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1

Meckna, Michael. Twentieth-century brass soloists. Greenwood, 1994.

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2

Heikkilä, Leena. Holger Fransman: Suomalaisen käyrätorvikoulun uranuurtaja. Sibelius-Akatemia, 2009.

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3

Willener, Alfred. --When will the walls come tumbling down-- ?: An essay on women playing trumpet and other brass instruments / by Alfred Willener ; with contributions by Susan F. Fleet ; Gerald Best Webster, editor. Best Press, 1994.

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4

Charles, Gorham. Mahler, a brass player's guide to the German instructions contained in the symphonies of Mahler. PP Music, 1992.

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5

Pilafian, Sam. The brass gym: Euphonium : a comprehensive daily workout for brass players. Focus on Music, 2006.

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6

Pilafian, Sam. The brass gym: Tuba : a comprehensive daily workout for brass players. Focus on Music, 2005.

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7

Schickele, Peter. Canzon per sonar a sei--count them--sei =: Instrumental piece for six--eccoli--six players : (S. 6) for 2 B♭ trumpets, 2 F horns, trombone, and tuba. T. Presser, 1989.

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8

Broken embouchures: An embouchure handbook and repair guide for players suffering from embouchure problems caused by overuse, injury, medical/dental conditions, or damaged mechanics. Oscar's House Press, 2002.

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9

Pioneers in Brass. Trescott Research, 2001.

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10

The Pioneers in Brass. Tresott Research, 2000.

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11

Roll with It: Brass Bands in the Streets of New Orleans. Duke University Press, 2013.

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12

Roll with It: Brass Bands in the Streets of New Orleans. Duke University Press, 2013.

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13

Roll with It: Brass Bands in the Streets of New Orleans. Duke University Press, 2013.

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14

Roll With It: Brass Bands in the Streets of New Orleans (Refiguring American Music). Duke University Press Books, 2013.

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15

Muguruza, Fermin, Luis Soldevila Mataix, and Xabier Maeztu Rebolé. Sigue adelante: Raza, poder y música en Nueva Orleans. Katakrak, 2017.

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16

Amis, Kenneth. The Brass Player's Cookbook: Creative Recipes for a Successful Performance. Meredith Music, 2006.

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17

Hutchinson, Sydney. No ma’ se oye el fuinfuán. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037207.003.0013.

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Merengue is widely recognized as the national music of the Dominican Republic, its most popular and best-known export. In the twentieth century, merengue split into different genres, catering to different social groups: the orquesta merengue, centered around wind and brass instruments, and the accordion-based merengue típico. This chapter examines how the accordion is played in Dominican merengue típic. It outlines historical and contemporary meanings of the accordion as related to class, ethnicity, and gender, suggesting that the instrument often embodies Dominicans' changing ideas about them
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18

Anderson, Lisa. Tuba Players Kick Brass!: Tubaist Instrumental Gift for Musicians Music Notes Paper. Independently Published, 2019.

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19

Trusheim, William H. Mental imagery and musical performance: An inquiry into imagery use by eminent orchestral brass players in the United States. 1987.

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20

Illustrated Dictionary for the Modern Trombone, Tuba, and Euphonium Player. Rowman & Littlefield Publishers, Incorporated, 2021.

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21

Illustrated Dictionary for the Modern Trombone, Tuba, and Euphonium Player. Rowman & Littlefield Publishers, Incorporated, 2023.

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22

Anderson, Lisa. Tuba Player Kick Brass!: Tubaist Music Instrumental Gift For Musicians Music Notes Paper. Independently published, 2019.

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