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Relevant bibliographies by topics / Bowed instruments / Dissertations / Theses

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Dissertations / Theses on the topic 'Bowed instruments'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Zhang, Ailin. "Playability of bowed string instruments." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708962.

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2

Serafin, Stefania. "The sound of friction : real time models, playability and musical applications /." May be available electronically:, 2004. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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3

Moss, Kirk D. "Favored sound production exercises of selected violin, viola, cello, and double bass pedagogues an analysis and adaptation /." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0013485.

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4

Desvages, Charlotte Genevieve Micheline. "Physical modelling of the bowed string and applications to sound synthesis." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31273.

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This work outlines the design and implementation of an algorithm to simulate two-polarisation bowed string motion, for the purpose of realistic sound synthesis. The algorithm is based on a physical model of a linear string, coupled with a bow, stopping fi ngers, and a rigid, distributed fingerboard. In one polarisation, the normal interaction forces are based on a nonlinear impact model. In the other polarisation, the tangential forces between the string and the bow, fingers, and fingerboard are based on a force-velocity friction curve model, also nonlinear. The linear string model includes ac

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5

Demoucron, Matthias. "On the control of virtual violins - Physical modelling and control of bowed string instruments." Phd thesis, Université Pierre et Marie Curie - Paris VI, 2008. http://tel.archives-ouvertes.fr/tel-00349920.

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Cette thèse porte sur le contrôle de la synthèse sonore par modélisation physique des instruments à corde frottée. Elle se base, d'une part, sur l'exploration systématique de l'influence des paramètres de contrôle (pression d'archet, vitesse de l'archet et distance au chevalet) sur le comportement du modèle, et d'autre part, sur la mesure du contrôle effectif qu'exerce l'instrumentiste afin d'obtenir un contrôle réaliste du modèle physique. Un modèle physique basé sur la résolution modale de l'équation de la corde est d'abord présenté et implémenté pour la synthèse sonore du violon. Le comport

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6

Liu, Terence Michael. "Development of the Chinese two-stringed bowed lute 'erhu' following the New Culture Movement (c. 1915-1985)." online access from Digital dissertation consortium, 1988. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?8827170.

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7

Bell, Jennifer L. "Determining elementary, middle, and junior high school orchestra directors' presentation sequence of technical skills to beginning and intrmediate string students." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1174926712.

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8

Inacio, Octávio José Patrício Fernandes Inácio. "A modal method for the simulation of nonlinear dynamical systems with application to bowed musical instruments." Thesis, University of Southampton, 2008. https://eprints.soton.ac.uk/65914/.

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Bowed instruments are among the most exciting sound sources in the musical world, mostly because of the expressivity they allow to a musician or the variety of sounds they can generate. From the physical point of view, the complex nature of the nonlinear sound generating mechanism – the friction between two surfaces – is no less stimulating. In this thesis, a physical modelling computational method based on a modal approach is developed to perform simulations of nonlinear dynamical systems with particular application to friction-excited musical instruments. This computational method is applied

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9

Núñez, Mario Leoncio. "Comparison of aural and visual instructional methodologies designed to improve the intonation accuracy of seventh grade violin and viola instrumentalists." connect to online resource, 2002. http://www.library.unt.edu/theses/open/20021/nunez%5Fmario/index.htm.

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10

Núñez, Mario Leoncio. "A Comparison of Aural and Visual Instructional Methodologies Designed to Improve the Intonation Accuracy of Seventh Grade Violin and Viola Instrumentalists." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3122/.

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The purpose of the study was to compare two instructional methodologies designed to improve the intonation accuracy of seventh grade violin and viola instrumentalists. The collection of data was in regard to (1) instructional methodology: aural and aural/visual, (2) performance tasks: A, B, and C; (3) individual pitches (seven from each of the music tasks), and (4) differences between instrument groups: violin and viola. Sixty-eight seventh grade string students from three string classes of two middle schools were randomly assigned to two experimental groups: (a) aural and (b) aural/visual. Th

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11

Pitteroff, Roland. "Contact mechanics of the bowed string." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387739.

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12

Van, der Linde Annien. "The rise and development of electric bowed instrument groups in South Africa." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80216.

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Thesis (MMus)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This thesis explores the rise and development of electric bowed instrument groups in South Africa. The objective was to provide a history of the development of such groups in South Africa, as well as to compare the methods and musical products of these groups. Another aim was to explore the effects of the groups on the South African music industry and music education. An initial literature research on the history of electric bowed instruments and the phenomenon of classical crossover music as a genre provided the contextu

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13

Greenfield, Leah. "Extended String Techniques and Special Effects in Arnold Schoenberg's String Quartet No. 1 and Its Significance in Chamber Music Literature." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011750/.

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Arnold Schoenberg's String Quartet No. 1, Op. 7 stands out as being the first chamber music piece to use a vast number and variety of extended string techniques within one composition. This paper examines a brief history of extended string techniques in chamber music, analyses the unique ways in which Schoenberg applied extended string techniques to manipulate motives in his Op. 7 quartet, and ultimately shows that Schoenberg's use of extended string techniques influenced future composers to employ even more extended techniques and special effects in their own twentieth-century chamber music.

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14

Demoucron, Matthias. "On the control of virtual violins : physical modelling and control of bowed string instrument." Paris 6, 2008. http://www.theses.fr/2008PA066430.

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Cette thèse porte sur le contrôle de la synthèse sonore par modélisation physique des instruments à corde frottée. Un modèle physique basé sur la résolution modale de l'équation de la corde est d'abord présenté et implémenté pour la synthèse sonore du violon. L’exploration systématique de l'influence des paramètres de contrôle sur le comportement du modèle permet ensuite de définir des régions optimales pour le jeu et d’en décrire les propriétés sonores. D’autre part, un capteur est mis au point pour mesurer la force d'appui de l'archet sur la corde, et combiné avec un système de capture du mo

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15

Domansky, Rita de Cassia. "Adaptação transcultural e validação do instrumento Bowel Function in the Community, para a língua portuguesa." Universidade de São Paulo, 2004. http://www.teses.usp.br/teses/disponiveis/7/7139/tde-30032007-090039/.

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Os estudos internacionais sobre o hábito intestinal em populações aparentemente saudáveis, embora amplos e curiosos, revelam que aproximadamente 95% da população apresentam entre três evacuações por dia e três evacuações por semana. No Brasil, estudos semelhantes, considerando cultura, hábitos de vida e hábitos alimentares, entre outros, ainda são inexistentes. O objetivo deste estudo é realizar a adaptação transcultural do instrumento \"Bowel Function in the Community\" para a língua portuguesa e testar suas propriedades de medida, na versão traduzida para o português. Trata-se de um instrume

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16

Pamplin, Terence M. "The Baroque baryton : the origin and development in the 17th century of a solo, self-accompanying, bowed and plucked instrument played from tabulature." Thesis, Kingston University, 2000. http://eprints.kingston.ac.uk/20684/.

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This investigation is into the origin of an instrument known almost exclusively by the ensemble compositions written in the 18th century by Joseph Haydn for his patron Prince Nicholas Esterhazy. Earlier work by Efrim Fruchtman (1960) had established the wider group of composers around Haydn at the Esterhazy Court. The work by Carol Gartrell (1983) established the known instruments and repertory for the baryton from the first quarter of the 17th century to the 20th century. From this study it was apparent that the 'classical' baryton of the Haydn/Esterhazy circle was an evolved instrument devel

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17

Omer, J. R. "Numerical analysis of pile test data from instrumented large diameter bored piles formed in Keuper marl (Mercia mudstone)." Thesis, University of South Wales, 1998. http://eprints.kingston.ac.uk/17499/.

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18

Rived, Ocaña Mercè. "Adaptación y validación de un instrumento para el estudio de la ética relacional y análisis de su vinculación con la diferenciación del self." Doctoral thesis, Universitat Ramon Llull, 2021. http://hdl.handle.net/10803/672172.

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L’ètica relacional, constructe distintiu i principal de la teràpia contextual, fa referència a una ètica de la cura i de la responsabilitat que hi ha entre les persones i que consisteix a reconèixer i assumir la responsabilitat d’examinar el que s’ha rebut i el que s’ha donat (fer un balanç entre els drets i les obligacions recíproques), i en comprometre’s a mantenir l’equitat d’acord amb la naturalesa de la relació. Inclou els conceptes de confiança, lleialtat i dret; i la justícia funciona com la seva potència reguladora. La diferenciació del self, constructe central de la teor

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19

Holowacz, Eugene holowacz. "Understanding Differentiation of Self Through an Analysis of Individuality and Togetherness." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1470938547.

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20

Kristjánsson, Guðjón. "Food Antigen Sensitivity in Coeliac Disease Assessed by the Mucosal Patch Technique." Doctoral thesis, Uppsala University, Department of Medical Sciences, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6020.

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<p>A diagnosis of coeliac disease (CD) in adults relies on the presence of a structurally abnormal intestinal mucosa, followed by a clear clinical remission on a gluten-free diet. There is a clear need for a rapid, simple, safe and sensitive method to determine the type and intensity of inflammation in the gut mucosa in clinical practice. The overall aims of our studies were to develop and evaluate a new technique, “the mucosal patch technique”, to characterize rectal local inflammatory process after rectal food challenge in patients with CD<b>. In study 1</b> we evaluated the potential of the

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21

Chang, Ping-Nan, and 張炳楠. "New Efficient Synthesis Methods for Wind Instruments and Bowed-String Instruments." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/90330419420934257758.

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碩士<br>中華大學<br>資訊工程學系碩士班<br>88<br>New realistic electronic music synthesis techniques are required in current computer music applications. Most current synthesis researches are physically model-based. Among these techniques, the most famous one is the so-called Digital Waveguide Filter (DWF). The basic idea of DWF is to simulate the dynamics of musical instruments and its performance in terms of reproducing the transient responses is preferred to those of FM based and Wave-Table based techniques. A well-designed model-based method with suitable excitation inputs can produce extremely realistic

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22

Wasson, George Dwayne. "Elevators and escalators the study of an innovative approach to teaching fingerboard geography to heterogeneous string classes /." Thesis, 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3086731.

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23

Lansinger, Kimberly. "A study of improvisation in high school alternative string ensembles." 2006. http://books.google.com/books?id=T17jAAAAMAAJ.

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24

Seto, Ingrid Cleo. "How in tune is "in tune" for beginning string players? a thesis submitted in partial fullfillment ... for the degree of Master of Music Education ... /." 2005. http://catalog.hathitrust.org/api/volumes/oclc/69001779.html.

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25

Curry, Nick. "Body music an examination of the physical and mental similarities of sports performance and string music performance /." 2006. http://www.oregonpdf.org.

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Thesis (D.M.)--Northwestern University, 2006.<br>Includes bibliographical references (leaves 132-136). Also available online (PDF file) by a subscription to the set or by purchasing the individual file.

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