Relevant bibliographies by topics / Boulez

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Boulez'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "Boulez"

1

Ronsheim, John, Dominique Jameux, and Susan Bradshaw. "Pierre Boulez." Antioch Review 49, no. 4 (1991): 610. http://dx.doi.org/10.2307/4612471.

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Barulich, Frances, Dominique Jameux, Theo Hirsbrunner, William Glock, Pierre Boulez, Jean-Jacques Nattiez, Martin Cooper, Claude Samuel, Jacqueline Muller, and Josef Hausler. "Pierre Boulez." Notes 45, no. 1 (September 1988): 48. http://dx.doi.org/10.2307/941392.

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Gibbs, Jason, Dominique Jameux, Susan Bradshaw, and Lev Koblyakov. "Pierre Boulez." Notes 49, no. 2 (December 1992): 583. http://dx.doi.org/10.2307/897924.

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de Médicis, François. "Boulez analyste." Circuit 3, no. 1 (February 4, 2010): 77–82. http://dx.doi.org/10.7202/902037ar.

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Dans ce compte rendu des conférences d’analyse présentées à Montréal par Pierre Boulez et portant sur Mémoriale et les deux quatuors à cordes de Webern, l’auteur insiste sur l’évolution de l’attitude analytique de Boulez et l’attention particulière portée au problème de la perception.
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Griffiths, Paul, and William Glock. "Views of Boulez." Musical Times 128, no. 1727 (January 1987): 25. http://dx.doi.org/10.2307/964629.

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Montebello, Pierre. "DELEUZE ET BOULEZ." Revista Limiar 2, no. 4 (March 24, 2019): 12–22. http://dx.doi.org/10.34024/limiar.2015.v2.9255.

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Quelle est la place de Boulez dans la conception de la musique que se fait Deleuze? Il nous semble que c’est de montrer que le temps et l’espace sont musicaux, l’objet d’une double perception musicale. Ce n’est la musique qui est dans l’espace (partition) et le temps (exécution), mais l’espace et le temps qui relèvent d’une forme de musicalité. La musique est une expérience nostalgique de la spatialisation du temps (coexistence du passé/présent) et une expérience cosmologique de la synchronisation de l’espace (connexion des temps divergents du natal et du cosmos). Ecouter de la musique est un double déracinement de l’ici et maintenant, mais à travers les forces vives qui traversent le corps, voix célestes dans la martèlement des rythmes du corps, fuites cosmiques qui débordent l’enracinement du corps en son lieu natal.
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O'Hagan, Peter. "Pierre Boulez - PIERRE BOULEZ: Œuvres complètes. DG 4806828 (13 CDs)." Tempo 68, no. 268 (March 20, 2014): 94–96. http://dx.doi.org/10.1017/s0040298213001812.

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Bradshaw, Susan. "Pierre Boulez at 65." Musical Times 131, no. 1765 (March 1990): 127. http://dx.doi.org/10.2307/965995.

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Berry, Gérard. "Pierre Boulez (1925-2016)." L’annuaire du Collège de France, no. 116 (June 15, 2018): 705–7. http://dx.doi.org/10.4000/annuaire-cdf.13739.

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Green, Tona, and William Glock. "Pierre Boulez: A Symposium." Computer Music Journal 12, no. 1 (1988): 71. http://dx.doi.org/10.2307/3679841.

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Dissertations / Theses on the topic "Boulez"

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Gärtner, Susanne. "Werkstatt-Spuren : die Sonatine von Pierre Boulez : eine Studie zu Lehrzeit und Frühwerk /." Bern [etc.] : P. Lang, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783039112029.

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Walters, David. "The aesthetics of Pierre Boulez." Thesis, Durham University, 2003. http://etheses.dur.ac.uk/3093/.

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To enable the reader to find references as quickly and easily as possible, I have grouped all references together in the bibliography in alphabetical order. Texts by the same author are distinguished first by year and second, if there are several texts from the same year, by letter. Interviews and writing collaborations (including published correspondence) involving Boulez are also ordered alphabetically. The year given at the beginning of each bibliographical entry is, in the majority of cases, the year in which the text was first published (not necessarily the year of the edition cited). For all writings written by Boulez, I have provided the original title under which the text in question was first published (usually in French). Many articles have subsequently been translated into English and therefore I have decided to provide page references for both versions. For all texts by writers other than Boulez, I have cited the version of the text I have used. Wherever possible, I have cited the existing English translations of texts originally written in French. However, on many occasions I have considered it necessary to make alterations to the published translations. This is particularly applicable to Boulez on Music Today (1971) and Orientations (1986), both of which display an often heavy-handed and rather inaccurate approach to the task of translating specific concepts employed by Boulez. In contrast. Stocktakings of an Apprenticeship (1991) has required only occasional minor amendments. All changes to the published English translations are acknowledged in the corresponding footnote. None of the material m this thesis has previously been submitted for a degree in this or any other University. The copyright of this thesis rests with the author. No quotation from it should be published without prior written consent and information from it should be acknowledged. I have received permission to exceed the word limit from the Graduate School Committee at the University of Durham.
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Campbell, Edward. "Boulez and expression : a Deleuzoguattarian approach." Thesis, University of Edinburgh, 2000. http://hdl.handle.net/1842/22797.

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Hecker, Martin. "Formreflexion und Struktur der 2ème Sonate pour piano von Pierre Boulez : von der Inszenierung eines Übergangs /." Hamburg Kovač, 2008. http://d-nb.info/990746321/04.

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Nemecek, Robert. "Untersuchungen zum frühen Klavierschaffen von Pierre Boulez /." Kassel : G. Bosse, 1998. http://catalogue.bnf.fr/ark:/12148/cb370328804.

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Heinemann, Stephen Heinemann Stephen Heinemann Stephen. "Pitch-class set multiplication in Boulez's Le marteau sans maitre /." Thesis, Connect to this title online; UW restricted, 1993. http://hdl.handle.net/1773/11257.

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Gärtner, Susanne. "Werkstatt-Spuren: die Sonatine von Pierre Boulez eine Studie zu Lehrzeit und Frühwerk." Bern Berlin Bruxelles Frankfurt, M. New York, NY Oxford Wien Lang, 2005. http://d-nb.info/989810186/04.

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Padilla, Alfonso. "Dialectica y musica : espacio sonoro y tiempo musical en la obra de Pierre Boulez /." Helsinki : Suomen musiikkitieteellinen seura, 1995. http://catalogue.bnf.fr/ark:/12148/cb358110288.

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Galaise, Sophie. "Les écrits et la carrière de Pierre Boulez catalogue et chronologie /." [Montréal] : Université de Montréal, 2001. http://wwwlib.umi.com/cr/umontreal/fullcit?pNQ82729.

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Thèse (Ph. D.)--Université de Montréal, 2003.
"NQ-82729." "Thèse présentée à la faculté des études supérieures en vue de l'obtention du grade de philosophiae doctor (Ph. D.) en musicologie." Version électronique égalemnt disponible sur Internet.
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Afonso, Luis Antonio Eugenio. ""Dialogue de L'Ombre Double", de Pierre Boulez : abordagens interpretativas." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284323.

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Orientador: Silvio Ferraz Mello Filho
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-08T08:43:08Z (GMT). No. of bitstreams: 1 Afonso_LuisAntonioEugenio_D.pdf: 4378446 bytes, checksum: 6e099355d88b059fe281e3f02bbad006 (MD5) Previous issue date: 2006
Resumo: O presente trabalho tem como intenção fundamental a realização musical da obra ¿Dialogue de L¿Ombre Double¿, de Pierre Boulez, composta para clarinete solo ao vivo, clarinete pré-gravado e Live Electronics. O projeto investiga o processo que o intérprete percorre para vencer os recursos técnicos exigidos pela escrita musical do compositor, com momentos de reflexão interpretativa a respeito dessas exigências estilísticas e técnicas que a linguagem da música contemporânea requer, apresentando algumas visões técnico-interpretativas usadas pelo intérprete na realização progressiva da obra em questão. São apresentadas também discussões entre o intérprete e alguns compositores brasileiros convidados, sobre essas especificidades técnico-interpretativas em trechos desta obra, bem como uma breve descrição das técnicas utilizadas por Boulez tanto para a realização dos trechos pré-gravados, realizados em estúdio, como para a sonorização e a espacialização do som na sala de concerto, no momento da performance
Abstract: The fundamental intention of the present work is the musical realization of the oeuvre ¿Dialogue de L¿Ombre Double¿, from Pierre Boulez, composed for live solo clarinet, together with pre-recorded clarinet and Live Electronics. The project relates the investigation of the process that the performer goes through in order to master the technical resources demanded by the musical writing of the composer, with moments of interpretative reflections regarding the challenges and types of language that contemporary music requires, presenting a few technical-interpretative points of view used by the performer throughout the progressive realization of the researched oeuvre. Discussions between the performer and some invited Brazilian composers regarding the technical-interpretative specificities used in parts of the work are also presented, as well as a brief description of the techniques employed by Boulez for the sonorization and specialization of the sound in the concert hall during the performance
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Books on the topic "Boulez"

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Jameux, Dominique. Pierre Boulez. Cambridge, Mass: Harvard University Press, 1991.

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Gilbert, Amy, and Centre Georges Pompidou, eds. Eclats/Boulez. Paris: Editions du Centre George Pompidou, 1986.

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Pierre Boulez. London: Faber, 1991.

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Dominique, Jameux, IRCAM (Research institute : France), and Fondation Louis Vuitton pour l'opéra et la musique., eds. Répons-Boulez. Arles: Actes Sud-Papiers, 1988.

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Gilbert, Amy, Boulez Pierre 1925-, Samuel Claude, and Centre Georges Pompidou, eds. Éclats/Boulez. Paris: Éditions du Centre Pompidou, 1986.

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Fondation Francis et Mica Salabert, ed. Pierre Boulez. Paris: Fayard, 2019.

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Guerra, Jorge Fernández. Pierre Boulez. Madrid: Círculo de Bellas Artes, 1985.

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Jameux, Dominique. Pierre Boulez. Cambridge, Mass: Harvard University Press, 1990.

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Dialogues with Boulez. Lanham, Md: Scarecrow Press, 2001.

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Campbell, Edward, and Peter OHagan, eds. Pierre Boulez Studies. Cambridge: Cambridge University Press, 2016. http://dx.doi.org/10.1017/cbo9781107477216.

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Book chapters on the topic "Boulez"

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Schweizer, Klaus. "Boulez, Pierre." In Metzler Komponisten Lexikon, 85–90. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_31.

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Struck-Schloen, Michael. "Pierre Boulez." In Kammermusikführer, 90–94. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_14.

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Schweizer, Klaus. "Boulez, Pierre." In Komponisten Lexikon, 69–73. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_32.

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Böhm, Elisabeth. "Boulez, Pierre." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11226-1.

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Mazzola, Guerino, Joomi Park, and Florian Thalmann. "Boulez: Structures Recomposed." In Musical Creativity, 279–303. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24517-6_25.

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Toyota, Yasuhisa, Motoo Komoda, Daniel Beckmann, Marc Quiquerez, and Erik Bergal. "Pierre Boulez Saal." In Concert Halls by Nagata Acoustics, 231–40. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42450-3_27.

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Liu, Gerald C. "Theological Stocktaking with Pierre Boulez." In Music and the Generosity of God, 37–52. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-69493-1_3.

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Winkelsesser, Karin. "Boulez Saal, 2017 Berlin, Germany." In Modern Theatres 1950–2020, 524–26. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351052184-71.

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Böhm, Elisabeth. "Boulez, Pierre: Penser la musique aujourd'hui." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11227-1.

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Cornago, Noé. "Schaeffer, Boulez, and the Everyday Diplomacies of French Decolonization." In International Relations, Music and Diplomacy, 141–69. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-63163-9_7.

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Conference papers on the topic "Boulez"

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Berberian, Alain, and Frédéric Forestier. "Le boulet." In the 29th International Conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/2931127.2931272.

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Stokowski, S., and M. Shinn. "Large GSGG:Nd,Cr boule growth and quality." In International Laser Science Conference. Washington, D.C.: Optica Publishing Group, 1986. http://dx.doi.org/10.1364/ils.1986.the6.

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Gadolinium scandium gallium garnet codoped with Nd and Or (GSGG:Nd,Cr) is the laser material with the highest measured efficiency. Thus it has great promise for use in laser systems where efficiency, power, and beam quality are desired. As part of a program on developing slab lasers with multikilowatt outputs, we are growing 5-in. diam GSGG:Nd,Cr boules, from which we will cut 10- × 20- × 1-cm3 slabs. Our efforts have focused on using the Czochralski growth technique, which has proved successful in growing commercially large GGG. We constructed a station that we modified to incorporate a 9-in. diam by 9-in. deep iridium crucible. The melt charge is 50 kg and we pull ~35-40% of the melt. In this system we have pulled 5-in. diam undoped GGG, undoped GSGG, and codoped GSGG. In the course of this effort we have solved a spiral growth morphological problem by using calcium additions to the melt. However, to prevent forming Cr4+, which is a 1-μm absorber, we are employing the Ce3+-Ce4+ couple to compensate for the Ca% We present data on boule quality: birefringence, wavefront distortion, and absorption losses
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Khattak, Chandra P., Paul J. Guggenheim, and Frederick Schmid. "Growth of 15-inch diameter sapphire boules." In AeroSense 2003, edited by Randal W. Tustison. SPIE, 2003. http://dx.doi.org/10.1117/12.487633.

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Khattak, Chandra P., Joshua Filgate, Raj Shetty, C. Richard Schwerdtfeger, and Saurabh Ullal. "20-inch diameter CHES® sapphire boules." In SPIE Defense + Security, edited by Brian J. Zelinski. SPIE, 2015. http://dx.doi.org/10.1117/12.2180647.

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Stokowski, S. E., M. D. Shinn, M. Randles, and D. Dawes. "Large Nd,Cr:GSGG boule growth and quality." In AIP Conference Proceedings Volume 160. AIP, 1987. http://dx.doi.org/10.1063/1.36734.

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Fanning, Andrew W., Joseph F. Ellison, and Daniel E. Green. "Polished homogeneity testing of Corning fused silica boules." In SPIE's International Symposium on Optical Science, Engineering, and Instrumentation, edited by H. Philip Stahl. SPIE, 1999. http://dx.doi.org/10.1117/12.369224.

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Bajor, Andrzej L., and Wieslaw Chabros. "New concepts in scatterometric investigations of crystalline boules." In SPIE Proceedings, edited by Jaroslaw Rutkowski and Antoni Rogalski. SPIE, 2003. http://dx.doi.org/10.1117/12.518745.

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Marot, Franck, Pierre Conil, Blandine Clozel, and Daniel Levacher. "Caractérisation et traitement de boues de dragages contenant des polluants métalliques : exemple d'une boue de canal." In Journées Nationales Génie Côtier - Génie Civil. Editions Paralia, 1996. http://dx.doi.org/10.5150/jngcgc.1996.043-m.

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GLANTSCHNIG, W. J., and A. HOLLIDAY. "Characterization of porous soot boules by mass fraction profiling." In Optical Fiber Communication Conference. Washington, D.C.: OSA, 1987. http://dx.doi.org/10.1364/ofc.1987.mh4.

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MURPHY, A. S. "THE BOULBY UNDERGROUND LABORATORY." In Proceedings of the Fifth International Workshop. WORLD SCIENTIFIC, 2005. http://dx.doi.org/10.1142/9789812701848_0068.

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Reports on the topic "Boulez"

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Suratwala, T., C. Thorsness, T. Land, M. Evans, K. Fogle, J. Kimmons, K. Kishiyama, and R. Steele. Summary of DKDP boule fracture tests. Office of Scientific and Technical Information (OSTI), September 2014. http://dx.doi.org/10.2172/1165790.

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SWCA ENVIRONMENTAL CONSULTANTS LOGAN UT. Proposed Construction of Boulder Seismic Station Monitoring Sites, Boulder, Wyoming. Environmental Assessment. Fort Belvoir, VA: Defense Technical Information Center, February 2009. http://dx.doi.org/10.21236/ada638188.

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Brenkert-Smith, Hannah, Patricia A. Champ, and Amy L. Telligman. Understanding change: Wildfire in Boulder County, Colorado. Ft. Collins, CO: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station, 2013. http://dx.doi.org/10.2737/rmrs-rn-57.

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Lehnen, Ashley. The Dead of Winter-Shood Boucle Jacket. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1670.

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COREY, GARTH P., LARRY E. STODDARD, and RYAN M. KERSCHEN. Boulder City Battery Energy Storage Feasibility Study. Office of Scientific and Technical Information (OSTI), March 2002. http://dx.doi.org/10.2172/793408.

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Culver, G., and K. Rafferty. Haystack Resources Company: greenhouses, near Boulder, Colorado. Office of Scientific and Technical Information (OSTI), May 1985. http://dx.doi.org/10.2172/5802808.

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Rozemeijer, M. J. C., D. Slijkerman, O. G. Bos, C. Röckmann, A. J. Paijmans, and P. Kamermans. Bouwen met Noordzee-natuur : uitwerking Gebiedsagenda Noordzee 2050. IJmuiden: Wageningen Marine Research, 2017. http://dx.doi.org/10.18174/411288.

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Champ, Patricia A., Hannah Brenkert-Smith, and Nicholas Flores. Living with wildfire in Boulder County, Colorado, 2007. Ft. Collins, CO: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station, 2011. http://dx.doi.org/10.2737/rmrs-rn-47.

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Lichvar, Robert W., Katherine E. Curtis, Jennifer J. Gillrich, and Lindsey E. Dixon. Testing Wetland Delineation Indicators in New England Boulder Fields. Fort Belvoir, VA: Defense Technical Information Center, June 2012. http://dx.doi.org/10.21236/ada571669.

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van Dam, Jan, and Martien van den Oever. Catalogus biobased bouwmaterialen 2019 : Het groene en circulaire bouwen. Wageningen: Wageningen Food & Biobased Research, 2019. http://dx.doi.org/10.18174/461687.

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