce titre, au-delà des particularités désuètes d'une pédagogie marquée par son siècle, Don Bosco peut être qualifié de "pédagogue pour notre temps", et mieux encore de "pédagogue pour tous les temps"
One hundred years ago, Don Bosco (1815-1888), a 19th century priest-teacher and educationalist, seemed to have clearly resolved the problem of education posed by the current school system, a problem which can be summarized as the difficulty experienced by the school in allowing the individual to realize his potential. Convinced that the acquisition of knowledge is an "act" culminating in the improvement of man and not only in the improvement of one of his abilities, following his ideas of nurture, Don Bosco developed in each pupil the aptitudes specific to the manner in which the intellect evolves. Those aptitudes being kindness, docility and attention, as mentioned by Aristotle in the rhetoric (iii, 1415 a 34 - 1417 b 17) are the desired aptitudes that an audience should also have the virtuous aptitudes to facilitate all intellectual "acts". In teaching to educate, that is to say in developing the intellect keeping in mind the person's individuality and his universality, Don Bosco succeeded in realizing the educational goal sought by the current school system and summed up in this slogan: "knowledge, action, understanding". Therefore, apart from the outdated educational methods of his century, Don Bosco can be considered as a "teacher of our time" and he could even be said to be a "teacher for all times"

Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2005
Inclui bibliografia
A arbitragem aumentou seu campo de aplicação nas sociedades contemporâneas. De fato, os métodos alternativos de resolução de conflitos são um novo campo de procedimentos, que estão substituindo as maneiras tradicionais de resolver os problemas relacionado

La tesi prende in esame attraverso una ricerca azione presso il doposcuola Don Bosco ai salesiani di Venezia la necessità di realizzare nel territorio un nuovo doposcuola che risponda alla domanda emergente delle famiglie “di sostenere il costo per la formazione dei bambini dai 6 ai 10 anni” e delle risposte attuabili. La tesi si struttura in tre parti: la prima parte prende in esame le politiche familiari; la seconda parte la ricerca/azione presso il patronato salesiano di venezia, dove io stessa ho fatto da educatore e la terza parte presenta la realizzazione di “un doposcuola per minori dai 6 ai 10 anni”, denominato “Un Raggio di Sole” .

Orientador : Ernesta Zamboni
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: Tal trabalho tem como eixo central a reflexão acerca da música popular brasileira por meio da análise dos diversos elementos que compõem a canção e a sua relação com a indústria fonográfica, com os meios de comunicação e com o consumo. No entanto, não foram esquecidos seus nexos com outras linguagens: historiográfica, poética, cinematográfica, teatral, televisiva e, claro, musical. Para tanto, optamos pela análise da obra da dupla João Bosco e Aldir Blanc, situada no período que vai de 1969 a 1985 que, por sinal, coincide com a decretação do AI-5 (1968) e com o fim do regime militar. As composições da dupla foram escolhidas devido tanto à sua constante referência a movimentos políticos e sociais, quanto pela opção de ambos em compor a partir de uma visão de mundo comumente atribuída às classes populares, além, é claro, da beleza com que retratam a história e o cotidiano. Esta dissertação não se constitui num modelo, mas apresenta um percurso das múltiplas possibilidades do trabalho com a canção no ensino de história
Abstract: This work has as a central axe the reflection about the música popular brasileira by the analysis of the various elements that compose the song, as well as its relationships with phonographic industry, with other languages (historiographic, poetic, cinematographic, theatrical, television and of course, musical) haven't been forgotten. For that reason, we've opted for the analysis of the pair João Bosco and Aldir Blanc, situated in the period that starts in 1969 and finishes in 1985 and that coincides with the declaration of the AI-5 (1968) and with the end of the military regime. The compositions of the pair have been chosen because of their constant reference to the social and political movements, as well as the option of both of then to compose from a viewpoint usually attributed to the popular classes, besides, the beauty with that they show the history and the quotidian, of course. This thesis is not a model, but presents a way of the multiple possibilities of the work with songs in the history teaching
Mestrado

La nature tient une place capitale dans l'œuvre de Henri Bosco, et étudier sa perception revient à montrer qu'elle est le lieu d'expression de tous les mouvements de l'âme et des songes du narrateur. Placée entre le visible, et l'invisible, elle représente la présence fascinante du mystère dans le monde, et son influence forme la structure profonde des récits de Henri Bosco. Conçue avant tout comme un espace, la nature est perçue à l'échelle de l'univers. Traversée par un réseau de forces, elle est parcourue de vibrations qui indiquent la vie cachée du monde et les grandes directions de l'âme. Au centre de ce mouvement, on assiste à la révélation du sacré, à travers une confrontation des puissances chrétiennes et païennes, suscitant d'obscures liturgies dans le but de posséder l'homme. Cependant la nature apparait aussi comme une médiatrice conduisant l'âme vers l'invisible. Lieu de passage entre le réel et le rêve, elle suscite l'écriture et lui donne son rythme profond
Nature plays a role of prime importance in Henri Bosco's work, and studying his perception of nature comes down to showing that it is the preferred element for expressing all the movements of the narrator's soul and revery. Situated as it is between the visible and the invisible, it represents the fascinating presence of mystery in the world, and its influence constitutes the profound structure of Henri Bosco's narrative. Nature, viewed above all as a space, is perceived on a universal scale. Crossed by a network of forces, it is inhabited by vibrations, which reflect the hidden life of the world and the major thrusts of the soul. At the heart of this movement, we witness the revelation of the sacred, through a clashing of Christian and pagan powers, arousing obscure liturgies aimed at possessing man. However, nature appears also as a mediator beckoning the soul toward the invisible. A passageway between the real and the world of dreams, it provokes the written word and lends it its profound rhythm

During evolution, trees have developed anatomical and structural modifications in order to obtain an adeguate longitudinal growth. On Earth, some species grow taller than 100 m and a single giant sequoia tree spans about 12 orders of magnitude from seedling to mature tree. However, vertical growth is not unlimited: every species grows to a maximum which can vary with the different envinronmental conditions. At present, it is still uncertain which are the actual mechanisms determining the decline in height growth during ontogeny. Among the scientific community it is commonly accepted the limitations to the height growth are size-related rather than age-related and, particularly, the ability to deliver water from roots to leaves (for the photosynthetic processes) seemed be very important in this respect. The whole tree architecture must be designed in order to guarantee an efficient long-distance transport and it is determined by mechanical and hydraulic constraints. Hydraulic constraints arise from well-known physic laws, especially from the Hagen-Poiseuille law. In fact, the ascent sap flow is affected, in fact, by the path-lenght, the cell radius and the wall roughness that cause high losses of energy and increase the cost of transport (hydraulic resistance). A number of mechanisms of compensation are known to exist that help to minimize the increment of resistance with path-lenght but great attention have been attribuited to a recent theoretical model (West et al., 1999) that proposed the xylem tapering as a key compensation mechanisms. The degree of conduit tapering predicted by WBE model rapresents the minimum value on which evolutive forces are converged: a cylindrical pipe, in fact, could induce limitations to height growth. At present, scientists do not agree either that a minimum and universal treshold of conduit tapering does actually exist and either that this value is invariant during ontogeny. The aim of this work is to increase the knowledge about the xylem structure, and its ontogenetic changes, in alpine conifers (Picea abies Karst., Larix decidua Mill., Pinus cembra L.) that have approached their maximum height and show physiological top dieback. Beyond the tapering of conduits, further analyses are carried out in order to search other mechanisms of resistance compensation, , and the effects on xilogenesis of environmental variables are also investigated. This research was divided in chapters, each dealing with a specific argument. In the first issue it has been carried out the stem-analysis, a method used to evaluate radial, longitudinal and volumetric growth of the examined trees. During ontogeny there was a change in the whole stem profile with the stem top, more tapered than the lower part, becoming more cylindrical. The second and the fourth issues have focused on the hydraulic architecture of three individuals and have evaluated the shape of conduits and their variation with time. At different heights along the stem, and within each tree-ring, diameter of tracheids has been measured. Woody samples have been extracted along the radial and the longitudinal axis, embedded in paraffin and cut by a rotative microtome. The obtained slides have been observed under a light microscope. In each tree the longitudinal vessel profile has been analysed for a minimum of 20 years before the top dieback: the results showed a degree of tapering approaching the WBE model prediction. However, the degree of variation of conduits along the stem was not uniform but rather segmented: at the tree top vessels were more tapered than towards the base. This discrepancy increased when the trees were close to the dieback year and, in such situation, it seems that the hydraulic resistance increased. For this reason, the total number of cells in the cross-sections were measured for different years and heights. Climate growth relationships have been analyzed in the third chapter, and the results showed that the cell production (ring width) was more related to environmental variables (temperature, precipitation and cloudiness) than cell lumen. The intensity of responses to climate-signal was different along the tree stem: the most sensible zone was located at the crown base and this could be the cause of changes in cell’s shape and of diameter:height ratio. This Thesis has introduced a new element to the research about the limits to tree height, in fact it has investigated ontogenetical changes in trees that were approaching their maximum height. The results, complex and not fully explained, would suggest that an insufficient degree of conduit tapering strongly constrains the height growth of trees.
Nel corso della loro evoluzione gli alberi hanno sviluppato degli accorgimenti anatomici e strutturali finalizzati ad ottenere un adeguato sviluppo verticale. Sulla Terra non mancano infatti esempi di specie in grado di superare i 100 m di altezza e nel corso della propria esistenza un singolo individuo di sequoia può modificare le sue dimensioni attraversando ben 12 ordini di grandezza. L’accrescimento longitudinale, tuttavia, non è infinito: ogni specie manifesta una altezza massima e all’interno della stessa si possono osservare dimensioni diverse in relazione all’ambiente di crescita. I meccanismi che conducono al rallentamento del ritmo di crescita in altezza, fenomeno ontogenetico tipico di tutte le specie vascolari, non sono ancora stati chiariti. Nella comunità scientifica, a seguito di accesi dibattiti, è sembrata prevalere l’idea che la limitazione sia da imputare alle dimensioni della pianta, piuttosto che alla sua età, ed in particolare alla capacità di trasportare una sufficiente quantità d’acqua dalle radici alle foglie, sedi del processo fotosintetico. L’intera architettura della pianta sarebbe quindi ideata per ottenere un trasporto efficiente e sarebbe sottoposta a vincoli di natura meccanica e idraulica, questi ultimi descrivibili in base a note leggi della fisica quali quella di Hagen-Poiseuille. La lunghezza del percorso, la dimensione della cellula xilematica e le asperità delle pareti sono infatti la causa di notevoli perdite energetiche (aumento della resistenza idraulica) che ostacolano il moto ascendente della linfa. Tra i vari meccanismi di compensazione che la pianta potrebbe adottare per minimizzare l’effetto della lunghezza del percorso un grande interesse ha riscosso quello proposto nel modello WBE (West et al., 1999), ossia la rastremazione xilematica. È stata perciò ipotizzata l’esistenza di un valore minimo di rastremazione, sul quale tutte le specie sono portate a convergere nel corso dell’evoluzione: un profilo xilematico troppo cilindrico potrebbe infatti indurre una limitazione alla crescita in altezza. Attualmente non vi è accordo, tra gli studiosi, se esista realmente una soglia di rastremazione minima ed universale e se questa venga mantenuta costante nel corso dell’ontogenesi. Lo scopo di questo lavoro è proprio quello di indagare la struttura xilematica di conifere di alta quota tipiche delle Alpi (Picea abies Karst., Larix decidua Mill., Pinus cembra L.), valutando i cambiamenti di forma dei condotti di piante giunte ormai alla loro massima altezza e con cimale disseccato per cause fisiologiche. Inoltre sono state eseguite una serie di analisi collaterali per ricercare eventuali altri meccanismi compensativi che la pianta potrebbe adottare nel tentativo di limitare l’aumento di resistenza idraulica interna allo xilema. Sono stati valutati anche gli effetti dei principali parametri climatici sulla xilogenesi. Il lavoro, quindi, si presenta costituito da diversi capitoli, ognuno riguardante uno specifico argomento della ricerca. Nel primo capitolo, attraverso il metodo dell’analisi del fusto, è stato possibile valutare l’accrescimento radiale, longitudinale e volumetrico delle piante esaminate. Il profilo del fusto cambia nel corso dell’ontogenesi e la forma del cimale, significativamente diversa da quella delle parti inferiori, diviene sempre più cilindrica. Nel secondo e quarto capitolo sono state approfondite le conoscenze sull’architettura idraulica di tre soggetti, valutando la forma dei condotti e la sua variazione nel tempo. Le analisi sono state eseguite misurando il diametro delle tracheidi in ogni anello della pianta, a diverse altezze. I campioni legnosi, estratti lungo gli assi longitudinale e radiale del fusto, sono stati inclusi in paraffina, tagliati con microtomo rotativo e osservati al microscopio. Per ogni pianta è stato possibile ricostruire il profilo longitudinale di almeno 20 anni precedenti il disseccamento del cimale: ne è risultato un grado di rastremazione prossimo alle soglie previste dal modello WBE. Tuttavia la forma dei condotti non deve ritenersi uniforme ma piuttosto spezzata dato che le cellule nel cimale sono decisamente più rastremate di quelle del fusto. Questa differenza aumenta in prossimità dell’anno del disseccamento suggerendo l’ipotesi che un peggioramento nel sistema di trasporto possa essere la causa di un aumento di resistenza idraulica. A questo proposito è stato stimato anche in numero totale di cellule presente nella sezione trasversale del fusto in vari anni ed a varie altezze. Nel terzo capitolo si è dato ampio spazio alle relazioni clima-accrescimento ed è stato possibile verificare che il numero di cellule (ovvero lo spessore anulare) è molto più influenzato del lume del condotto dalla tempertura, dalle precipitazioni e dalla nuvolosità. La pianta, a varie altezze del fusto, mostra risposte diverse: la zona più sensibile si collocherebbe alla base della chioma e questo potrebbe determinare ulteriori variazioni nella forma dei condotti e nei rapporti meccanici tra altezza e diametro. Questa Tesi contribuisce in maniera innovativa alla ricerca in quanto indaga i cambiamenti ontogenetici in piante già giunte alla loro massima altezza. I risultati, seppur complessi e non completamente interpretabili, contribuiscono a sostenere l’ipotesi che un peggioramento nel sistema di conduzione può pesantemente limitare l’altezza delle piante.

Orientador: José Roberto Zan
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Este trabalho é resultado da análise do LP Tiro de Misericórdia, de João Bosco, lançado pela RCA Victor em 1977. As onze canções que compõem o álbum, todas de autoria de João Bosco e Aldir Blanc, tratam de aspectos do cotidiano dos subúrbios da cidade do Rio de Janeiro, com ênfase na boemia alegre e cruel que caracteriza essas áreas. Através das composições, os autores montam um mosaico de narrativas sobre o amor, os sonhos, a memória, a melancolia, a religiosidade e a violência, construídas a partir de códigos, símbolos e valores da cultura popular. O LP apresenta certa unidade demarcada pela relação existente entre a primeira faixa, "Gênesis (Parto)" e a última, a que dá nome ao disco, "Tiro de Misericórdia". O objetivo principal da pesquisa é verificar de que modo essa produção da dupla traduz a ideia, construída nos anos de 1970, de que a cultura popular e, mais especificamente, a malandragem se constituíam num campo estratégico de resistência à ordem social e política ilegítima que se expressava na vigência do regime ditatorial militar no país
Abstract: This work is a result of the analysis of João Bosco¿s LP Tiro de Misericórdia (RCA Victor, 1977). All the songs were composed by João Bosco and Aldir Blanc, and feature aspects of the suburban routine of the city of Rio de Janeiro, with a focus on the happy and cruel bohemia that characterizes these areas. Through the songs, the composers assemble a narrative mosaic about love, dreams, memory, melancholy, religiosity and violence, built from the codes, symbols and values of popular culture. The LP¿s unity is given by the relationship between the first track, "Gênesis (Parto)" (birth) and the last one, that names the album, "Tiro de Misericórdia" (mercy shot). The main goal of the research is to verify in which way this duo¿s work translates the idea, built in the 1970s, that the popular culture and, specifically, the Brazilian "malandragem" are formed in a strategy field of resistance to the illegitimate social and political order of the military dictatorship regime in Brazil
Mestrado
Fundamentos Teoricos
Mestre em Música

Le cle de l'univers de h. Bosco se trouve dans la dialectique entre le desir et le mal: car chez lui, la connaissance du mal, liee a la notion de faute, importe moins que la facon dont il se presente a celui qui l'eprouve a travers son desir de paradis perdu. Le theme du paradis bosquien s'epanouit dans sons sens interieur et spirituel quand on aborde le probleme du mal, lie au desir de l'homme. Il faut donc tenter de savoir ce qu'est l'homme dans l'univers de h. Bosco, ou tout au moins, essayer de percevoir l'apparition du mal dans sa conscience, et dans ses cheminements
The key of the universe of h. Bosco is in the dialectic between the desire and the evil: because, in h. Bosco, the knowledge of the evil, linked to the notion of sin, is important less than the way it appears to the one who experience it through the desire of lost paradise. The theme of lost paradise in h. Bosco, or, at least, try to perceive the outbreak of evil in his consciousness and in his advance

L'alchimie est un art qui permet, par la conjonction des deux principes masculin et féminin, du soufre et du mercure, de créer la pierre philosophale possédant la vertu de transformer de la pierre en l'or. Dans cette étude, on a essayé d'appliquer cet aspect pour l'analyse de diverses images dans la fiction bosquienne. Dans la première partie, on a traité la question de l'alchimie matérielle. En suivant les significations symboliques de l'eau et du feu, on a donc trouve l'image de la maison, formant les combinaisons microcosmiques sur la terre : comme tel phénomène, le corps du héros lui-même, soulève sa puissance magnétique vers le mouvement universel. Dans la deuxième partie, on a traité la question de l'alchimie spirituelle. Alors, on a voulu classifier la notion de l'âme en deux dimensions comme les suivantes ; l'âme naturelle, venant d'un réseau élémentaire. L'âme raisonnable que porte le contemplateur, surtout, dans le thème de la métamorphose, on a trouvé le moi transcendantal qui annule le temps physique. Dans la troisième partie, cette notion du dialogue interne était conçue comme le langage poétique qui reflète le rêve de l'écrivain. Dans ce but, l’art de narration bosquienne établit une constante alternance entre le temps et l'espace. Cependant, le récit de Bosco se retourne à l'abolition du langage au moment où le narrateur franchit du moi transcendant. Enfin, c'est là tous les phénomènes alchimiques chez Bosco s'achèvent, et apparait un grand vide qui signifie l'or spirituel ou l'immortalité de l'âme.

Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão
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Falamos em Música Popular Brasileira e, no entanto, só analisamos a letra, embora não exista algo que seja classificado como "letra popular brasileira". E isso ocorre não só na MPB como em todos os ramos da música popular, brasileira ou não. Em busca de uma fórmula que permitisse falar de ambas, já que siamesas inseparáveis, o presente trabalho, usando pressuposto teóricos de vários tipos - teoria literária, cultura de massa, semiologia/semiótica, lingüística, história da música e da MPB, linguagem musical, crítica musical, além de duas entrevistas com o próprio autor, faz uma análise das músicas-solo do compositor/cantor/instrumentista João Bosco. Para tanto criou uma terceira modalidade de língua, a língua cantada, e baseou a sua análise na escuta, conforme definida por Barthes e Havas. Mas elementos extra-textuais (considerando-se "textual", aqui, a música em realização), como capa de disco ou compact-disk, encartes, selos da censura, regravações e a maneira mesma de distribuir as composições no disco foram tomados como significativos. A letra foi encarada como elemento axial, procurando porém destacar as vozes todas - da humana à de cada instrumento - na composição da polifonia significativa de cada peça de música popular.

Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2005
Inclui bibliografia
Anti-suit injunctions constituem um fenômeno atual no âmbito do Direito Internacional Privado, notadamente na Arbitragem Comercial Internacional. Essas medidas podem ser utilizadas tanto a favor da arbitragem, quando um juiz estatal proíbe uma das partes

Henri Bosco a consacré une part importante de son œuvre à une enfance qu’il rêve « entre autobiographie et fiction ». L'ami imaginaire y fait figure de véritable compagnon de songes. L'enfance que la plume de Bosco rejoue sans cesse est une figure obsédante du Paradis Perdu. On y rencontre Pascalet, Antonin ou encore Constantin, les doubles fictifs de l’auteur, mais aussi Hyacinthe, Marie et Gatzo, les compagnons du songe enfantin, leurs hôtes intimes.L’imaginaire du double construit le personnage enfantin comme si l'identité du héros ne devait être complète que dans le jeu de miroir que provoque l'autre en soi. L'identité multiple et bien souvent androgyne que Bosco accorde à l'enfant peut être lue comme un don particulier de l'enfance, un don qui se perd, comme l'innocence des premiers temps bibliques, et que Bosco met en scène pour recréer un paradis terrestre profane: celui de l'enfance. L’enfance du double, temps fabuleux et primordial, fait aussi figure de hantise lorsque le personnage peuplé d’êtres intimes glisse vers un âge adulte obsessionnel, envahi par l’inquiétant étranger en soi. Les identités en expansion des personnages enfantins doublés par leurs compagnons imaginaires sont peut-être en elles-mêmes l'espace du paradis perdu de l'enfance que l’adulte ne peut plus capturer, ou seulement en songes
Henri Bosco devoted a significant part of his works to a childhood that he dreams “between autobiography and fiction”. Amongst these works, the imaginary friend stands as a true dream companion. The childhood sketched over and over by Bosco’s quill is an obsessive figure of the Lost Eden. There, we can meet Pascalet, Antonin, or even Constantin, the fictive counterparts to the author, as well as Hyacinthe, Marie and Gatzo, companions of the childish dream, their private hosts. The fantasy of the double builds the childish character as if the hero’s identity shan’t be complete but for the specular split that is brought by the Other in the Self. The multiple – and often, androgynous – identity that Bosco grants to the child can be read as a peculiar gift of childhood. This gift can be lost, just like the innocence of biblical times, and is staged by Bosco in order to recreate a secular paradise: childhood. The double’s childhood, as a fabulous and primordial time, can also be haunting when the character – inhabited by intimate beings – is slowly sliding towards an obsessive adulthood, beset by the uncanny stranger within. The expanding identities of the childish characters, doubled up by their imaginary companions, might be the lost paradise of childhood, unseizable by the adult, otherwise in his dreams…

Orientador : Raquel Pereira Chainho Gandini
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
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