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Journal articles on the topic 'Bradbury'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Romm, Norma. "Action Research as a Hopeful Response to Apocalypse:." Journal of Awareness-Based Systems Change 2, no. 2 (November 30, 2022): 141–48. http://dx.doi.org/10.47061/jasc.v2i2.4930.

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This book review offers Norma Romm’s intimate read of Hilary Bradbury`s new book How to Do Action Research for Transformations at a Time of Eco-Social Crisis (Bradbury, 2022). Much more than a simple re-narration of the main points of Bradbury`s book, Romm`s book review serves as an account of her personal engagement and dialogue with Bradbury’s work, both in resonance and appreciation and also at times challenging the very personally-informed experiences and derived conclusions that shape the core narrative of the book.

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2

Del Castillo, Ramón. "Jardines en llamas. A vueltas con Fahrenheit 451." Quaderns de Filosofia 7, no. 2 (February 9, 2021): 83. http://dx.doi.org/10.7203/qfia.7.2.18800.

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Gardens on Fire. Fahrenheit 451 Revisited Resumen: En este trabajo proponemos una reconsideración de una de las historias distópicas más populares y discutidas desde mediados del siglo XX, Fahrenheit 451, del escritor y ensayista estadounidense Ray Bradbury. Aunque esta historia ha atraído desde su publicación la atención del pensamiento político y social, creemos que ha sido ampliamente simplificada. A diferencia de ciertos críticos, no creemos que la fábula política de Bradbury fomente, como muchas otras distopías, una falta de perspectiva histórica o una insuficiente comprensión del presente. Si la visión política y cultural de Bradbury es criticable no lo es por su evasión de la historia, sino más bien por una visión histórica demasiado optimista. También queremos mostrar que Bradbury no fue un humanista enemigo de la cultura de masas, ni de la tecnología. El examen en profundidad de su novela y de numeroso material complementario (otros escritos, entrevistas y documentos) permitirá explicar porqué su historia sobre el sombrío futuro de la sociedad industrial también contenía elementos para imaginar un futuro alternativo. Gracias a ese examen, finalmente, concluiremos que en el caso de Bradbury la ciencia-ficción no solo sirve para imaginar un futuro indeseable, sino, sobre todo, para mantener vivas y transformar tradiciones con las que fabricar un futuro deseable. Abstract: In this paper we propose a reconsideration of one of the most popular and discussed dystopian stories since the mid-20th century, Fahrenheit 451, by the American writer and essayist Ray Bradbury. Although this novel attracted the attention of political and social thought since its publication, we think that it has been largely simplified. Unlike some critics, we do not consider that Bradbury's political fable, like many other dystopias, fosters a lack of historical perspective or an insufficient understanding of the present. If Bradbury's political and cultural vision is open to criticism, it is not only for his evasion of history, but rather for an overly optimistic historical vision. We also make clear that Bradbury was not a humanist enemy of mass culture and technology. A close reading of his novel and numerous supplementary material (other writings, interviews and documents) make us to elucidate why his story about the bleak future of industrial society also contains elements to envisage an alternative future. Thanks to this examination we will conclude that, in the case of Bradbury, science-fiction does not serve just to foretell an undesirable future, but it significantly helps to keep alive and to transform traditions with which to manufacture a desirable future. Palabras clave: distopía, tecnologías, libros, memoria, Bradbury. Keywords: dystopia, technologies, books, memory, Bradbury.

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3

Sanders, Joe. "Ray Bradbury, “Ray Bradbury,” and “RAY BRADBURY”." Science Fiction Studies 48, no. 2 (2021): 367–68. http://dx.doi.org/10.1353/sfs.2021.0042.

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4

Sablatzky, Tenley. "Internet is a Loaded Gun: Ray Bradbury’s Prophetic View of Digital Literacy." New Ray Bradbury Review, no. 7 (August 27, 2023): 49–60. http://dx.doi.org/10.18060/27570.

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In addition to being a bestselling author, Ray Bradbury was also a voracious reader and lifelong advocate of libraries and literacy. His books, including his most famous work, Fahrenheit 451, include themes of anti-censorship, the importance of literacy, and warnings of over-reliance on technology. Bradbury’s attitude towards technology was always more concern than hatred—concern for society’s over-dependence on technology. Recent years of digital culture have proven that Bradbury was correct to be concerned about dependence on the internet for constant visual stimulus. However, his optimism, in regard to what the internet could offer, was also well-founded. The internet, simply put, is a tool designed by humans for humans to communicate and enhance the public accessibility of information. Without proper instruction in information literacy, the general public cannot always distinguish between information, misinformation, and disinformation. Bradbury’s view of technology, as evidenced in several of his works—including, Fahrenheit 451, The Illustrated Man, and episodes of The Ray Bradbury Theater—warns of how overreliance on technology can lead to a belief in misinformation and a decline in information literacy skills.

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5

Serenkov, Yuriy S. "Parody in Literature: A Culture-Determined View." SibScript 25, no. 4 (September 28, 2023): 577–86. http://dx.doi.org/10.21603/sibscript-2023-25-4-577-586.

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The integration of the author into the cultural context is a two-faceted problem. In the post-information age, literary parody is regarded as a way of socio-cultural communication. The article features the congeniality of two chronologically distant works of science fiction against their contemporary context, namely Edgar Allan Poe’s Ligeia and Loss of Breath vs. Ray Bradbury’s Emissary and There Was an Old Woman. This pioneering research is an attempt to trace how the genre of science-fiction short story changed from the age of European Gothic to the era of mass literature, as well as to define the role of the cultural and social context of the New World in this process. The author reduced the short stories into two conditional pairs to demonstrate the hidden connections between the two sets. The methods of narrative analysis, literary comparison, and the theory of intertextuality revealed a multiple latent presence of other texts. In his Ligeia, E. A. Poe borrowed the genre conventions of the English Gothic novel while parodying the grandiloquent style of the French Romantic literature and the rhetoric of fear typical of the German Gothic style. R. Bradbury, in his turn, imitated the style and subject matter of Poe-esque extravaganzas while parodying the plot composition and artistic language employed by his older contemporary H. P. Lovecraft. Ultimately, the study revealed the evolutionary similarity of the two poetics of parody. In their early career, both Poe and Bradbury mocked the style of popular magazines. Later, both writers came to the parody of the literary classic and focused on high examples of parody art. Poe and Bradbury contributed to the development of the genre of parody in the XIX and XX centuries, respectively. The article marks the ten-year anniversary of Ray Bradbury's death.

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6

Bradbury, Susan. "Bradbury Appeal." Musical Times 140, no. 1867 (1999): 3. http://dx.doi.org/10.2307/1193883.

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7

Miller, John. "Critiques of Domesticity in Ray Bradbury’s Cold War Fiction." Extrapolation 65, no. 2 (July 4, 2024): 135–56. http://dx.doi.org/10.3828/extr.2024.10.

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This paper explores the interactions of nostalgic and gothic tendencies in Ray Bradbury’s representations of the home, a recurring symbol in his fiction of the postwar period and in the American cultural imagination of the time. Bradbury’s fiction complicates various ideals associated with and invested in the postwar American home, and paired stories often suggest different responses to specific domestic themes. The essay concludes by arguing that several Bradbury stories offer possible alternatives to the problematic ideal of the “detached,” “nuclear” family home. The argument thus also usefully recontextualizes a number of Bradbury’s best-known stories.

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8

Ezekiel Crago. "Bradbury and Hollywood." Science Fiction Studies 42, no. 3 (2015): 583. http://dx.doi.org/10.5621/sciefictstud.42.3.0583.

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9

Seaborg, Glenn T. "Norris Edwin Bradbury." Physics Today 51, no. 1 (January 1998): 74–75. http://dx.doi.org/10.1063/1.882111.

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10

Udovichenko, H. M., S. K. Revutska, and D. I. Myroshnychenko. "PATTERNS OF ANTIUTOPIA IN R. BRADBURY’S NOVEL “FAHRENHEIT 451”." INTELLIGENCE. PERSONALITY. CIVILIZATION, no. 1 (22) (June 30, 2021): 79–90. http://dx.doi.org/10.33274/2079-4835-2021-22-2-79-90.

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Оbjective of the article is to identify and characterize the features of anti-utopia in R. Bradbury’s novel «Fahrenheit 451». Methods. The main scientific results are obtained using a set of general scientific and special research methods, namely: analysis, generalization and systematization of scientific and educational literature on literary studies, psychology, linguistics; theoretical generalization, analysis and synthesis, as well as comparative, descriptive and analytical. Results. The basis for writing the article were the characteristic patterns of anti-utopia, which are reflected in the text of the work. It is worth noted in contrast to the genre of utopia, which describes the ideal systems of organization of state and society. In this regard, the use of the method of proof «from the opposite», which consists in this case in the search and demonstration of provisions that contradict the foundations of the utopian genre, can be considered justified. The study finds that Ray Bradbury is one of the most extraordinary science fiction writers of our time; analysis of the novel «Fahrenheit 451» proves that his works are deeply philosophical. It has been studied that when Bradbury projects his plots into the future or builds them on fantastic circumstances, he does so only to say about the real problems that humanity in its eternal quest for improvement must learn to overcome. In the novel «Fahrenheit 451» the author identifies several emerging problems in the society: the conflict of man and technology, the spirituality of people (man and religion), the philosophy of the herd; the features of anti-utopia in Bradbury’s novel include: the conditionality of place and space of action, which occurs as if in the future (100 years), but it provides for the beginning of the degradation of society; the very image of American society with its technological progress, which levels all human traits and feelings; loneliness of the hero, yogi search for his true purpose. Bradbury expresses his attitude to the spirituality of society, which could exchange the profound wisdom of the book for a cheap mass pleasure industry.

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11

HULEVICH, А. "SUBCONSCIOUS INSIGHTS AS A SOURCE OF CREATIVE INSPIRATION OF R. BRADBURY." Herald of Polotsk State University. Series A. Humanity sciences 66, no. 1 (February 10, 2023): 104–8. http://dx.doi.org/10.52928/2070-1608-2023-66-1-104-108.

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The peculiarities of literary principles of American Writer R. Bradbury represented by the author’s self-reflective views on the techniques of stimulating the subconscious, the peculiarities of memory and imagination activity in the process of writing are analyzed in the given article. It is revealed that the word-association process introduced by R. Bradbury echoes the method of free association of Z. Freud. The application of the word-association method led R. Bradbury to the idea that the subconscious for the literary person is a source of unique ideas and a stimulant of creative process. In addition, Bradbury used special techniques (lists of words, self-revelation) in order to activate his subconscious, to make it supply the level of conscious with thoughts, ideas and memories that are usually hidden in the depths of the subconscious. These elements of the creative process stimulate the writer’s imagination by activating the work of the subconscious and memory by making specific connections between these elements aiming to create new literary meanings.

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12

Petithomme, Mathieu. "Mark Bradbury, Becoming Somaliland." Afrique contemporaine 234, no. 2 (2010): 192. http://dx.doi.org/10.3917/afco.234.0192.

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13

Rose, Damaris, Robert Galois, and Jeanne Wolfe. "John Bradbury, 1942-1988." Cahiers de géographie du Québec 32, no. 87 (1988): 371. http://dx.doi.org/10.7202/021993ar.

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14

Tobias, Norman. "The Medieval Siege.Jim Bradbury." Speculum 69, no. 3 (July 1994): 752–54. http://dx.doi.org/10.2307/3040864.

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15

Massing, Andreas. "Bradbury, Mark. – Becoming Somaliland." Cahiers d'études africaines, no. 201 (March 30, 2011): 243–47. http://dx.doi.org/10.4000/etudesafricaines.14226.

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16

BANKS, J. R. "Back to Bradbury Lodge." Critical Quarterly 27, no. 1 (March 1985): 79–81. http://dx.doi.org/10.1111/j.1467-8705.1985.tb00765.x.

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17

Zuleta, Ignacio A., Griffin K. Barbula, Matthew D. Robbins, Oh Kyu Yoon, and Richard N. Zare. "Micromachined Bradbury−Nielsen Gates." Analytical Chemistry 79, no. 23 (December 2007): 9160–65. http://dx.doi.org/10.1021/ac071581e.

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18

Mason, Derritt. "Raising Jack Perverse: On Childhood, Perversity, and James Hearne’s Case." Jeunesse: Young People, Texts, Cultures 3, no. 1 (June 2011): 11–32. http://dx.doi.org/10.3138/jeunesse.3.1.11.

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This paper considers two versions of the child that circulated in Romantic thought – (1) the dangerous, inherently perverse child, and (2) the innocent child who is susceptible to perversion – in light of Charles Bradbury’s 1755 trial and the testimony of James Hearne, a young apprentice who accused Bradbury of sodomy. The author argues that these reductive versions of the child remain in circulation today, as evidenced by recent changes to Canada’s age of consent legislation, and a critical reading of Hearne’s case points to how children’s behaviour always exceeds the narratives adults create to understand and explain it.

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19

Logsdon, Loren. "Becoming Ray Bradbury by Jonathan Eller, and: Ray Bradbury Unbound by Jonathan Eller." Middle West Review 2, no. 1 (2015): 84–87. http://dx.doi.org/10.1353/mwr.2015.0040.

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20

Peralta, Camilo. "Philosopher Hero in Ray Bradbury’s Science Fiction." New Ray Bradbury Review, no. 7 (August 27, 2023): 77–86. http://dx.doi.org/10.18060/26463.

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Though he apparently disliked the label, Ray Bradbury is still remembered as one of the preeminent science fiction writers of the 20th century. What he is not as well known for, and what I focus on in this paper, is the author’s interest in classical philosophy, as evidenced by the frequent references to Plato, Aristotle, and other Greek and Roman thinkers scattered throughout his works. Specifically, I will explore the treatment of ethical behavior and the pursuit of happiness in some of his best-known science fiction, including Fahrenheit 451, The Martian Chronicles, and several short stories. With remarkable learning and insight, Bradbury scrutinizes the Platonic and Aristotelian notions of happiness, arguing that good behavior is grounded in virtues such as wisdom, courage, and creativity. Many of his protagonists embody a kind of heroism based on the model of the Socratic “gadfly,” courageously challenging their contemporaries’ values and belief system, and eventually being punished for their determination to do so. Finally, he uses the dystopian setting of Fahrenheit 451 to explore the disastrous consequences of attempting to organize society along strictly utilitarian lines. What emerges in Bradbury’s science fiction is a thoughtful—and remarkably consistent—philosophical worldview reflecting many of the humane values the author frequently espoused in interviews and letter, and which served as guiding principles in his own life.

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21

Reese, Christopher L., and Robin Anne Reid. "Ray Bradbury: A Critical Companion." World Literature Today 75, no. 2 (2001): 341. http://dx.doi.org/10.2307/40156605.

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22

Gillespie, James L. "The Medieval Archer. Jim Bradbury." Speculum 62, no. 3 (July 1987): 653–55. http://dx.doi.org/10.2307/2846392.

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23

Waters, Richard L. "An Interview with Dan Bradbury." Public Library Quarterly 23, no. 1 (June 2004): 15–21. http://dx.doi.org/10.1300/j118v23n01_04.

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24

Kirkwood, Melanie. "Outside In by Jennifer Bradbury." Bulletin of the Center for Children's Books 70, no. 10 (2017): 446. http://dx.doi.org/10.1353/bcc.2017.0413.

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25

Galeyev, Bulat. "Open Letter to Ray Bradbury." Leonardo 34, no. 1 (February 2001): 25–26. http://dx.doi.org/10.1162/002409401300052451.

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26

Brin, David. "Fiction: Ray Bradbury, an appreciation." Nature 486, no. 7404 (June 2012): 471. http://dx.doi.org/10.1038/486471a.

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27

Iwamoto, Tomio, Gregor M. Cailliet, Daniel M. Cohen, Theodore W. Pietsch, Tom Tucker, Ralph J. Larson, and Marlene L. Martin. "Margaret G. Bradbury (1927–2010)." Copeia 2011, no. 4 (December 27, 2011): 599–605. http://dx.doi.org/10.1643/ot-10-195.

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28

ROSE, DAMARIS, and ROBERT M. GALOIS. "JOHN H. BRADBURY, 1942-1988*." Antipode 20, no. 3 (December 1988): 173–79. http://dx.doi.org/10.1111/j.1467-8330.1988.tb00394.x.

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29

Nichols, Phil. "Editor's Introduction: Continuity and Change." New Ray Bradbury Review, no. 7 (August 27, 2023): 1–3. http://dx.doi.org/10.18060/27573.

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30

Jones, D., and J. Reid. "A Comparison of Photomicrographs Imaged Through a Late 18th C. Thomas Ribright, Cuff-Type, Brass Microscope and a Modern Olympus Optical Microscope." Microscopy Today 14, no. 2 (March 2006): 38–43. http://dx.doi.org/10.1017/s1551929500055358.

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In 1967, Bradbury published a detailed study of the optical properties of early, compound microscopes using modern photo micrographic techniques. This was followed by Bracegirdle's studies on the performance of 17th and 18th C. microscopes and later by Jones's comparative study of a Victorian microscope with an 18th C. Cuff-type microscope, signed ‘ Dollond ’. On the suggestion of the late Dr. S. Bradbury (personal communication), the present study on the assessment of a Ribright microscope includes photomicrographs of specimens in slides similar to the ones he used, i.e. a blow-fly proboscis and diatoms.

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31

Jerrin, Neil Beeto, and G. Bhuvaneswari. "Distortion of ‘Self-Image’: Effects of Mental Delirium in Fahrenheit 451 by Ray Bradbury." Theory and Practice in Language Studies 12, no. 8 (August 1, 2022): 1634–40. http://dx.doi.org/10.17507/tpls.1208.21.

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The Mountain State Centers for Independent Living states the Self- image is how one perceives oneself. The existence of Self- image is twisted and devoid of human feelings in Bradbury’s future-narrated Post literature universe. It is several numbers of self-impressions that develop over time that creates positive and concurrently unfavourable impacts. In the realm of psychology, Self-image is a pivotal factor in leading a fortunate life. An individual’s impression of himself forms the collective depiction of his strength and weakness. It is quintessential to talk about and compare the Self-image that Bradbury’s era had lived because self-image comprises not only one’s perception but also the intervention of the culture in which they lived. He lived in a timeline with World wars, Nazi book-burning, Stalin’s Great Purge, Nuclear warfare, and the technological development of radio and television. Bradbury found that these elements be disrupting the Self of an individual. This same connection can also be seen developing in the novel, where the government brainwashes the characters and makes them live a pre-programmed life. The interactions between the individuals are artificial and rare; they do not share any sense of feelings or the need to communicate. This diminishing effect of life is the disintegration of Self-image in the novel.

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32

Demina, Elena Anatolyevna. "Linguistic markers of represented speech in science fiction novels: a polyphonic approach." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2021): 88–92. http://dx.doi.org/10.20339/phs.4-21.088.

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This paper aims to investigate the linguistic aspect of represented speech in the novel “The Martian Chronicles” by Ray Bradbury within the framework of M. Bakhtin’s concept of polyphony. The article provides a classification of linguistic signals of voices, determines their frequency, types of represented speech, the number of voices. The results of the study show that fragments with represented speech in the novel are few; as a rule, there are two voices in them. In other passages, despite the presence of several voices, the dialogical perspective is not expressed. Moreover, one linguistic marker can be simultaneously a lexical, syntactic and graphic signal; ideological markers creating a slight polyphonic effect. Syntactic means, being the most frequent ones, convey the perception of the character and form Bradbury’s special narration style.

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33

Letić, Marija Č. "The “Small World” of Malcolm Bradbury." Анали Филолошког факултета 32, no. 1 (2020): 27–38. http://dx.doi.org/10.18485/analiff.2020.32.1.2.

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34

Brečko, Daniela. "Atlas svetovne literature (uredil Malcolm Bradbury)." Andragoška spoznanja 5, no. 2-3 (December 1, 1999): 107. http://dx.doi.org/10.4312/as.5.2-3.107.

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Pastor, potovanje in raziskovanje so vedno spadali med najbolj temeljne elemente literature. Atlas svetovne literature, ki je izšel pri Cankarjevi založbi, je obsežno delo, katerega cilj je raziskati številne povezave, ki so že od srednjeveških časov obstajale med pisatelji in knjigami, med krajem, iz katerega, je pisatelj črpal ustvarjalni navdih. Mirno namreč lahko rečemo, da na pisateljevo razmišljanje, pogled in usmerjenost vplivajo dogodki v njegovem življenju, med katerimi lahko posebej omenimo vpliv nekaterih osebnosti ter vpliv kraja, kjer je zgodba nastajala.

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35

Taormina, Agatha. "Ray Bradbury: The Life of Fiction." Utopian Studies 16, no. 3 (2005): 475–78. http://dx.doi.org/10.2307/20718773.

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36

Weisenberg, Michael. "Hardin's Donation of Ray Bradbury Collection." Science Fiction Studies 47, no. 3 (2020): 526–33. http://dx.doi.org/10.1353/sfs.2020.0065.

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37

Taormina, Agatha. "Ray Bradbury: The Life of Fiction." Utopian Studies 16, no. 3 (2005): 475–78. http://dx.doi.org/10.5325/utopianstudies.16.3.0475.

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38

Otten, Nick. "Censorship Gone Awry: Yes, Bradbury Knows." English Journal 86, no. 6 (October 1997): 9. http://dx.doi.org/10.2307/820360.

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39

Allsop, William. "Obituary: Andrew P. Bradbury (1960–2014)." Proceedings of the Institution of Civil Engineers - Maritime Engineering 167, no. 3 (September 2014): 156. http://dx.doi.org/10.1680/maen.14.00021.

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40

Weisenberg. "Hardin's Donation of Ray Bradbury Collection." Science Fiction Studies 47, no. 3 (2020): 526. http://dx.doi.org/10.5621/sciefictstud.47.3.0526.

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41

Bush, Elizabeth. "A Moment Comes by Jennifer Bradbury." Bulletin of the Center for Children's Books 67, no. 2 (2013): 77–78. http://dx.doi.org/10.1353/bcc.2013.0690.

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Bush, Elizabeth. "River Runs Deep by Jennifer Bradbury." Bulletin of the Center for Children's Books 69, no. 1 (2015): 13. http://dx.doi.org/10.1353/bcc.2015.0655.

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43

Stacey, Ralph. "Discussion on Article by Sue Bradbury." Group Analysis 34, no. 2 (June 2001): 249–52. http://dx.doi.org/10.1177/05333160122077848.

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44

Begley, David J., and Hazel C. Jones. "Michael William Blackburn Bradbury 1930–2013." Fluids and Barriers of the CNS 10, no. 1 (2013): 26. http://dx.doi.org/10.1186/2045-8118-10-26.

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45

Genest, Christian, and Gordon Brackstone. "A Conversation with Martin Bradbury Wilk." Statistical Science 25, no. 2 (May 2010): 258–73. http://dx.doi.org/10.1214/08-sts272.

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46

Carmin, James H. "BRADBURY THOMPSON: THE ART OF GRAPHIC DESIGN. Bradbury ThompsonTHE GRAPHIC LANGUAGE OF NEVILLE BRODY. Jon Wozencroft." Art Documentation: Journal of the Art Libraries Society of North America 8, no. 2 (July 1989): 103. http://dx.doi.org/10.1086/adx.8.2.27948066.

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47

Siregar, Usmala Dewi, and Mulyadi Mulyadi. "Konstruksi Posesif Bahasa Inggris dalam Cerita Pendek There Will Come Soft Rains." CaLLs (Journal of Culture, Arts, Literature, and Linguistics) 5, no. 1 (June 30, 2019): 39. http://dx.doi.org/10.30872/calls.v5i1.1961.

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This study aims to describe the type of possessive construction and the possessive relationship between possessor/PR and possessum/PM in the possessive construction of English in short story There Will Come Soft Rains by Ray Bradbury. The data were taken from sentences contained possessive construction in short story it. The data were collected by reading and noting and were analyzed by means of the distributional method to determine the type of possessive construction relationship and the correspondence method to determine the possessive relationships between the possessor and the possessed. The findings are as follows first, the type of possessive construction was found in short story it was attributive possession. Second, The relationships can be categorized into three possessive relationships, namely the ownership, part-whole, and abstract. Makalah ini bertujuan untuk mendeskripsikan tipe konstruksi posesif dan hubungan antara “pemilik” (possessor/PR) dan “yang dimiliki” (possessum/PM) pada konstruksi posesif Bahasa Ingris dalam cerita pendek There Will Come Soft Rains karya Ray Bradbury. Data diambil dari kalimat yang mengandung konstruksi posesif dalam cerita pendek There Will Come Soft Rains karya Ray Bradbury. Teknik pengumpulan data dilakukan dengan cara baca catat sedangkan teknik analsis data dilakukan dengan metode agih untuk menentukan tipe kontruksi posesif dan metode padan untuk menentukan hubungan antara (possessor/PR) dan “yang dimiliki” (possessum/PM). Berdasarkan hasil analisis data ditemukan hasilnya adalah pertama, tipe utama konstruksi posesif yang ditemukan dalam cerita pendek There Will Come Soft Rains karya Ray Bradbury adalah dominan tipe hubungan atribut. Kedua, hubungan posesif antara (possessor/PR) dan “yang dimiliki” (possessum/PM) dalam konstruksi posesif yang ditemukan ada tiga unsur, yaitu hubungan Hubungan kepemilikan, Hubungan keseluruhan-sebagian, dan Hubungan sesuatu dan atributnya.

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48

Renner, Karen J. "Seduction, Prostitution, and the Control of Female Desire in Popular Antebellum Fiction." Nineteenth-Century Literature 65, no. 2 (September 1, 2010): 166–91. http://dx.doi.org/10.1525/ncl.2010.65.2.166.

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Karen J. Renner, "Seduction, Prostitution, and the Control of Female Desire in Popular Antebellum Literature" (pp. 166––191) During the antebellum era, increased attention to the prostitute coincided with a prevalent conception of women as, in Nancy Cott's words, essentially "passionless" unless aroused by sincere romantic love. Yet it seems paradoxical that this ideology existed alongside an increasing awareness of women whose livelihood depended upon manufacturing and marketing sexual desire. In this essay I argue that the prostitute became an object of antebellum fascination and concern less because of her defiance of the ideology of passionlessness and more because of the extent to which she could be made to reinforce this ideology. Casting the prostitute as a victim of seduction preserved predominant beliefs about the dependency of female desire on male impetus. The popular novels of George Thompson and Osgood Bradbury elide the sexual autonomy of the prostitute by making her a victim of men, but they do so in different ways. Thompson employs two variants of the seduction narrative that differ according to class, but both result in the subjection of female desire to male control. His indigent females are chaste victims of violent forms of sexual exploitation, while his licentious rich women reveal an inherent tendency toward monogamy or an inability to command their own aberrant desires. Bradbury, in contrast, is remarkable for his willingness to allow fallen women and prostitutes the chance to reform. As refreshingly progressive as Bradbury's novels seem, however, his adherence to the seduction narrative ultimately suggests that female desire is doomed to dissatisfaction unless properly channeled toward working-class men.

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Kahan, Jeffrey. "Ray Bradbury and the “Tower of Babel,” or Why Great Literature is Good for Nothing." New Ray Bradbury Review, no. 7 (August 27, 2023): 17–33. http://dx.doi.org/10.18060/27568.

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The idea that sci-fi, at least good sci-fi, has a thinly veiled social message, that it is always addressing the now, naturally suggests that Fahrenheit 451 has a utilitarian message for its readers. That message seems straightforward enough: reading imaginative literature is good for us and good for society. This message, however, is negated by Bradbury’s own statements on literature: “The fact is, any literature whose function it is to teach, ceases to be literature as such; it becomes didactic literature, which is the color of another horse. When literature becomes obsessed by ideas as such, it is no longer literature.” While literature may have no utility, no social value, Bradbury speculates that without art, humans inevitably create a market-driven, media-dominated culture, a “nice blend of vanilla tapioca,” in which no one makes any great impression. Great literature nullifies and transcends the ordered and the ordinary; it is good for nothing because it negates everything.

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Bradbury, Aaron, and Claire Hewson. "REVIEWS." Early Years Educator 23, no. 6 (January 2, 2022): 40–41. http://dx.doi.org/10.12968/eyed.2022.23.6.40.

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