Relevant bibliographies by topics / Bosnian Small art works

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Bosnian Small art works'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Bosnian Small art works"

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Nikšić, Redžep. "Landscapes in the works of Safet Zec." Univerzitetska misao - casopis za nauku, kulturu i umjetnost, Novi Pazar, no. 21 (2022): 215–27. http://dx.doi.org/10.5937/univmis2221215n.

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The Bosnian artist Safet Zec began his artistic development in the so-called Yugoslav artistic space. His work, which spanned several decades, is dominated by a certain number of motifs. In his works, he predominantly focuses on architectural motifs (the Bosnian, Počitelj, and Venetian house...), but also landscapes, still life, and human figures. He would return to these motifs several times during the active period of his life, and since he was constantly maturing as an artist, he transformed the aforementioned motifs giving them a new meaning and message. This paper presents the results of
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Riedlmayer, András. "Libraries are not for burning: international librarianship and the recovery of the destroyed heritage of Bosnia-Herzegovina." Art Libraries Journal 21, no. 2 (1996): 19–23. http://dx.doi.org/10.1017/s0307472200009834.

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In the past three years, the cultural heritage of Bosnia-Herzegovina has suffered major destruction. The result is what a Council of Europe report has called ‘a cultural catastrophe’. Historical architecture (including 1,200 mosques, 150 churches, 4 synagogues and over 1,000 other monuments), works of art, as well as cultural institutions (including major museums, libraries, archives and manuscript collections) have been systematically targeted and destroyed. The losses include not only the works of art, but also crucial documentation that might aid in their reconstruction. Our Bosnian colleag
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Hodžić, Senka. "(Do) We Keep Forgetting Miroslav Špiler - Our Contribution to the 110th Anniversary of Composer's Birth." English version, no. 10 (October 22, 2018): 287–307. http://dx.doi.org/10.51515/issn.2744-1261.2018.10.287.

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Within the cultural context of Sarajevo and Bosnia and Herzegovina, composer and music pedagogue Miroslav Špiler (1906–1982) is remembered primarily as professor at the Academy of Music in Sarajevo, an important social figure at the time, as well as composer of small but significant number of works. However, unlike the works of some other Bosnian and Herzegovinian composers, we (almost) never have a chance to hear Špiler’s works being performed by the esteemed artists and ensembles in our country. The aim of the following text is to locate and discover the reasons of negligence of Špiler’s oeu
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Ćatović, Vedran. "The Small-Town Globalism of Ivo Andrić." Journal of World Literature 4, no. 3 (2019): 394–410. http://dx.doi.org/10.1163/24056480-00403006.

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Abstract This study situates the works of Ivo Andrić at the intersection of world literature and postcolonial studies. It argues that, rather than being opposed as two mutually exclusive critical paradigms, the two need to be tactfully combined in order to account for the artist’s treatment of the prolonged subjugation undergone by the former Ottoman province of Bosnia. Two contradictory trends are observed. Andrić represents Bosnian small towns as places of symbolic resistance and perseverance. His local themes and language undermine the hegemonic presence of the empire, and invite a reading
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Romanenkova, Yulia. "Art Language of Small Plastic Art by Arkady Pugachevsky." Bulletin of KNUKiM. Series in Arts, no. 36 (June 10, 2017): 107–17. https://doi.org/10.31866/2410-1176.36.2017.157684.

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The purpose of the article. The article is dedicated to the later period of creativity of Ukrainian artist Arkady Pugachevsky. Pugachevsky-older is known in the area of lovers of graphic arts primarily as an expert of technician of printmaking. Specializing in high printing, he gives preference to the engraving on the plastic. Methodology of investigation. The research methodology consists in complex using of biographical, historical, comparative methods of analysis, used for comprehensive coverage of case material. Scientific novelty of article is in the introduction into scientific use of wo
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Tahirović, Husref. "Medical Biography of Isak Samokovlija: The Famous Bosnian-Herzegovinian Writer." Acta Medica Academica 51, no. 2 (2022): 147. http://dx.doi.org/10.5644/ama2006-124.384.

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<p>The purpose of this paper is to shed light on the biographical, professional, and health-educational works of Dr. Isak Samakovlija, who was better known as a writer than a doctor in the country where he was born. He was born in 1889 in Goražde, the easternmost province in the Austrian-Hungarian monarchy, into a modest Jewish merchant family. He attended high school in Sarajevo and completed his studies in medicine in Vienna in 1917. During the First World War, he served twice in the Austro-Hungarian army. After the end of the First World War in 1918, he completed a medical internship
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Adi, Sigit Purnomo. "PELATIHAN PEMBUATAN MINIPRINT DENGAN MENGGUNAKAN MEDIA TRIPLEK DI KOMUNITAS MAKMOER ART PROJECT SUKOHARJO." Abdi Seni 12, no. 1 (2021): 45–50. http://dx.doi.org/10.33153/abdiseni.v12i1.3748.

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Abstract Miniprint is one of the print size formats in graphic arts that is not yet very popular in Indonesia. Miniprint format prints in small sizes both matrix and paper. Printing in small sizes is fun. Small format requires patience and technical skill in visualizing the artist's ideas and ideas. Considering that miniprints have many features apart from a small format, they can also be carried everywhere and can also be used as an aesthetic element or room decorator and have good selling power, encouraging the author to hold a workshop or training on making miniprints in the Makmoer Art Pro
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Gentle, Paul, and Marco Giliberti. "Were valuable art works an economic form of money during the German Third Reich Period and its aftermath?" Public and Municipal Finance 6, no. 4 (2017): 33–38. http://dx.doi.org/10.21511/pmf.06(4).2017.04.

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This examines the special use of art works as a store of value in Germany during the Third Reich era. Some Jews were able to buy their freedom, as the fascists closed in. Then as the Third Reich fell, some escaping fascists used art works to secure freedom outside of Germany. One of the characteristics of money is a store of value. When confidence in a currency is present, the more conventional form of money takes precedence. A respected, economic form of currency and coin has all three elements of money: medium of exchange, store of value and unit of account. This last trait is especially abs
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Shalem, Avinoam. "“What a Small World”: Interpreting Works of Art in the Age of Global Art History." Getty Research Journal 13 (January 1, 2021): 121–42. http://dx.doi.org/10.1086/713432.

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Muhammad Arief and Yasrul Sami. "Rang Gelandang Tuo sebagai Ide Penciptaan Karya Lukis Kontemporer." Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. 2, no. 1 (2025): 111–17. https://doi.org/10.62383/misterius.v2i1.547.

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This final work aims to visualize the various negative impacts that arise from small communities, from how they earn a living to ending up as midfielders and the impact of small communities' behavior in contemporary works of painting. The hope of this work is to increase public knowledge and awareness and enrich ideas in realizing contemporary painting art. The method the author uses is the art concert method which consists of: (1) Preparation, in the form of observation, gathering information and ideas. (2) Elaboration, to determine the main idea through analysis, abstraction, generalization
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Dissertations / Theses on the topic "Bosnian Small art works"

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Clark, W. Andrew, Cher L. Cornett, and Peter M. Hriso. "Linking Art to Science: Digital Media as a Technology Translation Tool." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etsu-works/2524.

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Technology translation can be achieved through the blending of the sciences and arts in the form of digital imagery. Digital animation and video can be utilized to portray molecular events where the mechanism of action is known but the process occurs at a sub-microscopic level. There needs to be a strong collaboration between scientific advisors and digital artists when creating the animation such that the artistic interpretation of the molecular event conforms to the known and accepted confines of science. The finished animation may be used for information, education or persuasion as entrepre
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Books on the topic "Bosnian Small art works"

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Bossan, Enrico. Bosnia and Herzegovina: Currents of water and art : contemporary artists from Bosnia and Herzegovina. Fabrica, 2015.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Gallery, Sligo Art. Íontas: Sixth small works art exhibition. Sligo Art Gallery, 1995.

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Gallery, Sligo Art. Íontas: Second small works art exhibition. Sligo Art Gallery, 1991.

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Gallery, Sligo Art. Íontas: Eigth small works art exhibition. Sligo Art Gallery, 1997.

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Romanow, Joanna Kleinberg. Small. Drawing Center, 2014.

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Íontas, (8th 1997 Sligo Ireland). Íontas eighth small works art exhibition, 1997. Sligo Art Gallery, 1997.

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Íontas (7th 1996 Sligo, Ireland). Íontas seventh small works art exhibition 1996. Sligo Art Gallery, 1996.

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Book chapters on the topic "Bosnian Small art works"

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Picchiami, Sabrina. "Outsiders, non per loro scelta. Esperienze artistiche nell’Ospedale neuropsichiatrico di Arezzo 1958-1978 | L’atelier." In Arte ai margini. Firenze University Press, USiena Press, 2024. http://dx.doi.org/10.36253/979-12-215-0400-2.10.

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The atelier at Arezzo Neuropsychiatric Hospital transformed the artistic activity from a diagnostic tool to a recognized form of creative expression. Initiated in 1958 by Dr. Furio Martini and influenced by the cultural shifts of the 1950s and 60s, the atelier provided patients with a setting to express their experiences and emotions. Aftherwards the activities aimed even at offering therapeutic benefits and a small personal profit. To date, over 300 works by patients have been find, underscoring the therapeutic and social significance of art in psychiatric contexts.
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Tausch, Arno. "The Empirical Results of Our Empirical Study." In Political Islam and Religiously Motivated Political Extremism. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-24854-2_5.

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AbstractThe study clearly shows that identification with Turkey and Iran, with a political Islam that also influences elections and results in a theocracy, promotes religious and gender discrimination and advocates an Islamist interpretation of Islam, are very much the most important, interrelated syndromes of political Islam, which together explain more than 50% of the total variance of the 24 model variables used. If the states of Europe want to win the fight against jihadism, they must work closely with the moderate Arab states, such as Egypt, Jordan, Morocco, Saudi Arabia, the United Arab
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Mehl, Margaret. "11. The World in Sendai." In Music and the Making of Modern Japan. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0374.11.

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Chapter 11, ‘The World in Sendai’ investigates the types of ‘Western music’ that were actually performed in concerts in Sendai. This is the main theme of. Based on the programmes of local concerts between 1907 and 1921 published in the magazine Ongakukai (World of music), this chapter shows how local concerts, in which different groups came together to perform an eclectic repertoire to a mixed audience, helped transform the people of Sendai into members of a nation within a wider world of nations. The modern institution of the public concert represented a space where Japanese and foreigners me
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Milutinović, Zoran. "Translators as Ambassadors and Gatekeepers: The Case of South Slav Literature." In Translating the Literatures of Small European Nations. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620528.003.0005.

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This chapter uses the context of Bosnian literature and a case study of one of its leading translator-gatekeepers, Francis R. Jones, to challenge the advocacy of partiality among translator-gatekeepers. It begins by questioning Mona Baker’s contention that ‘uncritical fidelity to the source text or utterance has consequences that an informed translator or interpreter may not wish to be party to’. Jones is shown to share her view that translator objectivity, impartiality and neutrality are not only fictional, but also that any claim to them is unethical. As a gatekeeper to South Slav literature
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Philbrick, Ethan. "Introduction." In Group Works. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531502690.003.0101.

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In the introduction, Philbrick sets up the conceptual and historical terrain of the book by offering three short essays on the group tuned to three different registers—group theory, group politics, and group art—before turning to archival traces of one visionary small group from the 1970s, the Combahee River Collective, and the resonance of their work in Cauleen Smith’s 2018 film Sojourner.
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Harold, James. "Wicked Artists." In Dangerous Art. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197519769.003.0004.

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This chapter takes up the problem of immoral artists, as well as related questions, like immoral production. When an artist commits great crimes, some are tempted to treat the art itself as though it were also tainted. The question is whether this is the right thing to do. This chapter argues that the question can be approached in two ways. First, the chapter considers the possibility that works by bad artists are in themselves morally bad. It argues that this view is plausible in only a small number of cases. Second, the chapter considers the possibility that communities around bad artists ar
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"Batya Brutin, Holocaust Icons in Art: The Warsaw Ghetto Boy and Anne Frank. Berlin: Walter de Gruyter; Jerusalem: The Hebrew University Magnes Press, 2020. xvi + 213 pp." In No Small Matter, edited by Anat Helman. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197577301.003.0025.

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This chapter reflects on Batya Brutin's Holocaust Icons in Art: The Warsaw Ghetto Boy and Anne Frank (2020). This volume documents the engagement of artistic creativity with the photographs of the boy with raised hands in the Warsaw ghetto (1943) and those of Anne Frank. In the six chapters detailing the various ways in which artists from different cultures and countries integrated these iconic figures into their oeuvre, Brutin acquaints the reader with dozens of artists who, at some point in their artistic development, opted to “express their thoughts, emotions and perceptions of the Holocaus
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Lipps, Jere H., Ajit Vartak, Ton Van Eijden, C. Rajshekhar, Sudha Vaddadi, and Rohit Vartak. "Paleontological postage stamps in art and education." In The Evolution of Paleontological Art. Geological Society of America, 2022. http://dx.doi.org/10.1130/2021.1218(25).

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ABSTRACT Postage stamps are small works of art seen by people worldwide that can be used effectively in education. The first paleontological stamp was released by India in 1951. Since then, over 4000 stamps with fossils, paleontologists, museums, and collecting sites have been issued by almost 200 countries. Stamps that illustrate fossils or reconstructions are intrinsically interesting and popular with many of the millions of stamp collectors. All disciplines of paleontology are represented, but dinosaurs are by far the most common subject, although even bacteria appear on a few stamps. Most
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Cleempoel, Koenraad Van. "Representations of astrolabes in Western art." In Astrolabes At Greenwich. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198530695.003.0009.

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Abstract The relatively infrequent depiction of astrolabes in works of art seems disproportionately small in relation to the large amount of instruments that have survived and to the high number of contemporary treatises that discuss the astrolabe. In comparison, its three-dimensional counterparts – the armillary sphere, and the celestial and the terrestrial globe – have experienced wider acclaim from artists throughout the ages. The immediate ornamental and didactic appeal of these other instruments may be responsible for this trend. But also, in a broader sense, the image of the globe and th
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Rodowick, D. N. "The Force of Small Gestures." In Indefinite Visions. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407120.003.0012.

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In The Logic of Sensation, Gilles Deleuze describes sensation as a domain that lies beneath, over, or inside quotidian vision as if in another dimension of intensive qualitative experience masked by habitual perception. Sensation is also a way of grasping the immanence of philosophy to works of art. The logic of sensation is part and parcel of our world as lived; one might say that sensation is immanent to perceptual experience as force is immanent to matter. In Deleuze’s account of sensation, the plastic arts are less concerned with matter and figuration than they are with force and becoming.
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Conference papers on the topic "Bosnian Small art works"

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Marković, Snežana M. "DOK TIHO TEČE ŽIVOT KAO REKA: ROMANI „DERVIŠ I SMRT“ MEŠE SELIMOVIĆA I „TIHO TEČE MISISIPI“ VLADIMIRA TABAŠEVIĆA U INTERKULTURALNOM DIJALOGU." In XVI načni skup mladih filologa Srbije. University of Kragujevac, Faculty of Philology and Art, Serbia, 2025. https://doi.org/10.46793/mfxvi-2.167m.

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As an unexpected opportunity to establish intercultural relations between the novel Dervish and the death of Meša Selimović with the works of local and foreign contemporary writers, a possible literary dialogue between this classic by Selimović and the contemporary novel Tiho Teche Mississippi by Vladimir Tabašević was imposed. As in Selimović's work, in Vladimir Tabašević's novel Tiho Teche Mississippi, we follow the life of a Bosnian village, but in a different time period. Regardless of the fact that two centuries have passed between the actions of the two novels, in both works the main cha
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Исламова, Л. Я., and М. Я. Исламова. "SMALL GENRES OF ORAL FOLK ART INGUSH (PROVERBS, CHASES), AND ICY MOTIFS IN THE WORK OF SAIDA CHAKHKIEVA." In ПРОБЛЕМА ЖАНРА В ФИЛОЛОГИИ. Crossref, 2024. https://doi.org/10.34775/a4131-3583-6462-u.

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Данная статья посвящена исследованию малых жанров устного народного творчества ингушей, а именно пословиц и поговорок, и анализа произведений Саида Чахкиева на основе их мотивов. В результате исследования выявлено, что не только фольклор, но и произведения автора, созданные на его основе, имеют поучающий, дидактический характер. This article is devoted to the study of small genres of Ingush oral folk art, as well as names and events, as well as the analysis of Saida Chakhkieva's works based on their motives. As a result of the research, it turned out that not only folklore, but also the works
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Некрасова, Т. И. "DEDICATED TO VERA MUKHINA MEDALS IN THE ART WORKS OF TEACHERS AND STUDENTS." In Вера Мухина — гордость России. К 135-летию со дня рождения выдающегося советского скульптора. Crossref, 2025. https://doi.org/10.54874/9785605245841.2024.01.07.

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Актуальность и популярность в современном искусстве произведений скульптуры малых форм, памятных знаков, изготовленных из металла, определяют обращение к этой теме преподавателей и студентов кафедры монументально-декоративной скульптуры. Отдавая дань уважения личности выдающегося советского скульптора Веры Игнатьевны Мухиной (1889– 1953), преподаватели и студенты СПГХПА им. А. Л. Штиглица сделали эскизы памятных медалей для дальнейшей отливки в бронзе. The relevance and popularity of small shapes works of sculpture, commemorative signs made of metal in the modern art, determine the appeal to t
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Nikiforovs, Juris. "Works of Latvian Medallists in Fidem Congress Exhibition in Florence." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2024. http://dx.doi.org/10.22364/htqe.2024.37.

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Medal is a miniature to be held. As an art form medal has evolved from being decorative to purely modernistic in a sense of creative expression. Many of Latvian medallists have a long experience in the field of medal art, working as sculptors and educators. Some artists have joined the Latvian Medal club recently. Latvian national section of medal art was represented in FIDEM (International Medal Art Federation) XXXVII Congress exhibition in Biblioteca Nazionale Centrale in Florence 2023 with 25 works by 15 artists of a living generation. Sculptural styles of the exhibited art medals of Latvia
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Karabegović, Isak, Mirha Bičo Ćar, Munira Šestić, et al. "Industry of Bosnia and Herzegovina within Industry 4.0." In Međunarodna naučna konferencija Aplikacija industrije 4.0 – prilika za novi iskorak u svim industrijskim granama. Academy of Sciences and Arts of Bosnia and Herzegovina, 2022. http://dx.doi.org/10.5644/pi2022.202.20.

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Currently, the world is facing major changes. Research and development of innovations in new technologies, the rapid pace of implementation of these innovations and especially digitization and automation, play a major role in shaping the future world. Technological innovations promise the transformation of the world we live in all its dimensions. However, in order for the benefits of innovation to be adequately exploited, it is necessary for us as a society to adapt to the coming changes. We must also keep in mind that these changes come at a time previously marked by uncertainty, turbulent ch
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Бородкин, П. В., and Т. В. Горбунова. "SCULPTURE AND STAINED GLASS AS A PART OF THE ART MARKET." In ХУДОЖНИК И МЕНЕДЖЕР В ПРОСТРАНСТВЕ СОВРЕМЕННОГО АРТ-РЫНКА Материалы VII научно-практической конференции молодых ученых. Crossref, 2024. http://dx.doi.org/10.54874/9785605196556.2024.3.02.

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Выставочные пространства редко проводят масштабные групповые показы работ скульпторов, как следствие, затрудняя анализ общих стилистические тенденций и творческих исканий мастеров. Витраж как авторское произведение, в силу преобладания тиражной продукции и специфики работы дизайн-студий, претерпевает ограничения на авторское творчество. Такие тенденции приводят к тому, что арт-рынок не предоставляет современным художникам возможность заявить о себе через авторское творчество. Сложившаяся ситуация не позволяет полноценно развиваться ни арт рынку, ни авторскому творчеству в России. Works of scul
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MARIAN, Ana. "The creation of sculptor Claudia Cobizev in the approach of art critic Sofia Bobernaga." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p309-317.

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Many times appreciated, the creation of the sculptor Claudia Cobizev (1905-1995) was repeatedly reflected in specialized studies by art critics Ludmila Toma (1976, 1978), Sofia Bobernaga (1988), Ana Marian (2007, 2018). In the work of Claudia Cobizev. Sculpture (1988, Moscow, "Sovetskii hudojnik", 17p., ill, in Russian) Sofia Bobernaga reflects the creation of the sculptor. Although her work belongs to the "flourishing" period of socialist realism in the arts of the Moldavian SSR, it contains a deep artistic message, being undeniably varied in its visual aspect. Referring to the great variety
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Fujarra, André L. C., Guilherme F. Rosetti, Jaap de Wilde, and Rodolfo T. Gonçalves. "State-of-Art on Vortex-Induced Motion: A Comprehensive Survey After More Than One Decade of Experimental Investigation." In ASME 2012 31st International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/omae2012-83561.

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After one decade of experimental investigation, the Vortex-Induced Motion – VIM phenomenon deserves a comprehensive survey concerning the advances related to its understanding, mainly under the consideration of the fundamental aspects that keep it in a close relationship to the dynamic behavior of the same phenomenon acting on slender bodies, the well known Vortex-Induced Vibration – VIV. A considerable amount of results can be found in the literature, although there are few works dealing with a general view of the problem. Probably, the main reason for such a large amount of works with no int
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Klepić, Iva, and Zdenko Klepić. "THE INFLUENCE OF DETERMINATION OF THE REQUIRED COMPETENCIES ON THE BUSINESS PERFORMANCE OF SMALL AND MEDIUM ENTERPRISES." In Tourism and hospitality industry. University of Rijeka, Faculty of Tourism and Hospitality Management, 2023. http://dx.doi.org/10.20867/thi.26.5.

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Purpose - Small and medium enterprises (SMEs) are very important from a social and economic point of view. They account for two-thirds of jobs in the private sector and are responsible for more than half of the total added value attained by companies in the EU. Competency management consists of three phases: determining the required competencies; determining current competencies and the competency gap; and undertaking activities to ensure and develop the necessary competencies. The required competencies determine the key activities and behaviors required in each key area of work. They represen
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Некрасова-Каратеева, О. Л., and Е. П. Сталинская. "AUTHOR’S SOUVENIRS BY CERAMIST VYACHESLAV SHVETSOV." In Образ, знак и символ сувенира. Материалы IX Всероссийской национальной научно-практической конференции. Crossref, 2023. http://dx.doi.org/10.54874/9785605054283_136.

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В статье представлены материалы о творчестве художника-керамиста В. А. Швецова — о создании авторских произведений в разряде минискульптуры, характеризующихся особой темой «Воспоминания» и реализуемых в качестве оригинальных сувениров. Целью статьи является попытка расширить содержательный аспект функции сувениров за счет уникальных художественных произведений небольшого формата, создаваемых и ориентированных на личные воспоминания и сопереживания многих людей. Темы авторских скульптурных мини-композиций В. Швецова: сельская природа (лес, река, радуга); деревенская тематика детства художника;
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