Academic literature on the topic 'Botswana Art'
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Journal articles on the topic "Botswana Art"
Bussmann, Christine, Philip Rotz, Ndwapi Ndwapi, Daniel Baxter, Hermann Bussmann, C. William Wester, Patricia Ncube, et al. "Strengthening Healthcare Capacity Through a Responsive, Country-Specific, Training Standard: The KITSO AIDS Training Program’s Sup-port of Botswana’s National Antiretroviral Therapy Rollout." Open AIDS Journal 2, no. 1 (February 29, 2008): 10–16. http://dx.doi.org/10.2174/1874613600802010010.
Full textBrennan, Geraldine. "Art Education and the Visual Arts in Botswana." International Journal of Art & Design Education 25, no. 3 (October 2006): 318–28. http://dx.doi.org/10.1111/j.1476-8070.2006.00498.x.
Full textKoketso, Daniel. "Shakespeare and Botswana Politics in 2014." JULACE: Journal of the University of Namibia Language Centre 3, no. 1 (June 30, 2018): 66–78. http://dx.doi.org/10.32642/julace.v3i1.1376.
Full textKlinger, Amanda E., Ryan J. Kronen, Tomer Barak, Patricia Mophuthegi, Joseph Makhema, Rebecca Zash, and Roger Shapiro. "769. Mortality Among Inpatients After the Initiation of ‘Treat All’ With Dolutegravir in Botswana." Open Forum Infectious Diseases 7, Supplement_1 (October 1, 2020): S429. http://dx.doi.org/10.1093/ofid/ofaa439.959.
Full textHysell, Kristen, Zola Musimar, Shekinah N. C. Elmore, Mukendi K. A. Kayembe, Gita Suneja, Jason Efstathiou, Carrie Kovarik, et al. "328. Kaposi Sarcoma in High Population ART Utilization Setting: An Observational Study in Botswana." Open Forum Infectious Diseases 6, Supplement_2 (October 2019): S174—S175. http://dx.doi.org/10.1093/ofid/ofz360.401.
Full textMehta, Krina, Shruthi Ravimohan, Jotam G. Pasipanodya, Shashikant Srivastava, Chawangwa Modongo, Nicola M. Zetola, Drew Weissman, et al. "Optimizing ethambutol dosing among HIV/tuberculosis co-infected patients: a population pharmacokinetic modelling and simulation study." Journal of Antimicrobial Chemotherapy 74, no. 10 (July 4, 2019): 2994–3002. http://dx.doi.org/10.1093/jac/dkz265.
Full textAgizew, T., D. Surie, J. E. Oeltmann, M. Letebele, S. Pals, U. Mathebula, A. Mathoma, et al. "Tuberculosis preventive treatment opportunities at antiretroviral therapy initiation and follow-up visits." Public Health Action 10, no. 2 (June 21, 2020): 64–69. http://dx.doi.org/10.5588/pha.19.0056.
Full textMoahi, Donlisha, and Elmarie Costandius. "When art informs: challenging stereotypes in a multicultural educational setting in Botswana." Scholarship of Teaching and Learning in the South 2, no. 2 (September 30, 2018): 18. http://dx.doi.org/10.36615/sotls.v2i2.43.
Full textOjikutu, Bisola, A. Tariro Makadzange, and Tendani Gaolathe. "Scaling up ART treatment capacity: Lessons learned from South Africa, Zimbabwe, and Botswana." Current Infectious Disease Reports 10, no. 1 (January 2008): 69–73. http://dx.doi.org/10.1007/s11908-008-0012-0.
Full textOjikutu, Bisola, A. Tariro Makadzange, and Tendani Gaolathe. "Scaling up ART treatment capacity: Lessons learned from South Africa, Zimbabwe, and Botswana." Current HIV/AIDS Reports 5, no. 2 (May 2008): 94–98. http://dx.doi.org/10.1007/s11904-008-0015-3.
Full textDissertations / Theses on the topic "Botswana Art"
Mpowe, Lebogang T. "A thematic based professional studies art education curriculum for training junior secondary school art teachers in Botswana /." View thesis, 2002. http://wilson.ccsu.edu/theses/etd-2002-9/ThesisTitlePage.html.
Full textThesis advisor: Cassandra Broadus Garcia. " ... in partial fulfillment of the requirements for the degree of Master of in." Includes bibliographical references (leaves 92-94). Also available via the World Wide Web.
Dichaba, Edwin. "A thematic based art appreciation curriculum for pedagogical training of junior secondary school teachers in Botswana /." View abstract, 2002. http://library.ccsu.edu/ccsu%5Ftheses/showit.php3?id=1642.
Full textThesis advisor: Cassandra Broadus-Garcia. " ... in partial fulfillment of the requirements for the degree of Master of Science in Art Education." Includes bibliographical references (leaves 123-125). Also available via the World Wide Web.
Baracchini, Leïla Gaelle. "Quand l'art vient à D'kar : émergence et production d'un art san contemporain." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0026.
Full textHow to address artworks anthropologically? What can a sociological approach on art bring to the comprehension of “non-western” artistic productions? Or more precisely, what does it mean to investigate contemporary San art? Proceeding from these questions, this PhD thesis offers a reflection on the processes involved in the creation of contemporary San art, and on the issues inherent to developing an anthropological expression about the expression of Others in a postcolonial context.Based on an ethnographic study of the Kuru Art Project – the only existing contemporary San art project at the time of the study – this PhD thesis retraces the networks of relations involved, or having been involved, in the emergence and existence of an art project in D’kar, a small village of the Ghanzi District (Botswana). Through analysing the circulatory movements inherent to the creation and diffusion of contemporary San art, When art comes to D’kar tells the complex story of how the concept of art was introduced in D’kar and of how these paintings and engravings were transformed in an art movement known since 1991 as contemporary San art.Using theoretical and methodological tools provided by: the sociology of art, the sociology of translation and the socio-anthropology of development, this work seeks to describe the practices and discourses involved in the everyday production of contemporary San art. This is done through an analysis of: the modalities and effects following the introduction of the concept of “art” in D’kar (in terms of knowledge transfer); the passage from non-art to art (through the concept of artification); and the everyday conditions surrounding the individual production of these objects (via the day-to-day study of a specific artistic trajectory).At last, this dissertation exposes a reflection on the way to develop an ethnography that takes into account the asymmetry existing in terms of means of expression. Through a reflection on the modalities and issues of discourses production, it tries to bypass these relationship patterns, inviting to rethink the ways of writing about images and the Others in a postcolonial context, and more precisely about this very specific type of objects circulating under the name of contemporary San art
Selape-Kebuang, Bongani Lebo. "Adolescents’ perceptions and experiences of Anti-retroviral therapy (ART) at a tertiary hospital in Francistown, Botswana." University of the Western Cape, 2016. http://hdl.handle.net/11394/4900.
Full textBotswana is experiencing high levels of HIV prevalence rate at 16.9% among the general population, 4.5% among adolescents aged 10-14 and 4.7% among adolescents aged 14-19. Adolescents are in a critically stage between childhood and adulthood and undergo a lot of developmental changes physically, sychologically and emotionally. The scourge of HIV/AIDS has also brought with it multiple challenges to adolescents as those who are HIV positive have to adhere to all the health requirements of being HIV positive and at the same time being pressurised by the societal expectations. Stigmatisation and discrimination are experienced as barriers against the fight towards HIV which is seen a major factor among adolescents. The aim of the study was to explore and describe adolescents’ perceptions and experiences of anti-retroviral therapy at a tertiary hospital in Francistown, Botswana. The study followed a qualitative research approach with an exploratory descriptive research design. Purposive sampling was used to recruit participants. Participants were school going adolescents aged between 13 and 19 years, who are on antiretroviral therapy and going for reviews at a tertiary hospital in Francistown, Botswana. Data were gathered though face to face semi structured interviews with each of the 24 participants. Data were analysed thematically. The following four themes emerged during the analysis: i. “ARVs control but don’t cure”; ii. “Why did it happen to me?-the reality of using ARVs”; iii. “I don’t want to take them for the rest of my life”; and iv. “No man is an island”, which addressed the research objectives. The findings led to the conclusion that, despite the fact that HIV has been around for over two decades and ARVs has been around for more than a decade, adolescents living with HIV still faces challenges such as stigmatisation due to social as well as clinical factors and adjusting to a lifelong treatment which made it difficult for them to adhere to their treatment. However, adolescents are happy as they are living a healthy and a fruitful life as a result of the ARVs. Ethical considerations were adhered too. Furthermore the findings of the study could assist the Ministries of Health, Education, Local Government and Rural Development to address these challenges experienced by the adolescents in the development of social programmes to improve the livelihood of the adolescents living with HIV/AIDS.
Moahi, Donlisha. "When art informs : a case study to negotiate social stereotypes and stigmas through art at Taung Junior Secondary School." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96919.
Full textENGLISH ABSTRACT: While every Botswana national can claim to be a citizen legally within the framework of the modern nation-state, some (minority groups in the main) are perceived by others (among the majority Tswana groups especially), as less authentic nationals or citizens. There is a hierarchy of citizenship fostered by political, economic, social and cultural inequalities, such that it makes some individuals and groups much more able to claim and articulate their rights than others. Ethnic identities seem stronger than ‘national identities’ as they work at the very macro level and on an immediate and daily basis. Thus the multicultural and linguistic diversity of Taung compels us to view every group as heterogeneously unique and important in its own ways, since students become marginalised as a result of individual circumstances, by being members of historically oppressed social groups. The main aim of this study was to explore visual art as a learning platform to negotiate social and cultural meanings and inform understandings of self. A qualitative approach towards the study was considered the most suitable way for conducting the research. An interpretive analysis was used to gain insight into how students made sense of their experiences and the significance of art as a platform to negotiate stigmas and stereotypes in class and school. Using the case study drawn from Taung Junior Secondary School comprising of twelve students from different ethnic groups, two major themes of difference and discrimination were identified. The sub-theme discussed under difference includes sub themes race, ethnicity and nationality, and language; while stereotyping and stigma, feelings of discomfort and feeling outcast, and Othering and marginalisation were discussed under the theme discrimination. My study revealed that art can be an especially effective catalyst for developing a critical awareness of issues of race, immigration, difference, and privilege. Art practices can become a platform for the negotiation and construction of meaning and lobby for removing the historic inequalities and injustices created by a stratified society. For this reason, it is important to understand culture and cultural diversity because culture provides beliefs, values, and the patterns that give meaning and structure to life. It enables individuals within the multiple social groups of which they are a part to function effectively in their social and cultural environments, which are constantly changing. Groups try to maintain social hierarchies and individuals maintain their position within such hierarchies by excluding others, to deny difference and try and enforce homogeneity and reproduce current social relations. As such if forces such as, differences in race, culture, gender, language, and religion are well understood, the students will engage in the process of identifying ways to manage them to shape their own educational practices.
AFRIKAANSE OPSOMMING: Terwyl elke Botswana burger wetlik aanspraak kan maak op burgerskap binne die raamwerk van die moderne volkstaat, word sommige (hoofsaaklik minderheidsgroepe) deur ander (veral Tswana groepe) as minder egte burgers beskou. Daar bestaan ‘n hierargie van burgerskap wat deur politieke, ekonomiese, sosiale en kulturele ongelykhede bevorder word; tot die mate dat sommige individue en groepe meer geredelik hulle regte kan verwoord as ander. Etniese identiteite blyk sterker te wees as ‘nasionale identiteite’ omdat dat dit op makrovlak funksioneer sowel as op ‘n onmiddellike en daaglikse basis. Gevolglik dring die multikulturele en linguistiese diversiteit van Taung ons om elke groep as heterogeen uniek en belangrik op sy eie manier te beskou, aangesien studente gemarginaliseerd raak weens individuele omstandighede, deurdat hulle lede van geskiedkundigonderdrukte sosiale groepe is. Die hoofdoel van hierdie studie was om ondersoek in te stel na die visuele kunste as ‘n leerplatform om oor sosiale en kulturele betekenisse te onderhandel en selfbeskouings toe te lig. Daar is besluit dat ‘n kwalitatiewe benadering tot die studie die mees geskikte manier is om die navorsing uit te voer. ‘n Verklarende analise is gevolg om insig te verkry ten opsigte van hoe studente sin maak uit hulle ervarings en die betekenisvolheid van kuns as ‘n platform om oor stigmas en stereotipes in die klas en skool te onderhandel. Deur van Taung Junior Sekondêre Skool, met twaalf studente van verskillende etniese groepe, as gevallestudie gebruik te maak, is twee hooftemas, nl verskil en diskriminasie, geidentifiseer. Die subtemas wat onder verskil bespreek word, sluit ras, etnisiteit en burgerskap en taal in; terwyl stereotipering en stigma, gevoelens van ongemak en verwerping en ‘Othering’ en marginalisering onder die tema diskriminasie bespreek word. My studie het getoon dat kuns ‘n besonder effektiewe katalisator is vir die ontwikkeling van ‘n kritiese bewustheid ten opsigte van kwessies soos ras, immigrasie, verskil en voorreg. Kunspraktyke kan ‘n platform word vir die onderhandeling en konstruksie van betekenis en selfs druk uitoefen ten opsigte van die opheffing van historiese ongelykhede en ongeregtighede wat deur ‘n gestratifiseerde samelewing geskep is. Dit is vir hierdie rede belangrik om kultuur en kulturele diversiteit te verstaan omdat kultuur die oortuigings, waardes en die patrone voorsien wat betekenis en struktuur aan die lewe gee. Dit gee vir individue binne die verskeie sosiale groepe waarvan hulle deel vorm, die vermoë om effektief in hul sosiale en kulturele omgewings, wat deurlopend verander, te funksioneer. Groepe poog om sosiale hierargië te handhaaf en individue handhaaf op hulle beurt hul posisie binne hierdie hierargië deur ander uit te sluit, verskille te ontken en homogeniteit af te dwing en huidige sosiale verhoudings te herproduseer. Indien daar ‘n goeie begrip is van magte, soos verskille in ras, kultuur, geslag, taal en godsdiens, sal studente betrokke raak by die proses om maniere te identifiseer om dit te bestuur en sodoende hule eie opvoedkundige praktyke te vorm.
Nam, Sara Liane. "Factors associated with sub-optimal virological outcomes amongst HIV-infected patients on antiretroviral therapy (ART) in Botswana." Thesis, London School of Hygiene and Tropical Medicine (University of London), 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549761.
Full textKontle, Bitha. "An investigation of the assessment of the continuous assessment portfolio component of art, craft and designs in Botswana junior secondary schools." Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/27349.
Full textPark, Yhesaem. "An Equitable Framework for Antiretroviral Therapy and COVID-19 Vaccine Allocation Strategies in Botswana." Thesis, Université d'Ottawa / University of Ottawa, 2021. http://hdl.handle.net/10393/42524.
Full textOgwu, Anthony Chibuzor. "Adherence to antiretroviral therapy amongst women commenced on treatment during pregnancy at research clinics in Botswana." Thesis, University of the Western Cape, 2010. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_4809_1308307951.
Full textThe study aimed to assess the level of adherence and to identify the barriers to adherence and the motivations for good adherence to antiretroviral therapy, amongst women who commenced treatment while pregnant at research clinics in Molepolole, Mochudi, Lobatse and Gaborone.
Mannathoko, Magdeline. "Interpreting the new lower primary art and craft component of the Creative and Performing Arts, the Botswana National Curriculum : case studies of four primary schools in the South Central and Central North Regions : an illuminative evaluation." Thesis, Cardiff Metropolitan University, 2009. http://hdl.handle.net/10369/845.
Full textBooks on the topic "Botswana Art"
Terry, Beth. Botswana baskets: A living art. Gaborone, Botswana: Botswanacraft Marketing, 2010.
Find full textExhibition of Art and Craftwork (1993 Gaborone, Botswana). Botswana live, 1993: Exhibition of Art and Craftwork. Gaborone, Botswana: The Society, 1993.
Find full textClive, Kellner, González Sergio-Albio, and Johannesburg Art Gallery, eds. Thami Mnyele + Medu Art Ensemble retrospective: Johannesburg Art Gallery. Sunnyside, South Africa: Jacana, 2009.
Find full textBotswana. Botswana National Sport Commission Act, 2014. Gaborone: Government Printer, 2014.
Find full textBlomström, Magnus. Are diamonds forever?: Botswana facing the 1990s. Stockholm, Sweden: Handelshögskolan i Stockholm, 1990.
Find full textCentre, Thapong Visual Arts. Thapong artist of the year award, 2009. Gaborone, Botswana: Thapong Visual Arts Centre, 2009.
Find full textDingake, Oagile Key. HIV/AIDS and the law: A guide to our rights and obligations. Gaborone: Printing and Publishing Company Botswana, 1999.
Find full textBotswana Institute for Development Policy Analysis., ed. The African Growth and Opportunity Act: A preliminary analysis of the possible opportunities and limitations to Botswana exporters. Gabarone, Botswana: Botswana Institute for Development Policy Analysis, 2002.
Find full textThe termination of a teacher's probationary appointment. Gaborone: Morula Press, 2002.
Find full textBook chapters on the topic "Botswana Art"
Urich, Peter, Yinpeng Li, and Sennye Masike. "Climate Change, Biodiversity, and Tipping Points in Botswana." In African Handbook of Climate Change Adaptation, 1–34. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-42091-8_161-1.
Full textUrich, Peter, Yinpeng Li, and Sennye Masike. "Climate Change, Biodiversity, and Tipping Points in Botswana." In African Handbook of Climate Change Adaptation, 1193–226. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-45106-6_161.
Full textMompati, Tlamelo O., and Gerard Prinsen. "7. Ethnicity and participatory development methods in Botswana: some participants are to be seen and not heard." In Development and Culture, 92–109. Oxford, United Kingdom: Oxfam Publishing, 2002. http://dx.doi.org/10.3362/9780855986919.007.
Full textMompati, Tlamelo, and Gerard Prinsen. "13. Ethnicity and participatory development methods in Botswana: some participants are to be seen and not heard." In Development Methods and Approaches, 196–213. Oxford, United Kingdom: Oxfam Publishing, 2003. http://dx.doi.org/10.3362/9780855987008.013.
Full textBatisani, Nnyaladzi, Flora Pule-Meulenberg, Utlwang Batlang, Federica Matteoli, and Nelson Tselaesele. "Retooling Smallholder Farming Systems for Climate Change Resilience Across Botswana Arid Zones." In African Handbook of Climate Change Adaptation, 339–62. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-45106-6_168.
Full textNtshwarang, Poloko Nuggert, and Odireleng Mildred Shehu. "Parenting Practices in Botswana." In Advances in Medical Education, Research, and Ethics, 242–59. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-2940-9.ch011.
Full text"Botswana." In Aid for Trade at a Glance 2009, 149–50. OECD, 2009. http://dx.doi.org/10.1787/9789264069022-26-en.
Full text"Botswana." In Aid for Trade at a Glance 2011, 206–7. OECD, 2011. http://dx.doi.org/10.1787/aid_glance-2011-21-en.
Full textJackson, Ashley. "‘Our Hearts are Sad’: Education, Demobilization, and the Post-War World: The View from the Middle East." In Botswana 1939–1945, 217–36. Oxford University Press, 1999. http://dx.doi.org/10.1093/acprof:oso/9780198207641.003.0010.
Full textSchneider, Marius, and Vanessa Ferguson. "Botswana." In Enforcement of Intellectual Property Rights in Africa. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198837336.003.0007.
Full textConference papers on the topic "Botswana Art"
Dias, Rui, and Hortense Santos. "STOCK MARKET EFFICIENCY IN AFRICA: EVIDENCE FROM RANDOM WALK HYPOTHESIS." In Sixth International Scientific-Business Conference LIMEN Leadership, Innovation, Management and Economics: Integrated Politics of Research. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2020. http://dx.doi.org/10.31410/limen.2020.25.
Full textReports on the topic "Botswana Art"
African Open Science Platform Part 1: Landscape Study. Academy of Science of South Africa (ASSAf), 2019. http://dx.doi.org/10.17159/assaf.2019/0047.
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