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1

Lodge, David. Malcolm Bradbury. British Council, 1992.

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2

Harold, Bloom, ed. Ray Bradbury. Bloom's Literary Criticism, 2010.

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Lodge, David. Malcolm Bradbury. British Council, 1988.

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4

Touponce, William F. Ray Bradbury. Starmont House, 1989.

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Griskey, Michele. Ray Bradbury. Mitchell Lane Publishers, 2006.

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6

Harold, Bloom, ed. Ray Bradbury. Chelsea House Publishers, 2001.

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7

Touponce, William F. Ray Bradbury. Borgo Press, 1989.

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8

Harold, Bloom. Ray Bradbury. Bloom's Literary Criticism, 2010.

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9

1923-, Indick Ben P., ed. Ray Bradbury, dramatist. Borgo Press, 1989.

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10

Bradbury, Ray. The Bradbury Chronicles: Stories in Honor of Ray Bradbury. Edited by Martin H. Greenberg and William F. Nolan. ROC/Penguin Group, 1991.

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11

Bradbury, Ray. The Bradbury Chronicles: Stories in Honor of Ray Bradbury. ROC, 1992.

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12

Bradbury, Ray. The Bradbury Chronicles: Stories in Honor of Ray Bradbury. Edited by Martin H. Greenberg and William F. Nolan. ROC/Penguin Group, 1991.

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13

1928-, Nolan William F., Greenberg Martin Harry, and Bradbury Ray 1920-, eds. The Bradbury chronicles: Stories in honor of Ray Bradbury. ROC, 1991.

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14

Bradbury, Ray. The Bradbury Chronicles: Stories in Honor of Ray Bradbury. Severn House Publishers Ltd, 1992.

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15

Dave, Gibbons, and Bradbury Ray 1920-, eds. The Ray Bradbury chronicles. Bantam Books, 1992.

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16

Reid, Robin Anne. Ray Bradbury. Greenwood, 2000. http://dx.doi.org/10.5040/9798216004844.

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Reviewers and critics have not always agreed on how well the science fiction label fit Ray Bradbury, but the immense popularity of works likeThe Martian ChroniclesandThe Illustrated Manleaves no doubt as to the enduring status of this important writer. This Critical Companion examines, in a Literary Heritage chapter, the situation of Bradbury's works within the science fiction genre and explores thematic concerns that set works likeFahrenheit 451andDandelion Wineapart from conventional popular SF writings. This introduction to Bradbury, written especially for students, traces Bradbury's interesting life, examining his early literary efforts, his forays into Hollywood, and his recent writing projects. Eight of Bradbury's major works are discussed at length, each in its own chapter, including two works published within the last ten years:A Graveyard for Lunatics(1990) andGreen Shadows, White Whale(1992). Clear, thoughtful analysis is also given forThe Martian Chronicles, The Illustrated Man,Something Wicked This Way Comes, andDeath Is a Lonely Business. In each chapter, analysis of the important literary components is given: plot, setting, characters, and themes. In addition, the genesis, critical reception, and an alternate reading of each work is also discussed in clear terms for students and general readers. Suggestions for further reading on Bradbury and his writings are also provided in a select yet extensive bibliography. This volume is ideal both for students reading Bradbury for the first time and for dedicated Bradbury fans who wish to appreciate his work with a deeper critical perspective.
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17

Eller, Jonathan R. Bradbury Beyond Apollo. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.001.0001.

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This book completes the biography trilogy begun in Becoming Ray Bradbury and continued in Ray Bradbury Unbound. Bradbury Beyond Apollo begins in the early 1970s, as Bradbury found himself fully established as a witness and celebrant of the Space Age. His storytelling powers were turning to stage, screen, and television adaptations of his classic midcentury titles, including The Martian Chronicles, Fahrenheit 451, Dandelion Wine, and Something Wicked This Way Comes. Although he was no longer producing a high volume of masterful tales, Bradbury Beyond Apollo chronicles how the last four decades of his life produced the playful fantasies of The Halloween Tree, his award-winning television series The Ray Bradbury Theater, a collaboration with Disney Imagineers on EPCOT’s Spaceship Earth, and significant essays on the common ground between science and religion represented by humanity’s Space Age achievements. The book also documents how Bradbury’s influential lectures, interviews, and essays explored the history of ideas, the nature of creativity, and his own evolving work ethic of optimal behaviorism. Mid-book chapters analyze Bradbury’s significant late-life achievements in fictionalized autobiography and his completion of books that originated decades earlier, including Somewhere a Band Is Playing, perhaps his most significant late-life reflection on time and memory. The book’s overarching contention is that Bradbury’s wide range of ventures were largely sustained by his ever-increasing prominence as a Space Age visionary.
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18

Bradbury, Ray. Ray Bradbury Chronicles (Ray Bradbury Chronicles). Bantam Books, 1993.

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19

Beck, Steve. Hotel Bradbury. Tandem Library, 2001.

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20

Bradbury Report. Canongate Books, 2012.

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21

Bradbury Weather. Subterranean Press, 2023.

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22

Ray Bradbury. Twayne, 1986.

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23

Dix, Edwin Asa. Deacon Bradbury. Creative Media Partners, LLC, 2018.

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24

Bradbury Report. Weinstein Books, 2011.

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25

Bradbury, Ray. Bradbury 13. Blackstone Pub, 2010.

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26

Counelis, Paul. Bradbury Experiment. Lulu Press, Inc., 2012.

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27

Harold, Bloom. Ray Bradbury. Chelsea House Publications, 2000.

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28

Bradbury Report. Weinstein Books, 2009.

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29

Dahlen, K. J. Bradbury Inn. CreateSpace Independent Publishing Platform, 2010.

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30

Bradbury, Ray. Ray Bradbury. Random House Audio, 1987.

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31

Bradbury Thompson. Westvaco, 1988.

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32

Seed, David. Ray Bradbury. University of Illinois Press, 2015.

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33

Bradbury, Ray. BRADBURY HABLA. SUMA DE LETRAS, 2009.

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34

Ray Bradbury. University of Illinois Press, 2015.

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35

Ray Bradbury. Chelsea House, 2011.

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36

Polansky, Ste. Bradbury Report. Canongate Books, 2011.

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37

Anderson, Tobias, and Ray Bradbury. Illustrated Bradbury. Dramatic Publishing Company, 2014.

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38

Bradbury Inn. Grant, Jennifer, 2024.

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39

Bradbury Inn. Grant, Jennifer, 2024.

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40

Bradbury Speaks. William Morrow, 2005.

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41

Bradbury Report. Hachette Book Group, 2010.

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42

Weller, Sam. Bradbury Chronicles: The Life of Ray Bradbury. HarperCollins Publishers, 2013.

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43

Seed, David. Bradbury on Space. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038945.003.0004.

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This chapter discusses Ray Bradbury's writings on space. Throughout his career, Bradbury expressed his sense of writing in the Space Age, a time which he felt was characterized by the visual sublime, and from his earliest writings space was an important concern. For Bradbury, space was the big subject, constantly drawing him to explore its potential in his fiction, essays, films, and other projects. He not only saw flight into space as the ultimate physical and speculative act. He figured it as a willed realization of an evolutionary destiny somehow independent of physical form. As early as 1953, he was speculating “why build rockets at all?”; space retained a speculative and spiritual fascination for Bradbury throughout his career.
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44

Leigh, Stephen. Ray Bradbury Presents Dinosaur Conquest (Ray Bradbury Presents). I Books, 2010.

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45

Bradbury, Ray. Ray Bradbury Chronicles/Signed Edition (Ray Bradbury Chronicles). Nantier Beall Minoustchine Publishing, 1993.

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46

The Bradbury chronicles: The life of Ray Bradbury. William Morrow, 2005.

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47

Bradbury, Ray. Ray Bradbury Chronicles: Alien Terror (Ray Bradbury Chronicles). Nbm Pub Co, 1992.

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48

Ray Bradbury Presents Dinosaur Empire (Ray Bradbury Presents). I Books, 2004.

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49

Eller, Jonathan R. “Chrysalis”: Bradbury and Henry Kuttner. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0012.

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This chapter examines how Henry Kuttner influenced Ray Bradbury as a writer. In terms of his overall development as a writer, Bradbury received his most intense mentoring from Kuttner. Although Bradbury correctly sensed that Kuttner believed in his potential and respected his enthusiasm, he never felt that Kuttner wanted to be a close friend. But Kuttner's surviving letters, written after he entered military service in early 1942, proved otherwise: they project a genuine friendship as well as growing professional respect. These letters document the first major opportunity for Bradbury as a science fiction author. This chapter considers Kuttner's role as mentor to Bradbury during his clash with Astounding editor John Campbell over Bradbury's story “Chrysalis” regarding length and narrative point of view.
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50

Eller, Jonathan R. Transitions: Bradbury and Don Congdon. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0022.

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This chapter examines some of the transitions in Ray Bradbury's life and career by focusing on the role played by Don Congdon, editorial at Simon & Schuster. It begins with a consideration of Bradbury's deteriorating relationship with Grant Beach, followed by a discussion of challenges on the professional front, including the poor sales of his pulp market stories. It then turns to developments that boded well for Bradbury for the long term, such as the increasing interest being shown by anthologists and New York publishing houses towards his work and the opportunities resulting from his four major market magazine sales in the summer of 1945. It also looks at Bradbury's relationship with Congdon and how he helped him secure major sales for some of his best new fiction such as “Homecoming,” which sold to Mademoiselle. Under Congdon's guidance, Bradbury also saw increased demand for reprints of his short stories such as “Skeleton,” “The Watchers,” and “Invisible Boy.”
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