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Journal articles on the topic 'Bouvard and Pécuchet'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Leclerc, Yvan. "Bouvard et Pécuchet à l'écran." Études Normandes 39, no. 2 (1990): 84–91. http://dx.doi.org/10.3406/etnor.1990.1929.

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2

LALONDE, NORMAND. "BOUVARD ET PÉCUCHET, POÈME BUCOLIQUE." French Studies XLIX, no. 2 (1995): 155–63. http://dx.doi.org/10.1093/fs/xlix.2.155.

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3

Pierrot, Anne Herschberg, and Jacques Neefs. "L’intertextualité ravageuse de Bouvard et Pécuchet." Genesis, no. 51 (January 10, 2021): 85–100. http://dx.doi.org/10.4000/genesis.5686.

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4

Fabre, Michel. "Bouvard et Pécuchet ou l'impuissance à problématiser." Le Télémaque ° 24, no. 2 (2003): 137. http://dx.doi.org/10.3917/tele.024.0137.

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5

Fournier, Louis. "Bouvard, Flaubert et Pécuchet by Roger Kempf." L'Esprit Créateur 31, no. 4 (1991): 82–83. http://dx.doi.org/10.1353/esp.1991.0029.

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6

Wallen, James Ramsey. "Flaubert versus the Enlightenment: The Libidinal Economy of Knowledge in Bouvard et Pécuchet." Novel 52, no. 2 (2019): 200–218. http://dx.doi.org/10.1215/00295132-7546726.

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Abstract This article reads Flaubert's unfinished final novel Bouvard et Pécuchet as a two-volume epic that demonstrates the secret of the encyclopedia: the fact that different calculi of truth functions can be seen to operate independently in different areas of knowledge, that knowledge itself contains contradictions. Taking Lukács's distinction between “narrative” and “descriptive” realism as a starting point, I argue that Bouvard in fact “narrates” the very changes Lukács describes, depicting a historical shift that speaks not only to changes in literary practice but to fundamental changes

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7

Lacoste, Francis. "Bouvard et Pécuchet, ou Quatrevingt-treize « en farce »." Romantisme 27, no. 95 (1997): 99–112. http://dx.doi.org/10.3406/roman.1997.3186.

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8

Meyer, E. Nicole. "Facts into Fiction in Flaubert's Bouvard et Pécuchet." Nottingham French Studies 33, no. 2 (1994): 37–46. http://dx.doi.org/10.3366/nfs.1994-2.005.

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9

Gumbrecht, Hans Ulrich. "Fichier créativité." Thème 2, no. 1 (2009): 61–80. http://dx.doi.org/10.7202/602398ar.

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RÉSUMÉ Cet article, rédigé sous la forme d’un fichier, présente quelques réflexions sur le thème de la créativité sous les rubriques suivantes : Art, Bouvard et Pécuchet, Concetto, Contingence, Creatio ex nihilo, Créativité, Démocratisation, Élites, Enfants, Fichier, Folie, Génie, Imagination, Innovation, Makramé, Originalité, Paradoxe, Pédagogie, Pénible, Postmoderne, Problème, Subjectivité, Tautologie, Temporalité, Vaches, Yuppies.

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10

Buch, Robert. "Trials of Curiosity: Flaubert’s La Tentation de saint Antoine and Bouvard et Pécuchet." arcadia 54, no. 1 (2019): 1–21. http://dx.doi.org/10.1515/arcadia-2019-0002.

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Abstract Flaubert regarded his last two novels, La Tentation de saint Antoine and the unfinished Bouvard et Pécuchet, as companion pieces. For all their obvious differences in terms of setting and generic models, certain similarities have struck readers, not least the way in which both works depart from the parameters of the writer’s influential poetics. Among the most prominent similarities are an unmistakable and at times tiresome repetitiveness and the overwhelming encyclopedic scope of the scientific knowledge and disciplines informing both works. The essay charts the different generic lin

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11

Schuerewegen, Franc. "Muséum ou Croutéum ? Pons, Bouvard, Pécuchet et la collection." Romantisme 17, no. 55 (1987): 41–54. http://dx.doi.org/10.3406/roman.1987.4860.

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12

Dufour, Philippe. "Le Chinois de Chavignolles (Bouvard et Pécuchet, chap. VI)." Romantisme 22, no. 76 (1992): 87–103. http://dx.doi.org/10.3406/roman.1992.6033.

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13

FOURNIER, LOUIS. "TROIS LECTEURS DE BOUVARD ET PÉCUCHET: MAUPASSANT, THIBAUDET, SABATIER." French Studies XLIX, no. 1 (1995): 29–48. http://dx.doi.org/10.1093/fs/xlix.1.29.

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14

Granger, Gilles G. "Savoir scientifique et défaut de jugement dans Bouvard et Pécuchet." Littérature 82, no. 2 (1991): 86–95. http://dx.doi.org/10.3406/litt.1991.1033.

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15

Gayon, Jean. "Agriculture et agronomie dans Bouvard et Pécuchet de Gustave Flaubert." Littérature 109, no. 1 (1998): 59–73. http://dx.doi.org/10.3406/litt.1998.2461.

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16

Lalonde, Normand. "La somme et le récit : l'exemple de Bouvard et Pécuchet." Littératures 29, no. 1 (1993): 73–85. http://dx.doi.org/10.3406/litts.1993.1638.

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17

Merello, Ida. "Thierry Poyet, Bouvard et Pécuchet. Le savoir et la sagesse." Studi Francesi, no. 170 (LVII | II) (July 1, 2013): 479. http://dx.doi.org/10.4000/studifrancesi.3169.

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18

Sprenger, Ulrike. "Die Früchte des Wissens — Agronomie und Imagination in Bouvard et Pécuchet." Romanistisches Jahrbuch 48, no. 1 (1997): 84–119. http://dx.doi.org/10.1515/roja-1997-0107.

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19

González Fernández, Francisco. "Le bourdon mathématique de Flaubert." Çédille, no. 18 (2020): 161–201. http://dx.doi.org/10.25145/j.cedille.2020.18.08.

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A first glance would suffice to realize that amongst the fields of knowledge expe-rienced in Bouvard et Pécuchet mathematics is one of the very few absences. This is in-deed strange, bearing in mind it is the “queen of all sciences” and the basis for the main scientific disciplines. This peculiar absence is attributed to Flaubert’s lack of knowledge of the subject, justified as it is with the aid of his letters of complaint during his school years. However, it is not difficult to find in his novels numerous references that, once analyzed, reveal a twofold conception of mathematics.Also, the an

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20

Balderston, Daniel. "The Warring Brothers: Borges Reads Kafka and Flaubert." Theory in Action 13, no. 4 (2020): 39–62. http://dx.doi.org/10.3798/tia.1937-0237.2049.

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This article examines the preparatory materials that Borges used to teach courses at the Colegio Libre de Estudios Superiores in Buenos Aires, on Kafka in 1951 and on Flaubert in 1952. Though several well known essays emerged from these courses – “Kafka y sus precursors”, “Flaubert y su destino ejemplar” and “Vindicación de Bouvard et Pécuchet” – the manuscripts reveal far more of Borges's research and thinking about the two authors. Key concepts that he develops in these essays include his unusual (and influential) idea of the “precursor” that is only revealed through reading later works and

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21

Ippolito, Christophe. "Critique du positivisme et fictions d’un gai savoir dans Bouvard et Pécuchet." Romanic Review 91, no. 1-2 (2000): 61–75. http://dx.doi.org/10.1215/26885220-91.1-2.61.

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22

Raffi, Maria Emanuela. "Kate Rees, ‘Une tortue avec des ailes’: Progressing in Flaubert’s “Bouvard et Pécuchet”." Studi Francesi, no. 161 (LIV | II) (September 1, 2010): 394–95. http://dx.doi.org/10.4000/studifrancesi.6979.

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23

Wright, Donald. "Flaubert épistémologue: autour du dossier médical de Bouvard et Pécuchet (review)." Nineteenth-Century French Studies 39, no. 3 (2011): 361–62. http://dx.doi.org/10.1353/ncf.2011.0028.

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24

Kelly, Dorothy. "Flaubert épistémologue: autour du dossier médical de Bouvard et Pécuchet par Norioki Sugaya." French Review 85, no. 4 (2012): 762–63. http://dx.doi.org/10.1353/tfr.2012.0328.

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25

Pino, Claudia Amigo. "Da filiação do pesquisador à filiação do escritor." Remate de Males 39, no. 2 (2019): 830–48. http://dx.doi.org/10.20396/remate.v39i2.8655871.

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Neste artigo, fazemos uma narrativa da passagem de Roland Barthes da crítica para a escrita literária, a partir da análise das anotações manuscritas do seu seminário “A noção de idioleto”, oferecido em 1970-1971, na École de Hautes Études em Sciences Sociales. Para isso, tentamos entender a sua mudança de filiação, em um primeiro momento centrada sobretudo em referências teóricas (como a linguística da enunciação, a semiologia e a estilística) e, depois, em uma única referência literária: Bouvard e Pécuchet, de Gustave Flaubert. Este texto faz parte de um projeto mais amplo, que propõe a narra

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26

Lacaille, Christophe. "Bouvard et Pécuchet : retour à la terre, et retour aux sources du chapitre II." Études Normandes 41, no. 1 (1992): 58–72. http://dx.doi.org/10.3406/etnor.1992.2023.

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27

Pigott, Andrew. "L'En-tropologie flaubertienne : La Tentation, Bouvard et Pécuchet, et l'éclipse du discours." MLN 125, no. 4 (2010): 825–45. http://dx.doi.org/10.1353/mln.2010.0014.

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28

Dord-Crouslé, Stéphanie, Emanuelle Morlock-Gerstenkorn, and Raphaël tournoy. "Nouveaux objets éditoriaux. Le site d’édition des dossiers documentaires de Bouvard et Pécuchet (Flaubert)." Les cahiers du numérique 7, no. 3-4 (2011): 123–45. http://dx.doi.org/10.3166/lcn.7.3-4.123-145.

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29

Poyet, Thierry. "Flaubert et la caricature : l’exigence de la modernité." Quêtes littéraires, no. 10 (December 30, 2020): 66–77. http://dx.doi.org/10.31743/ql.11533.

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Quelquefois caricaturé par ses contemporains, Flaubert suscite les réactions dans l'outrance, lui qui ose dans sa Correspondance abonder dans la caricature selon ses humeurs et ses opinions en excellant dans l'hyperbole et l ’emphase. Un mot de son cru le résume : « hénaurrrme ». Au demeurant, ses personnages les plus mémorables sont des caricatures : de l ’amour avec Emma, de la bêtise avec Bouvard et Pécuchet, de la bonté avec Félicité d'Un Cœur simple… Dans la fabrique flaubertienne, l'incarnation est intrinsèquement liée à la déformation, elle-même dégradée en parodie. Car la caricature ch

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30

Jørgensen, Steen Bille. "L’idée du roman." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 45, no. 2 (2010): 214–33. http://dx.doi.org/10.1075/rro.45.2.03bil.

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In this article on the poetics of the contemporary French novel the reading process is taken as point of departure for an interrogation of the ontological status of the literary work. Since Raymond Roussel’s early experimentations, the difficulty in reading the novel is connected to its conceptual aspect. Still this does not mean that the novel does not connect with reality. On the contrary this seems to be the very matter for Raymond Queneau as a reader of Bouvard et Pécuchet by Gustave Flaubert. In the twentieth century, as different writers as Georges Perec, François Bon and Claude Simon te

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31

Bancaud, Florence. "La réécriture de Bouvard et Pécuchet dans Un célibataire entre deux âges (1915), Recherches d’un chien (1922) de Franz Kafka et dans Toute une histoire." Germanica, no. 31 (December 31, 2002): 39–58. http://dx.doi.org/10.4000/germanica.2068.

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32

Séginger, Gisèle. "Bouvard et Pécuchet : croyances et savoirs." Arts et Savoirs, no. 1 (February 15, 2012). http://dx.doi.org/10.4000/aes.549.

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33

Lacoste, Francis. "Espace et savoirs dans Bouvard et Pécuchet." Arts et Savoirs, no. 1 (February 15, 2012). http://dx.doi.org/10.4000/aes.554.

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34

Sugaya, Norioki. "La poétique documentaire de Bouvard et Pécuchet." Arts et Savoirs, no. 1 (February 15, 2012). http://dx.doi.org/10.4000/aes.569.

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35

Campion, Pierre. "Bouvard et Pécuchet, le roman impossible des savoirs." Arts et Savoirs, no. 1 (February 15, 2012). http://dx.doi.org/10.4000/aes.546.

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36

Bender, Niklas. "Bouvard et Pécuchet : une mise en scène comique des savoirs." Arts et Savoirs, no. 1 (February 15, 2012). http://dx.doi.org/10.4000/aes.566.

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37

Calatrava, Juan. "Naturaleza y artificio en los paisajes de Flaubert." MDCCC 1800, no. 1 (December 10, 2020). http://dx.doi.org/10.30687/mdccc/2280-8841/2020/01/006.

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This paper focuses on the evolution of the sentiment of landscape in Gustave Flaubert’s work, both in his travel stories (in Brittany and, especially, in Near East, with the famous Voyage en Orient) and in his major literary works (Salammbô, Madame Bovary, L’éducation sentimentale, Bouvard et Pécuchet). It is part of a more general and collective research in the School of Architecture of Granada about the image of architecture, town and landscape in literature and painting.

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38

Dord-Crouslé, Stéphanie. "La place de la fiction dans le second volume de Bouvard et Pécuchet." Arts et Savoirs, no. 1 (February 15, 2012). http://dx.doi.org/10.4000/aes.579.

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39

Stohler, Vincent. "Du type au stéréotype : analyse des modalités d’insertion des stéréotypes des physiologies dans Bouvard et Pécuchet." Cahiers de Narratologie, no. 17 (December 15, 2009). http://dx.doi.org/10.4000/narratologie.1184.

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40

Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th

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