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Journal articles on the topic 'Bouffil'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Hérisson, Armelle. "Le petit vers bouffe de Jarry et le poème." Études françaises 51, no. 3 (2015): 99–116. http://dx.doi.org/10.7202/1034133ar.

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À côté d’Ubu, des Minutes de sable mémorial et de ses grands romans, Alfred Jarry est le librettiste d’une douzaine d’opérettes-bouffes destinées à Claude Terrasse. En 1906, il place trois de ces opérettes, avec de petits Ubu, dans une collection qu’il intitule Théâtre mirlitonesque, semblant affirmer leur statut mineur. Il est vrai que les opérettes et les chansons ubuesques sont pleines de vers qu’on peut regarder comme « mauvais », qui mettent la règle métrique et les principes de la bienséance et du bon goût à distance. Ce sont les vers bouffons d’une poésie qui se nourrit de jeux de mots,

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2

Janvier, Philippe. "Bouffi à la girafe." Nature 394, no. 6692 (1998): 437. http://dx.doi.org/10.1038/28785.

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3

Pillmann, Frank, Annette Haring, Sabine Balzuweit, Raffaela Blöink, and Andreas Marneros. "Bouffée Délirante and ICD-10 Acute and Transient Psychoses: A Comparative Study." Australian & New Zealand Journal of Psychiatry 37, no. 3 (2003): 327–33. http://dx.doi.org/10.1046/j.1440-1614.2003.01184.x.

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Objective: ICD-10 acute and transient psychotic disorder (ATPD; F23) has one of its historical roots in the French concept of bouffée délirante. This study explores the empirical relationship of the two concepts. Method: During a 5-year period, all inpatients with ATPD were identified; the diagnosis of bouffée délirante was also determined. We systematically evaluated demographic and clinical features and carried out follow-up investigations at an average of 2.2 years after the index episode using standardized instruments. Results: Forty-two (4.1%) of 1036 patients treated for psychotic disord

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4

Marange, Valérie. "L'éthique du bouffon." Multitudes 4, no. 1 (2001): 163. http://dx.doi.org/10.3917/mult.004.0163.

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5

Doll�, Jean Paul. "Ni bouffon, ni canaille." Champ lacanien N�2, no. 1 (2005): 209. http://dx.doi.org/10.3917/chla.002.0209.

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6

Guitet, Charlotte. "La bouffée délirante aiguë." Soins Aides-Soignantes 12, no. 65 (2015): 24–26. http://dx.doi.org/10.1016/j.sasoi.2015.06.010.

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7

Delage, Maïa, Mahtab Samimi, Emmanuelle Lebidre, Françoise Baulieu, Gérard Lorette, and Annabel Maruani. "Syndrome des « mains bouffies »." La Presse Médicale 38, no. 1 (2009): 153–55. http://dx.doi.org/10.1016/j.lpm.2008.04.009.

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8

Jean-Louis, Éric. "La bouffée délirante aiguë." L'Aide-Soignante 30, no. 176 (2016): 24–25. http://dx.doi.org/10.1016/j.aidsoi.2016.02.006.

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9

Chan, Andrew. "‘‘La grande bouffe’’." Gastronomica 3, no. 4 (2003): 46–53. http://dx.doi.org/10.1525/gfc.2003.3.4.46.

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10

Cajat, B. "Toxicomanie : syndrome des mains bouffies." Annales françaises de médecine d’urgence 8, no. 5 (2018): 343. http://dx.doi.org/10.3166/afmu-2018-0061.

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11

Letonturier, Philippe. "Le syndrome des mains bouffies." La Presse Médicale 33, no. 20 (2004): 1477. http://dx.doi.org/10.1016/s0755-4982(04)98962-2.

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12

Fasquel, Samuel. "Le barde et le bouffon." Bulletin hispanique, no. 112-2 (December 31, 2010): 587–632. http://dx.doi.org/10.4000/bulletinhispanique.1228.

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13

Baena Mures, R. A., L. Niell Galmes, Y. Lázaro Pascual, and M. D. Saiz Gonzalez. "“Bouffée Délirante” Induced by Meditation." European Psychiatry 33, S1 (2016): S533. http://dx.doi.org/10.1016/j.eurpsy.2016.01.1971.

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IntroductionMeditation is frequently applied in Western as well as non-Western countries for different purposes; we know little about adverse events. The symptomatology of a meditation-related psychosis appears to show similarities with that we call “bouffée delirante”.MethodsA female patient is described who developed an acute and transient psychosis with polymorphic symptomatology after meditating (Bikram-yoga). We made a literature search for psychotic states related to meditation.ResultsThere are some case reports of psychosis disorder induced by meditation. Some cultural syndromes like Qi

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14

Lazaratou, H., G. Dellatolas, T. Moreau, and H. Chaigneau. "Bouffée délirante et evolution schizophrénique : rôle pronostique de la classification DSM III." Psychiatry and Psychobiology 3, no. 5 (1988): 297–304. http://dx.doi.org/10.1017/s0767399x00002431.

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RésuméLa validité du diagnostic psychiatrique a, depuis toujours, soulevé des objections et des critiques. Malgré tous les progrès récents dans ce domaine, on est encore loin d’une nosologie psychiatrique acceptée par tous les pays. Dans le domaine des psychoses non affectives, les nosologies française et américaine sont différentes. Dans un premier temps les auteurs décrivent les épisodes classées «bouffée délirante aiguë», entité clinique traditionnellement française, au moyen du DSM III. Le reclassement, selon les critères du DSM III, de 55 patients hospitalisés entre 1975 et 1980 avec le d

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15

Florin, Bénédicte, and Pascal Garret. "« Ils n’ont qu’à bouffer leurs ordures ! »." Vacarme 81, no. 4 (2017): 99. http://dx.doi.org/10.3917/vaca.081.0099.

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16

Comfort, Kathy. "Elzéard Bouffier, Jean Giono’s Ecological Saint." Neophilologus 95, no. 3 (2011): 403–14. http://dx.doi.org/10.1007/s11061-011-9245-5.

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17

Michon, Florence. "Une bouffée d’oxygène pour les aidants." Soins 62, no. 816 (2017): 1. http://dx.doi.org/10.1016/j.soin.2017.05.015.

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18

Vignat, Jean-Pierre. "Psychopathologie de la bouffée délirante aiguë." Soins Psychiatrie 35, no. 291 (2014): 12–15. http://dx.doi.org/10.1016/j.spsy.2013.12.005.

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19

Roberts, Nasreen. "Bouffée Délirante in Jamaican Adolescent Siblings." Canadian Journal of Psychiatry 35, no. 3 (1990): 251–53. http://dx.doi.org/10.1177/070674379003500310.

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20

Rich, Melanie, and Sanmuganatham Sujeeve. "Bouffée délirante and contemporary psychiatric nosology." Australian & New Zealand Journal of Psychiatry 46, no. 5 (2012): 482–83. http://dx.doi.org/10.1177/0004867412441930.

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21

Christaki, Angélique, and Marie-Christine Pheulpin. "La notion de bouffée délirante aiguë." Annales Médico-psychologiques, revue psychiatrique 177, no. 1 (2019): 71–78. http://dx.doi.org/10.1016/j.amp.2018.11.005.

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22

Hasumi, Shiguéhiko. "Coup d'État et opérette-bouffe." Littérature 125, no. 1 (2002): 32–41. http://dx.doi.org/10.3406/litt.2002.1743.

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23

Laurens-Berge, Mathieu. "Nantes (Loire-Atlantique). Réseaux d’assainissement Neptune-Bouffay." Archéologie médiévale, no. 41 (December 1, 2011): 208. http://dx.doi.org/10.4000/archeomed.11855.

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24

Degois, Alain. "Le surprenant rayonnement du bouffon de Trappes." Le journal de l'école de Paris du management 115, no. 5 (2015): 24. http://dx.doi.org/10.3917/jepam.115.0024.

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25

Lévêque, L., S. Audia, M. Samson, et al. "Syndrome des mains bouffies: un nouveau cas." La Revue de Médecine Interne 28 (June 2007): 150–51. http://dx.doi.org/10.1016/j.revmed.2007.03.309.

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26

Chang, Eury Colin. "Bouffon: The Roots of ‘Critical Clowning’ in Canada." Canadian Theatre Review 183 (June 1, 2020): 25–29. http://dx.doi.org/10.3138/ctr.183.005.

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27

Mouchet-Mages, Sabine, Alexandra Coppola, Margaux Maurice, Amélie Taborin, and Blandine Bechetoille. "Prise en charge infirmière d’une bouffée délirante aiguë." Soins Psychiatrie 35, no. 291 (2014): 21–24. http://dx.doi.org/10.1016/j.spsy.2013.12.007.

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28

Clerc, Denis. "Social : une bouffée d'actifs pour la protection sociale." Alternatives Économiques 257, no. 4 (2007): 63. http://dx.doi.org/10.3917/ae.257.0063.

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29

Losco-Lena, Mireille. "Le bouffon, le zombie et l’idiot. Trois figures de la folie politique et sociale sur les scènes contemporaines." Études littéraires 43, no. 3 (2013): 125–37. http://dx.doi.org/10.7202/1016851ar.

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Résumé L’article propose une approche sociocritique du comique dans le théâtre contemporain à travers l’examen de trois figures de la folie – politique et sociale – présentes dans un corpus de pièces écrites en Europe depuis une quinzaine d’années, et dessinant les contours d’un théâtre des fous à l’usage de notre temps. Ces trois figures, le « bouffon », le « zombie » et l’« idiot », mettent en lumière des problématiques différentes de la société occidentale contemporaine. Le bouffon, et plus particulièrement l’« ubuesque », est la figure du grand écart entre le pouvoir et l’indignité de celu

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30

Karpinski, Jakub. "Un Machiavel moderne ou le bouffon et le prince." Commentaire Numéro 45, no. 1 (1989): 49. http://dx.doi.org/10.3917/comm.045.0049.

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31

Le Galudec, Mickaël, Charlotte Sauder, Florian Stephan, Gaëlle Robin, and Michel Walter. "La bouffée délirante aiguë au début de la schizophrénie." Soins Psychiatrie 35, no. 291 (2014): 16–20. http://dx.doi.org/10.1016/j.spsy.2013.12.006.

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32

Giannetti, Pierre. "Dix ans de bonnes et de très mauvaises bouffes." La pensée de midi N° 31, no. 2 (2010): 210–15. http://dx.doi.org/10.3917/lpm.031.0210.

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33

Castagnini, Augusto, and Gian Maria Galeazzi. "Acute and transient psychoses: clinical and nosological issues." BJPsych Advances 22, no. 5 (2016): 292–300. http://dx.doi.org/10.1192/apt.bp.115.015198.

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SummaryThis article examines the clinical, epidemiological and nosological aspects of short-lived psychotic disorders as currently classified under ‘acute and transient psychotic disorders' in ICD-10 and ‘brief psychotic disorder’ in DSM-5. After describing earlier diagnostic concepts such as bouffée délirante, cycloid psychosis, reactive psychosis and schizophreniform psychosis, we present an overview of the literature and discuss implications for classification, diagnosis and treatment of these conditions, pointing out differences from longer-lasting psychotic disorders.

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34

Guay, Élyse, and Michel Lacroix. "Saillies et paradoxes : Amérique française et l’ethos du moraliste bouffon." Dossier 41, no. 2 (2016): 67–81. http://dx.doi.org/10.7202/1036937ar.

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Avec le boom éditorial qui survient au Québec pendant la « drôle de guerre », le milieu des revues littéraires se dynamise. Si une légèreté de ton avec une pointe d’humour grinçant la différencie de La Nouvelle Relève, la revue Amérique française opère également un renouvellement des formes et des discours qui l’éloigne de l’aura de Maritain. Ethos ironique, exploration de la brièveté, recherche stylistique et écriture par fragments sont les éléments qui caractérisent Amérique française et qui s’exemplifient dans une poétique de la saillie et du paradoxe, laquelle prend des dispositions collec

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35

Bénézech, Michel, Patrick Le Bihan, Serra Ureten, and Marina Thiefine-Pineiro. "Errance meurtrière avec cannibalisme au cours d’une bouffée parananoïde mystique." Annales Médico-psychologiques, revue psychiatrique 172, no. 10 (2014): 860–64. http://dx.doi.org/10.1016/j.amp.2014.10.012.

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36

Alvarez, Christophe. "Masques, op. 34 de Karol Szymanowski. Une lecture architecturelle des principes harmoniques de « Tantris le bouffon », et esquisse d’une trajectoire interprétative." Revue musicale OICRM 4, no. 1 (2017): 108–49. http://dx.doi.org/10.7202/1040302ar.

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L’objectif de cette étude est de montrer – par une analyse rigoureuse des principes harmoniques qui gouvernent les multiples sections de la pièce – qu’au-delà d’une apparente hétérogénéité de surface, le discours musical de « Tantris le bouffon » des Masques, op. 34 de Karol Szymanowski est organisé de façon cohérente et subtile par l’interpénétration du niveau de perception immédiate du corps sonore et du niveau infra-sensible qui procède de l’ordre des fondamentales harmoniques. Cet article propose également des conseils d’interprétation, déterminés par l’expérience analytique.

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37

Williams, David. "‘A Place Marked by Life’: Brook at the Bouffes du Nord." New Theatre Quarterly 1, no. 1 (1985): 39–74. http://dx.doi.org/10.1017/s0266464x0000141x.

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After his experimental work with the Royal Shakespeare Company, which bore fruit in the production of Marat/Sade in 1964 and culminated in the controversial Vietnam play US in 1966, Peter Brook returned to the classical repertoire in which he had made his name as ‘enfant terrible’ of British theatre, with Seneca's Oedipus for the National Theatre in 1968, and, two years later, A Midsummer Night's Dream for the RSC. But the very success of ‘Brook's Dream’ – the way in which its transformation into an ‘event’ required actors ‘to do their duty rather than what came from life’ – heightened Brook's

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38

Petcu, Ioana. "Meeting with Joël Pommerat and with the Theatre for Young Audience." Theatrical Colloquia 8, no. 2 (2018): 411–14. http://dx.doi.org/10.2478/tco-2018-0031.

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Abstract For a period of time he trained at Bouffe du Nord Theatre, under Peter Brook’s guidance. He worked at Odéon-Théâtre de l’Europe and at the National Theatre of Belgium. He has his own private company, named “Louis Brouillard”. The French Academy awarded him with a prize for his playwriting. Together with his works, those are the most important biographical highlights about the author Joël Pommerat, an undiscovered personality for the Romanian public.

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39

Glidden, Hope H. "The Face in the Text: Montaigne's Emblematic Self-Portrait (Essais 111: 12)." Renaissance Quarterly 46, no. 1 (1993): 71–97. http://dx.doi.org/10.2307/3039148.

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On the Opening Page of his penultimate essay, “Of physiognomy,” Montaigne noted that the human race is, by and large, myopic: “Nous n'apercevons les graces que pointues, bouffies et enflées d'artifice. Celles qui coulent soubs la nayfveté et la simplicité eschappent ayséement à une veue grossiere comme est la nostre: elles ont une beauté delicate et cachée; il faut la veue nette et bien purgée pour descouvrir cette secrette lumiere.“ (“We perceive no charms that are not sharpened, puffed out, and inflated by artifice. Those which glide along naturally and simply easily escape a sight so gross

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40

Gomes, Renato Cordeiro. "Os ritos da cópula imemorial no reino deste mundo (uma aproximação a "o santeiro do mangue", de Oswald de Andrade)." Cadernos de Linguística e Teoria da Literatura 8, no. 16 (2016): 221. http://dx.doi.org/10.17851/0101-3548.8.16.221-236.

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Resumo: Leitura de O santeiro do Mangue - mistério gozoso em forma de ópera, poema-drama inédito de Oswald de Andrade. Num jogo intra e intertextual, estudam-se a estruturação, o Prólogo e o Epílogo, articulando-se carnavalização, paródia e antropofagia.Résumé: Lecture de O santeiro do Mangue - mystère bouffe - joyeux soua forme d'opéra, poème-drame inédit d'Oswald de andrade. Dana un jeu intra et intertextuel, on étude la atructure, le Prologue et l'Épilogue, en articulant carnavalisation, parodie et anthropophagie.

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41

Attal, Frédéric. "Le bouffon contre les puissants : analyse de deux comédies de Dario Fo." Parlement[s], Revue d'histoire politique HS8, no. 3 (2012): 137. http://dx.doi.org/10.3917/parl.hs08.0137.

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42

Ginzburg, Carlo. "Le peintre et le bouffon : le «Portrait de Gonella»de Jean Fouquet." Revue de l'Art 111, no. 1 (1996): 25–39. http://dx.doi.org/10.3406/rvart.1996.348249.

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43

Carbonnel, Laure. "Déjouer les relations de genre. L’art bouffon de la mixité au Mali." Cahiers de littérature orale, no. 82 (October 11, 2017): 45–66. http://dx.doi.org/10.4000/clo.4209.

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44

Rosow, Lois. "Platée: Ballet bouffon en un prologue et trois actes, RCT 53 (review)." Notes 64, no. 2 (2007): 360–63. http://dx.doi.org/10.1353/not.2007.0178.

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45

Massen, V. "Anatomical changes occurring in puerperal eclampsia." Journal of obstetrics and women's diseases 6, no. 6 (2020): 621–27. http://dx.doi.org/10.17816/jowd66621-627.

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In an extensive work devoted to anatomical changes in eclampsia, Bouffe in the first part sets out everything that is available in the literature on this issue. The liver undergoes the greatest and constant changes in eclampsia. The first to pay attention to this was, as you know, A. Pilliet, who partly with Ltienne, partly independently posted a detailed description of those pathological and anatomical changes that are found in the liver with eclampsia. These changes in Pilliet go through three stages of their development.

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46

Zechner, Ingeborg. "Orientalismus als Kategorie des komischen Ambroise Thomas’ und Thomas Sauvages opéra-bouffon Le caïd." Studia Musicologica 57, no. 3-4 (2016): 361–78. http://dx.doi.org/10.1556/6.2016.57.3-4.5.

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After its premiere in 1849 Ambroise Thomas’ and Thomas Sauvage’s opéra-bouffon Le caïd remained extremely successful throughout Europe. This was caused mostly because of its parodistic references to the orient in plot, scenery, libretto and music. This article examines the orientalistic features of Le caïd, which contemporary music critics perceived as comical. The reception documents are also evaluated in the context of the perception of orientalism in the nineteenth century as well as in the tradition of opéra-comique. The categories considered in the work’s analysis are the comical dimensio

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47

Roth, Sir Martin. "Commentary on the Contributions of Professor H. Sass, Dr G. Gross and Dr Ch. Mundtet al.on ‘Negative’ and ‘Basic’ Symptoms of Schizophrenia." British Journal of Psychiatry 155, S7 (1989): 37–40. http://dx.doi.org/10.1192/s0007125000291459.

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These three papers by psychiatrists from the German-speaking world all deal mainly with the nature and aetiological basis of the psychological deficits manifest as ‘negative’ symptoms in schizophrenic illness. There is just an echo of the controversies regarding the validity of subdivision of schizophrenia into ‘positive’ and ‘negative’ forms that have received much attention from British and North American psychiatrists in recent years. (Andreasenet al, 1982; Crow, 1985). It appears to be implicitly assumed that schizophrenia is a unity. The acute psychoses which are diagnosed as schizophreni

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48

Houyaux, Justine. "Pascal Lardellier, Opéra Bouffe. Une anthropologie gourmande de nos modes alimentaires." Questions de communication, no. 22 (December 1, 2012): 357–59. http://dx.doi.org/10.4000/questionsdecommunication.7019.

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49

Wocke, Brendon. "Gastronomy & Jouissance: From La Grande Bouffe to Julie & Julia." Zeitschrift für Kulturwissenschaft 6, no. 1 (2012): 133–46. http://dx.doi.org/10.14361/zfk.2012.0112.

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50

Amraoui, A., V. Burgos, and J. Y. Alexandre. "Bouffée délirante aiguë au cours d'un traitement par méfloquine: à propos d'une observation." Médecine et Maladies Infectieuses 28, no. 10 (1998): 678–79. http://dx.doi.org/10.1016/s0399-077x(98)80048-6.

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