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Journal articles on the topic 'Braid in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Daugherty, Zajj, and Arun Ram. "Two boundary Hecke algebras and combinatorics of type C." Annals of Representation Theory 2, no. 3 (2025): 355–404. https://doi.org/10.5802/art.27.

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This paper gives a Schur–Weyl duality approach to the representation theory of the affine Hecke algebras of type C with unequal parameters. The first step is to realize the affine braid group of type C k as the group of braids on k strands with two poles. Generalizing familiar methods from the one pole (type A) case, this provides commuting actions of the quantum group U q 𝔤 and the affine braid group of type C k on a tensor space M⊗N⊗V ⊗k . Special cases provide Schur–Weyl pairings between the affine Hecke algebra of type C k and the quantum group of type 𝔤𝔩 n , resulting in natural labelings

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Borisov, Yuri. "THE CONCEPT OF “HERO’S BRIDE” IN THE EARLY TEXTS OF THE YAKUT OLONKHO: A PHENOMENOLOGICAL ASPECT." Проблемы исторической поэтики 21, no. 2 (2023): 66–85. http://dx.doi.org/10.15393/j9.art.2023.12222.

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The article considers the concept of “hero’s bride” in the context of the phenomenological approach based on six early texts of the Yakut Olonkho. In these texts we identified 28 suggestive epic formulas that are the main means of representing the concept being studied. As a result of the study, it was found that the nominative density of the concept “hero’s bride” includes the concepts of “female beauty,” “portrait,” “body,” “youngest daughter,” “needlework,” “clothes,” “braid,” “skylark.” The analysis of these concepts allowed to reveal the aesthetic preferences of female beauty in the minds

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Wang, Jingyu, Pengpeng Li, and Mengyao Wang. "Complex Structure of Braid in Fiber Art Creation with Multisensor IoT Technology." Journal of Sensors 2022 (July 4, 2022): 1–13. http://dx.doi.org/10.1155/2022/6358247.

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Fiber-fabric composites have the characteristics of lighter texture, higher strength, higher damage resistance, better toughness, and flexibility than laminated composites, but their complex structures have not been well studied. This paper is aimed at study the complex structure of woven fabrics in fiber art creation based on multisensor Internet of Things technology and at studying the impact of its composite material mechanical properties. In this paper, it is proposed to use glass fibers and carbon fibers to weave the required structural preforms in a two-dimensional braiding machine and t

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Kalyanpur, Aditya, Tom Breloff, and David A. Ferrucci. "Braid: Weaving Symbolic and Neural Knowledge into Coherent Logical Explanations." Proceedings of the AAAI Conference on Artificial Intelligence 36, no. 10 (2022): 10867–74. http://dx.doi.org/10.1609/aaai.v36i10.21333.

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Traditional symbolic reasoning engines, while attractive for their precision and explicability, have a few major drawbacks: the use of brittle inference procedures that rely on exact matching (unification) of logical terms, an inability to deal with uncertainty, and the need for a precompiled rule-base of knowledge (the “knowledge acquisition” problem). To address these issues, we devise a novel logical reasoner called Braid, that supports probabilistic rules, and uses the notion of custom unification functions and dynamic rule generation to overcome the brittle matching and knowledge-gap prob

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Sensors, Journal of. "Retracted: Complex Structure of Braid in Fiber Art Creation with Multisensor IoT Technology." Journal of Sensors 2023 (December 13, 2023): 1. http://dx.doi.org/10.1155/2023/9872602.

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Yasa, I. Gede Janu Merta, and Ni Putu Tisna Andayani. "Tabuh Lelambatan Klakat Sudhamala: A New Creative Musical Composition | Tabuh Lelambatan Klakat Sudhamala: Sebuah Komposisi Karawitan Kreasi Baru." GHURNITA: Jurnal Seni Karawitan 1, no. 1 (2023): 37–46. http://dx.doi.org/10.59997/jurnalsenikarawitan.v1i1.191.

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The process of creating works of art, especially musical art, has begun to develop following the times. The development is in the process of creativity in the creation of musical art, it can be seen from the musical elements in musical art. In musical art it is very important in the process of creating a strong work of art for a renewal of tradition so that it can be said as creative music. The composer is interested to appoint the klakat sudamala which is woven bamboo as a braid of the composition of the drum percussion which is woven bamboo as an interwoven composition of the percussion of t

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Sumanto, Edi. "Filosifis dalam Acara Kuda Lumping." Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora 5, no. 1 (2022): 42–49. http://dx.doi.org/10.31539/kaganga.v5i1.3758.

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The purpose of this study was to determine the philosophy contained in the activities of the Kuda Lumping event. The type of research used is the library research method. The results showed that the activities at the Kuda Lumping art event were a form of traditional art that existed in our country from the many popular arts and cultural activities that featured various kinds of decorations such as soldiers riding a piggyback which is often called a braid horse that uses gamelan music and dances. drum (song). The conclusion of this research is Kuda Lumping is an ancient art form that contains c

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Septyansyah, Ridho Bagas, Supriando Supriando, and Delfi Enida. "Perkembangan Gending Dalam Pertunjukan Kuda Kepang Di Desa Tegal Arum Rimbo Bujang Provinsi Jambi (Development of Gending in the Braided Horse Show in Tegal Arum Rimbo Bujang Village, Jambi Province)." Musica: Journal of Music 3, no. 2 (2023): 92. https://doi.org/10.26887/musica.v3i2.3878.

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GGending merupakan bagian yang sangat penting dalam pertunjukan kesenian tradisional Jawa kuda kepang, karena Gending berfungsi sebagai musik yang untuk mengiringi tarian dalam pertunjukan kuda kepang. Kuda kepang telah lama tumbuh dan berkembang di pulau Jawa. Namun kemudian kesenian ini mulai tersebar di luar pulau Jawa sebagai akibat dari difusi kebudayaan, sehingga dimungkinkan terjadi perkembangan Gending dalam pertunjukan kuda kepang di wilayah baru dengan kawasan yang bernama Rimbo Bujang. Tujuan dari penelitian ini adalah untuk mengetahui perkembangan Gending pada pertunjukan kuda kepa

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Saputra, Andri, and Syeilendra Syeilendra. "PENYAJIAN TAMBUA TANSA D PALANO’S ART PADA UPACARA PESTA PERKAWINAN DI LUBUK BASUNG KABUPATEN AGAM." Jurnal Sendratasik 9, no. 4 (2020): 27. http://dx.doi.org/10.24036/jsu.v9i1.109537.

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This study aims to describe the presentation of TambuaTansaD'palanos Art at a wedding party in LubukBasung, Agam Regency.This study belongs to a qualitative research using descriptive method. The object of this research was the TambuaTansa D palano's Art Group in LubukBasung, Agam Regency. The instrument of this research was the researcheritself and was assisted by supporting instruments such as stationery, laptops, and cellphones. The data were collected through observation, interview, and documentation.In the results of the study, the author concludes that the presentation of TambuaTansa D p

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Istanto, Heni, Kustiani Kustiani, and Widiyono Widiyono. "Nilai-Nilai Pendidikan Seni Kuda Kepang Wahyu Krido Budoyo dalam Perspektif Pendidikan Buddhis." Jurnal Pencerahan 11, no. 1 (2018): 36–45. http://dx.doi.org/10.58762/jupen.v11i1.9.

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The purpose of the research is to describe the educational values of Wahyu Krido Budoyo kuda kepang folk art at village Lamuk in Buddhist educational perspective. The research was motivated by not know the value of the art of horses education braid as learning facilities for members. In addition, art benefits also work for the media learning informal education and supervision promiscuity in society. This research will answer the questions about model, implementation and impact of educacional values of Wahyu Krido Budoyo Kuda Kepang Folk Art in Buddhist educational perspective. Descriptive qual

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Ramesham, Rajeshuni, Amarit Kitiyakara, Richard Redick, and Eric T. Sunada. "Qualification of Bonding Process of Temperature Sensors to Extreme Temperature Deep Space Missions**." Journal of Microelectronics and Electronic Packaging 7, no. 2 (2010): 67–72. http://dx.doi.org/10.4071/1551-4897-7.2.67.

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A process has been explored based on state of the art technology to bond a platinum resistance thermometer (PRT) on potential aerospace materials such as a flat aluminum surface and a flexible copper tube to simulate coaxial cable for flight applications. Primarily, PRTs were inserted into a metal plated copper braid to avoid stresses on the sensor while attaching the sensor with braid to the base material for long duration deep space missions. Appropriate pretreatment has been implemented in this study to enhance the adhesion of the PRTs to the base material. The NuSil product was chosen in t

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Widyanto, Afif. "JARANAN TURONGGO SEKTI: TINJAUAN ETNOGRAFI ANALITIS DARI SUDUT PANDANG UNSUR-UNSUR KEBUDAYAAN." Jurnal Pendidikan Seni dan Industri Kreatif: Sendikraf 4, no. 1 (2024): 15–24. http://dx.doi.org/10.70571/psik.v4i1.67.

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The purpose of the current study is to describe the existence of Jaranan Turonggo Sekti as an art productin Suruh Village Trenggalek which is reviewed from the analytical ethnography with the approach ofelements of culture. The underlying concept of Koentjaraningrat’s ethnography framework (2015) wasemployed, stating that there are seven elements of culture, namely (1) religion and religious ceremonies,(2) system of social organization, (3) knowledge system. (4) language. (5) arts, (6) economic system andlivelihood, and (7) living equipment and technology system. In traditional culture, seven

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Ramadhan, Iwan, Haris Firmansyah, Nur Meily Adlika, Hadi Wiyono, and Astrini Eka Putri. "KUDA KEPANG BARONGAN : EKSISTENSI KEBUDAYAAN ETNIS JAWA DI PONTIANAK SEBAGAI SUMBER BELAJAR IPS." Jurnal PIPSI (Jurnal Pendidikan IPS Indonesia) 8, no. 2 (2023): 147. http://dx.doi.org/10.26737/jpipsi.v8i2.3956.

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<div><p>The purpose of this study was to describe the early history of the formation of the Kuda Kepang Barongan culture, the views of the community on culture and the impact and existence of the Kuda Kepang Barongan culture in Pontianak by the Margo Tresno Association, the methods used were observation, in-depth interviews with informants, the results, the traditional art of Kuda Kepang Barongan that grows and develops in Pontianak City thanks to the Margo Tresno Association is evidence of the acculturation of Javanese ethnicity in Pontianak. Obtained were early history Initially,

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Prabandari, Shadewi Noorita, and Sestri Indah Pebrianti. "NILAI SOSIAL DALAM PERTUNJUKAN KUDA KEPANG SANGGAR WAHYU BUDOYO DI DESA LEGOKKALONG, KABUPATEN PEKALONGAN." Joged 22, no. 2 (2023): 181–90. https://doi.org/10.24821/joged.v22i2.11277.

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ABSTRAKSanggar Wahyu Budoyo merupakan sanggar atau paguyuban kesenian yang masih melestarikan kuda kepang yang diajarkan ke generasi muda daerah setempat. Kuda kepang Wahyu Budoyo memiliki dua jenis tarian yaitu tari putra dan putri, dari segi bentuk gerak dan iringan memiliki perbedaan yang menjadi keunikan dari Tari Kuda Kepang Sanggar Wahyu Budoyo. Tema dari Tari Kuda Kepang Sanggar Wahyu Budoyo yaitu keprajuritan yang mana menggunakan rujukan cerita pasukan berkuda yang sedang berlatih dan bersiap untuk berperang melawan musuh. Selain bentuk tarinya dalam pertunjukan kuda kepang Sanggar Wa

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15

Brar, Victor. "“The Scream”: Using the Visual Critical Pedagogy of Subversive Indigenous Art in the Elementary Classroom to Discomfort the Comforted and Activate the Empathic, Ethical, and Relational Dimensions of Reconciliation." Journal of Contemporary Issues in Education 18, no. 2 (2023): 53–69. http://dx.doi.org/10.20355/jcie29581.

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This paper uncovers my journey as K-12 practitioner in British Columbia towards exploring the use of “subversive art” as a “visual critical pedagogy” (Gil-Glazier,2015; Naidus,2005; Peters, 2016; Zorilla & Tisdell, 2016) to advance my students and myself towards reconciliation with Indigenous Peoples in Canada. I use the powerfully unsettling painting done by Cree artist, Kent Monkman, titled “The Scream”, as a springboard for this inquiry. “The Scream” provides an Indigenous counternarrative to the colonial versions of residential school histories and has the potential to progress practit

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Shigurova, Tat'yana Alekseevna, and Elena Nikolaevna Mokshina. "Mordvinian-Moksha female breastplate: the dynamics of shaping." Человек и культура, no. 2 (February 2025): 144–57. https://doi.org/10.25136/2409-8744.2025.2.73944.

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In the article, the author addresses the study of the cultural aspects of a unique accessory of traditional Moksha clothing, the nakosnik puloker. The reasons for the millennia-long appeal of the nakosnik, which has become a symbol not only of the Moksha woman but also of Mordovian culture, are considered. Moreover, it is important to understand the origins of the modifications in the form of the nakosnik that followed from the 10th century. The absence of scientific works on the topic emphasizes the relevance of the ongoing research. The results of studying this unique ethnic symbol of the Mo

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17

Gordon, Evian. "‘Brain Art’." Australasian Psychiatry 11, no. 2 (2003): 228–30. http://dx.doi.org/10.1046/j.1440-1665.2003.00558.x.

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18

Zeki, S., and M. Lamb. "The neurology of kinetic art." Brain 117, no. 3 (1994): 607–36. http://dx.doi.org/10.1093/brain/117.3.607.

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Perry, Weena. "Art as Brand." Afterimage 28, no. 2 (2000): 16. http://dx.doi.org/10.1525/aft.2000.28.2.16.

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Zaniol, Giulia. "Brand Art Sensation." Cultural Politics 12, no. 1 (2016): 49–53. http://dx.doi.org/10.1215/17432197-3436355.

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Holland, Brad. "Art: Brad Holland." Baffler 21 (November 2012): 3. http://dx.doi.org/10.1162/bflr_a_00117.

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Holland, Brad. "Art: Brad Holland." Baffler 22 (March 2013): 3. http://dx.doi.org/10.1162/bflr_a_00149.

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Holland, Brad. "Art: Brad Holland." Baffler 23 (July 2013): 3. http://dx.doi.org/10.1162/bflr_a_00188.

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Holland, Brad. "Art: Brad Holland." Baffler 24 (November 2013): 3. http://dx.doi.org/10.1162/bflr_a_00226.

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Holland, Brad. "Art: Brad Holland." Baffler 25 (March 2014): 3. http://dx.doi.org/10.1162/bflr_a_00262.

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Scanlan, Aaron, Zhan Zhang, Rajeth Koneru, et al. "A Rationale and Approach to the Development of Specific Treatments for HIV Associated Neurocognitive Impairment." Microorganisms 10, no. 11 (2022): 2244. http://dx.doi.org/10.3390/microorganisms10112244.

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Neurocognitive impairment (NCI) associated with HIV infection of the brain impacts a large proportion of people with HIV (PWH) regardless of antiretroviral therapy (ART). While the number of PWH and severe NCI has dropped considerably with the introduction of ART, the sole use of ART is not sufficient to prevent or arrest NCI in many PWH. As the HIV field continues to investigate cure strategies, adjunctive therapies are greatly needed. HIV imaging, cerebrospinal fluid, and pathological studies point to the presence of continual inflammation, and the presence of HIV RNA, DNA, and proteins in t

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Seth, Anil K. "From Unconscious Inference to the Beholder’s Share: Predictive Perception and Human Experience." European Review 27, no. 3 (2019): 378–410. http://dx.doi.org/10.1017/s1062798719000061.

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Science and art have long recognized that perceptual experience depends on the involvement of the experiencer. In art history, this idea is captured by Ernst Gombrich’s ‘beholder’s share’. In neuroscience, it traces to Helmholtz’s concept of ‘perception as inference’, which is enjoying renewed prominence in the guise of ‘prediction error minimization’ (PEM) or the ‘Bayesian brain’. The shared idea is that our perceptual experience – whether of the world, of ourselves, or of an artwork – depends on the active ‘top-down’ interpretation of sensory input. Perception becomes a generative act, in wh

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Corballis, Michael C. "Art on the Brain." Contemporary Psychology: A Journal of Reviews 37, no. 9 (1992): 950. http://dx.doi.org/10.1037/032611.

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Fedoseev, Denis A., Vassily O. Manturov, and Zhiyun Cheng. "On marked braid groups." Journal of Knot Theory and Its Ramifications 24, no. 13 (2015): 1541005. http://dx.doi.org/10.1142/s0218216515410059.

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In this paper, we introduce [Formula: see text]-braids and, more generally, [Formula: see text]-braids for an arbitrary group [Formula: see text]. They form a natural group-theoretic counterpart of [Formula: see text]-knots, see [V. O. Manturov; Reidemeister moves and groups, preprint (2014), arXiv:1412.8691]. The underlying idea used in the construction of these objects — decoration of crossings with some additional information — generalizes an important notion of parity introduced by the second author (see [V. O. Manturov, Parity in knot theory, Sb. Math. 201(5) (2010) 693–733]) to different

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30

Schleimer, Saul, and Bert Wiest. "Garside theory and subsurfaces: Some examples in braid groups." Groups Complexity Cryptology 11, no. 2 (2019): 61–75. http://dx.doi.org/10.1515/gcc-2019-2007.

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Abstract Garside-theoretical solutions to the conjugacy problem in braid groups depend on the determination of a characteristic subset of the conjugacy class of any given braid, e.g. the sliding circuit set. It is conjectured that, among rigid braids with a fixed number of strands, the size of this set is bounded by a polynomial in the length of the braids. In this paper we suggest a more precise bound: for rigid braids with N strands and of Garside length L, the sliding circuit set should have at most {C\cdot L^{N-2}} elements, for some constant C. We construct a family of braids which realis

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Ivzhenko, Inna, Ganna Ganna, Iryna Demchenko, Liudmyla Dzhyhun, Vitalina Lytvynenko, and Olha Kacherova. "Art Therapeutic Techniques to Provide Psychological Assistance." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 13, no. 4 (2022): 68–80. http://dx.doi.org/10.18662/brain/13.4/376.

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The article considers art-therapeutic means for adults and children during the war. The relevance of the article is to help children and adults to use art therapy to develop vitality, psycho-emotional recovery, adaptation to new social conditions, the formation of emotional and volitional self-regulation of behavior. Objective of the article: to find out the essence of art therapy; to study the consequences of adults and children during wars; consider popular art-therapeutic techniques for the treatment of psychological disorders in victims. Methods: analysis of scientific literature, system a

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Hagtvedt, Henrik, and Vanessa M. Patrick. "Art and the brand: The role of visual art in enhancing brand extendibility." Journal of Consumer Psychology 18, no. 3 (2008): 212–22. http://dx.doi.org/10.1016/j.jcps.2008.04.010.

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Alfano, Veronica. "Brain-computer Interfaces and Art: Toward a Theoretical Framework." International Journal of Humanities and Arts Computing 13, no. 1-2 (2019): 182–95. http://dx.doi.org/10.3366/ijhac.2019.0235.

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Art that incorporates brain-computer interface (or BCI) technology sheds fresh light on several aspects of aesthetic theory. Because it is radically interactive and can permit viewers or listeners to modify a work directly by means of their cerebral activity, such art illuminates the role of audience members in shaping that work's meaning; in this way, it literalizes reader-response theory and allows the public to engage even with opaque or alienating pieces. BCI-based art also reframes the significance of the artist's intentions, prompting a reconsideration of the truism that ‘the author is d

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Savytska, Olha, Veronika Shkrabiuk, Valentyna Pedorenko, Svitlana Sytnik, Victoriia Naichuk, and Victoriia Nazarevych. "Art Therapy as a Means of Psychological Correction of Emotional Disorders." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 13, no. 4 (2022): 196–211. http://dx.doi.org/10.18662/brain/13.4/383.

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The article reveals the essence and specificity of psychologically corrective work with the help of art therapy in the theoretical and methodological analysis of the problem of correction of emotional disorders. Types of emotional disorders, their causes, and also directions of art therapy and some rules of introduction of art therapy techniques in psychologically corrective practice are considered. Some psychological recommendations for the use of isotherapy methods in the correction of emotional disorders, compliance with which can attest to the high professional competence of the consultant

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Inna, IVZHENKO, PODOL'S'KA Ganna, DEMCHENKO Iryna, DZHYHUN Liudmyla, LYTVYNENKO Vitalina, and KACHEROVA Olha. "Art Therapeutic Techniques to Provide Psychological Assistance." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 13, no. 4 (2025): 68–80. https://doi.org/10.18662/brain/13.4/376.

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The article considers art-therapeutic means for adults and children during the war. The relevance of the article is to help children and adults to use art therapy to develop vitality, psycho-emotional recovery, adaptation to new social conditions, the formation of emotional and volitional self-regulation of behavior. Objective of the article: to find out the essence of art therapy; to study the consequences of adults and children during wars; consider popular arttherapeutic techniques for the treatment of psychological disorders in victims. Methods: anal

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Averyanova, Olga N. "Reproduction Technology. From Replica to Brand." Vestnik of Saint Petersburg University. Arts 13, no. 2 (2023): 243–54. http://dx.doi.org/10.21638/spbu15.2023.202.

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The article is devoted to the analysis of the works by the French artist of American origin Man Ray. The objects of the first New York period were studied, later they repeatedly have been reproduced by the author. We consider prints of non-preserved objects as the author’s version of a photographic readymade. Reproductions and replications have become an important part of the artist’s strategy in Paris and especially in America. These practices represent an example of the branding technology traditionally associated with Andy Warhol. Man Ray invented it long before the commercialization of pop

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Lee, Jisoo, and Jong Woo Jun. "Personal Branding in Art: A Focus on In Depth-Interview with Art Workers." Korean Society of Culture and Convergence 45, no. 5 (2023): 305–17. http://dx.doi.org/10.33645/cnc.2023.05.45.05.305.

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This study viewed art as an industry and discussed strategies for artists to establish themselves as important members of the art market. The brand strategy of viewing and managing individual artists as an independent personal brand was explored. We explored the potential of individual brands for Kim Whanki, Kim Tscang-yeul, and Lee Kang-so to find out about the brand identity of Korean artists. In-depth interviews were conducted with people in the art industry. They answered that building an artist's identity, continuity of activity, and active use of SNS are important factors for artists to

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Olha, SAVYTSKA, SHKRABIUK Veronika, PEDORENKO Valentyna, SYTNIK Svitlana, NAICHUK Victoriia, and NAZAREVYCH Victoriia. "Art Therapy as a Means of Psychological Correction of Emotional Disorders." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 13, no. 4 (2025): 196–211. https://doi.org/10.18662/brain/13.4/383.

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 The article reveals the essence and specificity of psychologically corrective work with the help of art therapy in the theoretical and methodological analysis of the problem of correction of emotional disorders. Types of emotional disorders, their causes, and also directions of art therapy and some rules of introduction of art therapy techniques in psychologically corrective practice are considered. Some psychological recommendations for the use of isotherapy methods in the correction of emotional disorders, compliance with which can attest to the high&

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Bălăiţă, Vasilica, and Andreea Darie. "Pan-Demon, Emergency Reconfiguration. Pedagogy, Art, Humanity." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 11, no. 3sup1 (2020): 41–47. http://dx.doi.org/10.18662/brain/11.3sup1/120.

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The new pandemic times reveal, besides the dysfunctions of the health system, a profound and prolonged shortage of material and human resources, as well as psychical blockages, fears and all kinds of weaknesses that we are now forced to confront, being alone with ourselves and inside ourselves. And what is it that causes these meetings, these long adjourned encounters? If it is true that being political means integrating into the superstructure of political consciousness of a state, then solidarity can be considered the first political gesture of the Academic Artistic Community in Iasi. At the

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Chibalashvili, Asmati, Igor Savchuk, Svitlana Olianina, Ihor Shalinskyi, and Yuriy Korenyuk. "Creative Coding as a Modern Art Tool." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 14, no. 2 (2023): 115–27. http://dx.doi.org/10.18662/brain/14.2/447.

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The research examines the phenomenon of creative programming as an example of the interaction between art and technology. The historical prerequisites for its emergence and various tools for its implementation are analysed. Systematization and analysis of existing platforms and computer languages for creative programming made it possible to classify them chronologically, according to principles of work, and technical characteristics. The main ways of using creative programming in different periods were explored in analysing contemporary art projects that used creative programming. Thus, The Al

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Asmati, Chibalashvili, Savchuk Igor, Olianina Svitlana, Shalinskyi Ihor, and Korenyuk Yuriy. "Creative Coding as a Modern Art Tool." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 14, no. 2 (2024): 115–27. https://doi.org/10.18662/brain/14.2/447.

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The <em>research examines the phenomenon of creative programming as an example of the interaction between art and technology. The historical prerequisites for its emergence and various tools for its implementation are analysed. Systematization and analysis of existing platforms and computer languages for creative programming made it possible to classify them chronologically, according to principles of work, and technical characteristics. The main ways of using creative programming in different periods were explored in analysing contemporary art projects that used creative programming. Thus, Th

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Ursu, Nataliya, Ivan Hutsul, Iryna Paur, Ivan Pidhurnyi, and Timur Takirov. "Neuro Art as an Incorporation of the Conscious and the Unconscious in the Modern Exposition of Art Objects." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 13, no. 3 (2022): 277–87. http://dx.doi.org/10.18662/brain/13.3/367.

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The article is devoted to the study of a new look at the expositional activity of objects of contemporary art in the light of the definition of related artistic phenomena that exist between time-torn cultural epochs. The connection between digitalization, the development of innovative technologies and the influence of the subconscious experience passed down from past generations to descendants is considered. Emphasis is placed on the peculiarities of the evolution of modern art exhibitions, historically stated examples of transcendent personal perception of artistic symbols are given, which en

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Nataliya, URSU, HUTSUL Ivan, PAUR Iryna, PIDHURNYI Ivan, and TAKIROV Timur. "Neuro Art as an Incorporation of the Conscious and the Unconscious in the Modern Exposition of Art Objects." BRAIN. Broad Research in Artificial Intelligence and Neuroscience 13, no. 3 (2025): 277–87. https://doi.org/10.18662/brain/13.3/367.

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: The article is devoted to the study of a new look at the expositional activity of objects of contemporary art in the light of the definition of related artistic phenomena that exist between time-torn cultural epochs. The connection between digitalization, the development of innovative technologies and the influence of the subconscious experience passed down from past generations to descendants is considered. Emphasis is placed on the peculiarities of the evolution of modern art exhibitions, historically stated examples of transcendent personal percepti

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Fagerland, Steffen Maude, Andreas Løve, Tord K. Helliesen, Ørjan Grøttem Martinsen, Mona Elisabeth Revheim, and Tor Endestad. "Method for Using Functional Near-Infrared Spectroscopy (fNIRS) to Explore Music-Induced Brain Activation in Orchestral Musicians in Concert." Sensors 25, no. 6 (2025): 1807. https://doi.org/10.3390/s25061807.

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The act of performing music may induce a specific state of mind, musicians potentially becoming immersed and detached from the rest of the world. May this be measured? Does this state of mind change based on repetition? In collaboration with Stavanger Symphony Orchestra (SSO), we developed protocols to investigate ongoing changes in the brain activation of a first violinist and a second violinist in real time during seven sequential, public concerts using functional near-infrared spectroscopy (fNIRS). Using wireless fNIRS systems (Brite MKII) from Artinis, we measured ongoing hemodynamic chang

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Bednarik, Robert G. "Brain Disorder and Rock Art." Cambridge Archaeological Journal 23, no. 1 (2013): 69–81. http://dx.doi.org/10.1017/s095977431300005x.

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Prompted by numerous endeavours to link a variety of brain illnesses/conditions with the introduction of palaeoart, especially rock art, the author reviews these proposals in the light of the causes of these psychiatric conditions. Several of these proposals are linked to the assumption that palaeoart was introduced through shamanism. It is demonstrated that there is no simplistic link between shamanism and brain disorders, although it is possible that some of the relevant susceptibility alleles might be involved in some shamanic experiences. Similarly, no connection between rock art and shama

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Böhne, Astrid. "The ART of brain expression." Molecular Ecology 27, no. 3 (2018): 603–5. http://dx.doi.org/10.1111/mec.14415.

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Bolwerk, Anne, Jessica Mack-Andrick, Frieder R. Lang, Arnd Dörfler, and Christian Maihöfner. "How Art Changes Your Brain: Differential Effects of Visual Art Production and Cognitive Art Evaluation on Functional Brain Connectivity." PLoS ONE 9, no. 7 (2014): e101035. http://dx.doi.org/10.1371/journal.pone.0101035.

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Safar, Laura T., and Daniel Z. Press. "Art and the Brain: Effects of Dementia on Art Production in Art Therapy." Art Therapy 28, no. 3 (2011): 96–103. http://dx.doi.org/10.1080/07421656.2011.599734.

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Friedman, Doron. "“Brain art: Brain-computer interfaces for artistic expression”." Brain-Computer Interfaces 7, no. 1-2 (2020): 36–37. http://dx.doi.org/10.1080/2326263x.2020.1756573.

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Ceaușu, Felicia. "THE COGNITIVE BENEFITS OF ART." Review of Artistic Education 30 (May 30, 2025): 314–20. https://doi.org/10.35218/rae-2025-0043.

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Abstract: Numerous studies have shown that engaging in drawing can have a positive effect on various cognitive functions. One of the key ways that drawing affects the brain is by improving concentration. When we draw, our brains are forced to focus on the task at hand, which can help improve our attention span and ability to stay focused on other tasks as well. In people who regularly engage in drawing, brain scans have shown an overall increase in gray matter in both hemispheres of the brain. Following the scan, the old belief that artists often use the right side of the brain was dismantled.

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