Log in

Relevant bibliographies by topics / Brahms quintet

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Brahms quintet'

Author: Grafiati

Published: 24 June 2021

Last updated: 29 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Brahms quintet.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Brahms quintet"

1

Dibley, Tom, and Colin Lawson. "Brahms: Clarinet Quintet." Galpin Society Journal 52 (April 1999): 342. http://dx.doi.org/10.2307/842539.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

McClelland, Ryan. "Tonal and Rhythmic-Metric Process in Brahms's Early C-Minor Scherzos." Articles 26, no. 1 (2012): 123–47. http://dx.doi.org/10.7202/1013246ar.

Full text

Abstract:

The scherzos Brahms composed for his Piano Quintet in F Minor, Op. 34 (1862; rev. 1864) and for the Dietrich-Schumann-Brahms F-A-E violin sonata (1853) are dramatic, C-minor pieces that allude to works of Beethoven's middle period. Both scherzos open with tonal and rhythmic-metric dissonance and end with tonal and rhythmic-metric consonance, yet there are significant refinements in Brahms's handling of these global progressions in the piano quintet scherzo. The piano quintet scherzo engages a smaller network of interrelated dissonances, intensifies these dissonances throughout the movement, an

APA, Harvard, Vancouver, ISO, and other styles

3

Horne, William. "Beethoven's String Quintet in C major, Op. 29, and Brahms's String Sextets: A Wallflower Blooms." Nineteenth-Century Music Review 18, no. 2 (2021): 241–68. http://dx.doi.org/10.1017/s1479409820000269.

Full text

Abstract:

Beethoven's String Quintet, Op. 29, has been described as a ‘wallflower’ work that, without enough suitors, remains on the sidelines of the string chamber music repertoire. But in the nineteenth century it had a prominent champion, Joseph Joachim, whose performances of the quintet must have attracted the attention of his close friend, Johannes Brahms. The opening theme of Brahms's String Sextet, Op. 18, is clearly reminiscent of the beginning of Beethoven's quintet. Evidence from Donald Francis Tovey's recollections of Joachim, Joachim's correspondence with the Brahms biographer Max Kalbeck, a

APA, Harvard, Vancouver, ISO, and other styles

4

Startsev, Dmytro. "GRAPHICAL REPRESENTATION J. BRAHMS’ COMPOSITIONAL TECHNIQUE IN PIANO QUINTET IN F MINOR OP. 34." Aspects of Historical Musicology 25, no. 25 (2021): 106–24. http://dx.doi.org/10.34064/khnum2-25.05.

Full text

Abstract:

Under analysis is the issue of notation functioning as a sign system in the process of fixing a musical work, which is relevant in modern musicology. Scientific publications outline various aspects of musical semiotics, but do not highlight the relationship between the specifics of compositional techniques and ways of its rendering. Graphic signs are studied in the proposed article from the standpoint of this relationship which determines the scientific novelty of the results. The purpose of the research is to reveal the ways of graphic representation of the composer’s technique in the musical

APA, Harvard, Vancouver, ISO, and other styles

5

Todd, R. Larry. "Late Brahms, Ancient Modes." Nineteenth-Century Music Review 15, no. 3 (2018): 421–42. http://dx.doi.org/10.1017/s1479409818000319.

Full text

Abstract:

History has often viewed Brahms as a Janus-faced composer who turned his gaze backward to contemplate the accumulated riches of music history even as he sought late in his career to exploit new means of musical expression. On the one hand, he habitually collected passages from a long line of composers that breached the traditional prohibition against parallel fifths and octaves; he exchanged ideas with musicologists such as Nottebohm, Mandyczewski and Adler, and read early issues of the Vierteljahrsschrift für Musikwissenschaft; and he indulged from time to time in a distinctive musical histor

APA, Harvard, Vancouver, ISO, and other styles

6

Kim, Ji-Young. "A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms." 19th-Century Music 46, no. 3 (2023): 217–43. http://dx.doi.org/10.1525/ncm.2023.46.3.217.

Full text

Abstract:

In the 1830s, Robert Schumann wrote Impromptus on a Romance by Clara Wieck (op. 5), a set of variations on the theme from Wieck’s Romance variée (op. 3). In the 1850s, Clara Schumann wrote variations (op. 20) on an “Albumblatt” from Robert Schumann’s Bunte Blätter (op. 99), which stimulated Brahms to write his own variations (op. 9) on the same theme. Clara and Brahms linked the two temporal nodes together by quoting the melody shared by Clara and Robert’s youthful ops. 3 and 5 in their later ops. 20 and 9. These borrowings have stimulated interpretations that revolve around representations of

APA, Harvard, Vancouver, ISO, and other styles

7

Beller-McKenna, Daniel. "Imagination and Memory: Inter-movement Thematic Recall in Beethoven and Brahms." Nineteenth-Century Music Review 18, no. 2 (2021): 283–308. http://dx.doi.org/10.1017/s1479409820000294.

Full text

Abstract:

Like several of his predecessors, Brahms reintroduces themes from one movement into a later one in several of his instrumental works. Historical circumstances and changing historical consciousness affected a composer's use of thematic recall. For Beethoven (per Elaine Sisman) recalling an earlier theme provided the creative stimulus to move forward to the end of a piece, in accordance with the linear concept of history that defined Beethoven's Enlightenment world view. Brahms's use of inter-movement thematic recall often expresses a more wistful and melancholy view of the past and focuses on t

APA, Harvard, Vancouver, ISO, and other styles

8

Soondo Hwang. "Concealed V-I Progression: An Analytical Study on the Dynamic Aspect in the Clarinet Quintet of Brahms and Reger." Music and Culture ll, no. 36 (2017): 127–69. http://dx.doi.org/10.17091/kswm.2017..36.127.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Шлифштейн, Наталия Семёновна. "Notes on Sonata Cycle of Cross-Cutting Development in Brahms' Chamber Music." Музыкальная академия, no. 1(773) (March 31, 2021): 156–69. http://dx.doi.org/10.34690/136.

Full text

Abstract:

Развитие искусства, по словам Пастернака, подчиняется закону притяжения. Один из многочисленных примеров этому - бетховенская идея цикла сквозного развития, мимо которой не прошел ни один из последующих композиторов: от Шопена (Соната b-moLL) до Брукнера и Малера. Значительное место в этом процессе принадлежит Брамсу. В публикуемых «Заметках...» на примере шести различных по составу и времени написания камерно-инструментальных ансамблей композитора - фортепианных трио op. 8 (вторая редакция) и op. 40, струнных квартетов op. 51 и op. 67, Кларнетового квинтета op. 115 - обнаруживается разнообраз

APA, Harvard, Vancouver, ISO, and other styles

10

Vondráček, David. "Dohnányi und die Tradition Das Klavierquintett Nr. 2 es-Moll, op. 26 (1914)." Studia Musicologica 59, no. 3-4 (2018): 301–8. http://dx.doi.org/10.1556/6.2018.59.3-4.3.

Full text

Abstract:

Abstract Dohnányi's Second Piano Quintet in E-flat minor was written in 1914 and is less well-known than his first one dating from 1895. The composer has been called a traditionalist, so it is worth examining how tradition appears in this work. The outer movements of the three-movement-form are both elegiac and weighty. The beginning bears the key signature of E-flat major instead of minor, but the keys are changing rapidly as the piece progresses. This is reminiscent of Franz Schubert or of Antonín Dvořák, for instance in his Piano Quartet (op. 87) inspired by Brahms. The third movement's ope

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Brahms quintet"

1

McConnell, Michael (Woodwind instrument player). "A Grundgestalt Analysis of the Clarinet Trio and Clarinet Quintet by Johannes Brahms." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538725/.

Full text

Abstract:

The Grundgestalt (Ger: 'basic shape') is a term coined by Arnold Schoenberg to describe the basis for coherence within a musical composition. Although neither precisely defined, nor adequately supported by examples from his literature, the Grundgestalt remains an important facet of Schoenbergian theory. Composed of several gestalten that occur repeatedly, Schoenberg's Grundgestalt functions as a germinating factor within a piece that allows its motivic, thematic, and rhythmic information to become more accessible through their frequent repetition and diverse presentation. In addition to Schoen

APA, Harvard, Vancouver, ISO, and other styles

2

Rubio, Carrion Maria. "Performance and analysis of Brahms quintet op. 115 for clarinet and string quartet : Searching for a deeper interpretation." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4156.

Full text

Abstract:

In this thesis, I have studied the composer Johannes Brahms. I have talked about the background and history of his Quintet in B minor for clarinet and string quartet and I have then analyzed the piece. The purpose of this thesis is to find lesser known but significant information about Brahms to help other clarinetists when they have to perform this important piece of clarinet repertoire. Moreover, my artistic questions are if one piece can change your perception or your way to play it after doing a deep analysis and if the interpretation is in a way stronger than before. I decided to analyze

APA, Harvard, Vancouver, ISO, and other styles

3

Oliver, Gertruida Johanna. "Brahms’s Sonata/Quintet Opus 34 : pianism as facilitating concept in establishing the link between technique and interpretation." Thesis, University of Pretoria, 2014. http://hdl.handle.net/2263/40241.

Full text

Abstract:

Primarily the writer was interested in the relationship between technique and interpretation in the concept of pianism, especially in the music of Brahms, because of the technical difficulties thereof. In this study the truism that technique = interpretation is the focus point. After giving many different opinions about this, the writer brings it into context with Brahmsian pianism specifically. It is made clear how Brahms used certain techniques for certain soundworlds that he wanted to create, in order to reach a certain interpretation, and that there are recurring technical procedures in op

APA, Harvard, Vancouver, ISO, and other styles

4

Ryan-Hirst, Thomas F. "DNAlien." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1241838550.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Simpson, Stacy L. "MUSIC FOR BRASS QUINTET WITH ORCHESTRAL ACCOMPANIMENT: COMMISSIONED WORKS, THE ANNAPOLIS BRASS QUINTET, AND A SURVEY OF LITERATURE FOR BRASS QUINTET AND ORCHESTRA." UKnowledge, 2016. http://uknowledge.uky.edu/music_etds/67.

Full text

Abstract:

Today’s leading brass chamber ensemble is the brass quintet, whose inception was relatively late compared to the string quartet or woodwind quintet. The first modern brass quintet formed in the 1950s, while the first string quartet can be traced to the 17th century. Compositions for woodwind quintet were written as early as 1811 during the Classical Period. The New York Brass Quintet, American Brass Quintet, and Annapolis Brass Quintet commissioned a large portion of the currently existing brass quintet literature. The literature grew exponentially as the brass quintet became popular in the 19

APA, Harvard, Vancouver, ISO, and other styles

6

Sorensen, Randall J. "Original repertoire for the American Brass Quintet, 1962-1987 : a guide for performers and composers." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1118241.

Full text

Abstract:

This dissertation examines the following works from the original repertoire of the American Brass Quintet (ABQ): Charles Whittenberg, Triptych for Brass Quintet; Ralph Shapey, Brass Quintet; Gilbert Amy, Relais; William Lovelock, Suite for Brass; Leonardo Balada, Mosaico; Virgil Thomson, Family Portrait; Elliott Carter, Brass Quintet; Jacob Druckman, Other Voices; Robert Starer, Evanescence; Dan Welcher, Brass Quintet; Vladimir Ussachevsky, Dialogues and Contrasts; David Sampson, Morning Music; Maurice Wright, Quintet; and Eric Ewazen, Colchester Fantasy. These works represent a small part of

APA, Harvard, Vancouver, ISO, and other styles

7

Bailey, Megan (Trumpeter). "A Pedagogical Guide to Brass Quintet Repertoire for the Trumpet." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538791/.

Full text

Abstract:

In today's rapidly changing performing arts market, trumpet players are required to be more versatile than ever. Trumpet performing jobs are diversifying and for a trumpeter, employment often requires the multi-faceted skill set that includes the ability to perform in all styles and settings ranging from jazz to classical, solo to large ensemble and brass quintet. As the demand for the brass quintet medium has grown, the study of chamber music repertoire has also become a common requirement in collegiate music programs. However, coaching in chamber music is limited, sometimes to as little as o

APA, Harvard, Vancouver, ISO, and other styles

8

Goforth, Stephen Tucker Pezel Johann Scheidt Samuel. "Baroque ornamentation practices applied to transcriptions for the modern brass quintet using selected compositions of Johann Pezel and Samuel Scheidt /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Milet, Roberto Wagner. "A articulação na obra Charanga Jazz Mambo a partir da influência da música afro-cubana." Universidade Federal de Goiás, 2013. http://repositorio.bc.ufg.br/tede/handle/tede/3617.

Full text

Abstract:

Submitted by Erika Demachki (erikademachki@gmail.com) on 2014-11-17T15:59:27Z No. of bitstreams: 2 Dissertação - Roberto Wagner Milet - 2013.pdf: 17434513 bytes, checksum: 0ee0963d0e5595b4ddbde4ce3aafe57f (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2014-11-17T18:39:32Z (GMT) No. of bitstreams: 2 Dissertação - Roberto Wagner Milet - 2013.pdf: 17434513 bytes, checksum: 0ee0963d0e5595b4ddbde4ce3aafe57f (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD

APA, Harvard, Vancouver, ISO, and other styles

10

Stowman, William J. (William John). "A Guide for the Preparation, Analysis and Performance of the Brass Quintet Literature of Thom Ritter George, with Three Recitals of Selected Works by Bach, Bitsch, Handel, Torelli, Suderberg, Ketting and Others." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935818/.

Full text

Abstract:

An examination of the musical style, compositional techniques and performance practice issues of American composer Thom Ritter George with special attention paid to his Quintet No. 4 written in 1986. The document also includes a short history of brass instruments in chamber music, history of the brass quintet in America, discussion of the role of the trumpet in the quintet, overview of the composers contributions to music and brass quintet in America, discussion of the role of the trumpet in the quintet, overview of the composers contributions to music and brass quintet, and background informa

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Brahms quintet"

1

Lawson, Colin. Brahms, clarinet quintet. Cambridge University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Gray, Edwin John. Analytical approaches to Brahms, using the Clarinet quintet op 115 as a case study. The Author], 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Adolphe, Bruce. Triskelion: Brass quintet (1990). MMB Music, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Morawetz, Oskar. Sonata for brass quintet. Jaymar Music, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Grier, Jon. Five: For brass quintet. Brass Music, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

House, Lawrence. Music for chorus and brass quintet. Dept. of Music, University of Saskatchewan, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Solomon, Edward S. The last goodbye: For brass quintet. Southern Music Co., 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Huggler, John. Three studies for brass quintet. Nichols Music, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Kirk, Theron. Sinfonia for brass quintet. Southern Music Co., 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Tull, Fisher. Olympic fanfare: For brass quintet. Boosey & Hawkes, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Brahms quintet"

1

"Brahms and the orchestral clarinet." In Brahms: Clarinet Quintet. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139166904.003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

"Preface." In Brahms: Clarinet Quintet. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139166904.001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

"The nineteenth-century clarinet and its music." In Brahms: Clarinet Quintet. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139166904.002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

"Brahms's chamber music before 1891." In Brahms: Clarinet Quintet. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139166904.004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

"The genesis and reception of the Clarinet Quintet." In Brahms: Clarinet Quintet. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139166904.005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

"Design and structure." In Brahms: Clarinet Quintet. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139166904.006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

"Performance practice." In Brahms: Clarinet Quintet. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139166904.007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

"The legacy of Brahms's clarinet music." In Brahms: Clarinet Quintet. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139166904.008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

"Notes." In Brahms: Clarinet Quintet. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139166904.012.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

"Select bibliography." In Brahms: Clarinet Quintet. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139166904.013.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Brahms quintet"

1

"PS-115 - AUTOLESIONES: ¿CONDUCTA ADICTIVA?" In 24 CONGRESO DE LA SOCIEDAD ESPAÑOLA DE PATOLOGÍA DUAL. SEPD, 2022. http://dx.doi.org/10.17579/abstractbooksepd2022.ps115.

Full text

Abstract:

Presentación del caso: Adolescente mujer de 13 años derivada por primera vez a salud mental, tras haber descubierto autolesiones en ambos brazos y piernas. Nacida en Ecuador, padres separados hace 4 años, trasladándose con su madre a España hace 3 años, escasa relación con el padre. Es la quinta de una fratría de cinco hermanos. Actualmente vive con su madre. Cursa primero de educación secundaria con dificultades para la adaptación al nuevo colegio. Niega antecedentes familiares en salud mental. En la primera entrevista refirió haber visto este tipo de prácticas por Internet y empezó a realiza

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!