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Books on the topic 'Boy-love novel'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Goldsmith, Olivia. Bad boy: A novel. New York: Dutton, 2001.

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Goldsmith, Olivia. Bad boy: A novel. Rockland, MA: Wheeler Pub., 2001.

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3

Beckwith, Lillian. A shine of rainbows. London: Century, 1988.

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4

Beckwith, Lillian. A Shine of Rainbows: Another heartwarming bestseller from the author of ''The Hills is Lonely''. London, England: Arrow Books Ltd., 1985.

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5

Hardy, James Earl. Love the One You're With: A B-Boy Blues Novel. Amistad, 2003.

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6

Johnson, Melonie. Once Upon a Bad Boy: A Sometimes in Love Novel. St. Martin's Paperbacks, 2019.

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7

Johnson, Melonie. Once upon a Bad Boy: A Sometimes in Love Novel. St. Martin's Press, 2019.

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8

As Schoolboys from their Books: A Story of Love in an English Boys Prep School. Amsterdam, The Netherlands: acolyte press, 1993.

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9

As Schoolboys From Their Books. acolyte press, 1993.

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10

Something Like Happiness. Amsterdam, The Netherlands: Acolyte Press, 1993.

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11

Goldsmith, Olivia. Bad Boy: A Novel. Large Print Press, 2001.

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12

Shalev, Meir. A Pigeon and a Boy: A Novel. Schocken, 2007.

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13

Franklin, Craig. Zephyr in pinstripes: The nine-year-old boy with the size 18 brain : An autobiographical novel about life, love and self-discovery, as seen through the eyes of a uniquely gifted nine-year-old. Family of Man Press, 2001.

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14

Fox, Alistair. Delinquency and Bicultural Relations: Hunt for the Wilderpeople (Taika Waititi, 2016). Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429443.003.0017.

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This chapter shows how Taika Waititi’s Hunt for the Wilderpeople, the most successful New Zealand film to date, adopts similar stylistic methods as Waititi’s earlier hit, Boy, in order to address similar themes: the effect of emotional deprivation as a result of parental abandonment, and the search for love and family. Through a comparison with the source novel, Barry Crump’s Wild Pork and Watercress (1986), the analysis retraces the means by which Waititi converts a story involving individuals into a symbolic representation of the history of New Zealand race relations at large with the aim of proposing a fruitful way forward for the future.

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15

Shelley, Mary Wollstonecraft. The Last Man. Edited by Morton D. Paley. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199552351.001.0001.

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The last man! I may well describe that solitary being’s feelings, feeling myself as the last relic of a beloved race, my companions extinct before me.’ Mary Shelley, Journal (May 1824). Best remembered as the author of Frankenstein, Mary Shelley wrote The Last Man eight years later, on returning to England from Italy after her husband’s death. It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adrian, Earl of Windsor, has introduced a Cumbrian boy to the circle. This outsider, Lionel Verney, narrates the story, a tale of complicated, tragic love, and of the gradual extermination of the human race by plague. The Last Man also functions as an intriguing roman à clef, for the saintly Adrian is a monument to Percy Bysshe Shelley, and his friend Lord Raymond is a portrait of Byron. The novel offers a vision of the future that expresses a reaction against Romanticism, as Shelley demonstrates the failure of the imagination and of art to redeem her doomed characters.

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16

A Shine of Rainbows. Random House of Canada, Limited ??, 1987.

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17

A Shine of Rainbows. Random House of Canada, Limited, 1987.

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18

Beckwith, Lillian. A Shine of Rainbows. House of Stratus, 2001.

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19

Beckwith, Lillian. Shine of Rainbows. G K Hall & Co, 1985.

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20

Beckwith, Lillian. A Shine of Rainbows. Ulverscroft Large Print, 2005.

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21

Peck, Ellen M. Sweet Mystery. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190873585.001.0001.

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Rida Johnson Young (ca. 1869–1926) was one of the most prolific female playwrights of her time, as well as a lyricist and librettist in the musical theater. She wrote more than thirty full-length plays, operettas, and musical comedies, five hundred songs, and four novels. Despite her extensive output, no significant study of her work has been produced. This book examines her musical theater works with in-depth analyses of her librettos and lyrics, as well as her working relationships with other writers, performers, and producers, particularly Lee and J. J. Shubert. Using archival materials such as original typescripts, correspondence, and reviews, the book contextualizes Young’s work within the milieu of the early-twentieth-century professional theater and provides a window into the standard practices of writing and production of the era. The works examined are Naughty Marietta, Lady Luxury, The Red Petticoat, When Love Is Young, His Little Widows, Her Soldier Boy, Maytime, Sometime, Little Simplicity, and The Dream Girl.

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22

Page, Michael R. The Boy Who Would Live Forever, 1988–2013. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039652.003.0005.

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This chapter focuses on Frederik Pohl's literary output during the period 1988–2013, including two novels that would mark a transition in his career: Chernobyl and The Annals of the Heechee. The books that follow Chernobyl and The Annals of the Heechee focus less on the Cold War and more on new, pressing issues facing the contemporary world, such as The Voices of Heaven (1994), Homegoing (1989), Outnumbering the Dead (1990), and Mining the Oort (1992). Another novel, Narabedla Ltd., was a work of lighthearted fun that demonstrated Pohl's love of music. But the work that caps Pohl's career as science fiction's most eminent Swiftian satirist was All the Lives He Led. While completing All the Lives He Led, Pohl began blogging in January 2009 on his Hugo Award–winning website The Way the Future Blogs. In celebration of his ninetieth birthday, his wife Betty prepared a Festschrift anthology, titled Gateways and published by Tor, which included new stories by old friends.

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