Relevant bibliographies by topics / Boucher, Francois

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Boucher, Francois'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Boucher, Francois"

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Cui, Enyu. "Chinoiserie in Eighteenth Century France: Francois Boucher’s Imagination of China." Journal of Education, Humanities and Social Sciences 24 (December 31, 2023): 682–89. http://dx.doi.org/10.54097/eadyv236.

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Through the eyes of Francois Boucher, one of the most prominent court painters of the Rococo period, this essay delves into the enthralling world of Rococo art. Through the analysis of several of Boucher's paintings, such as "The Portrait of Madame de Pompadour" and "The Chinese Garden", the author intends to determine how various aspects of Chinese culture and aesthetics, as interpreted by Boucher's active imagination, were fluidly incorporated into the Rococo aesthetic. This study examines how Boucher deftly incorporated Chinese design elements, such as porcelain and scent sachets, into his
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Cohen, Sarah R. "The Drawings of Francois Boucher (review)." Eighteenth-Century Studies 37, no. 3 (2004): 464–68. http://dx.doi.org/10.1353/ecs.2004.0020.

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Junod, Karen. ""Luxe, Calme, et Volupte": Francois Boucher's Rococo Seductions; and "Boucher Seductive Visions."." Eighteenth-Century Studies 39, no. 1 (2005): 141–48. http://dx.doi.org/10.1353/ecs.2005.0049.

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Ortea, Jesús. "Moluscos Opistobranquios del Archipielago de Cabo Verde: Cromodorididae." Publicações Ocasionais da Sociedade Portuguesa de Malacologia 11 (July 15, 1988): 1–16. https://doi.org/10.5281/zenodo.6590419.

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Six species of the opisthobranch Chromodorididae are reported from Cape Verde lslands: <em>Cadlina burnayi</em> n. sp.; <em>Hypselodoris webbi</em> (Orbigny, 1839), <em>Hypselodoris pinna</em> n. sp.; <em>Chromodoris francoise</em> Bouchet, 1980; <em>Chromodoris rolani</em> n. sp. y <em>Chromodoris purpurea</em> (Laurillard, 1831).
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O’Sullivan, Luke. "“Des responses et rencontres”: Frank Speech and Self-Knowledge in Guillaume Bouchet’s Serées." Renaissance and Reformation 43, no. 3 (2020): 167–94. http://dx.doi.org/10.33137/rr.v43i3.35305.

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Guillaume Bouchet’s Serées (1584, 1597, 1598) constitute an exercise in commonplacing framed as a collection of tales told around a Poitevin dining table. They engage in a form of quasi-philosophical thinking staged by and for an urban merchant community, the social world in which Bouchet operated. The second book opens with a discussion of frank speech. Writing amid civil war, Bouchet takes up this “chatouilleux” subject by turning to Plutarch, the classical authority on parrhesia (truth-telling). Recycling Plutarch, though, Bouchet does not ask how or when to speak frankly but instead examin
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Hyde, Melissa. "Confounding Conventions: Gender Ambiguity and Francois Boucher's Painted Pastorals." Eighteenth-Century Studies 30, no. 1 (1996): 25–57. http://dx.doi.org/10.1353/ecs.1996.0046.

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Wagstaff, Emma. "Francis Ponge and André Du Bouchet on Giacometti: Art Criticism as Testimony." Modern Language Review 101, no. 1 (2006): 75–89. http://dx.doi.org/10.1353/mlr.2006.0031.

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8

Tortel, Emilien. "Marseille, city of refuge: international solidarity, American humanitarianism, and Vichy France (1940-1942)." Esboços: histórias em contextos globais 28, no. 48 (2021): 364–85. http://dx.doi.org/10.5007/2175-7976.2021.e78244.

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Anchored in the port of Marseille, this article studies encounters between international solidarity, American humanitarianism, and Vichy France’s nationalism in times of war and exile. Being the main free harbour in France after the country’s defeat against Germany in the spring of 1940, Marseille saw hundreds of thousands of refugees seeking refuge and exile on its shores. This massive flux gave rise to a local internationalism of humanitarian and solidarity networks bonded by an anti-fascist ideology. American humanitarians, diplomats, and radical leftist militants shaped this eclectic inter
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9

Britnell, Jennifer. "John Gough and the Traité de la Différence des Schismes et des Conciles of Jean Lemaire de Belges: Translation as Propaganda in the Henrician Reformation." Journal of Ecclesiastical History 46, no. 1 (1995): 62–74. http://dx.doi.org/10.1017/s0022046900012549.

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When Jean Lemaire de Belges composed his Traité de la différence des schismes et des conciles de l'eglise in 1511, the purpose of the text was to support Louis XII in his struggle with Pope Julius II, to promote the conciliar ideology which the French king was exploiting, and in general to set Christian kings and emperors in favourable contrast with the popes of Rome. Read beside vernacular texts by other authors – Jean Bouchet, Pierre Gringore, Jean Marot, Jean d'Auton – who were writing during France's war with Julius II, it appears more effective propaganda and in some ways bolder and more
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10

Pylyser, Charlotte, and Gabriel Tremblay-Gaudette. "The Visual Co-textualization of Spatio-Joual in the Motel Galactic Series." ALTERNATIVE FRANCOPHONE 1, no. 9 (2016): 189–211. http://dx.doi.org/10.29173/af25937.

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In this article the authors question whether the co-presence of words and pictures specific to the comics medium creates possibilities for the comprehension of regional languages and dialects abroad. They propose to call this phenomenon "visual co-textualization" rather than visual contextualization after the difference which contemporary linguistics makes between the extra-textual environment of a given utterance (context) and its textual or visual surroundings (co-text). They examine in what way the interaction of words and pictures can generate (linguistic) intelligibility and raise the que
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Dissertations / Theses on the topic "Boucher, Francois"

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Lahaxe, Jean-Claude. "Les communistes à Marseille à l'apogée de la Guerre froide, 1949-1954 /." Aix-en-Provence : Publications de l'Université de Provence, 2006. http://catalogue.bnf.fr/ark:/12148/cb40964505b.

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Maret, Auderic. "Marseille et sa classe dirigeante à la Renaissance (env. 1460 - env. 1560). D'une principauté méditerranéenne au royaume de France." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0029.

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Jusqu’en 1481, Marseille fait partie d’un Etat indépendant, le comté de Provence et en est la plus grande ville sans en être toutefois la capitale. Or, en 1481, le dernier comte de Provence meurt sans héritier et il lègue l’ensemble de ses territoires au roi de France, Louis XI. Cependant, en Provence, les structures et pratiques politiques sont différentes du royaume de France, et Marseille appartient à un espace politico-culturel méditerranéen où la vie politique des villes est marquée par le modèle de la commune, également présent en Italie du nord et du centre. L’objectif de cette thèse es
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"As copias de Veronese por François Boucher, do acervo do Museu de Arte de São Paulo." Tese, Biblioteca Digital da Unicamp, 2003. http://libdigi.unicamp.br/document/?code=vtls000290005.

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Wager, Susan Michele. "Boucher's Bijoux: Luxury Reproduction in the Age of Enlightenment." Thesis, 2015. https://doi.org/10.7916/D8V9874M.

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This dissertation examines the translation of paintings and drawings by François Boucher (1703–1770) into luxury media. Eighteenth-century collectors expended small fortunes on precious objects that reproduced Boucher’s work: cameos, intaglios, enamel-painted porcelain vessels, gold boxes, biscuit porcelain figurines, wool and silk tapestries, and furniture upholstery. Existing studies of eighteenth-century reproduction have tended to focus on innovations in printmaking that enabled the production of inexpensive and extremely faithful facsimiles of works of art. Luxury reproductions, by con
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Books on the topic "Boucher, Francois"

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Georges, Brunel. Boucher. Flammarion, 1986.

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Georges, Brunel. Boucher. Flammarion, 1986.

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Georges, Brunel. Boucher. Trefoil, 1986.

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1703-1770, Boucher François, Hyde Melissa Lee, and Ledbury Mark, eds. Rethinking Boucher. Getty Research Institute, 2006.

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5

Boucher, François Firmin. Francois Firmin Boucher à ses concitoyens. s.n., 1986.

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Boucher, François. François Boucher, 1703-1770. Metropolitan Museum of Art, 1986.

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7

Metropolitan Museum of Art (New York, N.Y.), Detroit Institute of Arts, and Galeries nationales du Grand Palais (France), eds. François Boucher, 1703-1770. Editions de la Réunion des Museés nationaux, 1986.

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8

Anne, Dulau, Vogtherr Christoph Martin, Eatwell Ann, Hunterian Art Gallery (University of Glasgow), and Wallace Collection (London England), eds. Boucher & Chardin: Masters of modern manners. Hunterian, University of Glasgow, 2008.

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Anne, Dulau, Vogtherr Christoph Martin, Eatwell Ann, Hunterian Art Gallery (University of Glasgow), and Wallace Collection (London England), eds. Boucher & Chardin: Masters of modern manners. Hunterian, University of Glasgow, 2008.

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10

Metropolitan Museum of Art (New York, N.Y.), Detroit Institute of Arts, and Réunion des musées nationaux (France), eds. François Boucher, 1703-1770: The Metropolitan Museum of Art, New York, February 17, 1986-May 4, 1986, the Detroit Institute of Arts, May 27-August 17, 1986, Reunion des musées nationaux, Grand Palais, Paris, September 19, 1986-January 5, 1987. Metropolitan Museum of Art, 1986.

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Book chapters on the topic "Boucher, Francois"

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"Lettre à monsieur Lucien Bouchard." In Pari de la Franchise. McGill-Queen's University Press, 1999. http://dx.doi.org/10.1515/9780773568341-037.

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"Lettre à monsieur Lucien Bouchard." In Pari de la Franchise. McGill-Queen's University Press, 1999. http://dx.doi.org/10.1515/9780773568341-027.

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Conference papers on the topic "Boucher, Francois"

1

Ibeas Altamira, Juan Manuel. "El agua en el jardín inglés dieciochesco." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2619.

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Desde una perspectiva comparatista arquitectura-literatura-pintura y Francia-Inglaterra, hemos abordado la imagen del agua en el «jardín inglés», de moda en el siglo XVIII en la literatura libertina y sentimental, y la pintura llamada «galante» y «pre-romántica» francesas (La Petite Maison de Jean-François Bastide, La Nouvelle Héloïse, de Jean-Jacques Rousseau, Les Liaisons dangereuses de Choderlos de Laclos, Point de Lendemain de Vivant Denon; lienzos y dibujos de Watteau, Boucher, Fragonard, Hubert Robert), repertoriando sus representaciones más emblemáticas, a partir de los tratados arquite
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You might also be interested in the extended bibliographies on the topic 'Boucher, Francois' for particular source types:
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