Relevant bibliographies by topics / Boule de Suif (Maupassant, Guy de)

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Academic literature on the topic 'Boule de Suif (Maupassant, Guy de)'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 January 2023

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Journal articles on the topic "Boule de Suif (Maupassant, Guy de)"

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Benhamou, Noëlle. "Maupassant, roi du Nouveau Décaméron." Roczniki Humanistyczne 70, no. 5 (2022): 63–76. http://dx.doi.org/10.18290/rh21705.5.

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Cet article se propose de montrer la place importante de Guy de Maupassant dans Le Nouveau Décaméron. Lui qui avait été jugé par la critique le meilleur conteur des Soirées de Médan avec sa nouvelle « Boule de suif », publie onze nouvelles sur les femmes, le mariage, l’adultère et la prostitution dans les volumes de Catulle Mendès parus 1884 à 1887. Nous étudions aussi l’image que les entre-textes donnent de l’auteur. Le lecteur découvre un écrivain courtois, mondain, qui aime les femmes et est aussi galant et séducteur. Finalement, Maupassant, couronné par Mendès roi de la sixième journée, avec Boule de suif comme reine, est le plus important de cette œuvre collective. Cependant, son portrait fictif présent dans les volumes du Nouveau Décaméron a contribué à donner une image stéréotypée de Maupassant.
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Marsih, Linusia, and Christine Saragih. "SEX WORKER STIGMA IN MAUPASSANT’S “BOULE DE SUIF” AND TIRTAWIRYA’S “CATATAN SEORANG PELACUR”." Anaphora: Journal of Language, Literary and Cultural Studies 4, no. 2 (2022): 162–69. http://dx.doi.org/10.30996/anaphora.v4i2.6072.

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This study aims to reveal stigma toward sex worker depicted in two literary texts i. e. a short story entitled “Boule de Suif” by Guy de Maupassant, a French writer and a short story entitled “Catatan Seorang Pelacur” by Putu Arya Tirtawirya, an Indonesian writer. The two short stories are chosen for the reason that both works depect the life of a female sex worker. This study is designed as a descriptive qualitative study with sociological approach. The sociological approach is applied because this study looks at society’s views on female sex workers tht is reflected in the short stories. Moreover, theories of stigma are reviewed to support the analysis. The Analysis is focused on the sex worker stigma, the manifestation of stigmatization against sex workers, how the female sex worker in each short story responds to the stigmatization, and whether authors of the short stories affirm or criticize their society.
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LERNER, M. G. "Review. 'Boule de suif' et autres nouvelles. Edition presentee, etablie et annotee par Louis Forestier. Maupassant, Guy de." French Studies 51, no. 2 (1997): 222. http://dx.doi.org/10.1093/fs/51.2.222.

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Prenko, L. I., and H. M. R. Gamzatova. "The Peculiarity of the Chronotope and the Linguistic Means of its Representation in the Guy de Maupassant’s Short Story “Boule de suif” (“The Dumpling”)." Herald of Dagestan State University 35, no. 1 (2020): 49–59. http://dx.doi.org/10.21779/2542-0313-2020-35-1-49-59.

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Corsi, Margarida da Silveira. "Madame Bovary (em cordel); Bola de Sebo (em cordel) e A Dama das Camélias (em cordel): transposições de perfis femininos em cordel." Revista Légua & Meia 12, no. 1 (2021): 34–49. http://dx.doi.org/10.13102/lm.v12i1.6255.

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Inserida na esfera da literatura popular, “como sinônimo de poesia popular em versos” (PINHEIRO; LUCIO, 2001, p.11), a literatura de cordel aborda temas relacionados à tradição nordestina, a narrativas trazidas da península ibérica, à história, à vivência de seu autor, à tradução de obras clássicas da literatura mundial, entre outros. De modo geral, a poesia de cordel se estrutura através de três pilares: métrica, rima e oração, podendo ser composta em quadras, sextilhas, setilhas ou décimas, em redondilha maior e rimas soantes. É respeitando esta convenção e, de acordo com os pilares dos gêneros discursivos de Bakhtin (1992) – estrutura composicional, tema e estilo –; a Literatura Comparada segundo Béssière (2011); a teoria da transtextualidade de Genette (1982); a intertextualidade de Samoyaut (2008), entre outros, que apresentamos este trabalho de leitura comparada acerca da dialogia das narrativas francesas: La Dame aux camélias (1848/1981), de Dumas fils; Madame Bovary (1856/1961), de Gustave Flaubert; e Boule de Suif (1880/2004), de Guy de Maupassant, com suas transposições para a Literatura de Cordel: A Dama das Camélias ou Armando e Margarida (2018), de Evaristo Geraldo, Madame Bovary em cordel (2008/2019), e Bola de Sebo (2018), de Stélio Torquato Lima, especialmente no que concerne à composição dos perfis das protagonistas: Emma Bovary, Marguerite Gautier e Elisabeth Rousset. Espera-se que este trabalho possa contribuir para o desvendamento de especificidades concernentes à ampliação dos temas das obras de partida, ao seu imbricamento em decorrência da tradução para um gênero carregado de valores culturais (romance de cordel), que traz em sua estrutura composicional e em sua temática a essência da brasilidade.
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LERNER, M. G. "Review. Maupassant: 'Boule de suif'. Chaplin, Peggy." French Studies 44, no. 3 (1990): 349. http://dx.doi.org/10.1093/fs/44.3.349.

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KILLICK, R. "FICTION AND JOURNALISM IN MAUPASSANT. A FOOTNOTE TO BOULE DE SUIF." French Studies Bulletin 6, no. 21 (1986): 7–10. http://dx.doi.org/10.1093/frebul/6.21.7.

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Raffi, Maria Emanuela. "Dieter Steland, Maupassant, lecteur de Henri Heine? L’appel au dévouement dans “Boule de suif” et dans Schnabelewopski. Fragment." Studi Francesi, no. 166 (I | LVI) (April 1, 2012): 175–76. http://dx.doi.org/10.4000/studifrancesi.4775.

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Cnockaert, Véronique. "Portraits de l’ennemi : le Prussien, la prostituée et le cochon." Études françaises 49, no. 3 (2014): 33–46. http://dx.doi.org/10.7202/1021201ar.

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Durant la guerre franco-prussienne de 1870, un usage politique et idéologique fut fait de certaines théories physiologistes, notamment, on s’en doute, celles qui définissaient l’ennemi. Les différents discours contre ces derniers qui feront rage jusqu’à la Première Guerre mondiale s’échafaudent à partir d’élaborations scientifiques douteuses, qui relèvent également d’un imaginaire historique et d’une rhétorique qui s’appuie sur une forme de sacralisation de la guerre. Notre propos voudrait montrer que dans les nouvelles Boule de suif et Saint-Antoine, Maupassant révèle l’instrumentalisation qui est faite de ces discours modélisants. Souvent avec ironie, l’écrivain démontre que l’imaginaire social se fonde moins sur un savoir objectif et empirique que sur la conviction subjective d’une différence anthropologique et morale entre les individus, qui puise son énergie dans l’angoisse, la peur et une volonté de puissance d’un individu sur un autre. Dans les textes qui nous occupent, la « mise en ennemi » s’ajuste bel et bien, au-delà du fait historique, sur une intrication de données naturelles (biologiques, physiologiques) et culturelles (moeurs, habitudes) qui caractérisent l’ennemi comme l’« Autre à tuer ». L’ironie se cache dans l’utilisation que fait Maupassant du modèle anthropologique : en mettant en scène des identités hybrides où se mêlent qualités et défauts des dominés et des dominants, le romancier va en effet quitter l’échiquier ethnique et dépasser la question des identités nationales pour s’attaquer non pas aux Allemands ou aux Français en particulier, mais à la nature humaine en général et à sa propension à la barbarie.
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Baetens, Jan. "La question du rythme entre texte et bande dessinée: L’exemple de “Boule de Suif” dans Maupassant. Contes et nouvelles de guerre (Battaglia)." French Forum 41, no. 3 (2016): 289–301. http://dx.doi.org/10.1353/frf.2016.0022.

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Dissertations / Theses on the topic "Boule de Suif (Maupassant, Guy de)"

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Santos, Marisa Bispo dos. "Boule de Suif de Guy de Maupassant : transformação e permanência na adaptação de Paulo Mendes Campos para jovens leitores." reponame:Repositório Institucional da UnB, 2008. http://repositorio.unb.br/handle/10482/6836.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, 2008.<br>Submitted by Thaíza da Silva Santos (thaiza28@hotmail.com) on 2011-02-10T18:15:32Z No. of bitstreams: 1 2008_MarisaBispoSantos.pdf: 3533268 bytes, checksum: d725b3ed32e2b6d1ca3235b785a26dc3 (MD5)<br>Approved for entry into archive by Daniel Ribeiro(daniel@bce.unb.br) on 2011-02-10T22:57:22Z (GMT) No. of bitstreams: 1 2008_MarisaBispoSantos.pdf: 3533268 bytes, checksum: d725b3ed32e2b6d1ca3235b785a26dc3 (MD5)<br>Made available in DSpace on 2011-02-10T22:57:22Z (GMT). No. of bitstreams: 1 2008_MarisaBispoSantos.pdf: 3533268 bytes, checksum: d725b3ed32e2b6d1ca3235b785a26dc3 (MD5)<br>Estudos demonstram que parte significativa da literatura infanto-juvenil comercializada no Brasil é constituída de adaptações de clássicos da literatura universal. Atualmente dezenas de editoras veiculam coleções de adaptações para a audiência infanto-juvenil, uma das mais expressivas é a Scipione, no segmento da série Reencontro. A editora garante que uma das diretrizes principais do projeto editorial da série é manter a qualidade literária dos textos de partida nas adaptações. O objetivo deste trabalho foi examinar a coerência dessa diretriz na tradução e adaptação de Boule de Suif de Guy de Maupassant realizada por Paulo Mendes Campos, ou seja, examinar até que ponto a obra corresponde às expectativas de qualidade literária contidas no projeto de tradução e adaptação da série Reencontro. Em busca da resposta, realizou-se um estudo comparativo entre o texto de partida Boule de Suif e sua adaptação Bola de Sebo. Estudo que teve como aporte construtos teóricos da tradução literária relacionados à abordagem crítica e à recepção da tradução, considerando autores como Even-Zohar, Gideon Toury e André Lefevere. Foram considerados, ainda, os trabalhos do teórico da tradução Antoine Berman e do teórico da literatura Mikhail Bakhtin. O primeiro oferece uma metodologia de análise comparativa, o segundo, o modelo conceitual com sua abordagem semiótica. _________________________________________________________________________________ ABSTRACT<br>Research has shown that a relevant part of the infant-juvenile literature sold in Brazil is made up of adapted classics of the universal literature. Nowadays, dozens of publishing houses issue collections of adapted texts for the infant-juvenile readers, one of the most expressive is the Scipione collection, in the segment of the ‘Reencontro’ editions. The publishing houses guarantee that one of the main guidelines of the editorial publishing project series is to maintain the literary quality of the source texts in the adaptations. The focus of this research was to examine the coherence of this guideline in the translation and adaptation of Boule de Suif of Guy de Maupassant carried out by Paulo Mendes Campos, in other words, to examine until what extent the translation corresponds to the literary quality expectations described in the project of the translation and adaptation of the issue Reencontro. In order to answer the research question, a comparative research was carried out between the source text Boule de Suif and the adapted text Bola de Sebo. The studies carried out was based on theoretical constructs of literary translation related to a critical approach and to the literary reception, considering authors such as Even-Zohar, Gideon Toury and André Lefevere.The works from the translation theoretician Antoine Berman and from the literary theoretician Mikhail Bakhtin are also taken into consideration. The first offers a methodology of comparative analysis, the second a conceptual model with its semiotics approach.
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Svahn, Elin. "Att skjuta på budbäraren. : En kvantitativ kontrastiv studie av den syntaktiska strukturen hos tre texttyper i tre översättningar av ”Boule de suif” av Guy de Maupassant." Thesis, Stockholms universitet, Institutionen för nordiska språk, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-42737.

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Denna studie syftar till att undersöka den syntaktiska strukturen i tre texttyper i tre översättningar av ”Boule de suif” av Guy de Maupassant. De tre översättningarna är gjorda av Sigfried Siwertz (1927), Ingvar Johansson (1972) och Johan Gunnarsson (1985). Metoden som används är utarbetad av Lars Wollin och modifierad av Yvonne Lindqvist. Genom att dela upp texterna i makrosyntagmer och därefter i primära satsdelar kan versionskomplex upprättas vilka möjliggör en jämförelse av käll- och måltextens syntaktiska struktur på operationsnivå. Uppsatsens mål är att ta reda på huruvida olika operationer är ett resultat av de olika texternas textuella strukturer samt i fall det går att skönja ett samband mellan val av operationer och översättare. I diskussionen fastslås att det inte finns något samband mellan textpartiernas textuella struktur och val av operationer, såvida källtextens textuella struktur inte efterföljs i måltexten. Mellan val av operation och specifik översättare är däremot kopplingen desto tydligare, och det konstateras att den äldsta översättningen är mest syntaktisk trogen originaltexten medan den yngsta översättnigen är mest syntaktisk fri.
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Andersson, Alma Lena. "L'habit fait l'homme : Étude des vêtements et de leur rôle dans les conditions sociales et psychologiques dans Madame Bovary par Gustave Flaubert et deux nouvelles de Guy de Maupassant; «Boule de Suif» et «La Parure»." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-17579.

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Gustave Flaubert et Guy de Maupassant étaient des amis et des écrivains réalistes qui voulaient décrire la société en entier comme des artisans plutôt comme des artistes. En le faisant tous les deux utilisaient les habits des personnages dans leurs œuvres pour découvrir la société, la stratifictaion dans la société et les personnages des œuvres. Mais, malgré qu'ils veuillent travailler comme des artisans ils avaient des styles très précises et élaborés. L'approche sociocritique est la méthode pour comprendre; Comment les habits démasquent la position des personnages dans la société Comment les habits racontent l’histoire et la psychologie des personnages Comment les habits symbolisent les caractères dans un plus grand contexte littéraire<br>Gustave Flaubert and Guy de Maupassant were friends and realist authors who wanted to describe the totality of society as artisans rather than artists. In doing so both of them used  the way their characters dressed to discover society, the stratification in society and the characters in their literary work. However, in spite of their will to work as artisans they were stylistically prominent with styles precise and elaborated.From a socio-critical point of view this essay tries to understand: How the out-fit unveils the social position of the characters. How the out-fit unveils the story and psychology of the characters. How the out-fit symbolises the characters in a wider literary context.<br>Gustave Flaubert och Guy de Maupassant var vänner och realistiska författare som ville beskriva samhället i sin helhet som hantverkare snarare än konstnärer. När de gjorde det använde båda två personernas kläder för att avslöja samhället, klassuppdelningen i samhället och personernas psykologi i sina verk. Men, trots att de ville arbeta som hantverkare var båda stilistiskt framstående med varsin precis och genomarbetad stil.Från en sociokristisk synvinkel försöker denna uppsats förstå: Hur kläderna avslöjar personernas sociala ställning. Hur kläderna avslöjar personernas berättelse och psykologi. Hur kläderna symboliserar personerna i ett större litterärt sammanhang.
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Bailey, Deborah. "Female Allegory as Anti-Nationalist Satire in "L'attaque du Moulin" and "Boule de Suif"." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1793.

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The year 1880 was rife with nationalist fervor and a general glorification of the French nation through imagery, literature and legislation. However, at this same time, Les Soirées de Médan, a collection of stories concerning the Franco-Prussian war also appear, bringing with them a distinctly anti-nationalist, harsh, and unforgiving view of the war and France's role in it. This thesis will examine personifications of France within L'attaque du Moulin and Boule de suif, the first two texts of Les Soirées de Médan, and their definite lack of the nationalist enthusiasm that characterized the time of their creation. The study of these allegorical representations reveals the place in the mentality of the French people of the concept they represent, a shorthand for a complex and evolving idea. Though others have mapped out the historical appearance and place of representations of France, I will delve into the possible reasons for the necessity of the feminine in this allegorization, the connotations and conventions that make it an effective tool for fighting nationalist tides for both Zola and Maupassant, and the historical and political context that allow us to trace a general shift in the concept of the nation through these female symbols. Furthermore, given the prevalence of female allegories at the time, and the monopolization of their usage for political purposes, the choice of these authors to employ allegory (a rhetorical mode characterized by its official status with the very regime they are criticizing) takes on further levels of criticism and satire. Exploring the opposition and relationship of these two literary female allegories to contemporary allegorical and visual representations will reveal how they relate to-and eventually criticize and reject-the prevailing political and nationalist discourse of their day.
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Books on the topic "Boule de Suif (Maupassant, Guy de)"

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Chaplin, Peggy. Guy de Maupassant, Boule de suif. University of Glasgow French and German Publications, 1988.

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Gellereau, Michèle. Boule de suif: Guy de Maupassant. Bertrand Lacoste, 1994.

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Scellier-Rose, Françoise. Boule de suif: Guy De Maupassant : compléments pédagogiques. Hatier, 1995.

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Sillam, Maguy. Étude sur Guy de Maupassant: Boule de suif. Ellipses, 1999.

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Maupassant, Guy de. Boule de suif. Chatterley Press International, 2005.

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Maupassant, Guy de. Boule de suif. Gallimard, 1999.

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Maupassant, Guy de. Boule de suif. Gallimard, 1995.

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Maupassant, Guy de. Boule de suif: La Maison Tellier suivi de Madame Baptiste et de Le port. Gallimard, 1995.

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Maupassant, Guy de. Boule de suif: La maison Tellier ; suivi de Madame Baptiste et de Le port. Gallimard, 1992.

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Short stories for students: Presenting analysis, context, and criticism on commonly studied short stories. Gale, 2010.

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