Relevant bibliographies by topics / Bradbury

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Academic literature on the topic 'Bradbury'

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Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Bradbury"

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Romm, Norma. "Action Research as a Hopeful Response to Apocalypse:." Journal of Awareness-Based Systems Change 2, no. 2 (2022): 141–48. http://dx.doi.org/10.47061/jasc.v2i2.4930.

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This book review offers Norma Romm’s intimate read of Hilary Bradbury`s new book How to Do Action Research for Transformations at a Time of Eco-Social Crisis (Bradbury, 2022). Much more than a simple re-narration of the main points of Bradbury`s book, Romm`s book review serves as an account of her personal engagement and dialogue with Bradbury’s work, both in resonance and appreciation and also at times challenging the very personally-informed experiences and derived conclusions that shape the core narrative of the book.
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Del Castillo, Ramón. "Jardines en llamas. A vueltas con Fahrenheit 451." Quaderns de Filosofia 7, no. 2 (2021): 83. http://dx.doi.org/10.7203/qfia.7.2.18800.

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Gardens on Fire. Fahrenheit 451 Revisited
 
 Resumen: En este trabajo proponemos una reconsideración de una de las historias distópicas más populares y discutidas desde mediados del siglo XX, Fahrenheit 451, del escritor y ensayista estadounidense Ray Bradbury. Aunque esta historia ha atraído desde su publicación la atención del pensamiento político y social, creemos que ha sido ampliamente simplificada. A diferencia de ciertos críticos, no creemos que la fábula política de Bradbury fomente, como muchas otras distopías, una falta de perspectiva histórica o una insuficiente comprensión del presente. Si la visión política y cultural de Bradbury es criticable no lo es por su evasión de la historia, sino más bien por una visión histórica demasiado optimista. También queremos mostrar que Bradbury no fue un humanista enemigo de la cultura de masas, ni de la tecnología. El examen en profundidad de su novela y de numeroso material complementario (otros escritos, entrevistas y documentos) permitirá explicar porqué su historia sobre el sombrío futuro de la sociedad industrial también contenía elementos para imaginar un futuro alternativo. Gracias a ese examen, finalmente, concluiremos que en el caso de Bradbury la ciencia-ficción no solo sirve para imaginar un futuro indeseable, sino, sobre todo, para mantener vivas y transformar tradiciones con las que fabricar un futuro deseable.
 Abstract: In this paper we propose a reconsideration of one of the most popular and discussed dystopian stories since the mid-20th century, Fahrenheit 451, by the American writer and essayist Ray Bradbury. Although this novel attracted the attention of political and social thought since its publication, we think that it has been largely simplified. Unlike some critics, we do not consider that Bradbury's political fable, like many other dystopias, fosters a lack of historical perspective or an insufficient understanding of the present. If Bradbury's political and cultural vision is open to criticism, it is not only for his evasion of history, but rather for an overly optimistic historical vision. We also make clear that Bradbury was not a humanist enemy of mass culture and technology. A close reading of his novel and numerous supplementary material (other writings, interviews and documents) make us to elucidate why his story about the bleak future of industrial society also contains elements to envisage an alternative future. Thanks to this examination we will conclude that, in the case of Bradbury, science-fiction does not serve just to foretell an undesirable future, but it significantly helps to keep alive and to transform traditions with which to manufacture a desirable future.
 
 Palabras clave: distopía, tecnologías, libros, memoria, Bradbury.
 Keywords: dystopia, technologies, books, memory, Bradbury.
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Sanders, Joe. "Ray Bradbury, “Ray Bradbury,” and “RAY BRADBURY”." Science Fiction Studies 48, no. 2 (2021): 367–68. http://dx.doi.org/10.1353/sfs.2021.0042.

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Sablatzky, Tenley. "Internet is a Loaded Gun: Ray Bradbury’s Prophetic View of Digital Literacy." New Ray Bradbury Review, no. 7 (August 27, 2023): 49–60. http://dx.doi.org/10.18060/27570.

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In addition to being a bestselling author, Ray Bradbury was also a voracious reader and lifelong advocate of libraries and literacy. His books, including his most famous work, Fahrenheit 451, include themes of anti-censorship, the importance of literacy, and warnings of over-reliance on technology. Bradbury’s attitude towards technology was always more concern than hatred—concern for society’s over-dependence on technology. Recent years of digital culture have proven that Bradbury was correct to be concerned about dependence on the internet for constant visual stimulus. However, his optimism, in regard to what the internet could offer, was also well-founded. The internet, simply put, is a tool designed by humans for humans to communicate and enhance the public accessibility of information. Without proper instruction in information literacy, the general public cannot always distinguish between information, misinformation, and disinformation. Bradbury’s view of technology, as evidenced in several of his works—including, Fahrenheit 451, The Illustrated Man, and episodes of The Ray Bradbury Theater—warns of how overreliance on technology can lead to a belief in misinformation and a decline in information literacy skills.
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Serenkov, Yuriy S. "Parody in Literature: A Culture-Determined View." SibScript 25, no. 4 (2023): 577–86. http://dx.doi.org/10.21603/sibscript-2023-25-4-577-586.

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The integration of the author into the cultural context is a two-faceted problem. In the post-information age, literary parody is regarded as a way of socio-cultural communication. The article features the congeniality of two chronologically distant works of science fiction against their contemporary context, namely Edgar Allan Poe’s Ligeia and Loss of Breath vs. Ray Bradbury’s Emissary and There Was an Old Woman. This pioneering research is an attempt to trace how the genre of science-fiction short story changed from the age of European Gothic to the era of mass literature, as well as to define the role of the cultural and social context of the New World in this process. The author reduced the short stories into two conditional pairs to demonstrate the hidden connections between the two sets. The methods of narrative analysis, literary comparison, and the theory of intertextuality revealed a multiple latent presence of other texts. In his Ligeia, E. A. Poe borrowed the genre conventions of the English Gothic novel while parodying the grandiloquent style of the French Romantic literature and the rhetoric of fear typical of the German Gothic style. R. Bradbury, in his turn, imitated the style and subject matter of Poe-esque extravaganzas while parodying the plot composition and artistic language employed by his older contemporary H. P. Lovecraft. Ultimately, the study revealed the evolutionary similarity of the two poetics of parody. In their early career, both Poe and Bradbury mocked the style of popular magazines. Later, both writers came to the parody of the literary classic and focused on high examples of parody art. Poe and Bradbury contributed to the development of the genre of parody in the XIX and XX centuries, respectively. The article marks the ten-year anniversary of Ray Bradbury's death.
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Bradbury, Susan. "Bradbury Appeal." Musical Times 140, no. 1867 (1999): 3. http://dx.doi.org/10.2307/1193883.

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Miller, John. "Critiques of Domesticity in Ray Bradbury’s Cold War Fiction." Extrapolation 65, no. 2 (2024): 135–56. http://dx.doi.org/10.3828/extr.2024.10.

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This paper explores the interactions of nostalgic and gothic tendencies in Ray Bradbury’s representations of the home, a recurring symbol in his fiction of the postwar period and in the American cultural imagination of the time. Bradbury’s fiction complicates various ideals associated with and invested in the postwar American home, and paired stories often suggest different responses to specific domestic themes. The essay concludes by arguing that several Bradbury stories offer possible alternatives to the problematic ideal of the “detached,” “nuclear” family home. The argument thus also usefully recontextualizes a number of Bradbury’s best-known stories.
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Ezekiel Crago. "Bradbury and Hollywood." Science Fiction Studies 42, no. 3 (2015): 583. http://dx.doi.org/10.5621/sciefictstud.42.3.0583.

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Seaborg, Glenn T. "Norris Edwin Bradbury." Physics Today 51, no. 1 (1998): 74–75. http://dx.doi.org/10.1063/1.882111.

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Udovichenko, H. M., S. K. Revutska, and D. I. Myroshnychenko. "PATTERNS OF ANTIUTOPIA IN R. BRADBURY’S NOVEL “FAHRENHEIT 451”." INTELLIGENCE. PERSONALITY. CIVILIZATION, no. 1 (22) (June 30, 2021): 79–90. http://dx.doi.org/10.33274/2079-4835-2021-22-2-79-90.

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Оbjective of the article is to identify and characterize the features of anti-utopia in R. Bradbury’s novel «Fahrenheit 451». Methods. The main scientific results are obtained using a set of general scientific and special research methods, namely: analysis, generalization and systematization of scientific and educational literature on literary studies, psychology, linguistics; theoretical generalization, analysis and synthesis, as well as comparative, descriptive and analytical. Results. The basis for writing the article were the characteristic patterns of anti-utopia, which are reflected in the text of the work. It is worth noted in contrast to the genre of utopia, which describes the ideal systems of organization of state and society. In this regard, the use of the method of proof «from the opposite», which consists in this case in the search and demonstration of provisions that contradict the foundations of the utopian genre, can be considered justified. The study finds that Ray Bradbury is one of the most extraordinary science fiction writers of our time; analysis of the novel «Fahrenheit 451» proves that his works are deeply philosophical. It has been studied that when Bradbury projects his plots into the future or builds them on fantastic circumstances, he does so only to say about the real problems that humanity in its eternal quest for improvement must learn to overcome. In the novel «Fahrenheit 451» the author identifies several emerging problems in the society: the conflict of man and technology, the spirituality of people (man and religion), the philosophy of the herd; the features of anti-utopia in Bradbury’s novel include: the conditionality of place and space of action, which occurs as if in the future (100 years), but it provides for the beginning of the degradation of society; the very image of American society with its technological progress, which levels all human traits and feelings; loneliness of the hero, yogi search for his true purpose. Bradbury expresses his attitude to the spirituality of society, which could exchange the profound wisdom of the book for a cheap mass pleasure industry.
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Dissertations / Theses on the topic "Bradbury"

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Peschard, Marie-Christine. "Ray Bradbury en France : réception critique." Aix-Marseille 1, 1987. http://www.theses.fr/1987AIX10066.

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Le fonctionnement de la reception critique de ray bradbury, (auteur de science-fiction americain), en france, demonte les mecanismes de la prise de possession du bloc auteur-oeuvre par les deux instances de la critique litteraire. Critique "moderne" et critique journalistique inherentes aux circuits long et mediatique, poursuivent des objectifs differents, et s'emparent du bloc auteur-oeuvre, valorisant ce qui semble le plus a meme de repondre aux attentes et aux aspirations de leurs publics et de les satisfaire. Ces deux circuits cheminent de concert tout au long des trente annees que couvre le corpus d'articles et de textes critiques reunis afin de cerner les images de bradbury ecrivain, bradbury auteur de science-fiction, bradbury modele, pivot d'un mouvement litteraire, enfin bradbury personnage et auteur au statut singulier et ambivalent. En effet, ray bradbury possede la particularite rare d'avoir ete soumis a ces deux instances de la critique, et aux multiples formes que chacune d'entre elle s'est plu a revetir. "idole", "vedette", sorte de "gourou" du circuit mediatique, il a connu la gloire et l'abandon. Parallelement, il est peu a peu devenu un ecrivain authentifie, pleinement legitime par le circuit long. Celui-la meme qui a valorise son oeuvre et lui a definitivement donne ses lettres de noblesse. Ainsi, le fait que l'oeuvre de ray bradbury ait subi diverses formes de manipulations critiques tend a mettre en relief la position singuliere de l'auteur dans le monde litteraire en general, et dans celui de la sciencefiction en particulier. En outre, modele, immortalise et valorise par la critique, bradbury lui a simultanement permis de trouver ses marques et d'etablir un systeme d'approche qui lui soit propre, dans un univers au sein duquel, primitivement, elle se perdait.
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Goch, Martin. "Der englische Universitätsroman nach 1945 : "Welcome to Bradbury Lodge /." Trier : WVT, Wissenschaftlicher Verl. Trier, 1992. http://catalogue.bnf.fr/ark:/12148/cb355988347.

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Nichols, P. "The cinema of lost films : Ray Bradbury and the screen." Thesis, University of Liverpool, 2017. http://livrepository.liverpool.ac.uk/3009310/.

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This thesis examines the fiction and screenwriting of Ray Bradbury (1920-2012), the American author best known for novels and short stories in the genres of science fiction and fantasy. Bradbury’s screenwriting has previously received little critical attention, but is examined here in an archival study of four of his extended film-making projects, two of which came to fruition in completed films, and two of which remain unproduced. Moby Dick (John Huston, 1956) is a strong work of structural adaptation from Herman Melville’s novel, and the experience of adapting it is shown to have had a significant impact on Bradbury’s own work in prose fiction and radio drama. The development of Something Wicked This Way Comes (Jack Clayton, 1983), a film based on Bradbury’s own novel, is traced through multiple pathways of adaptation, revealing Bradbury as an effective story analyst and self-adapter. The conflict of authority between screenwriter and film director is shown to be a manifestation of Ian W. Macdonald’s concept of ‘the screen idea’ as the controlling force in film production. Bradbury’s un-filmed screenplays for The Martian Chronicles (1961, 1963-5, 1978, 1997) are found to have developed a grand narrative displaying Bradbury’s philosophy of humankind’s place in the cosmos. His novel Fahrenheit 451 (1953) is shown to be a fundamentally cinematic fiction, and the film adaptation by François Truffaut (1966) is revealed to have stimulated Bradbury’s own re-vision of the work for stage and screen. The serial re-composition of prose works as cross-media re-visions is proven to be central to Bradbury’s working method. Self-adaptation is considered as a challenge to established theories of adaptation, such as Linda Hutcheon’s A Theory of Adaptation (2006).
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Azevedo, Claudia Chalita de. "Um estudo sobre a obra The Fireman, de Ray Bradbury." reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/175067.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2016.<br>Made available in DSpace on 2017-04-25T04:04:30Z (GMT). No. of bitstreams: 1 345494.pdf: 1675327 bytes, checksum: c647016ca46b7b96096ea3b561f78402 (MD5) Previous issue date: 2016<br>Esta tese pretende, a partir da novela The Fireman (1951), de Ray Bradbury, refletir sobre possibilidades de resistência em uma sociedade polarizada entre homens-livros e bombeiros, leitores e telespectadores, literatura e mídia. A primeira alternativa é alicerçada pelo gesto da guardiã do acervo escrito a qual opta em morrer, em sua decrépita morada, com os seus livros embebidos em querosene e consumidos pelas labaredas do encarnado fogo. A renúncia dessa mulher aos axiomas autoritários, sua incorporação do ?preferiria não? produzem ruínas. A segunda alternativa é vislumbrada a partir de resíduos: brasas, fumaças, cinzas, poeiras, fuligens, sombras, imagens dispersas e incertas. Essas sobrevivências indefinidas, voláteis, indistintas entre a visibilidade e a invisibilidade escapam ao controle, possibilitam contágios. Na contramão da disseminação, o vidro é concebido como indício de controle, vigilância. Nesta perspectiva daquilo que, normalmente, é despercebido ou pouco valorizado, interessa, ademais, o ato de fumar cigarros e a prática de caminhar pelas ruas sem objetivo. Produzir pequenas fumaças por meio da queima do tabaco industrializado, assim como chamuscar o tempo em deambulações, em uma sociedade onde ?time is money?, similarmente, são vistos como mecanismos de combate. Ambos são improdutivos, não produzem algo utilitário. Mildred é considerada como sintoma da colonização do corpo humano e da subjetividade, via regulamentações biopolíticas. Mais do que fazer viver ou morrer, interessa criar sobreviventes como investimento de capital. Assim, a esposa do pragmático Montag caracterizaria algo como sobrevida, remanente. O encontro do pirotécnico e burocrata Montag com os homens-livros, ou seja, o desfecho da narrativa de Bradbury, será ponto de partida para a seguinte indagação: como pensar para além do humanismo que contempla e vislumbra o desembrutecimento, a absolvição da alienação, a liberdade, a repressão da animalidade do homem através do acesso aos livros e a sua leitura - a cultura escrita. <br><br>Abstract : This thesis aims, through the novella The Fireman (1951), by Ray Bradbury, to reflect on possibilities of resistance in a society polarized between book-men and firemen, readers and viewers, literature and media. The first alternative is based on the gesture of the guardian of the written collection, which chooses to die in her decrepit abode with her books soaked in kerosene and consumed by the flames of the scarlet fire. This woman's renunciation of authoritarian axioms, her incorporation of the ?would rather not? produce ruins. The second alternative is glimpsed from residues: embers, smoke, ashes, dust, soot, shadows, scattered and uncertain images. These indefinite volatile survivals, indistinct between visibility and invisibility, are beyond control, allowing contagions. Contrary to dissemination, glass is conceived as evidence of control, vigilance. In this perspective of what is usually unnoticed or undervalued, there is also an interest in smoking cigarettes and in roaming through the streets without purpose. Producing small fumes by burning industrialized tobacco, as well as scorching time in wandering, in a society in which ?time is money?, are similarly viewed as combat mechanisms. Both are unproductive, they do not produce something utilitarian. Mildred is considered one of the symptoms of the colonization of the human body and of the subjectivity, via biopolitical regulations. More than living or dying, what is interesting is to create survivors as a capital investment. Thus, the wife of the pragmatic Montag would be characterized as survival, remnant. The meeting of the pyrotechnic and bureaucrat Montag with the bookmen, i.e., the outcome of Bradbury's novella, will be the starting point for the following question: how to think beyond the humanism that contemplates and envisages the unbrutishness, the absolution of alienation, the freedom, the repression of the animality of man through the access to books and reading - the written culture.
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Harley, Gabriel M. "Shadows of the Ravine: Mortality-Themed Discards from Bradbury's Illinois Novels." Thesis, Connect to resource online, 2009. http://hdl.handle.net/1805/1946.

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Thesis (M.A.)--Indiana University, 2009.<br>Title from screen (viewed on September 30, 2009). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Jonathan R. Eller, William F. Touponce, Stephen L. Fox. Includes vita. Includes bibliographical references (leaves 68-70).
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Correia, Danielle Cristina Russo. "O estado totalitário e os cidadãos em Fahrenheit 451 de Ray Bradbury." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-01062015-151611/.

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Esta dissertação busca analisar como o romance Fahrenheit 451 de Ray Bradbury lida com seu contexto histórico e qual é a resolução simbólica sugerida para o problema por ele apontado. Para tanto, traçaremos paralelos entre o cenário político-social da sociedade fictícia do romance e os Estados Unidos entre 1945 até 1953, data de sua publicação oficial.<br>The purpose of this research is to analyze how the novel Fahrenheit 451, by Ray Bradbury, deals with its historical context and which is the symbolic resolution suggested for the issues noted. Therefore, parallels will be drawn between the political-social scene described in its fictional society and that of the United States from 1945 until 1953, the novels official publication date.
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Berenstein, Natalia. "Female Ashes, Knowledge, and the Construction of Masculinity : Farenheit 451 by Ray Bradbury." Thesis, Södertörns högskola, Engelska, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-34342.

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In Bradbury’s dystopian novel Fahrenheit 451, knowledge is illegal, and popular culture is promoted as a way to control society. Guy Montag, the central character of the book, undergoes through a journey of liberation from the oppressive system to the further achievement of the forbidden knowledge. The female characters in the book are key to his awakening and evolvement. Unfortunately during the course of the story these women perish. Using the theories of Simone De Beauvoir and Janice Radway, this essay explores the concept of “otherness” and the consumption of popular culture in a patriarchal and oppressive society. This paper also argues that the construction of the masculinity of the protagonist would not be possible without the women, and their death is a violent reaffirmation of a patriarchal order.
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Elphick, Linda. ""A world without real deliverances" : liberal humanism in the novels of Malcolm Bradbury." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/535905.

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Known in the United States for his critical studies of twentieth-century fiction, Malcolm Bradbury is himself a creator of fiction, the author of four novels. All four are satires. All confront well-meaning but feckless English liberal humanists with the doctrinaire. All reveal that meaning well and doing justly are not the same, and that private values--a belief in the dignity of the individual and in his right to work out his own destiny--are insufficient, even, sometimes, harmful. Yet Bradbury consistently reveals the doctrinaire as far more harmful, concerned not at all about individual men. The doctrinaire is ruthless and inhumane, whether presented as a formulaic version of liberal humanism itself, in Eating People is Wrong (1959); as the politicized liberalism of post-McCarthy America, in Stepping Westward (1965); as the radicalism of the early nineteen seventies, in The History Man (1975); or as the Marxism of a Soviet satellite, in Rates of Exchange (1983). His novels all depict something that Bradbury himself named in a commentary upon his first: "an ironic world, a world without real deliverances." Several critics maintain that Bradbury's novels are profoundly, deceitfully, conservative beneath a surface liberalism. However, as this first long study of the novels attempts to demonstrate, their conservatism is not so much political as cultural. The great Western systems, capitalism and communism, no longer offer much that is conducive to man's well-being; only liberal humanism, in its respect for the individual, holds forth some faint hope for humanity. So implies Malcolm Bradbury, whose stance in the novels is largely apolitical and who exposes the folly of his liberal humanists and the wickedness of their more doctrinaire antagonists with equally devastating wit.<br>Department of English
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Bradbury, Ricarda Marie. "Montana State 4-H Volunteer Leader College: Does it Make a Difference?" Thesis, Montana State University, 2005. http://etd.lib.montana.edu/etd/2005/bradbury/BradburyR0505.pdf.

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The purpose of this study was to measure the degree to which leaders who received training through the Montana 4-H Volunteer Leader College (VLC) had an affect on the life skills development of members in their 4-H clubs. Data was collected using a written survey. Leaders and members from 4-H clubs in Montana comprised the sample. Descriptive statistics, two-tailed t-tests, and chisquare were generated for analysis. After analysis, the following conclusions, recommendations and implications were made: Conclusions: (1) 4-H members surveyed were demographically similar. Leaders in the treatment group had been involved more years as 4-H leaders. Leaders from the treatment group reported receiving higher levels of training from 4-H extension. (2) Members's perceptions of their life skills or leaders's perceptions of their ability to provide members with life skills were not influenced by training through the VLC. (3) A greater occurrence of officer training and a difference in officer selection was reported by members of the treatment group. (4) Community involvement, as summarized by leaders, seemed to be more varied and occurred more often in the treatment group. Higher levels in this area were also perceived by members in the treatment group. Recommendations: (1) Further study was recommended to determine if mandatory training of volunteer leaders for life skills development provided different impacts than volunteer training, Additionally, further research was needed to determine the effect officer election and training strategies employed by leaders had on level of community involvement of clubs. (3) Assessment of the VLC was recommended, with consideration given to the National 4-H Strategic Plan. (4) A quasi-experimental design using larger treatment and control groups from throughout Montana should be conducted. (5) Changes to the survey instrument should be included in further research. Implications: (1) Overall, the perceived life skills possessed by Montana State 4-H members were high, regardless of leader training. (2) Alternative explanations were available concerning specific leader practices of officer training and selection and community involvement.
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Oliveira, Terezinha de Assis. "Linguagem e memória em Fahrenheit 451 e 1984." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/7429.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2017-06-08T12:26:50Z No. of bitstreams: 2 Dissertação - Terezinha de Assis Oliveira - 2014.pdf: 1987243 bytes, checksum: 7c9ec60e217a6a11e97b56cbd0f7c57b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-06-08T12:27:39Z (GMT) No. of bitstreams: 2 Dissertação - Terezinha de Assis Oliveira - 2014.pdf: 1987243 bytes, checksum: 7c9ec60e217a6a11e97b56cbd0f7c57b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made available in DSpace on 2017-06-08T12:27:39Z (GMT). No. of bitstreams: 2 Dissertação - Terezinha de Assis Oliveira - 2014.pdf: 1987243 bytes, checksum: 7c9ec60e217a6a11e97b56cbd0f7c57b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2014-01-30<br>This research aims to analyze the literary dystopians 1984, written by George Orwell and Fahrenheit 451 written by Ray Bradbury observing how these authors presented their reflections about their societies and how the human being was inserted in this context. In this perspective, the goal of this work is to demonstrate how the manipulation of memory and language reflects the contrasts between English and American dystopia in the works mentioned above and how the authors presented their critics to their societies. The discussions have presented theoretical support on the studies of Jacques Le Goff (1990), Maurice Halbwachs (2006) and Paul Ricouer (2008), which have highlighted aspects of memory and language that are common to both works, but were approached differently by their authors. This is justified by the fact that they belonged to different societies and the historical ideological context of post world wars in England and the United States was a determining factor to the emersion of dystopian literature and technological society even if differently in each country. This study also presents an overview on the science fiction, emphasizing the most representative moments of this literary strand in which the novels that make up the corpus of this work are inserted.<br>Esta pesquisa destina-se a uma análise das obras literárias distópicas 1984 de George Orwell e Fahrenheit 451 de Ray Bradbury, observando como os autores apresentaram suas reflexões sobre os caminhos das sociedades e como enxergavam o homem inserido neste contexto. Nesta perspectiva, o objetivo deste trabalho é demonstrar como a manipulação da memória e da linguagem reflete os contrastes entre a distopia inglesa e norte-americana nas obras supracitadas e como os autores formularam suas críticas às sociedades das quais participavam. As discussões apresentadas possuem como suporte teórico os estudos de Jacques Le Goff (1990), Maurice Halbwachs (2006) e Paul Ricouer (2008), os quais permitiram evidenciar aspectos de memória e linguagem que são comuns às duas obras, mas que foram abordados diferentemente por seus autores. Isto se justifica pelo fato de que eles pertenciam a sociedades distintas e o contexto histórico-ideológico pós-guerras mundiais na Inglaterra e Estados Unidos foi fator determinante para a emersão da literatura distópica e da sociedade tecnológica, ainda que de maneira diferente em cada país. Este estudo apresenta ainda um panorama acerca da ficção científica, destacando momentos representativos desta vertente literária na qual se inserem os romances que compõem o corpus deste trabalho.
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Books on the topic "Bradbury"

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Lodge, David. Malcolm Bradbury. British Council, 1992.

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Harold, Bloom, ed. Ray Bradbury. Bloom's Literary Criticism, 2010.

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Lodge, David. Malcolm Bradbury. British Council, 1988.

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Touponce, William F. Ray Bradbury. Starmont House, 1989.

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Griskey, Michele. Ray Bradbury. Mitchell Lane Publishers, 2006.

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Harold, Bloom, ed. Ray Bradbury. Chelsea House Publishers, 2001.

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Touponce, William F. Ray Bradbury. Borgo Press, 1989.

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Harold, Bloom. Ray Bradbury. Bloom's Literary Criticism, 2010.

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1923-, Indick Ben P., ed. Ray Bradbury, dramatist. Borgo Press, 1989.

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Bradbury, Ray. The Bradbury Chronicles: Stories in Honor of Ray Bradbury. Edited by Martin H. Greenberg and William F. Nolan. ROC/Penguin Group, 1991.

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Book chapters on the topic "Bradbury"

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Stein, Daniel. "Bradbury, Ray." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4940-1.

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Davila, Joanne. "Bradbury, Thomas N." In Encyclopedia of Couple and Family Therapy. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-49425-8_718.

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Mahler, Andreas. "Bradbury, Malcolm Stanley." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8049-1.

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Davila, Joanne. "Bradbury, Thomas N." In Encyclopedia of Couple and Family Therapy. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-15877-8_718-1.

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Tibbetts, John C. "The Bradbury Chronicles." In The Gothic Imagination. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230337961_4.

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Leung, Alexander K. C., Marcus Schmitt, Christie P. Thomas, et al. "Bradbury-Eggleston Syndrome." In Encyclopedia of Molecular Mechanisms of Disease. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-29676-8_6686.

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Bettendorf, Gerhard. "Bradbury, James T." In Zur Geschichte der Endokrinologie und Reproduktionsmedizin. Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/978-3-642-79152-9_25.

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Eller, Jonathan R. "Beyond the Iron Curtain." In Bradbury Beyond Apollo. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0027.

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Ray and Maggie Bradbury’s winter 1990 stay in Paris began as Bradbury successfully negotiated a fortieth anniversary hardbound edition of The Martian Chronicles from Doubleday. Chapter 26 also narrates how Bradbury discovered that his perennial popularity in Eastern Europe was expanding as the Iron Curtain collapsed, especially in Czechoslovakia, where newly elected President Vaclav Havel proved to be a Bradbury enthusiast. The chapter closes with Bradbury’s unexpected invitation to a May 1990 luncheon for President Gorbachev held at the Russian Embassy in Washington. Bradbury and Isaac Asimov were invited as the favorite writers of the Gorbachev family. Bradbury was also beginning to learn of the scattered and informal Bradbury reading clubs that had existed in Russia throughout much of the Cold War period.
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Eller, Jonathan R. "The Fire Within." In Bradbury Beyond Apollo. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0039.

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Bradbury’s 1945 Mexico City encounter with John Steinbeck came full circle in the spring of 2003, when a chance meeting with Thomas Steinbeck revealed that his father used to read Ray Bradbury stories to his sons; the Nobel laureate even had favorite Bradbury stories for each season. Chapter 38 also describes how the summer 2003 perihelic opposition of Mars nearly coincided with Bradbury’s 83rd birthday, prompting the Planetary Society to hold his birthday party at Caltech. The November passing of Maggie Bradbury was a most difficult loss, for she had shared his passion for literature as well as his life. The chapter concludes with Bradbury’s celebration of the Mars rover Spirit’s touchdown and an analysis of his 2003 story collection, The Cat’s Pajamas.
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Eller, Jonathan R. "Closing the Book." In Bradbury Beyond Apollo. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0046.

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Chapter 45 concludes Bradbury Beyond Apollo with an assessment of his legacy, prefaced by an account of the memorial to Bradbury staged by the Planetary Society as the Mars rover Curiosity landed in early August 2012. Chapter 45 wraps up the three-volume biography with a summary of the well-known early story collections and novels that anchor Bradbury’s twenty-first century reputation, and a parallel summation of the important achievements of the last forty years of his career. These include The Halloween Tree’s affirmation of life over death, the six-year run of Ray Bradbury Theater, the role of “The Toynbee Convector” as Bradbury’s settled view on human endeavor, his visionary but sometimes controversial articles, and his delicate but compelling Somewhere a Band Is Playing.
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Conference papers on the topic "Bradbury"

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Cosper, Christopher L. "Two Houses: Case Studies in Hubris and Stewardship." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.121.

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In 2015 and 2016, two very different houses were torn down: Ray Bradbury’s house in the Cheviot Hills neighborhood of Los Angeles, and the Bavinger House, designed by Bruce Goff, outside Norman, Oklahoma. At first examination, these two houses had little in common: Ray Bradbury’s house dated from 1937 and was conventional for L.A. houses of its time, notable only for its bright yellow color—and its resident, a 20th century literary master. Meanwhile, the Bavinger House, built between 1951 and 1955, was known for its singular quality, arguably the masterpiece of a master architect. Despite the differences in the houses, the stories of their demolition have many overlapping qualities. Specifically, the destruction of these houses was the result of a lack of stewardship and an excess of hubris. In the case of the Bradbury House, the house was ultimately judged on its architectural merits alone, isolated from its notability as the residence of an important author and screenwriter. The final owners of the Bradbury House—who purchased the house with the explicit intent of demolishing it—showed utter contempt for the home’s cultural significance. In the case of the Bavinger House, the owner—who inherited the property—showed no regard for or understanding of the house’s architectural value. In both cases, significant heritage was lost because people acted as property owners, not cultural stewards. In neither case was the idea of an obligation to others paramount or, arguably, even present. Notably, the stories of the demolitions played out in the media, but perhaps more dramatically on social media, where premature obituaries of the Bavinger House may have helped seal its fate. In both cases, concerned citizens used social media to voice their desire that the houses be preserved, but in both cases, those citizens were ignored. More than just an interesting tale of two demolished houses, the stories of the Bradbury House and the Bavinger House provide case studies to explore aspects of collective memory, conservation, and stewardship.
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Rayne, Todd. "THE HYDROGEOLOGICAL LEGACY OF KEN BRADBURY." In GSA Connects 2023 Meeting in Pittsburgh, Pennsylvania. Geological Society of America, 2023. http://dx.doi.org/10.1130/abs/2023am-395828.

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Raitt, David. "The Clarke-Bradbury International Science Fiction Competition." In 54th International Astronautical Congress of the International Astronautical Federation, the International Academy of Astronautics, and the International Institute of Space Law. American Institute of Aeronautics and Astronautics, 2003. http://dx.doi.org/10.2514/6.iac-03-iaa.8.2.04.

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Furgerson, Robert, Robert Corwin, and Jerry Wright. "Seepage Characterization During Dewatering Activities — Bradbury Dam, California." In Symposium on the Application of Geophysics to Engineering and Environmental Problems 1997. Environment and Engineering Geophysical Society, 1997. http://dx.doi.org/10.4133/1.2922405.

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Furgerson, Robert, Robert Corwin, and Jerry Wright. "Seepage Characterization During Dewatering Activities - Bradbury Dam, California." In 10th EEGS Symposium on the Application of Geophysics to Engineering and Environmental Problems. European Association of Geoscientists & Engineers, 1997. http://dx.doi.org/10.3997/2214-4609-pdb.204.1997_034.

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Nazarov, K. A., and N. V. Zotova. "Image of the future in the novel by Ray Bradbury "Fahrenheit 451"." In XXI All-Russian Scientific and Practical Conference young scientists, graduate students and students in Neryungri, with international participation. Tekhnicheskogo instituta (f) SVFU, 2020. http://dx.doi.org/10.18411/tifsvfu-2020-c2-157-92.

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Butruille, Dorianne. "La nouvelle «Usher 2» de Ray Bradbury : de la science-fiction à une fiction de la science." In Territoires du récit bref. De l'image dans la fiction à l'imaginaire en science-fiction. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5289.

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Karp, Marta, Nataliia y, Ivan Bekhta, and Uliana Yurlova. "Linhvometriia of inversion and detachment in Ray Bradbury's Dandelion Wine." In 2021 IEEE 16th International Conference on Computer Sciences and Information Technologies (CSIT). IEEE, 2021. http://dx.doi.org/10.1109/csit52700.2021.9648775.

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Zabolotna, T. V. "WAYS OF CREATING NEOLOGISMS IN RAY BRADBURY’S NOVELS “FAHRENHEIT 451” AND “THE MARTIAN CHRONICLES”." In MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 1. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-3.

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Reports on the topic "Bradbury"

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Meade, Roger Allen. Norris Bradbury Tribute by J. Robert Oppenheimer. Office of Scientific and Technical Information (OSTI), 2017. http://dx.doi.org/10.2172/1356097.

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Strohmeyer, Wendy J. 'Bradbury Science Museum Collections Inventory Photos Disc #4. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1226142.

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Strohmeyer, Wendy J. Bradbury Science Museum Collections Inventory Photos Disc #5. Office of Scientific and Technical Information (OSTI), 2016. http://dx.doi.org/10.2172/1254933.

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Meade, Roger Allen. Norris Bradbury and Edward Teller: A Fission-Fusion Reaction. Office of Scientific and Technical Information (OSTI), 2018. http://dx.doi.org/10.2172/1422914.

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Deck, Linda Theresa. Bradbury science museum: your window to Los Alamos National Laboratory. Office of Scientific and Technical Information (OSTI), 2009. http://dx.doi.org/10.2172/1172211.

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Meade, Roger Allen. Bethe, Oppenheimer, Teller and the Fermi Award: Norris Bradbury Speaks. Office of Scientific and Technical Information (OSTI), 2017. http://dx.doi.org/10.2172/1356106.

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Loftin, Samuel. LANL 2013 Annual Site Environmental Report - Bradbury Brown Bag Presentation. Office of Scientific and Technical Information (OSTI), 2014. http://dx.doi.org/10.2172/1160106.

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Ramos, Octavio. Station 8: Environmental & Engineering Tests Nuclear Weapons Exhibit for the Bradbury Science Museum. Office of Scientific and Technical Information (OSTI), 2024. http://dx.doi.org/10.2172/2340851.

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Baker, Stacy. Bradbury Science Museum NOTEs Program Docs: Building Immunity: How fighting HIV and other viruses helps us understand our immune system. Office of Scientific and Technical Information (OSTI), 2020. http://dx.doi.org/10.2172/1716730.

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Moore, John, and Alan Carr. Lab’s longest-serving director took the helm 75 years ago Norris Bradbury credited with saving the Lab, town from post-war decline. Office of Scientific and Technical Information (OSTI), 2020. http://dx.doi.org/10.2172/1688718.

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