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1

Georges, Brunel. Boucher. Flammarion, 1986.

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2

Georges, Brunel. Boucher. Flammarion, 1986.

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3

Georges, Brunel. Boucher. Trefoil, 1986.

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4

1703-1770, Boucher François, Hyde Melissa Lee, and Ledbury Mark, eds. Rethinking Boucher. Getty Research Institute, 2006.

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5

Boucher, François Firmin. Francois Firmin Boucher à ses concitoyens. s.n., 1986.

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6

Boucher, François. François Boucher, 1703-1770. Metropolitan Museum of Art, 1986.

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7

Metropolitan Museum of Art (New York, N.Y.), Detroit Institute of Arts, and Galeries nationales du Grand Palais (France), eds. François Boucher, 1703-1770. Editions de la Réunion des Museés nationaux, 1986.

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8

Anne, Dulau, Vogtherr Christoph Martin, Eatwell Ann, Hunterian Art Gallery (University of Glasgow), and Wallace Collection (London England), eds. Boucher & Chardin: Masters of modern manners. Hunterian, University of Glasgow, 2008.

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9

Anne, Dulau, Vogtherr Christoph Martin, Eatwell Ann, Hunterian Art Gallery (University of Glasgow), and Wallace Collection (London England), eds. Boucher & Chardin: Masters of modern manners. Hunterian, University of Glasgow, 2008.

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10

Metropolitan Museum of Art (New York, N.Y.), Detroit Institute of Arts, and Réunion des musées nationaux (France), eds. François Boucher, 1703-1770: The Metropolitan Museum of Art, New York, February 17, 1986-May 4, 1986, the Detroit Institute of Arts, May 27-August 17, 1986, Reunion des musées nationaux, Grand Palais, Paris, September 19, 1986-January 5, 1987. Metropolitan Museum of Art, 1986.

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11

Jacoby, Beverly Schreiber. François Boucher's early development as a draughtsman, 1720-1734. Garland Pub., 1986.

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12

1703-1770, Boucher François, and Wallace Collection (London England), eds. François Boucher: Seductive visions. Wallace Collection, 2004.

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13

Laing, Alastair. The drawings of François Boucher. American Federation of Arts in association with Scala Publishers, London, 2003.

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14

Jean-François, Méjanès, ed. François Boucher: Hier et aujourd'hui. Réunion des Musées Nationaux, 2003.

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15

1703-1770, Boucher François, ed. Making up the rococo: François Boucher and his critics. Getty Research Institute, 2005.

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16

Curiosa, Cercle. Entretiens avec des hommes remarquables: Luc-Olivier d'Algange, Christian Bouchet, Klaus Charnier, Francis Cousin, Alexandre Douguine, Michel Drac, Arnaud Guyot-Jeannin, Thibault Isabel, Laurent James. Alexipharmaque, 2012.

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17

Publishers, Scala. Drawings of Francois Boucher. Scala Publishers, 2006.

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18

Laing, Alastair. Francois Boucher, 1703-1770. Harry N Abrams, 1986.

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19

Hedley, Jo. Francois Boucher: Seductive Visions. Paul Holberton publishing, 2007.

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20

Francois Boucher: 130 Paintings and Drawings. Lulu Press, Inc., 2014.

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21

(Editor), Melissa Hyde, and Mark Ledbury (Editor), eds. Rethinking Boucher (Issues and Debates Series). Getty Trust Publications: Getty Research Institute, 2006.

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22

FRANCOIS BOUCHER'S EARLY DEV. Dissertations-G, 1986.

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23

Lajer-Burcharth, Ewa. Painter's Touch: Boucher, Chardin, Fragonard. Princeton University Press, 2022.

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24

The painter's touch: Boucher, Chardin, Fragonard. Princeton University Press, 2018.

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25

Kuberski, Sandra. Representation of Intimacy and Sexuality in the Paintings of Francois Boucher. GRIN Verlag GmbH, 2015.

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26

Hinte, Christl. Portraitmalerei Tizians 'Karl V. im Lehnstuhl' und Francois Boucher 'Madame de Pompadour'. GRIN Verlag GmbH, 2011.

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27

Clive; Lyon, Sue (Editors) Gregory. Great Artists of the Western World: The French Rococo: Antoine Watteau, J.B.S. Chardin, Francois Boucher, J.H. Fragonard. Marshall Cavendish, 1990.

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28

François Boucher. Marshall Cavendish, 1986.

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29

David, Sandes. La bouche de francis bacon. Serpent à plumes, 2003.

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30

Aux innocents la bouche pleine. Robert Laffont, 2008.

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31

Smith, Jad. Comics, Radio, and the Return to SF. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040634.003.0004.

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During the 1940s, Bester scripted comics, radio mysteries, and teleplays, and developed a fast-paced, highly visual style that, along with an emphasis on psychological depth and language play, would later define his approach to SF. He also adopted writing practices (such as allowing ideas to gestate and recombine over time in a “gimmick” book) that fueled his explosive return to SF at the end of the decade. This chapter examines Bester’s growth into a seasoned writer and the circumstances of his return to SF. Particular attention is given to his parting of ways with John W. Campbell, to his bu
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32

Bishop, Michaël. Altérités d'André du Bouchet: De Hugo, Shakespeare et Poussin à Celan, Mandelstam et Giacometti (Collection monographique Rodopi en littérature Francaise contemporaine 38). Rodopi, 2003.

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33

Guide des sources regionales pour l'histoire de la Revolution francaise: Alpes de Haute-Provence, Hautes-Alpes, Alpes-Maritimes, Bouches-du-Rhone, Var, Vaucluse. Publications-diffusion, Universite de Provence, Aix-Marseille 1, 1987.

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34

Boucheron, Patrick. ¿Qué es el buen gobierno? Teseo, 2019. http://dx.doi.org/10.55778/ts877860108.

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<p>¿Cómo pensar los grandes desafíos contemporáneos? ¿Cuál es el papel de los intelectuales en el mundo de hoy? ¿En qué medida la historia, la antropología, la filosofía y la sociología pueden aportar una luz original sobre las dinámicas sociales y los procesos históricos que estamos viviendo en la era global?</p><p>Tales son algunas de las preguntas que guían estos <i>Diálogos Transatlánticos</i> entre alguno/as de los más destacado/as estudioso/as francese/as e argentino/as de hoy. Unos diálogos que manifiestan la profundidad de los vínculos intelectuales y afec
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